UPC · Release
Tito Puente
Last verified:
The UPC for “The Complete RCA Recordings, Volume 2” by Tito Puente is 743218822223. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: BMG U.S. Latin. This release contains 101 tracks, each with its own ISRC. Tracks include USBL10100687.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tito Timbero | — | ||
| 2 | Timbal y bongo | — | ||
| 3 | Zing a Zing a Zing Boom | — | ||
| 4 | Rogelio no me aprietes más | — | ||
| 5 | Sacala | — | ||
| 6 | Co-Co Coconut | — | ||
| 7 | Domingo Pantoja | — | ||
| 8 | Ya no hay mujeres feas | — | ||
| 9 | Arroz con pollo | — | ||
| 10 | Vibe Cha Cha | — | ||
| 11 | Mambo Buda | — | ||
| 12 | Cuban Fantasy | — | ||
| 13 | Mack the Knife | — | ||
| 14 | Four Beat Cha Cha Cha | — | ||
| 15 | Cha cha de pollos | — | ||
| 16 | Qué será | — | ||
| 17 | Happy Cha-Cha-Cha | — | ||
| 2-1 | Oye mi guaguancó | Tito Puente | — | |
| 2-2 | What Is This Thing Called Love | — | ||
| 2-3 | Tiny Not Ghengis | — | ||
| 2-4 | What Are You Doing, Honey? | — | ||
| 2-5 | That's a Puente | — | ||
| 2-6 | Birdland After Dark | — | ||
| 2-7 | Terry Cloth | — | ||
| 2-8 | Yesterdays | — | ||
| 2-9 | Caminandito | — | ||
| 2-10 | Mentiroso y chaquetero | — | ||
| 2-11 | Your Are an Angel | — | ||
| 2-12 | Just for You | — | ||
| 2-13 | Habanero | — | ||
| 2-14 | Ki-Ku-Ki-Kan | — | ||
| 2-15 | Lindo Cha Cha | — | ||
| 2-16 | Little Jump Cha-Cha | — | ||
| 2-17 | It's the Bururu | — | ||
| 3-1 | Cha Cha Fiesta | — | ||
| 3-2 | Vibe Guajira | — | ||
| 3-3 | Vamos a bailar | — | ||
| 3-4 | Silly Lil | — | ||
| 3-5 | Calypso Merengue | — | ||
| 3-6 | Sea Breeze | — | ||
| 3-7 | Emerald Beach | — | ||
| 3-8 | The Carioca | — | ||
| 3-9 | Night Beat | — | ||
| 3-10 | The Late Late Scene | — | ||
| 3-11 | Night Hawk | — | ||
| 3-12 | Live a Little | — | ||
| 3-13 | Malibu Beat | — | ||
| 3-14 | Poor Butterfly | — | ||
| 3-15 | Tito Guajira | — | ||
| 3-16 | Tea for Two | — | ||
| 3-17 | Almendra | — | ||
| 4-1 | Un poquito de tu amor | — | ||
| 4-2 | Bragada | — | ||
| 4-3 | Obatala Yeza | — | ||
| 4-4 | Alumba | — | ||
| 4-5 | Chemeche | — | ||
| 4-6 | Oguere Madeo | — | ||
| 4-7 | Obaricoso | — | ||
| 4-8 | Four by Two | — | ||
| 4-9 | Conga alegre | — | ||
| 4-10 | Hot Timbales | — | ||
| 4-11 | Complicación | — | ||
| 4-12 | El cayuco | — | ||
| 4-13 | Saca tu mujer | — | ||
| 4-14 | Estoy siempre junto a ti | — | ||
| 4-15 | Agua limpia todo | — | ||
| 4-16 | Varsity Drag Mambo | — | ||
| 4-17 | Mucho cha-cha | — | ||
| 5-1 | La salud | — | ||
| 5-2 | Frenesí | — | ||
| 5-3 | Perfidia | — | ||
| 5-4 | Juanita | — | ||
| 5-5 | Sand in My Shoes | — | ||
| 5-6 | Tampico | — | ||
| 5-7 | Cha-Con-Cha | — | ||
| 5-8 | Un Cha-Cha | — | ||
| 5-9 | Doing the Cha-Cha | — | ||
| 5-10 | Baubles, Bangles and Beads | — | ||
| 5-11 | At the Balalaika | — | ||
| 5-12 | Sweet Sue Just You | — | ||
| 5-13 | Managua, Nicaragua | — | ||
| 5-14 | Speak Low | — | ||
| 5-15 | Comme-ci, comme-ça | — | ||
| 5-16 | Guaguancó | — | ||
| 5-17 | Rumba Timbales | — | ||
| 6-1 | Ceremony of Tambo | — | ||
| 6-2 | Ritual Drum Dance | — | ||
| 6-3 | Velorio | — | ||
| 6-4 | Call of the Jungle Birds | — | ||
| 6-5 | Caonao | — | ||
| 6-6 | Porque te perdí | — | ||
| 6-7 | Guancona | — | ||
| 6-8 | Si te contara | — | ||
| 6-9 | Son guacha | — | ||
| 6-10 | Con sandunga | — | ||
| 6-11 | Blue Moon | — | ||
| 6-12 | So in Love | — | ||
| 6-13 | Moonlight in Vermont | — | ||
| 6-14 | Harlem Nocturne | — | ||
| 6-15 | Baby Won't You Please Come Home | — | ||
| 6-16 | I Concentrate on You | — |
Credits Graph
Explore this code's connections on the live Credits Graph.
