UPC · Release
Ravel, Eduardo Mata, Dallas Symphony Orchestra
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The UPC for “Daphnis et Chloé” by Ravel, Eduardo Mata, Dallas Symphony Orchestra is 743212925722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. This release contains 28 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Daphnis et Chloé: Scene 1: Invocation to the Nymphs | — | ||
| 2 | Daphnis et Chloé: Scene 1: Entrance of Daphnis and Chloé | — | ||
| 3 | Daphnis et Chloé: Scene 1: Dance of the Young Girls Around Daphnis | — | ||
| 4 | Daphnis et Chloé: Scene 1: Dorcon's Advance to Chloé | — | ||
| 5 | Daphnis et Chloé: Scene 1: Daphnis Reasserts His Love for Chloé | — | ||
| 6 | Daphnis et Chloé: Scene 1: The Dorcon-Daphnis Dance Contest for a Kiss From Chloé | — | ||
| 7 | Daphnis et Chloé: Scene 1: Dorcon's Grotesque Dance | — | ||
| 8 | Daphnis et Chloé: Scene 1: The Gracious Dance of Daphnis | — | ||
| 9 | Daphnis et Chloé: Scene 1: The Triumph of Daphnis and the Ecstatic Union With Chloé | — | ||
| 10 | Daphnis et Chloé: Scene 1: Entrance of the Temptress Lyceion and Dance of Veils | — | ||
| 11 | Daphnis et Chloé: Scene 1: The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | — | ||
| 12 | Daphnis et Chloé: Scene 1: Invocation to Pan by the Nymphs and the Prayer of Daphnis | — | ||
| 13 | Daphnis et Chloé: Scene 2: Interlude | — | ||
| 14 | Daphnis et Chloé: Scene 2: The Orgiastic Dance of the Pirates | — | ||
| 15 | Daphnis et Chloé: Scene 2: Bryaxis Orders Chloé to Be Brought Forward and to Dance | — | ||
| 16 | Daphnis et Chloé: Scene 2: Chloé's Dance of Supplication | — | ||
| 17 | Daphnis et Chloé: Scene 2: Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown | — | ||
| 18 | Daphnis et Chloé: Scene 3: Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | — | ||
| 19 | Daphnis et Chloé: Scene 3: Daphnis and Chloé Are Reunited | — | ||
| 20 | Daphnis et Chloé: Scene 3: Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story | — | ||
| 21 | Daphnis et Chloé: Scene 3: Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | — | ||
| 22 | Daphnis et Chloé: Scene 3: Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs / Girls Dressed as Bacchantes Enter With Tambourines | — | ||
| 23 | Daphnis et Chloé: Scene 3: Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | — | ||
| 24 | Mother Goose Suite: Pavan of the Sleeping Beauty | — | ||
| 25 | Mother Goose Suite: Hop-o'-My-Thumb | — | ||
| 26 | Mother Goose Suite: Laideronette, Empress of the Pagodas | — | ||
| 27 | Mother Goose Suite: Beauty and the Beast Converse | — | ||
| 28 | Mother Goose Suite: The Fairy Garden | — |
Creative Contributors (ISNI)
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743212925722 is a Universal Product Code (UPC) assigned to Daphnis et Chloé by Ravel, Eduardo Mata, Dallas Symphony Orchestra. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 28 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Daphnis et Chloé” by Ravel, Eduardo Mata, Dallas Symphony Orchestra is 743212925722. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1995-01-01. This release contains 28 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Daphnis et Chloé: Scene 1: Invocation to the Nymphs | — | ||
| 2 | Daphnis et Chloé: Scene 1: Entrance of Daphnis and Chloé | — | ||
| 3 | Daphnis et Chloé: Scene 1: Dance of the Young Girls Around Daphnis | — | ||
| 4 | Daphnis et Chloé: Scene 1: Dorcon's Advance to Chloé | — | ||
| 5 | Daphnis et Chloé: Scene 1: Daphnis Reasserts His Love for Chloé | — | ||
| 6 | Daphnis et Chloé: Scene 1: The Dorcon-Daphnis Dance Contest for a Kiss From Chloé | — | ||
| 7 | Daphnis et Chloé: Scene 1: Dorcon's Grotesque Dance | — | ||
| 8 | Daphnis et Chloé: Scene 1: The Gracious Dance of Daphnis | — | ||
| 9 | Daphnis et Chloé: Scene 1: The Triumph of Daphnis and the Ecstatic Union With Chloé | — | ||
| 10 | Daphnis et Chloé: Scene 1: Entrance of the Temptress Lyceion and Dance of Veils | — | ||
| 11 | Daphnis et Chloé: Scene 1: The Invasion of the Pirates and Daphnis's Unsuccessful Efforts to Save Chloé | — | ||
| 12 | Daphnis et Chloé: Scene 1: Invocation to Pan by the Nymphs and the Prayer of Daphnis | — | ||
| 13 | Daphnis et Chloé: Scene 2: Interlude | — | ||
| 14 | Daphnis et Chloé: Scene 2: The Orgiastic Dance of the Pirates | — | ||
| 15 | Daphnis et Chloé: Scene 2: Bryaxis Orders Chloé to Be Brought Forward and to Dance | — | ||
| 16 | Daphnis et Chloé: Scene 2: Chloé's Dance of Supplication | — | ||
| 17 | Daphnis et Chloé: Scene 2: Creatures of Pan Appear and Frighten the Pirates, Who Flee in Terror, Leaving Chloé Alone With a Shining Crown | — | ||
| 18 | Daphnis et Chloé: Scene 3: Sunrise. Daphnis Prostrate at the Grotto of the Nymphs | — | ||
| 19 | Daphnis et Chloé: Scene 3: Daphnis and Chloé Are Reunited | — | ||
| 20 | Daphnis et Chloé: Scene 3: Lammon Tells How Pan Saved Chloé in Memory of His Love for the Nymph Syrinx. Daphnis and Chloé Act Out the Story | — | ||
| 21 | Daphnis et Chloé: Scene 3: Pan (Daphnis) Fashions a Flute From Some Reeds, on Which He Declares His Love for Syrinx (Chloé) | — | ||
| 22 | Daphnis et Chloé: Scene 3: Abandoning Their Roles, the Lovers Embrace and Kneel at the Altar of the Nymphs / Girls Dressed as Bacchantes Enter With Tambourines | — | ||
| 23 | Daphnis et Chloé: Scene 3: Young Men Invade the Scene, and Joyous Tumult Prevails in Tribute to the Triumph of the Lovers | — | ||
| 24 | Mother Goose Suite: Pavan of the Sleeping Beauty | — | ||
| 25 | Mother Goose Suite: Hop-o'-My-Thumb | — | ||
| 26 | Mother Goose Suite: Laideronette, Empress of the Pagodas | — | ||
| 27 | Mother Goose Suite: Beauty and the Beast Converse | — | ||
| 28 | Mother Goose Suite: The Fairy Garden | — |
