UPC · Release
Distortion: 1989-2019
Bob Mould
740155727239
292 tracksReleased 2020-01-01Edsel Records
Last verified:
740155727239 is the Universal Product Code (UPC barcode) for the release “Distortion: 1989-2019” by Bob Mould, released 2020-01-01 on Edsel Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 292 tracks, each with its own ISRC. Tracks include USVI28900036, USVI29401086, USVI29201146.
Format
7Number system
40155Manufacturer
72723Product
9Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCDistortion: 1989-2019
ISRC184 recordings
ISWC196 works
IPI6 songwriters
Track List (292)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sunspots | Bob Mould | T-700.068.490-4 | |
| 2 | Wishing Well | Bob Mould | T-700.081.338-9 | |
| 3 | Heartbreak a Stranger | Bob Mould | T-700.020.878-8 | |
| 4 | See a Little Light | Bob Mould | T-700.061.336-7 | |
| 5 | Poison Years | Bob Mould | T-700.054.445-8 | |
| 6 | Sinners and Their Repentances | Bob Mould | T-700.063.550-9 | |
| 7 | Brasilia Crossed With Trenton | Bob Mould | T-070.235.098-8 | |
| 8 | Compositions for the Young and Old | Bob Mould | T-070.244.509-7 | |
| 9 | Lonely Afternoon | Bob Mould | T-700.038.634-7 | |
| 10 | Dreaming, I Am | Bob Mould | T-700.010.953-7 | |
| 11 | Whichever Way the Wind Blows | Bob Mould | T-700.080.024-0 | |
| 2-1 | Black Sheets of Rain | Bob Mould | T-070.230.635-1 | |
| 2-2 | Stand Guard | Bob Mould | T-700.066.686-6 | |
| 2-3 | It’s Too Late | Bob Mould | T-700.031.292-7 | |
| 2-4 | One Good Reason | Bob Mould | T-700.050.753-1 | |
| 2-5 | Stop Your Crying | Bob Mould | T-700.067.443-3 | |
| 2-6 | Hanging Tree | Bob Mould | T-700.019.341-1 | |
| 2-7 | The Last Night | Bob Mould | T-700.035.600-5 | |
| 2-8 | Hear Me Calling | Bob Mould | T-700.020.735-4 | |
| 2-9 | Out of Your Life | Bob Mould | T-700.051.887-8 | |
| 2-10 | Disappointed | Bob Mould | T-700.009.536-5 | |
| 2-11 | Sacrifice/Let There Be Peace | Bob Mould | T-700.059.821-2 | |
| 3-1 | The Act We Act | Sugar | T-070.221.635-0 | |
| 3-2 | A Good Idea | Sugar | T-070.234.302-9 | |
| 3-3 | Changes | Sugar | T-070.233.303-6 | |
| 3-4 | Helpless | Sugar | T-700.021.322-1 | |
| 3-5 | Hoover Dam | Sugar | T-700.022.982-5 | |
| 3-6 | The Slim | Sugar | T-700.063.986-3 | |
| 3-7 | If I Can’t Change Your Mind | Sugar | T-070.241.039-6 | |
| 3-8 | Fortune Teller | Sugar | T-070.254.942-5 | |
| 3-9 | Slick | Sugar | T-700.063.962-5 | |
| 3-10 | Man on the Moon | Sugar | T-700.041.911-6 | |
| 4-1 | Come Around | Sugar | T-700.088.275-9 | |
| 4-2 | Tilted | Sugar | T-700.088.274-8 | |
| 4-3 | Judas Cradle | Sugar | T-700.088.276-0 | |
