UPC · Release
The Symphonies
Gustav Mahler, Netherlands Radio Philharmonic, Edo de Waart
743212760125
57 tracksReleased 1995-01-01RCA Victor Red Seal
Last verified:
743212760125 is the Universal Product Code (UPC barcode) for the release “The Symphonies” by Gustav Mahler, Netherlands Radio Philharmonic, Edo de Waart, released 1995-01-01 on RCA Victor Red Seal. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC.
Format
7Number system
43212Manufacturer
76012Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCThe Symphonies
ISWC1 work
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in D major: Langsam. Schleppend. Wie ein Naturlaut | — | ||
| 2 | Symphony no. 1 in D major: Kräftig bewegt, doch nicht zu schnell | — | ||
| 3 | Symphony no. 1 in D major: Feierlich und gemessen, ohne zu schleppen | — | ||
| 4 | Symphony no. 1 in D major: Stürmisch bewegt. Energisch. Mit großer Wildheit | — | ||
| 2-1 | Symphony no. 2 in C minor: Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck | — | ||
| 2-2 | Symphony no. 2 in C minor: Andante moderato. Sehr gemächlich. Nie eilen | — | ||
| 2-3 | Symphony no. 2 in C minor: In ruhig fließender Bewegung | — | ||
| 3-1 | Symphony no. 2 in C minor: "Urlicht". Sehr feierlich, aber schlicht (from "Des Knaben Wunderhorn") | — | ||
| 3-2 | Symphony no. 2 in C minor: Im Tempo des Scherzos. Wild herausfahrend | — | ||
| 4-1 | Symphony no. 3 in D minor, Part I: Kräftig entschieden | — | ||
| 4-2 | Symphony no. 3 in D minor, Part II: Tempo di menuetto, sehr mäßig | — | ||
| 4-3 | Symphony no. 3 in D minor, Part II: Comodo, scherzando. Ohne Hast | — | ||
| 5-1 | Symphony no. 3 in D minor, Part II: Sehr langsam. Miserioso. | — | ||
| 5-2 | Symphony no. 3 in D minor, Part II: Lustig im Tempo und keck | — | ||
| 5-3 | Symphony no. 3 in D minor, Part II: Langsam. Ruhevoll. Empfunden | — | ||
| 6-1 | Symphony no. 4 in G major: Bedächtig. Nicht eilen. Nicht gemächlich. | — | ||
| 6-2 | Symphony no. 4 in G major: In gemächliger Bewegung. Ohne Hast | — | ||
| 6-3 | Symphony no. 4 in G major: Ruhevoll (Poco adagio) | — | ||
| 6-4 | Symphony no. 4 in G major: Sehr behaglich | — | ||
| 7-1 | Symphony no. 5 in C sharp minor, Part I: Trauermarsch. In gemessenem Schritt. Streng (Wie ein Kondukt) | — | ||
| 7-2 | Symphony no. 5 in C sharp minor, Part I: Stürmisch bewegt. Mit größter Vehemenz | — | ||
| 7-3 | Symphony no. 5 in C sharp minor, Part II: Scherzo (Kräftig, nicht zu schnell) | — | ||
| 7-4 | Symphony no. 5 in C sharp minor, Part III: Adagietto (Sehr langsam) | — | ||
| 7-5 | Symphony no. 5 in C sharp minor, Part III: Rondo-Finale (Allegro) | — | ||
| 8-1 | Symphony no. 6 in A minor: Allegro energico ma non troppo. Heftig aber markig | — | ||
| 8-2 | Symphony no. 6 in A minor: Scherzo (Wuchtig) | — | ||
| 9-1 | Symphony no. 6 in A minor: Andante moderato | — | ||
| 9-2 | Symphony no. 6 in A minor: Finale (Allegro moderato) | — | ||
| 10-1 | Symphony no. 7 in E minor: Langsam. Allegro ma non troppo | — | ||
| 10-2 | Symphony no. 7 in E minor: Nachtmusik. (Allegro moderato) | — | ||
| 10-3 | Symphony no. 7 in E minor: Scherzo. Schattenhaft | — | ||
