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L'art du chant

UPC · Release

L'art du chant

Sigismond Thalberg, Paul Wee

7318599925158
31 tracksReleased 2020-01-01BIS

Last verified:

7318599925158 is the Universal Product Code (UPC barcode) for the release “L'art du chant” by Sigismond Thalberg, Paul Wee, released 2020-01-01 on BIS. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 31 tracks, each with its own ISRC. Tracks include SEAEB2015010, SEAEB2015020, SEAEB2015030.

Format

731GS1 prefix
8599Company prefix
92515Product
8Check digit
GS1 prefix:
Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
Company prefix:
Label/distributor identifier assigned by the local GS1 office.
Product:
Unique product number assigned by the company.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCL'art du chant
ISRC31 recordings

Track List (31)

L'art du chant appliqué au piano, op. 70: No. 1, A te, o cara (After Bellini's "I puritani")
L'art du chant appliqué au piano, op. 70: No. 1, A te, o cara (After Bellini's "I puritani")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 2, Tre giorni (After Ciampi) [Attrib. Pergolesi's P. 106]
L'art du chant appliqué au piano, op. 70: No. 2, Tre giorni (After Ciampi) [Attrib. Pergolesi's P. 106]
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 3, Adelaide (After Beethoven's op. 46)
L'art du chant appliqué au piano, op. 70: No. 3, Adelaide (After Beethoven's op. 46)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 4, Pietà, signore (Attrib. Stradella)
L'art du chant appliqué au piano, op. 70: No. 4, Pietà, signore (Attrib. Stradella)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 5a, Lacrimosa (After Mozart's K. 626)
L'art du chant appliqué au piano, op. 70: No. 5a, Lacrimosa (After Mozart's K. 626)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 5b, Sull'aria (After Mozart's K. 492)
L'art du chant appliqué au piano, op. 70: No. 5b, Sull'aria (After Mozart's K. 492)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 6, Perchè mi guardi e piangi (After Rossini's "Zelmira")
L'art du chant appliqué au piano, op. 70: No. 6, Perchè mi guardi e piangi (After Rossini's "Zelmira")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 7, Bella adorate incognita (After Mercadante's "Il giuramento")
L'art du chant appliqué au piano, op. 70: No. 7, Bella adorate incognita (After Mercadante's "Il giuramento")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 8, Nel silenzio fra l'orror (After Meyerbeer's "Il crociato in Egitto")
L'art du chant appliqué au piano, op. 70: No. 8, Nel silenzio fra l'orror (After Meyerbeer's "Il crociato in Egitto")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 9, Einsam bin ich nicht alleine (After Weber's J. 279)
L'art du chant appliqué au piano, op. 70: No. 9, Einsam bin ich nicht alleine (After Weber's J. 279)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 10, Der Müller und der Bach (After Schubert's D. 795)
L'art du chant appliqué au piano, op. 70: No. 10, Der Müller und der Bach (After Schubert's D. 795)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 11, Schelm, halt fest! (After Weber's J. 277)
L'art du chant appliqué au piano, op. 70: No. 11, Schelm, halt fest! (After Weber's J. 277)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 12, Il mio tesoro (After Mozart's K. 527)
L'art du chant appliqué au piano, op. 70: No. 12, Il mio tesoro (After Mozart's K. 527)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 13, Sérénade (After Rossini's "Il barbiere di Siviglia")
L'art du chant appliqué au piano, op. 70: No. 13, Sérénade (After Rossini's "Il barbiere di Siviglia")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 14, La dove prende (After Mozart's K. 620)
L'art du chant appliqué au piano, op. 70: No. 14, La dove prende (After Mozart's K. 620)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 15, Barcarolle (After Donizetti's "Gianni di Calais")
L'art du chant appliqué au piano, op. 70: No. 15, Barcarolle (After Donizetti's "Gianni di Calais")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 16a, Protegga il giusto cielo (After Mozart's K. 527)
L'art du chant appliqué au piano, op. 70: No. 16a, Protegga il giusto cielo (After Mozart's K. 527)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 16b, Là ci darem la mano (After Mozart's K. 527)
L'art du chant appliqué au piano, op. 70: No. 16b, Là ci darem la mano (After Mozart's K. 527)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 17, Sérénade (After Grétry's "L'amant jaloux")
L'art du chant appliqué au piano, op. 70: No. 17, Sérénade (After Grétry's "L'amant jaloux")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 18, Assisa a piè d'un salice (After Rossini's "Otello")
L'art du chant appliqué au piano, op. 70: No. 18, Assisa a piè d'un salice (After Rossini's "Otello")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 19, Casta diva (After Bellini's "Norma")
L'art du chant appliqué au piano, op. 70: No. 19, Casta diva (After Bellini's "Norma")
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 20, Voi che sapete (After Mozart's K. 492)
L'art du chant appliqué au piano, op. 70: No. 20, Voi che sapete (After Mozart's K. 492)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 21, Fröhliche Klänge, Tänze, Gesänge (After Weber's J. 291)
L'art du chant appliqué au piano, op. 70: No. 21, Fröhliche Klänge, Tänze, Gesänge (After Weber's J. 291)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 22, Dafydd y garreg wen
L'art du chant appliqué au piano, op. 70: No. 22, Dafydd y garreg wen
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)
L'art du chant appliqué au piano, op. 70: No. 23, Ein Mädchen, das auf Ehre hielt (After Haydn's Hob. XXI:3)
Paul Wee
—
L'art du chant appliqué au piano, op. 70: No. 24, Fenesta vascia (After Cottrau)
L'art du chant appliqué au piano, op. 70: No. 24, Fenesta vascia (After Cottrau)
Paul Wee
—
3 Mélodies de Franz Schubert, op. 79: No. 1, Täuschung (After Schubert's D. 911)
3 Mélodies de Franz Schubert, op. 79: No. 1, Täuschung (After Schubert's D. 911)
Paul Wee
—
3 Mélodies de Franz Schubert, op. 79: No. 2, Der Neugierige (After Schubert's D. 795)
3 Mélodies de Franz Schubert, op. 79: No. 2, Der Neugierige (After Schubert's D. 795)
Paul Wee
—
3 Mélodies de Franz Schubert, op. 79: No. 3, Die Post (After Schubert's D. 911)
3 Mélodies de Franz Schubert, op. 79: No. 3, Die Post (After Schubert's D. 911)
Paul Wee
—
Auf Flügeln des Gesanges (After Mendelssohn's MWV K 86)
Auf Flügeln des Gesanges (After Mendelssohn's MWV K 86)
Paul Wee
—
10 Piano Pieces, op. 36: No. 3, Mi manca la voce (After Rossini's "Mosè in Egitto")
10 Piano Pieces, op. 36: No. 3, Mi manca la voce (After Rossini's "Mosè in Egitto")
Paul Wee
—

Identifier Graph

UPCL'art du chantISRCL'art du chant …ISRCL'art du chant …ISRCL'art du chant …ISRCL'art du chant …ISRCL'art du chant …

People also ask

What is UPC 7318599925158?
UPC 7318599925158 is the Universal Product Code (barcode) for "L'art du chant" by Sigismond Thalberg, Paul Wee, released on BIS.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 7318599925158?
UPC 7318599925158 contains 31 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 7318599925158?

7318599925158 is a Universal Product Code (UPC) assigned to L'art du chant by Sigismond Thalberg, Paul Wee. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 31 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

Learn more about UPCs · Data powered by Notes.fm