UPC · Release
Doctor Who: The 50th Anniversary Collection
Various Artists
738572145026
127 tracksReleased 2013-01-01Silva Screen
Last verified:
738572145026 is the Universal Product Code (UPC barcode) for the release “Doctor Who: The 50th Anniversary Collection” by Various Artists, released 2013-01-01 on Silva Screen. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 127 tracks, each with its own ISRC. Tracks include GBAAA0001248, GBAJC6300011, GBAJC6300009.
Format
7Number system
38572Manufacturer
14502Product
6Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDoctor Who: The 50th Anniversary Collection
ISRC127 recordings
ISWC34 works
IPI5 songwriters
Track List (127)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Doctor Who (original theme) | Delia Derbyshire | T-010.072.545-8 | |
| 2 | Three Guitars Mood 2 | The Arthur Nelson Group | T-010.456.464-8 | |
| 3 | TARDIS Takeoff | Brian Hodgson | T-010.950.706-3 | |
| 4 | Forest Atmosphere | Tristram Cary | — | |
| 5 | Forest With Creature | Tristram Cary | — | |
| 6 | City Music 1 and 2 | Tristram Cary | — | |
| 7 | The Daleks | Tristram Cary | T-070.964.362-8 | |
| 8 | Dalek Control Room | Brian Hodgson | — | |
| 9 | The Ambush | Tristram Cary | T-070.964.362-8 | |
| 10 | Capsule Oscillation (Dalek Destructor Fuse / Bomb Countdown) | Brian Hodgson | — | |
| 11 | Explosion, TARDIS Stops | Brian Hodgson | — | |
| 12 | Sleeping Machine | Brian Hodgson | — | |
| 13 | Dalek Spaceship Lands | Brian Hodgson | — | |
| 14 | TARDIS Lands | Brian Hodgson | — | |
| 15 | Chumbley (Constant Run) | Brian Hodgson | — | |
| 16 | Chumbley at Rest | Brian Hodgson | — | |
| 17 | Marche | Les Structures Sonores | — | |
| 18 | A Strange Sickness | Eddie Walker and Musicians | — | |
| 19 | Growing Menace | Tristram Cary | — | |
| 20 | Excerpts From “The Ballad of the Last Chance Saloon” | Lynda Barron, Tom McCall | — | |
| 21 | Space Adventure, Part 2 | Martin Slavin | T-010.212.742-3 | |
| 22 | Heartbeat Chase | Brian Hodgson | — | |
| 23 | Chromophone Band | Delia Derbyshire | — | |
| 24 | Propaganda Sleep Machine | Brian Hodgson | — | |
| 25 | Sideral Universe | Paul Bonneau and His Orchestra | — | |
| 26 | Space Time Music, Part 1 | Westway Studio Orchestra | — | |
| 27 | Space Time Music, Part 2 | Westway Studio Orchestra | — | |
| 28 | Mr. Oak and Mr. Quill | Brian Hodgson | — | |
| 29 | Cyberman Stab & Music | Brian Hodgson | — | |
| 30 | Birth of Cybermats | Brian Hodgson | — | |
| 31 | Interior Rocket (suspense music) | Brian Hodgson | — | |
| 32 | Galaxy Atmosphere | Brian Hodgson | — | |
| 33 | Zoe’s Theme | Brian Hodgson | — | |
| 34 | The Dark Side of the Moon | Don Harper and Musicians | — | |
| 35 | The Company | Don Harper | — | |
| 36 | Machine and City Theme | Brian Hodgson, The BBC Radiophonic Workshop | T-920.461.403-9 | |
| 37 | Kroton Theme | Brian Hodgson | T-920.461.402-8 | |
| 38 | The Seeds of Death: Titles | Dudley Simpson, John Blanchard, Eric Allen | — | |
| 39 | Ice Warriors Music | Dudley Simpson, John Blanchard, Eric Allen | — | |
| 40 | Time Lord Court | Brian Hodgson | — | |
| 42 | The Master’s Theme | Brian Hodgson | — | |
| 43 | Hypnosis Music | Brian Hodgson | — | |
| 44 | Dover Castle | Brian Hodgson | — | |
| 45 | Keller Machine Appears and Vanishes | Brian Hodgson | — | |
| 46 | Keller Machine Theme | Brian Hodgson | — | |
| 47 | Copy Machine Tickover | Brian Hodgson | — | |
