UPC · Release
Bach Collegium Japan, Masaaki Suzuki
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7318599036397 is the Universal Product Code (UPC barcode) for the release “Bach & Beyond” by Bach Collegium Japan, Masaaki Suzuki, released 2010-01-01 on BIS. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC. Tracks include SEAEK9971010, SEAEK9971020, SEAEK9971030.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Missa in illo tempore: I. Kyrie | 鈴木雅明, Bach Collegium Japan | — | |
| 2 | Missa in illo tempore: II. Gloria | 鈴木雅明, Bach Collegium Japan | — | |
| 3 | Missa in illo tempore: III. Credo | 鈴木雅明, Bach Collegium Japan | — | |
| 4 | Missa in illo tempore: IV. Crucifixus à 4 | 鈴木雅明, Bach Collegium Japan | — | |
| 5 | Missa in illo tempore: V. [Et in Spiritum sanctum] | 鈴木雅明, Bach Collegium Japan | — | |
| 6 | Missa in illo tempore: VI. Sanctus | 鈴木雅明, Bach Collegium Japan | — | |
| 7 | Missa in illo tempore: VII. Benedictus | 鈴木雅明, Bach Collegium Japan | — | |
| 8 | Missa in illo tempore: VIII. Agnus Dei | 鈴木雅明, Bach Collegium Japan | — | |
| 9 | Missa in illo tempore: IX. Agnus Dei 2 à 7 | 鈴木雅明, Bach Collegium Japan | — | |
| 10 | Vespro della Beata Vergine: Versiculus: Deus in adiutorium, I. Resposorium: Domine ad adiuvandrum | 鈴木雅明, Bach Collegium Japan | — | |
| 11 | Vespro della Beata Vergine: II. Psalmus: Dixit Dominus | Stephan van Dyck, Yoshie Hida, Stephan MacLeod, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 12 | Vespro della Beata Vergine: III. Concerto: Nigra sum | Stephan van Dyck, 鈴木雅明, Bach Collegium Japan | — | |
| 13 | Vespro della Beata Vergine: IV. Psalmus: Laudate pueri | Stephan van Dyck, Mutsumi Hatano, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 14 | Vespro della Beata Vergine: V. Concerto: Pulchra es | Mutsumi Hatano, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 15 | Vespro della Beata Vergine: VI. Psalmus: Lætatus sum | Stephan van Dyck, Yoshie Hida, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 16 | Vespro della Beata Vergine: VII. Concerto: Duo Seraphim | Stephan van Dyck, Yosuke Taniguchi, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 17 | Vespro della Beata Vergine: VIII. Psalmus: Nisi Dominus | 鈴木雅明, Bach Collegium Japan | — | |
| 2-1 | Vespro della Beata Vergine: IX. Concerto: Audi Coelum | Stephan van Dyck, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-2 | Vespro della Beata Vergine: X. Psalmus: Lauda Jerusalem | 鈴木雅明, Bach Collegium Japan | — | |
| 2-3 | Vespro della Beata Vergine: XI. Sonata à 8 sopra 'Sancta Maria ora pro nobis' | 鈴木雅明, Bach Collegium Japan | — | |
| 2-4 | Vespro della Beata Vergine: XII. Hymnus: Ave maris stella | 鈴木雅明, Bach Collegium Japan | — | |
| 2-5 | Vespro della Beata Vergine: Magnificat (I): Magnificat | 鈴木雅明, Bach Collegium Japan | — | |
| 2-6 | Vespro della Beata Vergine: Magnificat (I): Et exultavit | Stephan van Dyck, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-7 | Vespro della Beata Vergine: Magnificat (I): Quia respexit | 鈴木雅明, Bach Collegium Japan | — | |
| 2-8 | Vespro della Beata Vergine: Magnificat (I): Quia fecit | Stephan MacLeod, Yoshitaka Ogasawara, 鈴木雅明, Bach Collegium Japan | — | |
| 2-9 | Vespro della Beata Vergine: Magnificat (I): Et misericordia | Mutsumi Hatano, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木美登里, Gerd Türk, Chiyuki Urano, 鈴木雅明, Bach Collegium Japan | — | |
