SAM Records: The Sound of New York City 1975-1983

UPC · Release

SAM Records: The Sound of New York City 1975-1983

Various Artists

740155737733
22 tracksReleased 2024-01-01Edsel Records

Last verified:

740155737733 is the Universal Product Code (UPC barcode) for the release SAM Records: The Sound of New York City 1975-1983 by Various Artists, released 2024-01-01 on Edsel Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 22 tracks, each with its own ISRC. Tracks include USNRS0721616, USNRS0721745, USNRS0721741.

Format

7Number system
40155Manufacturer
73773Product
3Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCSAM Records: The Sound of New York City 1975-1983
ISRC22 recordings
ISWC5 works

Track List (22)

Anyway You Want Me (original album version)
Anyway You Want Me (original album version)
Mike & Brenda Sutton
Can You Really See Me (original Gary Turnier & Mike Berry 12″ club mix)
Can You Really See Me (original Gary Turnier & Mike Berry 12″ club mix)
Sound Troupe
Come on Back to Mama
Come on Back to Mama
Wardell Piper
The Wikka Wrap (a Jonathan Fearing edit)
The Wikka Wrap (a Jonathan Fearing edit)
The Evasions
Begging for More
Begging for More
Monica Neal
Behind My Back
Behind My Back
Underground
We'll Make It
We'll Make It
Mike & Brenda Sutton
Kojak Theme
John Davis & the Monster Orchestra
Up Jumped the Devil
John Davis & the Monster Orchestra

Additional database matches (14)

Do Your Dance (a Jim Burgess mix)
Rhyze
John Davis and the Monster Orchestra
Hold On (original John ‘Jellybean’ Benitez 12″ club mix)
Kreamcicle
John Davis & the Monster Orchestra
Hupendi Muziki Wangu?! (You Don't Like My Music) (a Jonathan Fearing mix)
K.I.D.
Don’t Let Go of Me (Grip My Hands & Move Me) (original Shep Pettibone 12″ club mix)
Mike & Brenda Sutton

What other identifiers does this connect to?

Musical Works (ISWC)

Creative Contributors (ISNI)

Identifier Graph

UPCSAM Records: Th…ISRCKeep on Dancin’…ISRCFeel AlrightISRCJust a GrooveISRCAnyway You Want…ISRCCan You Really …

People also ask

What is UPC 740155737733?
UPC 740155737733 is the Universal Product Code (barcode) for "SAM Records: The Sound of New York City 1975-1983" by Various Artists, released on Edsel Records.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 740155737733?
UPC 740155737733 contains 22 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 740155737733?

740155737733 is a Universal Product Code (UPC) assigned to SAM Records: The Sound of New York City 1975-1983 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 22 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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