UPC · Release
Appalachian Breakdown Bluegrass Collection: Power Picks 90 Classics
Various Artists
Last verified:
732351300521 is the Universal Product Code (UPC barcode) for the release “Appalachian Breakdown Bluegrass Collection: Power Picks 90 Classics” by Various Artists, released 2016-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 30 tracks, each with its own ISRC. Tracks include USFWP1501193, USFWP0700209, USFWP0700149.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (30)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Charlotte Breakdown | Mac Martin, The Dixie Travelers, Billy Bryant | — | |
| 2-2 | Earl's Breakdown | — | ||
| 2-3 | John Hardy | Earl Taylor & Jim McCall with the Stoney Mountain Boys | T9009885476 | |
| 2-4 | Pike Couny Breakdown | — | ||
| 2-5 | Limehouse Blues | Don Reno, Bill Harrell, The Tennessee Cut-Ups | — | |
| 2-6 | Maggie | Hylo Brown, Lalra Adkins | T9252128215 | |
| 2-7 | Foggy Mountain Top | Raymond Fairchild | — | |
| 2-8 | I Don't Love Nobody | Mac Martin, The Dixie Travelers, Billy Bryant | T7001264139 | |
| 2-9 | Dear Old Dixie | Red Smiley, The Bluegrass Cut-Ups, Billy Edwards, Tater Tate | — | |
| 2-10 | Run Boy Run | The Cumberlands, Jim Smoak | T0701274476 | |
| 2-11 | Casey Jones | Raymond Fairchild with The Frosty Mountain Boys | — | |
| 2-12 | Dill Pickle Rag | Don Reno, Bill Harrell, The Tennessee Cut-Ups | — | |
| 2-13 | Flop Eared Mule | Bobby Atkins, Vassar Clements, Frank Poindexter | — | |
| 2-14 | Banjo on the Mountain | Hylo Brown & The Timberliners | — | |
| 2-15 | Cripple Creek | Raymond Fairchild | — | |
| 2-16 | Sugar in the Gourd | Mac Martin, The Dixie Travelers, Billy Bryant | T9187874028 | |
| 2-17 | Grandfather's Clock | Jim Greer & The Mac-O-Chee Valley Folks | T9131576277 | |
| 2-18 | Under the Double Eagle | Don Reno, Bill Harrell, The Tennessee Cut-Ups | — | |
| 2-19 | Cumberland Gap | Raymond Fairchild | — | |
| 2-20 | Dixie Breakdown | — | ||
| 2-21 | The Old Spinning Wheel | Lee Moore | — | |
| 2-22 | Pretty Polly | The Log Cabin Boys | — | |
| 2-23 | Kicking Mule | — | ||
| 2-24 | Going Down the Country | Mac Martin, The Dixie Travelers, Billy Bryant | — | |
| 2-25 | Soldier's Boy | — | ||
| 2-26 | SILVER BELLS | RED SMILEY & THE BLUE GRASS CUT-UPS, RED SMILEY & THE BLUEGRASS CUT-UPS, RED SMILEY;THE BLUE GRASS CUT-UPS, THE BLUEGRASS CUT-UPS RED SMILEY | T0701354735 | |
| 2-27 | John Henry | Raymond Fairchild, The Maggie Valley Boys | — | |
| 2-28 | Backtrackin' | Mac Martin, The Dixie Travelers, Billy Bryant | — | |
| 2-29 | Home Sweet Home | — | ||
| 2-30 | Fireball Mail | Mac Martin, The Dixie Travelers | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Big Ball in Memphis | Clarence "Hound Dog" Jackson, Mutt Poston | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 732351300521?
732351300521 is a Universal Product Code (UPC) assigned to Appalachian Breakdown Bluegrass Collection: Power Picks 90 Classics by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 30 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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