| 2-10 | Vespro della Beata Vergine: Magnificat (I): Fecit potentiam | 鈴木雅明, Bach Collegium Japan | — | |
| 2-11 | Vespro della Beata Vergine: Magnificat (I): Deposuit | 鈴木雅明, Bach Collegium Japan | — | |
| 2-12 | Vespro della Beata Vergine: Magnificat (I): Esurientes | 鈴木雅明, Bach Collegium Japan | — | |
| 2-13 | Vespro della Beata Vergine: Magnificat (I): Suscepit Israel | Mutsumi Hatano, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-14 | Vespro della Beata Vergine: Magnificat (I): Sicut locutus est | 鈴木雅明, Bach Collegium Japan | — | |
| 2-15 | Vespro della Beata Vergine: Magnificat (I): Gloria Patri | Stephan van Dyck, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-16 | Vespro della Beata Vergine: Magnificat (I): Sicut erat | 鈴木雅明, Bach Collegium Japan | — | |
| 2-17 | Vespro della Beata Vergine: Magnificat (II): Magnificat | Stephan MacLeod, Stephan van Dyck, Mutsumi Hatano, Yoshitaka Ogasawara, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-18 | Vespro della Beata Vergine: Magnificat (II): Et exultavit | 鈴木雅明, Bach Collegium Japan | — | |
| 2-19 | Vespro della Beata Vergine: Magnificat (II): Quia resplexit | Stephan van Dyck, Yosuke Taniguchi, Gerd Türk, 鈴木雅明, Bach Collegium Japan | T-002.592.836-2 | |
| 2-20 | Vespro della Beata Vergine: Magnificat (II): Quia fecit | Stephan van Dyck, Mutsumi Hatano, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-21 | Vespro della Beata Vergine: Magnificat (II): Et misericordia | Yukari Nonoshita, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-22 | Vespro della Beata Vergine: Magnificat (II): Fecit potentiam | Yukari Nonoshita, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-23 | Vespro della Beata Vergine: Magnificat (II): Deposuit | Yukari Nonoshita, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-24 | Vespro della Beata Vergine: Magnificat (II): Esurientes | Stephan van Dyck, Gerd Türk, 鈴木雅明, Bach Collegium Japan | T-925.857.215-5 | |
| 2-25 | Vespro della Beata Vergine: Magnificat (II): Suscepit Israel | Mutsumi Hatano, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-26 | Vespro della Beata Vergine: Magnificat (II): Sicut locutus est | Stephan van Dyck, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木雅明, Bach Collegium Japan | — | |
| 2-27 | Vespro della Beata Vergine: Magnificat (II): Gloria Patri | Stephan van Dyck, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木雅明, Bach Collegium Japan | T-700.160.469-1 | |
| 2-28 | Vespro della Beata Vergine: Magnificat (II): Sicut erat | Stephan van Dyck, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木雅明, Bach Collegium Japan | — | |
| 3-1 | Messiah, Part the First: Majora Canamus (Narrator): And without controversy | — | ||
| 3-2 | Messiah, Part the First: Symphony | — | ||
| 3-3 | Messiah, Part the First: Accompagnato (Tenor): Comfort ye my people | — | ||
| 3-4 | Messiah, Part the First: Air (Tenor): Ev'ry valley shall be exalted | — | ||
| 3-5 | Messiah, Part the First: Chorus: And the glory of the Lord shall be revealed | — | ||
| 3-6 | Messiah, Part the First: Accompagnato (Bass): Thus saith the Lord | — | ||
| 3-7 | Messiah, Part the First: Air (Alto): But who may abide the day of His coming | — | ||
| 3-8 | Messiah, Part the First: Chorus: And He shall purify the sons of Levi | — | ||