| 4-4 | JC Auto | Sugar | T-700.088.278-2 | |
| 4-5 | Feeling Better | Sugar | T-700.088.277-1 | |
| 4-6 | Walking Away | Sugar | T-700.088.279-3 | |
| 5-1 | Gift | Sugar | T-700.102.662-8 | |
| 5-2 | Company Book | Sugar | T-700.102.665-1 | |
| 5-3 | Your Favorite Thing | Sugar | T-070.248.891-2 | |
| 5-4 | What You Want It to Be | Sugar | T-700.102.661-7 | |
| 5-5 | Gee Angel | Sugar | T-700.102.660-6 | |
| 5-6 | Panama City Motel | Sugar | T-700.102.656-0 | |
| 5-7 | Can’t Help You Anymore | Sugar | T-700.102.657-1 | |
| 5-8 | Granny Cool | Sugar | T-700.102.658-2 | |
| 5-9 | Believe What You’re Saying | Sugar | T-070.248.890-1 | |
| 5-10 | Explode and Make Up | Sugar | T-700.102.659-3 | |
| 6-1 | Needle Hits E | Sugar | T-700.047.281-3 | |
| 6-3 | Try Again | Sugar | T-700.074.653-4 | |
| 6-4 | Where Diamonds Are Halos (live at the Cabaret Metro, 22nd July 1992) | — | ||
| 6-5 | Armenia City in the Sky (live at the Cabaret Metro, 22nd July 1992) | — | ||
| 6-6 | Clownmaster | Sugar | T-700.006.081-3 | |
| 6-7 | Anyone (live at the Cabaret Metro, 22nd July 1992) | — | ||
| 6-8 | JC Auto (live at the Cabaret Metro, 22nd July 1992) | — | ||
| 6-10 | Mind Is an Island | Sugar | T-700.102.664-0 | |
| 6-11 | Frustration | — | ||
| 6-12 | Going Home | — | ||
| 6-13 | In the Eyes of My Friends | — | ||
| 6-14 | And You Tell Me | Sugar | T-700.102.663-9 | |
| 6-15 | If I Can’t Change Your Mind (BBC radio session) | — | ||
| 6-16 | Hoover Dam (BBC radio session) | — | ||
| 6-17 | The Slim (BBC radio session) | — | ||
| 6-18 | Where Diamonds Are Halos (BBC radio session) | — | ||
| 7-1 | Anymore Time Between | Bob Mould | T-700.125.187-4 | |
| 7-2 | I Hate Alternative Rock | Bob Mould | T-700.125.197-6 | |
| 7-3 | Fort Knox, King Solomon | Bob Mould | T-700.125.195-4 | |
| 7-4 | Next Time That You Leave | Bob Mould | T-700.125.198-7 | |
| 7-5 | Egøverride | Bob Mould | T-700.125.191-0 | |
| 7-6 | Thumbtack | Bob Mould | T-700.125.201-5 | |
| 7-7 | Hair Stew | Bob Mould | T-700.125.196-5 | |
| 7-8 | Deep Karma Canyon | Bob Mould | T-700.125.190-9 | |
| 7-9 | Art Crisis | Bob Mould | T-700.125.189-6 | |
| 7-10 | Roll Over and Die | Bob Mould | T-700.125.200-4 | |
| 8-1 | New #1 | Bob Mould | T-700.162.074-4 | |
| 8-2 | Moving Trucks | Bob Mould | T-700.162.075-5 | |
| 8-3 | Taking Everything | Bob Mould | T-700.162.072-2 | |
| 8-4 | First Drag of the Day | Bob Mould | T-700.162.071-1 | |
| 8-5 | Classifieds | Bob Mould | T-700.162.076-6 | |
| 8-6 | Who Was Around? | Bob Mould | T-700.162.077-7 | |
| 8-7 | Skintrade | Bob Mould | T-700.162.078-8 | |