| 48 | The Axons Approach | Brian Hodgson | — | |
| 49 | Music From “The Sea Devils” | Malcolm Clarke | T-900.077.357-9 | |
| 50 | Music From “The Mutants” | Tristram Cary | — | |
| 51 | Music From “Frontier in Space” Episode 1 | Dudley Simpson | — | |
| 52 | Music From “Death to the Daleks” | London Saxophone Quartet | — | |
| 53 | Metebelis III Atmosphere | Dick Mills | — | |
| 2-1 | Doctor Who Opening Title Theme | Delia Derbyshire | T-010.072.545-8 | |
| 2-2 | Nerva Beacon Infrastructure and T‐Mat Couch | Dick Mills | — | |
| 2-3 | Music From “Revenge of the Cybermen” | Carey Blyton and Orchestra | T-011.436.682-3 | |
| 2-4 | The Destruction of Charlie Rig | Geoffrey Burgon | — | |
| 2-5 | A Landing in Scotland | Geoffrey Burgon | — | |
| 2-6 | The Zygons Attack | Geoffrey Burgon | — | |
| 2-7 | Music From “The Android Invasion” Episodes 3 and 4 | Dudley Simpson | — | |
| 2-8 | The Planet Karn | Dick Mills | — | |
| 2-9 | Antarctica: The First Pod | Geoffrey Burgon | — | |
| 2-10 | Get Dunbar! / Krynoid on the Loose | Geoffrey Burgon | — | |
| 2-11 | The Mandragora Helix | Dick Mills | — | |
| 2-12 | Music From “The Invasion of Time” Episodes 3 and 4 | Dudley Simpson | — | |
| 2-13 | Doctor Who Closing Title Theme (1970) | Delia Derbyshire | — | |
| 2-14 | Doctor Who 1980 (Opening Titles) | Peter Howell | — | |
| 2-15 | Into Argolis | Peter Howell | — | |
| 2-16 | Full Circle: K9 on a Mission | Paddy Kingsland | — | |
| 2-17 | Nyssa’s Theme | Roger Limb | — | |
| 2-18 | It’s the End… | Paddy Kingsland | — | |
| 2-19 | Doctor Who 1980 (Closing Titles) | Peter Howell | — | |
| 2-20 | Castrovalva (Suite) | Paddy Kingsland | — | |
| 2-21 | Exploring the Lab | Roger Limb | — | |
| 2-22 | March of the Cybermen | Malcolm Clarke | — | |
| 2-23 | Mawdryn Undead (Suite) | Paddy Kingsland | — | |
| 2-24 | The Five Doctors | Peter Howell | T-010.693.796-5 | |
| 2-25 | Warriors of the Deep (Suite) | Jonathan Gibbs | — | |
| 2-26 | Resurrection of the Daleks | Malcolm Clarke | — | |
| 2-27 | The Caves of Androzani (alternative Suite) | Roger Limb | — | |
| 3-1 | The Twin Dilemma (Suite) | Malcolm Clarke | — | |
| 3-2 | The Mark of the Rani (Suite) | Jonathan Gibbs | — | |
| 3-3 | The Two Doctors (Suite) | Peter Howell | — | |
| 3-4 | Timelash (Suite) | Elizabeth Parker | — | |
| 3-5 | Revelation of the Daleks (Suite) | Roger Limb | — | |
| 3-6 | Doctor Who (1986) | Dominic Glynn | T-010.072.545-8 | |
| 3-7 | The Mysterious Planet (Suite) | Dominic Glynn | — | |
| 3-8 | Terror of the Vervoids (Suite) | Malcolm Clarke | — | |
| 3-9 | The Ultimate Foe (Suite) | Dominic Glynn | — | |
| 3-10 | Doctor Who (1987) | Keff McCulloch | T-010.072.545-8 | |
| 3-11 | Music From “Time and the Rani” | Keff McCulloch | — | |
| 3-12 | “Here’s to the Future” | Keff McCulloch, The Lorells | — | |
| 3-13 | Music From “Dragonfire” | Dominic Glynn | — | |
| 3-14 | Music From “Remembrance of the Daleks” | Keff McCulloch | — | |
| 3-15 | Music From “The Greatest Show in the Galaxy” | Mark Ayres | — | |
| 3-16 | Music From “Battlefield” | Keff McCulloch | — | |
| 3-17 | Music From “The Curse of Fenric” | Mark Ayres | — | |
| 3-18 | Music From “Survival” | Dominic Glynn | — | |
| 3-19 | “…and Somewhere Else, the Tea’s Getting Cold” | Dominic Glynn | — | |
| 3-20 | Prologue: Skaro / “Doctor Who” Theme | John Sponsler, Ron Grainer | — | |
| 3-21 | “Who Am I?” | Louis Febre | — | |
