UPC · Release
Now & Forever
Andrew Lloyd Webber
731458939320
98 tracksReleased 2001-01-01Really Useful Records
Last verified:
731458939320 is the Universal Product Code (UPC barcode) for the release “Now & Forever” by Andrew Lloyd Webber, released 2001-01-01 on Really Useful Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC. Tracks include USMC17150412, USMC17101320, GBF068890032.
Format
7Number system
31458Manufacturer
93932Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCNow & Forever
ISRC36 recordings
ISWC38 works
IPI32 songwriters
Track List (98)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture | Children's Choir, Alan Doggett | T-010.106.437-2 | |
| 2 | Everything’s Alright | Yvonne Elliman, Ian Gillan, Murray Head, Alan Doggett | T-010.445.227-8 | |
| 3 | I Don’t Know How to Love Him | Yvonne Elliman | T-011.626.258-8 | |
| 4 | Gethsemane (I Only Want to Say) | — | ||
| 5 | Superstar | Murray Head | T-010.268.737-5 | |
| 6 | Oh What a Circus / Sing You Fools | — | ||
| 7 | I’d Be Surprisingly Good for You | — | ||
| 8 | Another Suitcase in Another Hall | Barbara Dickson | T-011.362.782-9 | |
| 9 | Don’t Cry for Me Argentina | Julie Covington | T-010.464.976-4 | |
| 10 | High Flying, Adored | Mandy Patinkin, Patti LuPone | T-010.465.400-3 | |
| 11 | The Jellicle Ball | — | ||
| 12 | Memory | Elaine Paige | T-010.976.460-4 | |
| 13 | Gus: The Theatre Cat | — | ||
| 14 | Mr. Mistoffelees | Paul Nicholas | T-900.117.594-6 | |
| 15 | Take That Look Off Your Face | Marti Webb | — | |
| 16 | Tell Me on a Sunday | Marti Webb | T-010.410.616-2 | |
| 17 | Unexpected Song | — | ||
| 18 | Nothing Like You’ve Ever Known | — | ||
| 19 | Introduction | Andrew Lloyd Webber | T-010.522.426-7 | |
| 20 | Variations 1–4 | Julian Lloyd Webber | T-010.204.251-2 | |
| 2-1 | Starlight Express | — | ||
| 2-2 | Crazy | — | ||
| 2-3 | Next Time You Fall in Love | — | ||
| 2-4 | I Am the Starlight | Lon Satton, Ray Shell | — | |
| 2-5 | Light at the End of the Tunnel | — | ||
| 2-6 | Hosanna | — | ||
| 2-7 | Requiem: Pie Jesu | Sarah Brightman, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel | T-010.065.879-4 | |
| 2-8 | The Phantom of the Opera | Michael Crawford, Sarah Brightman | T-914.864.053-3 | |
| 2-9 | The Music of the Night | Michael Crawford | T-010.038.645-5 | |
| 2-10 | All I Ask of You | Sarah Brightman, Cliff Richard | T-010.161.461-2 | |
| 2-11 | Entr'acte | — | ||
| 2-12 | Masquerade | — | ||
| 2-13 | Wishing You Were Somehow Here Again | — | ||
| 2-14 | Aspects of Love | — | ||
| 2-15 | Love Changes Everything | — | ||
| 2-16 | Seeing Is Believing | — | ||
| 2-17 | The First Man You Remember | — | ||
| 2-18 | Anything but Lonely | — | ||
| 2-19 | Chanson d’enfance | Sarah Brightman | T-010.203.763-7 | |
| 3-1 | Any Dream Will Do | Jason Donovan | T-010.822.926-0 | |
| 3-2 | Joseph's Coat | — | ||
| 3-3 | Close Every Door | — | ||
| 3-4 | Travel Hopefully | — | ||
| 3-5 | When Love Arrives | — | ||
| 3-6 | Half a Moment | — | ||
| 3-7 | With One Look | — | ||
| 3-8 | New Ways to Dream | — | ||
| 3-9 | The Perfect Year | — | ||
| 3-10 | Sunset Boulevard | — | ||
| 3-11 | As If We Never Said Goodbye | Glenn Close | T-900.252.171-3 | |