| 8-8 | Vaporub | Bob Mould | T-700.162.079-9 | |
| 8-9 | Sweet Serene | Bob Mould | T-700.162.080-2 | |
| 8-10 | Megamanic | Bob Mould | T-700.162.073-3 | |
| 8-11 | Reflecting Pool | Bob Mould | T-700.162.081-3 | |
| 8-12 | Along the Way | Bob Mould | T-700.162.082-4 | |
| 9-1 | 180 Rain | Bob Mould | — | |
| 9-2 | Sunset Safety Glass | Bob Mould | — | |
| 9-3 | Semper FI | Bob Mould | — | |
| 9-4 | Homecoming Parade | Bob Mould | — | |
| 9-5 | Lost Zoloft | Bob Mould | — | |
| 9-6 | Without? | Bob Mould | — | |
| 9-7 | Slay / Sway | Bob Mould | — | |
| 9-8 | The Receipt | Bob Mould | — | |
| 9-9 | Quasar | Bob Mould | — | |
| 9-10 | Soundonsound | Bob Mould | — | |
| 9-11 | Hornery | Bob Mould | — | |
| 9-12 | Comeonstrong | Bob Mould | — | |
| 9-13 | Trade | Bob Mould | — | |
| 9-14 | Author's Lament | Bob Mould | — | |
| 10-1 | Theme (It’s a Perfect Day) | — | ||
| 10-2 | Guys Like You | — | ||
| 10-3 | Devil v. Angel | — | ||
| 10-4 | I Cannot Reverse You | — | ||
| 10-5 | The Fall Collection | — | ||
| 10-6 | This Is the Way I Want It | — | ||
| 10-7 | BB DuBois | — | ||
| 10-8 | Factory Builders Convention | — | ||
| 10-9 | NumberNine | — | ||
| 10-10 | Heaven’s on Fire | — | ||
| 10-11 | We Need the Truth | — | ||
| 10-12 | Helium | — | ||
| 11-1 | Circles | Bob Mould | T-072.285.362-4 | |
| 11-2 | (Shine Your) Light Love Hope | Bob Mould | T-072.285.363-5 | |
| 11-3 | Paralyzed | Bob Mould | T-072.285.364-6 | |
| 11-4 | I Am Vision, I Am Sound | Bob Mould | T-072.285.365-7 | |
| 11-5 | Underneath Days | Bob Mould | T-072.285.373-7 | |
| 11-6 | Always Tomorrow | Bob Mould | T-072.285.366-8 | |
| 11-7 | Days of Rain | Bob Mould | T-072.285.367-9 | |
| 11-8 | Best Thing | Bob Mould | — | |
| 11-9 | High Fidelity | Bob Mould | T-072.285.369-1 | |
| 11-10 | Missing You | Bob Mould | T-072.285.370-4 | |
| 11-11 | Gauze of Friendship | Bob Mould | T-072.285.371-5 | |
| 11-12 | Beating Heart the Prize | Bob Mould | T-072.285.372-6 | |
| 12-1 | Hormone Love | — | ||
| 12-2 | Here and Now | — | ||
| 12-3 | Overload | — | ||
| 12-4 | Saturday Night All the Time | — | ||
| 12-5 | Life With a View | — | ||
| 12-6 | Man Keeps Winning | — | ||
| 12-7 | Lemonade | — | ||
| 12-8 | Tag It | — | ||
| 12-9 | Fallout | — | ||
| 12-10 | Get Inside With Me | — | ||
| 12-11 | Beautiful | — | ||
| 12-12 | Ballad of Mark Dirt | — | ||
| 13-1 | Stupid Now | Bob Mould | T-073.363.156-5 | |
| 13-2 | Who Needs to Dream? | Bob Mould | T-073.363.157-6 | |
| 13-3 | Again and Again | Bob Mould | T-073.251.755-3 | |
| 13-4 | Old Highs, New Lows | Bob Mould | T-073.363.158-7 | |
