UPC · Release
Epics: The History of the World According to Hollywood
The City of Prague Philharmonic Orchestra
738572117023
56 tracksReleased 2005-01-01Silva Screen Records Ltd.
Last verified:
738572117023 is the Universal Product Code (UPC barcode) for the release “Epics: The History of the World According to Hollywood” by The City of Prague Philharmonic Orchestra, released 2005-01-01 on Silva Screen Records Ltd.. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 56 tracks, each with its own ISRC. Tracks include GBAJC9700339, GBAJC0404824, GBAJC0404819.
Format
7Number system
38572Manufacturer
11702Product
3Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCEpics: The History of the World According to Hollywood
ISRC8 recordings
ISWC4 works
IPI1 songwriter
Track List (56)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | One Million Years B.C.: Suite From the Film Score | — | ||
| 2 | Ten Commandments: Suite | — | ||
| 3 | Alexander: Across the Mountains | — | ||
| 4 | Sodom & Gomorrah: Overture | — | ||
| 5 | March of the Spartans | The City of Prague Philharmonic Orchestra, Nic Raine | T-308.302.729-2 | |
| 6 | Troy - Remember | The City of Prague Philharmonic Orchestra, James Fitzpatrick | T-072.087.330-2 | |
| 7 | Alexander: Eternal Alexander | — | ||
| 8 | Quo Vadis: Ave Caesar | — | ||
| 9 | The Robe: Prelude / Love Theme | — | ||
| 10 | Demetrius and the Gladiators: Opening Titles / Finale | — | ||
| 11 | Caesar and Cleopatra | The City of Prague Philharmonic Orchestra, James Fitzpatrick | — | |
| 12 | Antony and Cleopatra: Suite | — | ||
| 13 | Gladiator Suite (Gladiator) | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | T-800.790.219-5 | |
| 14 | Gladiator: Now We Are Free | — | ||
| 2-1 | Masada: Main Themes | — | ||
| 2-2 | Main Title (from Spartacus) | The City of Prague Philharmonic Orchestra, Paul Bateman | T-070.006.864-9 | |
| 2-3 | Spartacus: Love Theme | — | ||
| 2-4 | The Fall of the Roman Empire: Pax Romana | — | ||
| 2-5 | The Fall of the Roman Empire: Overture | — | ||
| 2-6 | The Greatest Story Ever Told: The Great Journey | — | ||
| 2-7 | Jesus of Nazareth: Suite | David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Paul Bateman | — | |
| 2-8 | Ben-Hur: Parade of the Charioteers | — | ||
| 2-9 | Ben-Hur: Love Theme | — | ||
| 2-10 | The Silver Chalice: Prelude | — | ||
| 2-11 | The Passion of Christ: Ressurection | — | ||
| 2-12 | The War Lord: Prelude | — | ||
| 2-13 | El Cid: Love Theme | — | ||
| 2-14 | El Cid: Overture | — | ||
| 2-15 | The Vikings: Suite: Ragnar Returns / Love Scene / Dancing on the Oars / Funeral and Finale | — | ||
| 3-1 | Flesh and Blood: Prelude | — | ||
| 3-2 | The Last Valley: Main Title / Finale | — | ||
| 3-3 | Prince Valiant: Prelude | — | ||
| 3-4 | Taras Bulba: The Ride to Dubno | — | ||
| 3-5 | The Sea Hawk: Suite | — | ||
| 3-6 | The Crimson Pirate: Suite | — | ||
| 3-7 | Pirates of the Caribbean: The Curse of the Black Pearl: Suite | — | ||
| 3-8 | Captain Blood: Main Title | — | ||
| 3-9 | The Lion in Winter: Main Title / Eleanor's Arrival / We're All Jungle Creatures | — | ||
| 3-10 | Henry V: 1989: Prelude / O for a Muse of Fire | — | ||
| 3-11 | Henry V: Overture: The Globe | — | ||
| 3-12 | Mary Queen of Scots: Main Theme | — | ||
| 3-13 | The Private Lives of Elizabeth and Essex: Suite | — | ||
| 4-1 | Carmina Burana, Scenic Cantata for Soloists, Choruses & Orchestra: O Fortuna: As Used in the Film Excalibur | — | ||
| 4-2 | First Knight: Arthur's Fanfare / No Surrender | — | ||
| 4-3 | The Adventures of Robin Hood: March of the Merry Men | — | ||