| 3-12 | Whistle Down the Wind | Tina Arena | T-071.001.340-3 | |
| 3-13 | Cold | — | ||
| 3-14 | No Matter What | — | ||
| 3-15 | The Nature of the Beast | — | ||
| 3-16 | Overture (The Beautiful Game) | — | ||
| 3-17 | The Beautiful Game | — | ||
| 3-18 | Our Kind of Love | — | ||
| 3-19 | Don't Like You | — | ||
| 3-20 | Let Us Love in Peace | — | ||
| 4-1 | Oh What a Circus | David Essex | T-900.017.173-3 | |
| 4-2 | Memory | Elaine Paige | T-010.976.460-4 | |
| 4-3 | The Phantom of the Opera | Steve Harley, Sarah Brightman | T-300.881.742-9 | |
| 4-4 | All I Ask of You (“The Phantom of the Opera”) | Sarah Brightman, Cliff Richard | T-010.161.461-2 | |
| 4-5 | Love Changes Everything | Michael Ball | T-010.203.767-1 | |
| 4-6 | Any Dream Will Do | Donny Osmond | T-010.822.926-0 | |
| 4-7 | Amigos para siempre | — | ||
| 4-8 | As If We Never Said Goodbye | Barbra Streisand | T-900.252.171-3 | |
| 4-9 | The Perfect Year | Dina Carroll | T-011.457.681-6 | |
| 4-10 | With One Look | — | ||
| 4-11 | You Must Love Me | Madonna | T-011.508.205-7 | |
| 4-12 | The Heart Is Slow to Learn | Kiri Te Kanawa | T-010.059.473-7 | |
| 4-13 | A Kiss Is a Terrible Thing to Waste | — | ||
| 4-14 | Whistle Down the Wind | Tina Arena | T-071.001.340-3 | |
| 4-15 | No Matter What (“Whistle Down the Wind”) | Boyzone | T-071.001.338-9 | |
| 4-16 | Vaults of Heaven | Tom Jones, Sounds of Blackness | T-071.088.399-0 | |
| 4-17 | Try Not to Be Afraid | — | ||
| 4-18 | Pie Jesu | Charlotte Church, Orchestra of the Welsh National Opera, Sian Edwards | T-010.065.879-4 | |
| 5-1 | Make Believe Love | — | ||
| 5-2 | Down Thru' Summer | — | ||
| 5-3 | I'll Give All My Love to Southend | — | ||
| 5-4 | Believe Me I Will | — | ||
| 5-5 | Joseph and the Amazing Technicolor Dreamcoat (1969 Radio Luxembourg commercial) | — | ||
| 5-6 | Try It and See | — | ||
| 5-7 | Come Back Richard Your Country Needs You | — | ||
| 5-8 | Goodbye Seattle | — | ||
| 5-9 | John 19:41 | — | ||
| 5-10 | What a Line to Go Out On | — | ||
| 5-11 | Disillusion Me | — | ||
| 5-12 | The Ballad of Robert and Peter | — | ||
| 5-13 | Christmas Dream | — | ||
| 5-14 | It's Only Your Lover Returning / All Through My Crazy and Wild Days / Don't Cry for Me Argentina | — | ||
| 5-15 | Magdalena | — | ||
| 5-16 | Buenos Aires | — | ||
| 5-17 | Pollicle Dogs and Jellicle Cats | — | ||
| 5-18 | Mungojerrie and Rumpleteazer (live at the Sydmonton Festival 1980) | — | ||
| 5-19 | I Could Have Given You More | — | ||
| 5-20 | I've Been in Love Too Long | — | ||
| 5-21 | Benedicite / [unknown] | — |
Gethsemane (I Only Want to Say)
—
Oh What a Circus / Sing You Fools
—
I’d Be Surprisingly Good for You
—
The Jellicle Ball
—
Gus: The Theatre Cat
—
Take That Look Off Your Face
Marti Webb
—
Unexpected Song
—
Nothing Like You’ve Ever Known
—
Starlight Express
—
Crazy
—
Next Time You Fall in Love
—
I Am the Starlight
Lon Satton, Ray Shell
—
Light at the End of the Tunnel
—
Hosanna
—
Sarah Brightman, Paul Miles-Kingston, Winchester Cathedral Choir, James Lancelot, English Chamber Orchestra, Lorin Maazel
Entr'acte
—
Masquerade
—
Wishing You Were Somehow Here Again
—
