UPC · Release
Blues Ain't Nothing but a Good Woman Gone Bad
Jasmine Kara
Last verified:
7330612030113 is the Universal Product Code (UPC barcode) for the release “Blues Ain't Nothing but a Good Woman Gone Bad” by Jasmine Kara, released 2010-01-01 on Tri-Sound. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 15 tracks, each with its own ISRC.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (15)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Fire | — | ||
| 2 | The Mad Midget | — | ||
| 3 | In the Basement, Part 1 | — | ||
| 4 | Are You Doing Me Wrong | — | ||
| 5 | Ain't No More Room | — | ||
| 6 | Try My Love Again | — | ||
| 7 | Train Gone Mad | — | ||
| 8 | Must I Holler | — | ||
| 9 | My Party | — | ||
| 10 | My Babe | — | ||
| 11 | Ordinary Joe | — | ||
| 12 | Midget in the Coal Mine | — | ||
| 13 | In the Basement, Part 2 | — | ||
| 14 | Grits Ain't Groceries | — | ||
| 15 | Liberation Conversation | — |
What other identifiers does this connect to?
Creative Contributors (ISNI)
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People also ask
What is UPC 7330612030113?
7330612030113 is a Universal Product Code (UPC) assigned to Blues Ain't Nothing but a Good Woman Gone Bad by Jasmine Kara. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 15 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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