| 4-4 | Braveheart: End Credits | — | ||
| 4-5 | Mutiny on the Bounty: 1962: Overture | — | ||
| 4-6 | 1492: Conquest of Paradise: Main Theme | — | ||
| 4-7 | Captain From Castile: Conquest | — | ||
| 4-8 | The Mission: Suite: The Mission / Gabriel's Oboe / On Earth as It Is in Heaven | — | ||
| 4-9 | The Alamo: Overture | — | ||
| 4-10 | The Charge of the Light Brigade: Forward the Light Brigade | — | ||
| 4-11 | Overture | Philharmonia Orchestra, Tony Bremner | T-004.018.324-1 | |
| 4-12 | Main Theme / Isandhlwana | The City of Prague Philharmonic Orchestra, Nic Raine | — | |
| 4-13 | The Last Samurai: The Last Samurai | — | ||
| 4-14 | Exodus: Overture | — |
One Million Years B.C.: Suite From the Film Score
—
Ten Commandments: Suite
—
Alexander: Across the Mountains
—
Sodom & Gomorrah: Overture
—
Alexander: Eternal Alexander
—
Quo Vadis: Ave Caesar
—
The Robe: Prelude / Love Theme
—
Demetrius and the Gladiators: Opening Titles / Finale
—
Caesar and Cleopatra
The City of Prague Philharmonic Orchestra, James Fitzpatrick
—
Antony and Cleopatra: Suite
—
David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine
Gladiator: Now We Are Free
—
Masada: Main Themes
—
Spartacus: Love Theme
—
The Fall of the Roman Empire: Pax Romana
—
The Fall of the Roman Empire: Overture
—
The Greatest Story Ever Told: The Great Journey
—
Jesus of Nazareth: Suite
David Temple, Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Paul Bateman
—
Ben-Hur: Parade of the Charioteers
—
Ben-Hur: Love Theme
—
The Silver Chalice: Prelude
—
The Passion of Christ: Ressurection
—
The War Lord: Prelude
—
El Cid: Love Theme
—
El Cid: Overture
—
The Vikings: Suite: Ragnar Returns / Love Scene / Dancing on the Oars / Funeral and Finale
—
Flesh and Blood: Prelude
—
The Last Valley: Main Title / Finale
—
Prince Valiant: Prelude
—
Taras Bulba: The Ride to Dubno
—
The Sea Hawk: Suite
—
The Crimson Pirate: Suite
—
Pirates of the Caribbean: The Curse of the Black Pearl: Suite
—
Captain Blood: Main Title
—
The Lion in Winter: Main Title / Eleanor's Arrival / We're All Jungle Creatures
—
Henry V: 1989: Prelude / O for a Muse of Fire
—
Henry V: Overture: The Globe
—
Mary Queen of Scots: Main Theme
—
The Private Lives of Elizabeth and Essex: Suite
—
Carmina Burana, Scenic Cantata for Soloists, Choruses & Orchestra: O Fortuna: As Used in the Film Excalibur
—
First Knight: Arthur's Fanfare / No Surrender
—
The Adventures of Robin Hood: March of the Merry Men
—
Braveheart: End Credits
—
Mutiny on the Bounty: 1962: Overture
—
1492: Conquest of Paradise: Main Theme
—
Captain From Castile: Conquest
—
The Mission: Suite: The Mission / Gabriel's Oboe / On Earth as It Is in Heaven
—
The Alamo: Overture
—
The Charge of the Light Brigade: Forward the Light Brigade
—
Main Theme / Isandhlwana
The City of Prague Philharmonic Orchestra, Nic Raine
—
The Last Samurai: The Last Samurai
—
Exodus: Overture
—
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Gladiator - Suite (The Might of Rome / The Battle / Honour Him) | Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine | T-911.565.404-1 |
Crouch End Festival Chorus, The City of Prague Philharmonic Orchestra, Nic Raine
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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What is UPC 738572117023?
738572117023 is a Universal Product Code (UPC) assigned to Epics: The History of the World According to Hollywood by The City of Prague Philharmonic Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 56 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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