Aspects of Love
—
Love Changes Everything
—
Seeing Is Believing
—
The First Man You Remember
—
Anything but Lonely
—
Joseph's Coat
—
Close Every Door
—
Travel Hopefully
—
When Love Arrives
—
Half a Moment
—
With One Look
—
New Ways to Dream
—
The Perfect Year
—
Sunset Boulevard
—
Cold
—
No Matter What
—
The Nature of the Beast
—
Overture (The Beautiful Game)
—
The Beautiful Game
—
Our Kind of Love
—
Don't Like You
—
Let Us Love in Peace
—
Amigos para siempre
—
With One Look
—
A Kiss Is a Terrible Thing to Waste
—
Try Not to Be Afraid
—
Make Believe Love
—
Down Thru' Summer
—
I'll Give All My Love to Southend
—
Believe Me I Will
—
Joseph and the Amazing Technicolor Dreamcoat (1969 Radio Luxembourg commercial)
—
Try It and See
—
Come Back Richard Your Country Needs You
—
Goodbye Seattle
—
John 19:41
—
What a Line to Go Out On
—
Disillusion Me
—
The Ballad of Robert and Peter
—
Christmas Dream
—
It's Only Your Lover Returning / All Through My Crazy and Wild Days / Don't Cry for Me Argentina
—
Magdalena
—
Buenos Aires
—
Pollicle Dogs and Jellicle Cats
—
Mungojerrie and Rumpleteazer (live at the Sydmonton Festival 1980)
—
I Could Have Given You More
—
I've Been in Love Too Long
—
Benedicite / [unknown]
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| I Don't Know How to Love Him | Andrew Lloyd Webber | T-011.626.258-8 |
Andrew Lloyd Webber
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.038.645-5T-010.065.879-4T-010.070.766-1T-010.161.461-2T-010.268.737-5T-010.436.056-6T-010.445.227-8T-010.464.976-4T-010.465.386-2T-010.465.400-3
+28 more
T-010.470.606-0T-010.522.426-7T-010.695.641-5T-010.797.993-0T-010.822.926-0T-010.858.937-2T-010.976.460-4T-011.115.677-4T-011.286.975-6T-011.362.782-9T-011.363.225-9T-011.508.205-7T-011.593.996-2T-011.626.258-8T-042.189.771-3T-071.001.338-9T-071.001.340-3T-802.253.289-5T-900.017.173-3T-900.065.552-7T-900.091.445-4T-900.097.367-1T-900.110.583-5T-900.252.171-3T-900.319.038-3T-914.864.053-3T-924.599.533-9T-924.620.889-9
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000035914460000000004101274600000000535262180000000055143691000000005515768X00000000551640540000000055178309000000005547958200000000555034660000000055784915
+40 more
000000005588579100000000593509030000000059431594000000006097350X000000006309663700000000630984800000000063112553000000006324766900000000714102000000000073605466000000007365632700000000736598430000000078274328000000007827844100000000783971680000000078400873000000008121017300000000816924320000000083593227000000008369645300000001072137010000000107780933000000010782262X0000000107880037000000010799189600000001085895400000000108653557000000010935902600000001094167210000000110132208000000011027096900000001103633560000000110600286000000011297410X000000011439185600000001147122500000000115071109000000011543988200000001186247170000000118675231
SourcesMLCMusicBrainzDiscogs3 sources
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People also ask
What is UPC 731458939320?
731458939320 is a Universal Product Code (UPC) assigned to Now & Forever by Andrew Lloyd Webber. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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