| 3-9 | Messiah, Part the First: Recitative (Alto): Behold, a virgin shall conceive | — | ||
| 3-10 | Messiah, Part the First: Air and Chorus: O thou that tellest good tidings to Zion | — | ||
| 3-11 | Messiah, Part the First: Recitative (Bass): For behold, darkness shall cover the earth | — | ||
| 3-12 | Messiah, Part the First: Air (Bass): The people that walked in darkness | — | ||
| 3-13 | Messiah, Part the First: Chorus: For unto us a child is born | — | ||
| 3-14 | Messiah, Part the First: Pifa | — | ||
| 3-15 | Messiah, Part the First: Recitative (Soprano): There were shepherds abiding | — | ||
| 3-16 | Messiah, Part the First: Accompagnato (Soprano): And lo, the angel of the Lord | — | ||
| 3-17 | Messiah, Part the First: Recitative (Soprano): And the angel said unto them | — | ||
| 3-18 | Messiah, Part the First: Accompagnato (Soprano): And suddenly there was with the angel | — | ||
| 3-19 | Messiah, Part the First: Chorus: Glory to God in the highest | — | ||
| 3-20 | Messiah, Part the First: Air (Soprano): Rejoice greatly, O daughter of Zion | — | ||
| 3-21 | Messiah, Part the First: Recitative (Soprano): Then shall the eyes of the blind be open'd | — | ||
| 3-22 | Messiah, Part the First: Duet (Alto, Soprano): He shall feed His flock | — | ||
| 3-23 | Messiah, Part the First: Chorus: His yoke is easy, His burden is light | — | ||
| 3-24 | Messiah, Part the Second: Chorus: Behold the lamb of God | — | ||
| 3-25 | Messiah, Part the Second: Air (Alto): He was despised and rejected of men | — | ||
| 4-1 | Messiah, Part the Second: Chorus: Surely, He hath borne our griefs | — | ||
| 4-2 | Messiah, Part the Second: Chorus: And with His stripes we are healed | — | ||
| 4-3 | Messiah, Part the Second: Chorus: All we like sheep have gone astray | — | ||
| 4-4 | Messiah, Part the Second: Accompagnato (Tenor): All they that see Him laugh | — | ||
| 4-5 | Messiah, Part the Second: Chorus: He trusted in God that He would deliver Him | — | ||
| 4-6 | Messiah, Part the Second: Accompagnato (Tenor): Thy rebuke hath broken His heart | — | ||
| 4-7 | Messiah, Part the Second: Arioso (Tenor): Behold, and see if there be any sorrow | — | ||
| 4-8 | Messiah, Part the Second: Accompagnato (Soprano): He was cut off out of the land | — | ||
| 4-9 | Messiah, Part the Second: Air (Soprano): But thou didst not leave His soul in Hell | — | ||
| 4-10 | Messiah, Part the Second: Chorus: Lift up your heads, O ye gates | — | ||
| 4-11 | Messiah, Part the Second: Recitative (Tenor): Unto which of the angels said He | — | ||
| 4-12 | Messiah, Part the Second: Chorus: Let all the angels of God worship Him | — | ||
| 4-13 | Messiah, Part the Second: Air (Soprano): Thou art gone up on high | — | ||
| 4-14 | Messiah, Part the Second: Chorus: The Lord gave the world | — | ||
| 4-15 | Messiah, Part the Second: Air (Soprano): How beautiful are the feet of Him | — | ||
| 4-16 | Messiah, Part the Second: Chorus: Their sound is gone out into all lands | — | ||
| 4-17 | Messiah, Part the Second: Air (Bass): Why do the nations so furiously rage together | — | ||
| 4-18 | Messiah, Part the Second: Chorus: Let us break their bonds asunder | — | ||
| 4-19 | Messiah, Part the Second: Recitative (Tenor): He that dwelleth in heaven | — | ||
| 4-20 | Messiah, Part the Second: Air (Tenor): Thou shalt break them with a rod of iron | — | ||
