UPC · Release
I Just Can’t Stop It
The Beat
Last verified:
740155801632 is the Universal Product Code (UPC barcode) for the release “I Just Can’t Stop It” by The Beat, released 2012-01-01 on Edsel Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 35 tracks, each with its own ISRC. Tracks include ARF411501282, GBAAP8000006, GBAAP8000007.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (35)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Mirror in the Bathroom | The Beat | T-070.270.283-7 | |
| 2 | Hands Off… She’s Mine | The Beat | T-070.265.321-1 | |
| 3 | Two Swords | The Beat | T-071.971.535-1 | |
| 4 | Twist & Crawl | The Beat | T-072.505.400-1 | |
| 5 | Rough Rider | The Beat | T-010.110.294-6 | |
| 6 | Click Click | The Beat | T-071.390.268-1 | |
| 7 | Big Shot | The Beat | T-070.884.836-5 | |
| 8 | Whine & Grine / Stand Down Margaret | The Beat | — | |
| 9 | Noise in This World | The Beat | T-010.473.628-8 | |
| 10 | Can’t Get Used to Losing You | The Beat | T-070.880.999-7 | |
| 11 | Best Friend | The Beat | T-070.258.201-1 | |
| 12 | Jackpot | The Beat | — | |
| 2-1 | Tears of a Clown | The Beat | T-070.183.555-3 | |
| 2-2 | Ranking Full Stop | The Beat | T-901.723.640-7 | |
| 2-3 | Twist & Crawl (extended) | — | ||
| 2-4 | Hands Off… She’s Mine (extended) | — | ||
| 2-5 | Stand Down Margaret (dub) | — | ||
| 2-11 | Tears of a Clown (John Peel Session, 5th November 1979) | — | ||
| 2-12 | Ranking Full Stop (John Peel Session, 5th November 1979) | — | ||
| 2-13 | Click Clack (John Peel Session, 5th November 1979) | — | ||
| 2-14 | Mirror in the Bathroom (John Peel Session, 5th November 1979) | — | ||
| 2-15 | Big Shot (John Peel Session, 5th November 1979) | — | ||
| 2-16 | Hands Off… She’s Mine (Mike Read Session, 11th February 1980) | — | ||
| 2-17 | Mirror in the Bathroom (Mike Read Session, 11th February 1980) | — | ||
| 2-18 | Rough Rider (Mike Read Session, 11th February 1980) | — | ||
| 2-19 | Twist & Crawl (Mike Read Session, 11th February 1980) | — | ||
| 3-1 | Mirror in the Bathroom (single video) | — | ||
| 3-2 | Best Friend (single video) | — | ||
| 3-3 | Tears of a Clown (Top of the Pops, 13th December 1979) | — | ||
| 3-4 | Tears of a Clown (Top of the Pops, 3rd January 1980) | — | ||
| 3-5 | Hands Off… She’s Mine (Top of the Pops, 22nd February 1980) | — | ||
| 3-6 | Hands Off… She’s Mine (Top of the Pops, 6th March 1980) | — | ||
| 3-7 | Mirror in the Bathroom (Top of the Pops, 1st May 1980) | — | ||
| 3-8 | Alright Now (12th December 1980) | — | ||
| 3-9 | Hands Off… She’s Mine (Top Rank Suite, Birmingham) | — |
Additional database matches (5)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Twist & Crawl | The Beat | T-070.271.956-9 |
| Jackpot | The Beat | T-910.064.920-5 |
| Twist & Crawl | The Beat | — |
| Whine & Grine / Stand Down Margaret | The Beat | — |
| Jackpot | The Beat | T-910.064.920-5 |
What other identifiers does this connect to?
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
People also ask
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What is UPC 740155801632?
740155801632 is a Universal Product Code (UPC) assigned to I Just Can’t Stop It by The Beat. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 35 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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