| 3-22 | The Chase (original version) | John Debney, John Sponsler | — | |
| 3-23 | “Open the Eye” | John Debney, John Sponsler | — | |
| 3-24 | Farewell | John Debney, Louis Febre | — | |
| 3-25 | End Credits / “Doctor Who” Theme | Ron Grainer | — | |
| 4-1 | Doctor Who Theme (TV version) | Murray Gold | T-010.072.545-8 | |
| 4-2 | Rose’s Theme | Murray Gold | T-011.671.299-2 | |
| 4-3 | Doomsday | Murray Gold | T-011.785.578-3 | |
| 4-4 | Donna’s Theme | Murray Gold | T-011.702.006-0 | |
| 4-5 | The Doctor Forever | Murray Gold | T-011.671.843-4 | |
| 4-6 | Martha’s Theme | Murray Gold | T-011.785.578-3 | |
| 4-7 | All the Strange, Strange Creatures | Murray Gold | T-011.701.995-0 | |
| 4-8 | Boe | Murray Gold | T-011.671.842-3 | |
| 4-9 | This Is Gallifrey: Our Childhood, Our Home | Murray Gold | T-011.702.006-0 | |
| 4-10 | Song of Freedom | Murray Gold | T-011.781.417-1 | |
| 4-11 | The Master Suite | Murray Gold | T-905.685.657-6 | |
| 4-12 | Four Knocks | Murray Gold | T-905.684.650-5 | |
| 4-13 | Vale Decem | Murray Gold | T-905.684.849-8 | |
| 4-14 | I Am the Doctor | Murray Gold | T-905.685.361-3 | |
| 4-15 | The Mad Man With a Box | Murray Gold | T-905.685.362-4 | |
| 4-16 | Amy’s Theme | Murray Gold | T-906.026.451-9 | |
| 4-17 | Abigail’s Song (Silence Is All You Know) | Murray Gold | T-911.188.156-2 | |
| 4-18 | Melody Pond | Murray Gold | T-911.188.156-2 | |
| 4-19 | The Wedding of River Song | Murray Gold | T-911.362.335-1 | |
| 4-20 | Towards the Asylum | Murray Gold | T-915.220.498-3 | |
| 4-21 | Together or Not at All - The Song of Amy and Rory | Murray Gold | T-913.779.785-4 | |
| 4-22 | Up the Shard | Murray Gold | T-039.454.858-3 | |
| 4-23 | The Long Song | Murray Gold | T-913.395.224-6 |
Forest Atmosphere
Tristram Cary
—
Forest With Creature
Tristram Cary
—
City Music 1 and 2
Tristram Cary
—
Dalek Control Room
Brian Hodgson
—
Capsule Oscillation (Dalek Destructor Fuse / Bomb Countdown)
Brian Hodgson
—
Explosion, TARDIS Stops
Brian Hodgson
—
Sleeping Machine
Brian Hodgson
—
Dalek Spaceship Lands
Brian Hodgson
—
TARDIS Lands
Brian Hodgson
—
Chumbley (Constant Run)
Brian Hodgson
—
Chumbley at Rest
Brian Hodgson
—
Marche
Les Structures Sonores
—
A Strange Sickness
Eddie Walker and Musicians
—
Growing Menace
Tristram Cary
—
Excerpts From “The Ballad of the Last Chance Saloon”
Lynda Barron, Tom McCall
—
Heartbeat Chase
Brian Hodgson
—
Chromophone Band
Delia Derbyshire
—
Propaganda Sleep Machine
Brian Hodgson
—
Sideral Universe
Paul Bonneau and His Orchestra
—
Space Time Music, Part 1
Westway Studio Orchestra
—
Space Time Music, Part 2
Westway Studio Orchestra
—
Mr. Oak and Mr. Quill
Brian Hodgson
—
Cyberman Stab & Music
Brian Hodgson
—
Birth of Cybermats
Brian Hodgson
—
Interior Rocket (suspense music)
Brian Hodgson
—
Galaxy Atmosphere
Brian Hodgson
—
Zoe’s Theme
Brian Hodgson
—
The Dark Side of the Moon
Don Harper and Musicians
—
The Company
Don Harper
—
The Seeds of Death: Titles
Dudley Simpson, John Blanchard, Eric Allen
—
Ice Warriors Music
Dudley Simpson, John Blanchard, Eric Allen
—
Time Lord Court
Brian Hodgson
—
The Master’s Theme
Brian Hodgson
—
Hypnosis Music
Brian Hodgson
—
Dover Castle
Brian Hodgson
—
Keller Machine Appears and Vanishes
Brian Hodgson
—
Keller Machine Theme
Brian Hodgson
—
Copy Machine Tickover
Brian Hodgson
—
The Axons Approach
Brian Hodgson
—
Music From “The Mutants”
Tristram Cary
—
Music From “Frontier in Space” Episode 1