| 4-21 | Messiah, Part the Second: Chorus: Hallelujah! | — | ||
| 4-22 | Messiah, Part the Third: Air (Soprano): I know that my Redeemer liveth | — | ||
| 4-23 | Messiah, Part the Third: Chorus: Since by man came death | — | ||
| 4-24 | Messiah, Part the Third: Accompagnato (Bass): Behold, I tell you a mystery | — | ||
| 4-25 | Messiah, Part the Third: Air (Bass): The trumpet shall sound | — | ||
| 4-26 | Messiah, Part the Third: Recitative (Alto): Then shall be brought to pass | — | ||
| 4-27 | Messiah, Part the Third: Duet (Alto, Tenor): O Death, where is thy sting | — | ||
| 4-28 | Messiah, Part the Third: Chorus: But thanks be to God | — | ||
| 4-29 | Messiah, Part the Third: Air (Soprano): If God be for us | — | ||
| 4-30 | Messiah, Part the Third: Chorus: Worthy is the Lamb that was slain | — | ||
| 5-1 | Cello Concerto in A minor, Wq. 170 / H. 432: I. Allegro assai | — | ||
| 5-2 | Cello Concerto in A minor, Wq. 170 / H. 432: II. Andante | — | ||
| 5-3 | Cello Concerto in A minor, Wq. 170 / H. 432: III. Allegro assai | — | ||
| 5-4 | Cello Concerto in B-flat major, Wq. 171 / H. 436: I. Allegretto | — | ||
| 5-5 | Cello Concerto in B-flat major, Wq. 171 / H. 436: II. Adagio | — | ||
| 5-6 | Cello Concerto in B-flat major, Wq. 171 / H. 436: III. Allegro assai | — | ||
| 5-7 | Cello Concerto in A major, Wq. 172 / H. 439: I. Allegro | — | ||
| 5-8 | Cello Concerto in A major, Wq. 172 / H. 439: II. Largo con sordini, mesto | — | ||
| 5-9 | Cello Concerto in A major, Wq. 172 / H. 439: III. Allegro assai | — |
Musical Works (ISWC)
Identifier Graph
7318599036397 is a Universal Product Code (UPC) assigned to Bach & Beyond by Bach Collegium Japan, Masaaki Suzuki. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 109 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
7318599036397 is the Universal Product Code (UPC barcode) for the release “Bach & Beyond” by Bach Collegium Japan, Masaaki Suzuki, released 2010-01-01 on BIS. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 109 tracks, each with its own ISRC. Tracks include SEAEK9971010, SEAEK9971020, SEAEK9971030.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Missa in illo tempore: I. Kyrie | 鈴木雅明, Bach Collegium Japan | — | |
| 2 | Missa in illo tempore: II. Gloria | 鈴木雅明, Bach Collegium Japan | — | |
| 3 | Missa in illo tempore: III. Credo | 鈴木雅明, Bach Collegium Japan | — | |
| 4 | Missa in illo tempore: IV. Crucifixus à 4 | 鈴木雅明, Bach Collegium Japan | — | |
| 5 | Missa in illo tempore: V. [Et in Spiritum sanctum] | 鈴木雅明, Bach Collegium Japan | — | |
| 6 | Missa in illo tempore: VI. Sanctus | 鈴木雅明, Bach Collegium Japan | — | |
| 7 | Missa in illo tempore: VII. Benedictus | 鈴木雅明, Bach Collegium Japan | — | |
| 8 | Missa in illo tempore: VIII. Agnus Dei | 鈴木雅明, Bach Collegium Japan | — | |
| 9 | Missa in illo tempore: IX. Agnus Dei 2 à 7 | 鈴木雅明, Bach Collegium Japan | — | |
| 10 | Vespro della Beata Vergine: Versiculus: Deus in adiutorium, I. Resposorium: Domine ad adiuvandrum | 鈴木雅明, Bach Collegium Japan | — | |
| 11 | Vespro della Beata Vergine: II. Psalmus: Dixit Dominus | Stephan van Dyck, Yoshie Hida, Stephan MacLeod, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 12 | Vespro della Beata Vergine: III. Concerto: Nigra sum | Stephan van Dyck, 鈴木雅明, Bach Collegium Japan | — | |