| 13-5 | Return to Dust | Bob Mould | T-073.363.159-8 | |
| 13-6 | The Silence Between Us | Bob Mould | T-073.363.160-1 | |
| 13-7 | Shelter Me | Bob Mould | T-073.363.161-2 | |
| 13-8 | Very Temporary | Bob Mould | T-073.363.162-3 | |
| 13-9 | Miniature Parade | Bob Mould | T-073.363.163-4 | |
| 14-1 | Life and Times | Bob Mould | T-070.104.354-0 | |
| 14-2 | The Breach | Bob Mould | — | |
| 14-3 | City Lights (Days Go By) | Bob Mould | — | |
| 14-4 | MM 17 | Bob Mould | — | |
| 14-5 | Argos | Bob Mould | — | |
| 14-6 | Bad Blood Better | Bob Mould | — | |
| 14-7 | Wasted World | Bob Mould | — | |
| 14-8 | Spiraling Down | Bob Mould | — | |
| 14-9 | I'm Sorry, Baby, but You Can't Stand in My Light Any More | Bob Mould | — | |
| 14-10 | Lifetime | Bob Mould | — | |
| 15-1 | Star Machine | Bob Mould | T-909.207.929-3 | |
| 15-2 | Silver Age | Bob Mould | T-909.267.370-6 | |
| 15-3 | The Descent | Bob Mould | T-909.190.277-1 | |
| 15-4 | Briefest Moment | Bob Mould | T-909.267.371-7 | |
| 15-5 | Steam of Hercules | Bob Mould | T-909.644.083-4 | |
| 15-6 | Fugue State | Bob Mould | T-909.207.930-6 | |
| 15-7 | Round the City Square | Bob Mould | T-909.267.372-8 | |
| 15-8 | Angels Rearrange | Bob Mould | T-909.348.580-4 | |
| 15-9 | Keep Believing | Bob Mould | T-909.190.278-2 | |
| 15-10 | First Time Joy | Bob Mould | T-909.246.994-8 | |
| 16-1 | Low Season | Bob Mould | T-915.371.457-9 | |
| 16-2 | Little Glass Pill | Bob Mould | T-915.289.090-9 | |
| 16-3 | I Don’t Know You Anymore | Bob Mould | T-915.262.846-1 | |
| 16-4 | Kid With Crooked Face | Bob Mould | T-915.506.428-1 | |
| 16-5 | Nemeses Are Laughing | Bob Mould | T-915.557.352-7 | |
| 16-6 | The War | Bob Mould | T-915.289.091-0 | |
| 16-7 | Forgiveness | Bob Mould | T-915.289.092-1 | |
| 16-8 | Hey Mr. Grey | Bob Mould | T-915.371.458-0 | |
| 16-9 | Fire in the City | Bob Mould | T-915.289.093-2 | |
| 16-10 | Tomorrow Morning | Bob Mould | T-915.289.094-3 | |
| 16-11 | Let the Beauty Be | Bob Mould | T-915.289.095-4 | |
| 16-12 | Fix It | Bob Mould | T-915.542.470-7 | |
| 17-1 | Voices in My Head | Bob Mould | T-919.174.641-5 | |
| 17-2 | The End of Things | Bob Mould | T-919.174.610-8 | |
| 17-3 | Hold On | Bob Mould | T-919.174.609-5 | |
| 17-4 | You Say You | Bob Mould | T-919.174.634-6 | |
| 17-5 | Losing Sleep | Bob Mould | T-919.174.639-1 | |
| 17-6 | Pray for Rain | Bob Mould | T-919.174.635-7 | |
| 17-7 | Lucifer and God | Bob Mould | T-919.198.821-3 | |
| 17-8 | Daddy's Favorite | Bob Mould | T-919.198.793-6 | |
| 17-9 | Hands Are Tied | Bob Mould | T-919.174.642-6 | |
