UPC · Release
Still Spinnin’ - The Singles Collection 1983-2021
Dead or Alive
Last verified:
740155736934 is the Universal Product Code (UPC barcode) for the release “Still Spinnin’ - The Singles Collection 1983-2021” by Dead or Alive, released 2024-01-01 on Edsel Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 85 tracks, each with its own ISRC. Tracks include GBBBM8400015, GBBLG9000161, GBBLG9000170.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (85)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Misty Circles | — | ||
| 2 | Misty Circles (instrumental) | — | ||
| 5 | Selfish Side | — | ||
| 2-1 | What I Want (original 7” version) | — | ||
| 3-1 | I’d Do Anything | — | ||
| 3-2 | Anything (dub) | — | ||
| 3-3 | I'd Do Anything (megamix) | — | ||
| 4-1 | That’s the Way (I Like It) | — | ||
| 4-2 | Do It | — | ||
| 4-4 | Keep That Body Strong (That's the Way) | — | ||
| 5-1 | You Spin Me Round (Like a Record) | Dead or Alive | T-011.222.723-2 | |
| 5-2 | Misty Circles | — | ||
| 5-6 | Mighty Mix (Pt. 1): Wish You Were Here/What I Want/Do It/Misty Circles | — | ||
| 5-7 | Mighty Mix (Pt. 2): Absolutely Nothing/Sit on It/You Make Me Wanna/That's the Way (I Like It) | — | ||
| 6-1 | Lover Come Back to Me | — | ||
| 6-2 | Far Too Hard | — | ||
| 6-6 | Lover Come Back to Me (instrumental) | — | ||
| 7-1 | In Too Deep | — | ||
| 7-2 | I’d Do Anything | — | ||
| 7-5 | You Make Me Wanna | — | ||
| 7-6 | In Too Deep (instrumental) | — | ||
| 8-1 | My Heart Goes Bang (Get Me to the Doctor) | — | ||
| 8-2 | Big Daddy of the Rhythm (live at Hammersmith Odeon) | — | ||
| 8-4 | Cake and Eat It (live at Hammersmith Odeon) | — | ||
| 8-5 | In Too Deep (live at Hammersmith Odeon) | — | ||
| 9-1 | Brand New Lover | — | ||
| 9-2 | In Too Deep (live at Hammersmith Odeon) | — | ||
| 9-4 | Brand New Lover (instrumental) | — | ||
| 9-6 | Cake and Eat It (live at Hammersmith Odeon) | — | ||
| 10-1 | Something in My House | — | ||
| 10-2 | DJ Hit That Button | — | ||
| 10-6 | Something in My House (House instrumental) | — | ||
| 10-8 | Brand New Lover | — | ||
| 10-9 | In Too Deep (live at Hammersmith Odeon) | — | ||
| 11-1 | Hooked on Love (edit) | — | ||
| 11-3 | You Spin Me Round (Like a Record) (live at the Golden Suspender) | — | ||
| 11-7 | Something in My House | — | ||
| 11-8 | DJ Hit That Button | — | ||
| 11-9 | Hooked on Love (instrumental) | — | ||
| 12-2 | Lover Come Back to Me | — | ||
| 12-4 | I Wanna Be a Toy | — | ||
| 12-6 | Whirlpool | — | ||
| 12-7 | Nowhere to Nowhere | — | ||
| 13-6 | Then There Was You | — | ||
| 13-7 | Come Inside | — | ||
| 14-2 | I’ll Save You All My Kisses | — | ||
| 14-5 | Come Home With Me Baby (The Deadhouse dub) | — | ||
| 14-6 | Come Home With Me Baby (The Deadhouse dub 7” edit) | — | ||
| 15-6 | Mini Megamix: Come Home With Me Baby/Stop Kicking My Heart Around/Give It Back (That Love Is Mine) | — | ||
| 15-7 | Baby Don’t Say Goodbye (The Powerful Club Twelve) | — | ||
| 15-9 | Baby Don’t Say Goodbye (instrumental) | — | ||
| 15-10 | Baby Don’t Say Goodbye (Cheer’s vocal) | — | ||
| 15-11 | Baby Don’t Say Goodbye (Danny’s dub) | — | ||
| 15-12 | Baby Don’t Say Goodbye (radio edit) | — | ||
| 15-13 | Nude Mega Mix: Come Home With Me Baby/Stop Kicking My Heart Around/Give It Back (That Love Is Mine)/Baby Don’t Say Goodbye/Turn Around and Count 2 Ten/I Don't Wanna Be Your Boyfriend | — | ||
| 16-1 | Your Sweetness (Is Your Weakness) | Dead or Alive | T-915.684.375-3 | |
| 16-2 | Blue Christmas | — | ||
| 16-3 | Your Sweetness (Is Your Weakness) (instrumental) | Dead or Alive | T-915.684.375-3 | |
| 17-1 | Been Gone 2 Long | — | ||
| 17-2 | Live in Nagoya, Japan 29 November 1990: Turn Around and Count 2 Ten/Blue Christmas/Your Sweetness | — | ||
| 17-3 | Beats 2 Long | — | ||
| 18-1 | Unhappy Birthday (radio edit) | — | ||
| 18-5 | Unhappy Birthday (Rockin' instrumental) | — | ||
| 19-1 | Rebel Rebel | — | ||
| 19-5 | The Right Stuff | — | ||
| 20-7 | International Thing (International 7” edit) | — | ||
| 20-9 | International Thing | — | ||
| 21-1 | Sex Drive (radio edit) | — | ||
| 21-2 | Sex Drive (album version) | — | ||
| 21-5 | Sex Drive (Scream Driven edit) | — | ||
| 21-9 | Sex Drive (album radio edit/original radio edit) | — | ||
| 21-12 | What I Want | — | ||
| 21-14 | Your Sweetness (live in Nagoya, Japan) | — | ||
| 23-2 | Hit and Run Lover | — | ||
| 23-4 | Hit and Run Lover (instrumental) | — | ||
| 23-5 | Hit and Run Lover (acappella) | — | ||
| 23-6 | Turn Around and Count 2 Ten 2000 (radio edit) | — | ||
| 24-1 | You Spin Me Round (Like a Record) (Metro 7” edit) | — | ||
| 24-6 | You Spin Me Round (Like a Record) (alternative Metro 7” edit) | — | ||
| 24-8 | Isn’t It a Pity | — | ||
| 25-1 | Even Better Than the Real Thing | — | ||
| 25-2 | Pop Life | — | ||
| 25-3 | Why’s It So Hard | — | ||
| 26-1 | Tonight.... | — | ||
| 27-1 | Hurt Me (Did U Have 2 Hurt Me) | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| You Spin Me Round (Like a Record) (Performance mix) | Dead or Alive | T-011.222.723-2 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
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People also ask
What is UPC 740155736934?
740155736934 is a Universal Product Code (UPC) assigned to Still Spinnin’ - The Singles Collection 1983-2021 by Dead or Alive. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 85 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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