| 13 | Vespro della Beata Vergine: IV. Psalmus: Laudate pueri | Stephan van Dyck, Mutsumi Hatano, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 14 | Vespro della Beata Vergine: V. Concerto: Pulchra es | Mutsumi Hatano, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 15 | Vespro della Beata Vergine: VI. Psalmus: Lætatus sum | Stephan van Dyck, Yoshie Hida, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 16 | Vespro della Beata Vergine: VII. Concerto: Duo Seraphim | Stephan van Dyck, Yosuke Taniguchi, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 17 | Vespro della Beata Vergine: VIII. Psalmus: Nisi Dominus | 鈴木雅明, Bach Collegium Japan | — | |
| 2-1 | Vespro della Beata Vergine: IX. Concerto: Audi Coelum | Stephan van Dyck, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-2 | Vespro della Beata Vergine: X. Psalmus: Lauda Jerusalem | 鈴木雅明, Bach Collegium Japan | — | |
| 2-3 | Vespro della Beata Vergine: XI. Sonata à 8 sopra 'Sancta Maria ora pro nobis' | 鈴木雅明, Bach Collegium Japan | — | |
| 2-4 | Vespro della Beata Vergine: XII. Hymnus: Ave maris stella | 鈴木雅明, Bach Collegium Japan | — | |
| 2-5 | Vespro della Beata Vergine: Magnificat (I): Magnificat | 鈴木雅明, Bach Collegium Japan | — | |
| 2-6 | Vespro della Beata Vergine: Magnificat (I): Et exultavit | Stephan van Dyck, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-7 | Vespro della Beata Vergine: Magnificat (I): Quia respexit | 鈴木雅明, Bach Collegium Japan | — | |
| 2-8 | Vespro della Beata Vergine: Magnificat (I): Quia fecit | Stephan MacLeod, Yoshitaka Ogasawara, 鈴木雅明, Bach Collegium Japan | — | |
| 2-9 | Vespro della Beata Vergine: Magnificat (I): Et misericordia | Mutsumi Hatano, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木美登里, Gerd Türk, Chiyuki Urano, 鈴木雅明, Bach Collegium Japan | — | |
| 2-10 | Vespro della Beata Vergine: Magnificat (I): Fecit potentiam | 鈴木雅明, Bach Collegium Japan | — | |
| 2-11 | Vespro della Beata Vergine: Magnificat (I): Deposuit | 鈴木雅明, Bach Collegium Japan | — | |
| 2-12 | Vespro della Beata Vergine: Magnificat (I): Esurientes | 鈴木雅明, Bach Collegium Japan | — | |
| 2-13 | Vespro della Beata Vergine: Magnificat (I): Suscepit Israel | Mutsumi Hatano, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-14 | Vespro della Beata Vergine: Magnificat (I): Sicut locutus est | 鈴木雅明, Bach Collegium Japan | — | |
| 2-15 | Vespro della Beata Vergine: Magnificat (I): Gloria Patri | Stephan van Dyck, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-16 | Vespro della Beata Vergine: Magnificat (I): Sicut erat | 鈴木雅明, Bach Collegium Japan | — | |
| 2-17 | Vespro della Beata Vergine: Magnificat (II): Magnificat | Stephan MacLeod, Stephan van Dyck, Mutsumi Hatano, Yoshitaka Ogasawara, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-18 | Vespro della Beata Vergine: Magnificat (II): Et exultavit | 鈴木雅明, Bach Collegium Japan | — | |
| 2-19 | Vespro della Beata Vergine: Magnificat (II): Quia resplexit | Stephan van Dyck, Yosuke Taniguchi, Gerd Türk, 鈴木雅明, Bach Collegium Japan | T-002.592.836-2 | |
| 2-20 | Vespro della Beata Vergine: Magnificat (II): Quia fecit | Stephan van Dyck, Mutsumi Hatano, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木美登里, Gerd Türk, 鈴木雅明, Bach Collegium Japan | — | |