Dudley Simpson
—
Music From “Death to the Daleks”
London Saxophone Quartet
—
Metebelis III Atmosphere
Dick Mills
—
Nerva Beacon Infrastructure and T‐Mat Couch
Dick Mills
—
The Destruction of Charlie Rig
Geoffrey Burgon
—
A Landing in Scotland
Geoffrey Burgon
—
The Zygons Attack
Geoffrey Burgon
—
Music From “The Android Invasion” Episodes 3 and 4
Dudley Simpson
—
The Planet Karn
Dick Mills
—
Antarctica: The First Pod
Geoffrey Burgon
—
Get Dunbar! / Krynoid on the Loose
Geoffrey Burgon
—
The Mandragora Helix
Dick Mills
—
Music From “The Invasion of Time” Episodes 3 and 4
Dudley Simpson
—
Doctor Who Closing Title Theme (1970)
Delia Derbyshire
—
Doctor Who 1980 (Opening Titles)
Peter Howell
—
Into Argolis
Peter Howell
—
Full Circle: K9 on a Mission
Paddy Kingsland
—
Nyssa’s Theme
Roger Limb
—
It’s the End…
Paddy Kingsland
—
Doctor Who 1980 (Closing Titles)
Peter Howell
—
Castrovalva (Suite)
Paddy Kingsland
—
Exploring the Lab
Roger Limb
—
March of the Cybermen
Malcolm Clarke
—
Mawdryn Undead (Suite)
Paddy Kingsland
—
Warriors of the Deep (Suite)
Jonathan Gibbs
—
Resurrection of the Daleks
Malcolm Clarke
—
The Caves of Androzani (alternative Suite)
Roger Limb
—
The Twin Dilemma (Suite)
Malcolm Clarke
—
The Mark of the Rani (Suite)
Jonathan Gibbs
—
The Two Doctors (Suite)
Peter Howell
—
Timelash (Suite)
Elizabeth Parker
—
Revelation of the Daleks (Suite)
Roger Limb
—
The Mysterious Planet (Suite)
Dominic Glynn
—
Terror of the Vervoids (Suite)
Malcolm Clarke
—
The Ultimate Foe (Suite)
Dominic Glynn
—
Music From “Time and the Rani”
Keff McCulloch
—
“Here’s to the Future”
Keff McCulloch, The Lorells
—
Music From “Dragonfire”
Dominic Glynn
—
Music From “Remembrance of the Daleks”
Keff McCulloch
—
Music From “The Greatest Show in the Galaxy”
Mark Ayres
—
Music From “Battlefield”
Keff McCulloch
—
Music From “The Curse of Fenric”
Mark Ayres
—
Music From “Survival”
Dominic Glynn
—
“…and Somewhere Else, the Tea’s Getting Cold”
Dominic Glynn
—
Prologue: Skaro / “Doctor Who” Theme
John Sponsler, Ron Grainer
—
“Who Am I?”
Louis Febre
—
The Chase (original version)
John Debney, John Sponsler
—
“Open the Eye”
John Debney, John Sponsler
—
Farewell
John Debney, Louis Febre
—
End Credits / “Doctor Who” Theme
Ron Grainer
—
Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Doctor Who (new opening, 1967 – full version) | Delia Derbyshire | T-010.072.545-8 |
| Doctor Who Theme (1980 – full version) | Peter Howell | T-011.380.183-4 |
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.072.545-8T-010.456.464-8T-010.072.545-8T-010.261.261-2T-010.456.464-8T-011.380.185-6T-010.212.742-3T-010.693.796-5T-010.950.706-3T-011.380.183-4
+24 more
T-011.436.682-3T-011.671.299-2T-011.671.842-3T-011.671.843-4T-011.701.995-0T-011.702.006-0T-011.781.417-1T-011.785.578-3T-039.454.858-3T-070.964.362-8T-900.077.357-9T-905.684.650-5T-905.684.849-8T-905.685.361-3T-905.685.362-4T-905.685.657-6T-906.026.451-9T-911.188.156-2T-911.362.335-1T-913.395.224-6T-913.779.785-4T-915.220.498-3T-920.461.402-8T-920.461.403-9
Songwriters/Publishers (IPI)
Identifier Graph
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What is UPC 738572145026?
738572145026 is a Universal Product Code (UPC) assigned to Doctor Who: The 50th Anniversary Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 127 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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