| 10-4 | Symphony no. 7 in E minor: Nachtmusik. (Andante amoroso) | — | ||
| 10-5 | Symphony no. 7 in E minor: Rondo-Finale. Tempo I (Allegro ordinario) | — | ||
| 11-1 | Symphony no. 8 in E flat major, Part I: Veni, creator spiritus! | — | ||
| 11-2 | Symphony no. 8 in E flat major, Part I: Imple superna gratia | — | ||
| 11-3 | Symphony no. 8 in E flat major, Part I: Infirma nostri corporis | — | ||
| 11-5 | Symphony no. 8 in E flat major, Part I: Accende lumen sensibus | — | ||
| 11-6 | Symphony no. 8 in E flat major, Part I: Qui paraclitus diceris | — | ||
| 11-7 | Symphony no. 8 in E flat major, Part I: Gloria patri domino | — | ||
| 12-1 | Symphony no. 8 in E flat major, Part II: Poco adagio | — | ||
| 12-2 | Symphony no. 8 in E flat major, Part II: Più mosso (Allegro moderato) | — | ||
| 12-3 | Symphony no. 8 in E flat major, Part II: Waldung, sie schwankt heran | — | ||
| 12-4 | Symphony no. 8 in E flat major, Part II: Ewiger Wonnebrand | — | ||
| 12-5 | Symphony no. 8 in E flat major, Part II: Wie Felsenabgrund mir zu Füßen | — | ||
| 12-6 | Symphony no. 8 in E flat major, Part II: Gerettet ist das edle Glied | — | ||
| 12-7 | Symphony no. 8 in E flat major, Part II: Jene Rosen aus den Händen | — | ||
| 12-8 | Symphony no. 8 in E flat major, Part II: Uns bleibt ein Erdenrest | — | ||
| 12-9 | Symphony no. 8 in E flat major, Part II: Ich spür soeben | — | ||
| 12-10 | Symphony no. 8 in E flat major, Part II: Dir, der unberührbaren | — | ||
| 12-11 | Symphony no. 8 in E flat major, Part II: Bei der Liebe, die den Füßen | — | ||
| 12-12 | Symphony no. 8 in E flat major, Part II: Er überwächst uns schon | — | ||
| 12-13 | Symphony no. 8 in E flat major, Part II: Blicket auf zum Retterblick | — | ||
| 12-14 | Symphony no. 8 in E flat major, Part II: Alles Vergängliche | — | ||
| 13-1 | Symphony no. 9 in D major: Andante comodo | — | ||
| 13-2 | Symphony no. 9 in D major: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb | — | ||
| 14-1 | Symphony no. 9 in D major: Rondo-Burleske (Allegro assai. Sehr trotzig) | — | ||
| 14-2 | Symphony no. 9 in D major: Adagio. (Sehr langsam und noch zurückhaltend) | — |
Symphony no. 1 in D major: Langsam. Schleppend. Wie ein Naturlaut
—
Symphony no. 1 in D major: Kräftig bewegt, doch nicht zu schnell
—
Symphony no. 1 in D major: Feierlich und gemessen, ohne zu schleppen
—
Symphony no. 1 in D major: Stürmisch bewegt. Energisch. Mit großer Wildheit
—
Symphony no. 2 in C minor: Allegro maestoso. Mit durchaus ernstem und feierlichem Ausdruck
—
Symphony no. 2 in C minor: Andante moderato. Sehr gemächlich. Nie eilen
—
Symphony no. 2 in C minor: In ruhig fließender Bewegung
—
Symphony no. 2 in C minor: "Urlicht". Sehr feierlich, aber schlicht (from "Des Knaben Wunderhorn")
—
Symphony no. 2 in C minor: Im Tempo des Scherzos. Wild herausfahrend
—
Symphony no. 3 in D minor, Part I: Kräftig entschieden
—
Symphony no. 3 in D minor, Part II: Tempo di menuetto, sehr mäßig
—
Symphony no. 3 in D minor, Part II: Comodo, scherzando. Ohne Hast
—
Symphony no. 3 in D minor, Part II: Sehr langsam. Miserioso.