| 2-21 | Vespro della Beata Vergine: Magnificat (II): Et misericordia | Yukari Nonoshita, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-22 | Vespro della Beata Vergine: Magnificat (II): Fecit potentiam | Yukari Nonoshita, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-23 | Vespro della Beata Vergine: Magnificat (II): Deposuit | Yukari Nonoshita, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-24 | Vespro della Beata Vergine: Magnificat (II): Esurientes | Stephan van Dyck, Gerd Türk, 鈴木雅明, Bach Collegium Japan | T-925.857.215-5 | |
| 2-25 | Vespro della Beata Vergine: Magnificat (II): Suscepit Israel | Mutsumi Hatano, 鈴木美登里, 鈴木雅明, Bach Collegium Japan | — | |
| 2-26 | Vespro della Beata Vergine: Magnificat (II): Sicut locutus est | Stephan van Dyck, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木雅明, Bach Collegium Japan | — | |
| 2-27 | Vespro della Beata Vergine: Magnificat (II): Gloria Patri | Stephan van Dyck, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木雅明, Bach Collegium Japan | T-700.160.469-1 | |
| 2-28 | Vespro della Beata Vergine: Magnificat (II): Sicut erat | Stephan van Dyck, Stephan MacLeod, Yoshitaka Ogasawara, 鈴木雅明, Bach Collegium Japan | — | |
| 3-1 | Messiah, Part the First: Majora Canamus (Narrator): And without controversy | — | ||
| 3-2 | Messiah, Part the First: Symphony | — | ||
| 3-3 | Messiah, Part the First: Accompagnato (Tenor): Comfort ye my people | — | ||
| 3-4 | Messiah, Part the First: Air (Tenor): Ev'ry valley shall be exalted | — | ||
| 3-5 | Messiah, Part the First: Chorus: And the glory of the Lord shall be revealed | — | ||
| 3-6 | Messiah, Part the First: Accompagnato (Bass): Thus saith the Lord | — | ||
| 3-7 | Messiah, Part the First: Air (Alto): But who may abide the day of His coming | — | ||
| 3-8 | Messiah, Part the First: Chorus: And He shall purify the sons of Levi | — | ||
| 3-9 | Messiah, Part the First: Recitative (Alto): Behold, a virgin shall conceive | — | ||
| 3-10 | Messiah, Part the First: Air and Chorus: O thou that tellest good tidings to Zion | — | ||
| 3-11 | Messiah, Part the First: Recitative (Bass): For behold, darkness shall cover the earth | — | ||
| 3-12 | Messiah, Part the First: Air (Bass): The people that walked in darkness | — | ||
| 3-13 | Messiah, Part the First: Chorus: For unto us a child is born | — | ||
| 3-14 | Messiah, Part the First: Pifa | — | ||
| 3-15 | Messiah, Part the First: Recitative (Soprano): There were shepherds abiding | — | ||
| 3-16 | Messiah, Part the First: Accompagnato (Soprano): And lo, the angel of the Lord | — | ||
| 3-17 | Messiah, Part the First: Recitative (Soprano): And the angel said unto them | — | ||
| 3-18 | Messiah, Part the First: Accompagnato (Soprano): And suddenly there was with the angel | — | ||
| 3-19 | Messiah, Part the First: Chorus: Glory to God in the highest | — | ||
| 3-20 | Messiah, Part the First: Air (Soprano): Rejoice greatly, O daughter of Zion | — | ||
| 3-21 | Messiah, Part the First: Recitative (Soprano): Then shall the eyes of the blind be open'd | — | ||
| 3-22 | Messiah, Part the First: Duet (Alto, Soprano): He shall feed His flock | — | ||
| 3-23 | Messiah, Part the First: Chorus: His yoke is easy, His burden is light | — | ||
| 3-24 | Messiah, Part the Second: Chorus: Behold the lamb of God | — | ||
| 3-25 | Messiah, Part the Second: Air (Alto): He was despised and rejected of men | — | ||