| 17-10 | Black Confetti | Bob Mould | T-919.198.838-2 | |
| 17-11 | Losing Time | Bob Mould | T-919.174.643-7 | |
| 17-12 | Monument | Bob Mould | T-919.198.830-4 | |
| 18-1 | Sunshine Rock | Bob Mould | T-928.054.874-5 | |
| 18-2 | What Do You Want Me to Do | Bob Mould | T-928.087.282-4 | |
| 18-3 | Sunny Love Song | Bob Mould | T-928.054.890-5 | |
| 18-4 | Thirty Dozen Roses | Bob Mould | T-928.054.898-3 | |
| 18-5 | The Final Years | Bob Mould | T-928.054.891-6 | |
| 18-6 | Irrational Poison | Bob Mould | T-928.087.292-6 | |
| 18-7 | I Fought | Bob Mould | T-928.054.896-1 | |
| 18-8 | Sin King | Bob Mould | T-928.054.979-3 | |
| 18-9 | Lost Faith | Bob Mould | T-928.087.295-9 | |
| 18-10 | Camp Sunshine | Bob Mould | T-928.087.266-4 | |
| 18-11 | Send Me a Postcard | Bob Mould | — | |
| 18-12 | Western Sunset | Bob Mould | — | |
| 19-1 | Sunspots | — | ||
| 19-2 | Wishing Well | — | ||
| 19-3 | Compositions for the Young and Old | — | ||
| 19-4 | Heartbreak a Stranger | — | ||
| 19-5 | Dreaming, I Am | — | ||
| 19-6 | If You’re True | — | ||
| 19-7 | Poison Years | — | ||
| 19-8 | Sinners and Their Repentances | — | ||
| 19-9 | Lonely Afternoon | — | ||
| 19-10 | Brasilia Crossed With Trenton | — | ||
| 19-11 | See a Little Light | — | ||
| 19-12 | Whichever Way the Wind Blows | — | ||
| 19-13 | All Those People Know | — | ||
| 19-14 | Shoot Out the Lights | — | ||
| 19-15 | Hardly Getting Over It | — | ||
| 19-16 | Celebrated Summer | — | ||
| 19-17 | Makes No Sense at All | — | ||
| 20-1 | Gift | Sugar | T-700.102.662-8 | |
| 20-2 | Company Book | Sugar | T-700.102.665-1 | |
| 20-3 | Hoover Dam | Sugar | T-700.022.982-5 | |
| 20-4 | After All the Roads Have Led to Nowhere | Sugar | T-700.110.945-3 | |
| 20-5 | Where Diamonds Are Halos | Sugar | T-700.107.350-5 | |
| 20-6 | Slick | Sugar | T-700.063.962-5 | |
| 20-7 | Going Home | Sugar | T-700.105.567-2 | |
| 20-8 | Running Out of Time | Sugar | T-700.059.654-5 | |
| 20-9 | Frustration | — | ||
| 20-10 | Changes | Sugar | T-070.233.303-6 | |
| 20-11 | Can't Help You Anymore | Sugar | T-700.102.657-1 | |
| 20-12 | Helpless | Sugar | T-700.021.322-1 | |
| 20-13 | If I Can't Change Your Mind | Sugar | T-070.241.039-6 | |
| 20-14 | In the Eyes of My Friends | Sugar | T-700.105.566-1 | |
| 20-15 | Clownmaster | Sugar | T-700.006.081-3 | |
| 20-16 | Gee Angel | Sugar | T-700.102.660-6 | |
| 20-17 | Explode and Make Up | Sugar | T-700.102.659-3 | |
| 20-18 | The Slim | Sugar | T-700.063.986-3 | |
| 21-1 | Moving Trucks | — | ||
| 21-2 | Taking Everything | — | ||
| 21-3 | First Drag of the Day | — | ||