—
Symphony no. 3 in D minor, Part II: Lustig im Tempo und keck
—
Symphony no. 3 in D minor, Part II: Langsam. Ruhevoll. Empfunden
—
Symphony no. 4 in G major: Bedächtig. Nicht eilen. Nicht gemächlich.
—
Symphony no. 4 in G major: In gemächliger Bewegung. Ohne Hast
—
Symphony no. 4 in G major: Ruhevoll (Poco adagio)
—
Symphony no. 4 in G major: Sehr behaglich
—
Symphony no. 5 in C sharp minor, Part I: Trauermarsch. In gemessenem Schritt. Streng (Wie ein Kondukt)
—
Symphony no. 5 in C sharp minor, Part I: Stürmisch bewegt. Mit größter Vehemenz
—
Symphony no. 5 in C sharp minor, Part II: Scherzo (Kräftig, nicht zu schnell)
—
Symphony no. 5 in C sharp minor, Part III: Adagietto (Sehr langsam)
—
Symphony no. 5 in C sharp minor, Part III: Rondo-Finale (Allegro)
—
Symphony no. 6 in A minor: Allegro energico ma non troppo. Heftig aber markig
—
Symphony no. 6 in A minor: Scherzo (Wuchtig)
—
Symphony no. 6 in A minor: Andante moderato
—
Symphony no. 6 in A minor: Finale (Allegro moderato)
—
Symphony no. 7 in E minor: Langsam. Allegro ma non troppo
—
Symphony no. 7 in E minor: Nachtmusik. (Allegro moderato)
—
Symphony no. 7 in E minor: Scherzo. Schattenhaft
—
Symphony no. 7 in E minor: Nachtmusik. (Andante amoroso)
—
Symphony no. 7 in E minor: Rondo-Finale. Tempo I (Allegro ordinario)
—
Symphony no. 8 in E flat major, Part I: Veni, creator spiritus!
—
Symphony no. 8 in E flat major, Part I: Imple superna gratia
—
Symphony no. 8 in E flat major, Part I: Infirma nostri corporis
—
Symphony no. 8 in E flat major, Part I: Accende lumen sensibus
—
Symphony no. 8 in E flat major, Part I: Qui paraclitus diceris
—
Symphony no. 8 in E flat major, Part I: Gloria patri domino
—
Symphony no. 8 in E flat major, Part II: Poco adagio
—
Symphony no. 8 in E flat major, Part II: Più mosso (Allegro moderato)
—
Symphony no. 8 in E flat major, Part II: Waldung, sie schwankt heran
—
Symphony no. 8 in E flat major, Part II: Ewiger Wonnebrand
—
Symphony no. 8 in E flat major, Part II: Wie Felsenabgrund mir zu Füßen
—
Symphony no. 8 in E flat major, Part II: Gerettet ist das edle Glied
—
Symphony no. 8 in E flat major, Part II: Jene Rosen aus den Händen
—
Symphony no. 8 in E flat major, Part II: Uns bleibt ein Erdenrest
—
Symphony no. 8 in E flat major, Part II: Ich spür soeben
—
Symphony no. 8 in E flat major, Part II: Dir, der unberührbaren
—
Symphony no. 8 in E flat major, Part II: Bei der Liebe, die den Füßen
—
Symphony no. 8 in E flat major, Part II: Er überwächst uns schon
—
Symphony no. 8 in E flat major, Part II: Blicket auf zum Retterblick
—
Symphony no. 8 in E flat major, Part II: Alles Vergängliche
—
Symphony no. 9 in D major: Andante comodo
—
Symphony no. 9 in D major: Im Tempo eines gemächlichen Ländlers. Etwas täppisch und sehr derb
—
Symphony no. 9 in D major: Rondo-Burleske (Allegro assai. Sehr trotzig)
—
Symphony no. 9 in D major: Adagio. (Sehr langsam und noch zurückhaltend)
—
What other identifiers does this connect to?
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What is UPC 743212760125?
743212760125 is a Universal Product Code (UPC) assigned to The Symphonies by Gustav Mahler, Netherlands Radio Philharmonic, Edo de Waart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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