| 4-1 | Messiah, Part the Second: Chorus: Surely, He hath borne our griefs | — | ||
| 4-2 | Messiah, Part the Second: Chorus: And with His stripes we are healed | — | ||
| 4-3 | Messiah, Part the Second: Chorus: All we like sheep have gone astray | — | ||
| 4-4 | Messiah, Part the Second: Accompagnato (Tenor): All they that see Him laugh | — | ||
| 4-5 | Messiah, Part the Second: Chorus: He trusted in God that He would deliver Him | — | ||
| 4-6 | Messiah, Part the Second: Accompagnato (Tenor): Thy rebuke hath broken His heart | — | ||
| 4-7 | Messiah, Part the Second: Arioso (Tenor): Behold, and see if there be any sorrow | — | ||
| 4-8 | Messiah, Part the Second: Accompagnato (Soprano): He was cut off out of the land | — | ||
| 4-9 | Messiah, Part the Second: Air (Soprano): But thou didst not leave His soul in Hell | — | ||
| 4-10 | Messiah, Part the Second: Chorus: Lift up your heads, O ye gates | — | ||
| 4-11 | Messiah, Part the Second: Recitative (Tenor): Unto which of the angels said He | — | ||
| 4-12 | Messiah, Part the Second: Chorus: Let all the angels of God worship Him | — | ||
| 4-13 | Messiah, Part the Second: Air (Soprano): Thou art gone up on high | — | ||
| 4-14 | Messiah, Part the Second: Chorus: The Lord gave the world | — | ||
| 4-15 | Messiah, Part the Second: Air (Soprano): How beautiful are the feet of Him | — | ||
| 4-16 | Messiah, Part the Second: Chorus: Their sound is gone out into all lands | — | ||
| 4-17 | Messiah, Part the Second: Air (Bass): Why do the nations so furiously rage together | — | ||
| 4-18 | Messiah, Part the Second: Chorus: Let us break their bonds asunder | — | ||
| 4-19 | Messiah, Part the Second: Recitative (Tenor): He that dwelleth in heaven | — | ||
| 4-20 | Messiah, Part the Second: Air (Tenor): Thou shalt break them with a rod of iron | — | ||
| 4-21 | Messiah, Part the Second: Chorus: Hallelujah! | — | ||
| 4-22 | Messiah, Part the Third: Air (Soprano): I know that my Redeemer liveth | — | ||
| 4-23 | Messiah, Part the Third: Chorus: Since by man came death | — | ||
| 4-24 | Messiah, Part the Third: Accompagnato (Bass): Behold, I tell you a mystery | — | ||
| 4-25 | Messiah, Part the Third: Air (Bass): The trumpet shall sound | — | ||
| 4-26 | Messiah, Part the Third: Recitative (Alto): Then shall be brought to pass | — | ||
| 4-27 | Messiah, Part the Third: Duet (Alto, Tenor): O Death, where is thy sting | — | ||
| 4-28 | Messiah, Part the Third: Chorus: But thanks be to God | — | ||
| 4-29 | Messiah, Part the Third: Air (Soprano): If God be for us | — | ||
| 4-30 | Messiah, Part the Third: Chorus: Worthy is the Lamb that was slain | — | ||
| 5-1 | Cello Concerto in A minor, Wq. 170 / H. 432: I. Allegro assai | — | ||
| 5-2 | Cello Concerto in A minor, Wq. 170 / H. 432: II. Andante | — | ||
| 5-3 | Cello Concerto in A minor, Wq. 170 / H. 432: III. Allegro assai | — | ||
| 5-4 | Cello Concerto in B-flat major, Wq. 171 / H. 436: I. Allegretto | — | ||
| 5-5 | Cello Concerto in B-flat major, Wq. 171 / H. 436: II. Adagio | — | ||
| 5-6 | Cello Concerto in B-flat major, Wq. 171 / H. 436: III. Allegro assai | — | ||
| 5-7 | Cello Concerto in A major, Wq. 172 / H. 439: I. Allegro | — | ||
| 5-8 | Cello Concerto in A major, Wq. 172 / H. 439: II. Largo con sordini, mesto | — | ||
| 5-9 | Cello Concerto in A major, Wq. 172 / H. 439: III. Allegro assai | — |