| 21-4 | I Hate Alternative Rock | — | ||
| 21-5 | Stand Guard | — | ||
| 21-6 | Classifieds | — | ||
| 21-7 | Hear Me Calling | — | ||
| 21-8 | Art Crisis | — | ||
| 21-9 | Anymore Time Between | — | ||
| 21-10 | Skintrade | — | ||
| 21-11 | Eternally Fried | — | ||
| 21-12 | Roll Over and Die | — | ||
| 21-13 | Lonely Afternoon | — | ||
| 21-14 | Egøverride | — | ||
| 21-15 | Reflecting Pool | — | ||
| 21-16 | Disappointed | — | ||
| 21-17 | Hanging Tree | — | ||
| 21-18 | Man on the Moon | — | ||
| 22-1 | The Act We Act | — | ||
| 22-2 | A Good Idea | — | ||
| 22-3 | I Hate Alternative Rock | — | ||
| 22-4 | See a Little Light | — | ||
| 22-5 | Hoover Dam | — | ||
| 22-6 | Circles | — | ||
| 22-7 | Paralyzed | — | ||
| 22-8 | I Apologize | — | ||
| 22-9 | Chartered Trips | — | ||
| 22-10 | Celebrated Summer | — | ||
| 22-11 | Makes No Sense at All | — | ||
| 22-12 | New Day Rising | — | ||
| 23-1 | All Those People Know | — | ||
| 23-2 | No Water in Hell | — | ||
| 23-3 | Dying From the Inside Out | — | ||
| 23-4 | Dio | — | ||
| 23-5 | Hickory Wind | — | ||
| 23-6 | Can’t Fight It | — | ||
| 23-7 | Turning of the Tide | Bob Mould | T-010.082.751-7 | |
| 23-8 | Dog on Fire (demo) | — | ||
| 23-9 | Fort Knox, King Solomon (live at First Avenue, March 1995) | — | ||
| 23-10 | I Hate Alternative Rock (live at First Avenue, March 1995) | — | ||
| 23-11 | Wanted Was | — | ||
| 23-12 | Eternally Fried | — | ||
| 23-13 | Doubleface | — | ||
| 23-14 | He Didn’t | — | ||
| 24-1 | Castor and Pollux | — | ||
| 24-2 | Surveyors and Cranes | — | ||
| 24-3 | Love Escalator | — | ||
| 24-4 | Lowdown Ground | — | ||
| 24-5 | My Old Friend | — | ||
| 24-6 | Nihil | — | ||
| 24-7 | Could You Be the One? (live at the 9:30 club, 7th October 2005) | — | ||
| 24-8 | I Apologize (live at the 9:30 club, 7th October 2005) | — | ||
| 24-9 | Chartered Trips (live at the 9:30 club, 7th October 2005) | — | ||
| 24-10 | Dear Rosemary | — | ||
| 24-11 | Father’s Day | — | ||
| 24-12 | I Don’t Mind | — |
Where Diamonds Are Halos (live at the Cabaret Metro, 22nd July 1992)
—
Armenia City in the Sky (live at the Cabaret Metro, 22nd July 1992)
—
Anyone (live at the Cabaret Metro, 22nd July 1992)
—
JC Auto (live at the Cabaret Metro, 22nd July 1992)
—
Frustration
—
Going Home
—
In the Eyes of My Friends
—
If I Can’t Change Your Mind (BBC radio session)
—
Hoover Dam (BBC radio session)
—
The Slim (BBC radio session)
—
Where Diamonds Are Halos (BBC radio session)
—
180 Rain
Bob Mould
—
Sunset Safety Glass
Bob Mould
—
Semper FI
Bob Mould
—
Homecoming Parade
Bob Mould
—
Lost Zoloft
Bob Mould
—
Without?
