UPC · Album
Stockholms Filharmoniska Orkester 75 år — 1914–1989
Stockholms Filharmoniska Orkester
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7318594214240 is the Universal Product Code (UPC barcode) for the release “Stockholms Filharmoniska Orkester 75 år — 1914–1989” by Stockholms Filharmoniska Orkester, released 1989-01-01 on BIS. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 73 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (73)
| # | Track Title | Artist(s) | ISRC |
|---|---|---|---|
| 1 | Symphony no. 9 in D minor, op. 125 (Choral), Fourth Movement | — | |
| 2 | Symfonisk Prolog | — | |
| 3 | “Florez and Blanzeflor”, Ballade for Baritone and Orchestra, op. 3 | — | |
| 4 | Das Lied von der Erde: II. Der Einsame im Herbst | — | |
| 5 | Das Lied von der Erde: IV. Von der Schönheit | — | |
| 6 | Symphony no. 2, op. 17: Ostinato (Third Movement) | — | |
| 7 | Swedish Rhapsody no. 1 “Midsommarvaka” | — | |
| 2-1 | Sinfonia Espressiva: I. Lento – Tempo rigoroso – Largamente | — | |
| 2-2 | Sinfonia Espressiva: II. Allegro scherzando | — | |
| 2-3 | Sinfonia Espressiva: III. Adagio | — | |
| 2-4 | Sinfonia Espressiva: IV. Allegro risoluto | — | |
| 2-5 | Concerto per orchestra d’archi: I. Allegro con fuoco | — | |
| 2-6 | Concerto per orchestra d’archi: II. Andante ma tranquillo | — | |
| 2-7 | Concerto per orchestra d’archi: III. Allegro assai | — | |
| 2-8 | Rapsodie ebraica | — | |
| 3-1 | Concerto for Orchestra: I. Mit Kraft, mässig schnelle Viertel | — | |
| 3-2 | Concerto for Orchestra: II. Sehr schnelle Halbe | — | |
| 3-3 | Concerto for Orchestra: III Marsch für Holzbläser | — | |
| 3-4 | Concerto for Orchestra: IV. Basso Ostinato | — | |
| 3-5 | Carmina Burana: O Fortuna – Fortune plango vulnera | — | |
| 3-6 | Carmina Burana: I. Primo vere | — | |
| 3-7 | Carmina Burana: Uf dem Anger | — | |
| 3-8 | Carmina Burana: II. In Taberna | — | |
| 3-9 | Carmina Burana: III. Cour d’amours | — | |
| 3-10 | Carmina Burana: Blanziflor et Helena: Ave fortisissima | — | |
| 3-11 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | — | |
| 4-1 | Serenade for Orchestra, op. 31: I. Overtura. Allegrissimo | — | |
| 4-2 | Serenade for Orchestra, op. 31: III. Canzonetta. Tempo di valse, un poco tranquillo | — | |
| 4-3 | Serenade for Orchestra, op. 31: IV. Scherzo. Presto | — | |
| 4-4 | Psalmus Hungaricus, op. 13 | — | |
| 4-5 | The Miraculous Mandarin, Suite | — | |
| 4-6 | Daphnis et Cloé: Suite no. 2 | — | |
| 5-1 | Gustave III ou Le Bal masqué, ouverture | — | |
| 5-2 | Sinfonie Singulière: I. Allegro Fuocoso | — | |
| 5-3 | Sinfonie Singulière: II. Adagio – Scherzo: Allegro assai – Adagio | — | |
| 5-4 | Sinfonie Singulière: III. Finale: Presto | — | |
| 5-5 | Symphony no. 2, op. 29: I. Andante | — | |
| 5-6 | Symphony no. 2, op. 29: II. Allegro | — | |
| 5-7 | Symphony no. 2, op. 29: III. Andante | — | |
| 5-8 | Symphony no. 2, op. 29: IV. Tempestuoso | — | |
| 5-9 | Symphony no. 2, op. 29: V. Maestoso | — | |
| 6-1 | Symphonic Movement | — | |
| 6-2 | Suite no. 3 in G minor, op. 55: Fourth Movement – Tema con variazioni. Andante con moto | — | |
| 6-3 | Symphony no. 6 in D major, op. 60: I. Allegro non tanto | — | |
| 6-4 | Symphony no. 6 in D major, op. 60: II. Adagio | — | |
| 6-5 | Symphony no. 6 in D major, op. 60: III. Scherzo: Furiant. Presto | — | |
| 6-6 | Symphony no. 6 in D major, op. 60: IV. Finale. Allegro con spirito | — | |
| 7-1 | Leonora no. 3, Overture – Bars 501–605 | — | |
| 7-2 | Leonora no. 3, Overture – Bars 499–638 | — | |
| 7-3 | Sinfonie Singulière: First Movement, Bars 1–100 | — | |
| 7-4 | Sinfonie Sérieuse: Third Movement, Bars 1–173 | — | |
| 7-5 | Symphonic Metamorphoses on Themes By Weber, Second Movement, Turandot: Scherzo, Bars 1–64 | — | |
| 7-6 | Symphony no. 5 in E minor, op. 64: Second Movement, Bars 1–24 | — | |
| 7-7 | Symphony no. 2 in G minor, op. 34: First Movement, Fig. 26–36. Allegro energico | — | |
| 7-8 | Symphony no. 4, op. 39 “Från havsbandet”: Andante, Fig. 38:2–41:3 and 43–45:1 | — | |
| 7-9 | Symphony no. 7 in D minor, op. 70: Third Movement: Scherzo, Bars 173–255. Vivace | — | |
| 7-10 | Symphony no. 40 in G minor, K.V. 550: Fourth Movement, Finale, Bars 1–124 | — | |
| 7-11 | Symphony no. 6 in A minor: Second Movement: Scherzo, Fig. 56: 1–57 | — | |
| 7-12 | Duke Bluebeard’s Castle: Fig. 81–82 | — | |
| 7-13 | The Bolt, Ballet Suite, op. 27: From Fifth Movement: Intermezzo | — | |
| 7-14 | Symphony no. 16: Conclusion | — | |
| 8-1 | Il barbiere di Seviglia, Overture, Bars 1–34 | — | |
| 8-2 | Symphony no. 3 in F major, op. 90: Second Movement, Bars 2–67 | — | |
| 8-3 | Symphony no. 1 in C minor, op. 68: Second Movement | — | |
| 8-4 | Tristan und Isolde: Prelude and Liebestod | — | |
| 8-5 | Symphony no. 39 in E-flat major, K.V. 543: I. Adagio – Allegro | — | |
| 8-6 | Symphony no. 39 in E-flat major, K.V. 543: II. Andante | — | |
| 8-7 | Symphony no. 39 in E-flat major, K.V. 543: III. Minuetto: Allegretto and Trio | — | |
| 8-8 | Symphony no. 39 in E-flat major, K.V. 543: IV. Finale: Allegro | — | |
| 8-9 | Symphony no. 5 in E-flat major, op. 82: Third Movement | — | |
| 8-10 | The Nutcracker, Ballet Suite, op. 71a: I. Overture miniature | — | |
| 8-11 | The Nutcracker, Ballet Suite, op. 71a: V. Arab Dance | — | |
| 8-12 | The Nutcracker, Ballet Suite, op. 71a: IV. Trepak | — |
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What is UPC 7318594214240?
7318594214240 is a Universal Product Code (UPC) assigned to Stockholms Filharmoniska Orkester 75 år — 1914–1989 by Stockholms Filharmoniska Orkester. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 73 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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