UPC · Release
1979/80 Cincinnati (Live)
The Dents
Last verified:
733102724054 is the Universal Product Code (UPC barcode) for the release “1979/80 Cincinnati (Live)” by The Dents, released 2021-10-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sleeping Around (Live) | — | ||
| 2 | Baby Wants (Live) | — | ||
| 3 | Why Do You Do? (Live) | — | ||
| 4 | Do the Boob (Live) | — | ||
| 5 | Wild Bill (Live) | — | ||
| 6 | Faker (Live) | — | ||
| 7 | The Dented (Live) | — | ||
| 8 | Love Comes In Spurts (Live) | — | ||
| 9 | Pumping (My Heart) [Live] | — | ||
| 10 | You Burn Me Up (Live) | — | ||
| 11 | Bitter Blood (Live) | — | ||
| 12 | Sweet Sue (Live) | — | ||
| 13 | Cheap Perfume (Live) | — | ||
| 14 | Saucer Series (Live) | — | ||
| 15 | Present Tense (Live) | — | ||
| 16 | Can’t Stand You (Live) | — | ||
| 17 | Radioactive (Live) | — |
Credits Graph
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What is UPC 733102724054?
733102724054 is a Universal Product Code (UPC) assigned to 1979/80 Cincinnati (Live) by The Dents. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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