Bob Mould
—
Slay / Sway
Bob Mould
—
The Receipt
Bob Mould
—
Quasar
Bob Mould
—
Soundonsound
Bob Mould
—
Hornery
Bob Mould
—
Comeonstrong
Bob Mould
—
Trade
Bob Mould
—
Author's Lament
Bob Mould
—
Theme (It’s a Perfect Day)
—
Guys Like You
—
Devil v. Angel
—
I Cannot Reverse You
—
The Fall Collection
—
This Is the Way I Want It
—
BB DuBois
—
Factory Builders Convention
—
NumberNine
—
Heaven’s on Fire
—
We Need the Truth
—
Helium
—
Best Thing
Bob Mould
—
Hormone Love
—
Here and Now
—
Overload
—
Saturday Night All the Time
—
Life With a View
—
Man Keeps Winning
—
Lemonade
—
Tag It
—
Fallout
—
Get Inside With Me
—
Beautiful
—
Ballad of Mark Dirt
—
The Breach
Bob Mould
—
City Lights (Days Go By)
Bob Mould
—
MM 17
Bob Mould
—
Argos
Bob Mould
—
Bad Blood Better
Bob Mould
—
Wasted World
Bob Mould
—
Spiraling Down
Bob Mould
—
I'm Sorry, Baby, but You Can't Stand in My Light Any More
Bob Mould
—
Lifetime
Bob Mould
—
Send Me a Postcard
Bob Mould
—
Western Sunset
Bob Mould
—
Sunspots
—
Wishing Well
—
Compositions for the Young and Old
—
Heartbreak a Stranger
—
Dreaming, I Am
—
If You’re True
—
Poison Years
—
Sinners and Their Repentances
—
Lonely Afternoon
—
Brasilia Crossed With Trenton
—
See a Little Light
—
Whichever Way the Wind Blows
—
All Those People Know
—
Shoot Out the Lights
—
Hardly Getting Over It
—
Celebrated Summer
—
Makes No Sense at All
—
Frustration
—
Moving Trucks
—
Taking Everything
—
First Drag of the Day
—
I Hate Alternative Rock
—
Stand Guard
—
Classifieds
—
Hear Me Calling
—
Art Crisis
—
Anymore Time Between
—
Skintrade
—
Eternally Fried
—
Roll Over and Die
—
Lonely Afternoon
—
Egøverride
—
Reflecting Pool
—
Disappointed
—
Hanging Tree
—
Man on the Moon
—
The Act We Act
—
A Good Idea
—
I Hate Alternative Rock
—
See a Little Light
—
Hoover Dam
—
Circles
—
Paralyzed
—
I Apologize
—
Chartered Trips
—
Celebrated Summer
—
Makes No Sense at All
—
New Day Rising
—
All Those People Know
—
No Water in Hell
—
Dying From the Inside Out
—
Dio
—
Hickory Wind
—
Can’t Fight It
—
Dog on Fire (demo)
—
Fort Knox, King Solomon (live at First Avenue, March 1995)
—
I Hate Alternative Rock (live at First Avenue, March 1995)
—
Wanted Was
—
Eternally Fried
—
Doubleface
—
He Didn’t
—
Castor and Pollux
—
Surveyors and Cranes
—
Love Escalator
—
Lowdown Ground
—
My Old Friend
—
Nihil
—
Could You Be the One? (live at the 9:30 club, 7th October 2005)
—
I Apologize (live at the 9:30 club, 7th October 2005)
—
Chartered Trips (live at the 9:30 club, 7th October 2005)
—
Dear Rosemary
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Father’s Day
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I Don’t Mind
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Additional database matches (2)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| If I Can't Change Your Mind (solo mix) | Sugar | T-070.241.039-6 |
| Believe What You're Saying (Campfire mix) | Sugar | T-070.248.890-1 |
What other identifiers does this connect to?
Musical Works (ISWC)
T-010.082.751-7T-010.082.751-7T-010.164.074-7T-010.179.091-3T-070.221.635-0T-070.230.635-1T-070.233.303-6T-070.234.302-9T-070.235.098-8T-070.241.039-6
+186 more
T-070.244.509-7T-070.248.890-1T-070.248.891-2T-070.254.942-5T-070.221.635-0T-070.230.635-1T-070.233.303-6T-070.234.302-9T-070.235.098-8T-070.238.589-4T-070.239.124-9T-070.241.039-6T-070.244.509-7T-070.245.290-1T-070.248.890-1T-070.248.891-2T-070.254.942-5T-071.411.243-2T-072.285.362-4T-072.285.363-5T-072.285.364-6T-072.285.365-7T-072.285.366-8T-072.285.367-9T-072.285.369-1T-072.285.370-4T-072.285.371-5T-072.285.372-6T-072.285.373-7T-072.285.362-4T-072.285.363-5T-072.285.364-6T-072.285.365-7T-072.285.366-8T-072.285.367-9T-072.285.369-1T-072.285.370-4T-072.285.371-5T-072.285.372-6T-072.285.373-7T-072.799.810-8T-073.251.755-3T-073.363.156-5T-073.363.157-6T-073.363.158-7T-073.363.159-8T-073.363.160-1T-073.363.161-2T-073.363.162-3T-073.363.163-4T-073.251.755-3T-073.363.156-5T-073.363.157-6T-073.363.158-7T-073.363.159-8T-073.363.160-1T-073.363.161-2T-073.363.162-3T-073.363.163-4T-073.363.164-5T-700.006.081-3T-700.009.536-5T-700.010.953-7T-700.019.341-1T-700.020.735-4T-700.020.878-8T-700.021.322-1T-700.022.982-5T-700.031.292-7T-700.035.600-5T-700.038.634-7T-700.041.911-6T-700.047.281-3T-700.050.753-1T-700.051.887-8T-700.054.445-8T-700.059.654-5T-700.059.821-2T-700.061.336-7T-700.063.550-9T-700.063.962-5T-700.063.986-3T-700.066.686-6T-700.067.443-3T-700.068.490-4T-700.074.653-4T-700.080.024-0T-700.081.338-9T-700.088.274-8T-700.088.275-9T-700.088.276-0T-700.088.277-1T-700.088.278-2T-700.088.279-3T-700.102.656-0T-700.102.657-1T-700.102.658-2T-700.102.659-3T-700.102.660-6T-700.102.661-7T-700.102.662-8T-700.102.663-9T-700.102.664-0T-700.102.665-1T-700.105.566-1T-700.105.567-2T-700.107.350-5T-700.110.945-3T-700.125.187-4T-700.125.189-6T-700.125.190-9T-700.125.191-0T-700.125.195-4T-700.125.196-5T-700.125.197-6T-700.125.198-7T-700.125.200-4T-700.125.201-5T-700.162.071-1T-700.162.072-2T-700.162.073-3T-700.162.074-4T-700.162.075-5T-700.162.076-6T-700.162.077-7T-700.162.078-8T-700.162.079-9T-700.162.080-2T-700.162.081-3T-700.162.082-4T-700.006.081-3T-700.009.536-5T-700.010.953-7T-700.019.341-1T-700.019.740-2T-700.020.735-4T-700.020.878-8T-700.021.322-1T-700.022.982-5T-700.024.251-5T-700.031.292-7T-909.190.277-1T-909.190.278-2T-909.207.929-3T-909.207.930-6T-909.246.994-8T-909.267.370-6T-909.267.371-7T-909.267.372-8T-909.348.580-4T-909.644.083-4T-915.262.846-1T-915.289.090-9T-915.289.092-1T-915.289.093-2T-915.289.094-3T-915.289.095-4T-915.371.457-9T-915.371.458-0T-915.506.428-1T-915.542.470-7T-915.557.352-7T-070.104.354-0T-915.289.091-0T-919.174.609-5T-919.174.610-8T-919.174.634-6T-919.174.635-7T-919.174.639-1T-919.174.641-5T-919.174.642-6T-919.174.643-7T-919.198.793-6T-919.198.821-3T-919.198.830-4T-919.198.838-2T-928.054.874-5T-928.054.890-5T-928.054.891-6T-928.054.896-1T-928.054.898-3T-928.054.979-3T-928.087.266-4T-928.087.282-4T-928.087.292-6T-928.087.295-9
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
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What is UPC 740155727239?
740155727239 is a Universal Product Code (UPC) assigned to Distortion: 1989-2019 by Bob Mould. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 292 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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