743218822223 is a Universal Product Code (UPC) assigned to The Complete RCA Recordings, Volume 2 by Tito Puente. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 101 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “The Complete RCA Recordings, Volume 2” by Tito Puente is 743218822223. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2001-01-01. Label: BMG U.S. Latin. This release contains 101 tracks, each with its own ISRC. Tracks include USBL10100687.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Tito Timbero | — | ||
| 2 | Timbal y bongo | — | ||
| 3 | Zing a Zing a Zing Boom | — | ||
| 4 | Rogelio no me aprietes más | — | ||
| 5 | Sacala | — | ||
| 6 | Co-Co Coconut | — | ||
| 7 | Domingo Pantoja | — | ||
| 8 | Ya no hay mujeres feas | — | ||
| 9 | Arroz con pollo | — | ||
| 10 | Vibe Cha Cha | — | ||
| 11 | Mambo Buda | — | ||
| 12 | Cuban Fantasy | — | ||
| 13 | Mack the Knife | — | ||
| 14 | Four Beat Cha Cha Cha | — | ||
| 15 | Cha cha de pollos | — | ||
| 16 | Qué será | — | ||
| 17 | Happy Cha-Cha-Cha | — | ||
| 2-1 | Oye mi guaguancó | Tito Puente | — | |
| 2-2 | What Is This Thing Called Love | — | ||
| 2-3 | Tiny Not Ghengis | — | ||
| 2-4 | What Are You Doing, Honey? | — | ||
| 2-5 | That's a Puente | — | ||
| 2-6 | Birdland After Dark | — | ||
| 2-7 | Terry Cloth | — | ||
| 2-8 | Yesterdays | — | ||
| 2-9 | Caminandito | — | ||
| 2-10 | Mentiroso y chaquetero | — | ||
| 2-11 | Your Are an Angel | — | ||
| 2-12 | Just for You | — | ||
| 2-13 | Habanero | — | ||
| 2-14 | Ki-Ku-Ki-Kan | — | ||
| 2-15 | Lindo Cha Cha | — | ||
| 2-16 | Little Jump Cha-Cha | — | ||
| 2-17 | It's the Bururu | — | ||
| 3-1 | Cha Cha Fiesta | — | ||
| 3-2 | Vibe Guajira | — | ||
| 3-3 | Vamos a bailar | — | ||
| 3-4 | Silly Lil | — | ||
| 3-5 | Calypso Merengue | — | ||
| 3-6 | Sea Breeze | — | ||
| 3-7 | Emerald Beach | — | ||
| 3-8 | The Carioca | — | ||
| 3-9 | Night Beat | — | ||
| 3-10 | The Late Late Scene | — | ||
| 3-11 | Night Hawk | — | ||
| 3-12 | Live a Little | — | ||
| 3-13 | Malibu Beat | — | ||
| 3-14 | Poor Butterfly | — | ||
| 3-15 | Tito Guajira | — | ||
| 3-16 | Tea for Two | — | ||
| 3-17 | Almendra | — | ||
| 4-1 | Un poquito de tu amor | — | ||
| 4-2 | Bragada | — | ||
| 4-3 | Obatala Yeza | — | ||
| 4-4 | Alumba | — | ||
| 4-5 | Chemeche | — | ||
| 4-6 | Oguere Madeo | — | ||
| 4-7 | Obaricoso | — | ||
| 4-8 | Four by Two | — | ||
| 4-9 | Conga alegre | — | ||
| 4-10 | Hot Timbales | — | ||
| 4-11 | Complicación | — | ||
| 4-12 | El cayuco | — | ||
| 4-13 | Saca tu mujer | — | ||
| 4-14 | Estoy siempre junto a ti | — | ||
| 4-15 | Agua limpia todo | — | ||
| 4-16 | Varsity Drag Mambo | — | ||
| 4-17 | Mucho cha-cha | — | ||
| 5-1 | La salud | — | ||
| 5-2 | Frenesí | — | ||
| 5-3 | Perfidia | — | ||
| 5-4 | Juanita | — | ||
| 5-5 | Sand in My Shoes | — | ||
| 5-6 | Tampico | — | ||
| 5-7 | Cha-Con-Cha | — | ||
| 5-8 | Un Cha-Cha | — | ||
| 5-9 | Doing the Cha-Cha | — | ||
| 5-10 | Baubles, Bangles and Beads | — | ||
| 5-11 | At the Balalaika | — | ||
| 5-12 | Sweet Sue Just You | — | ||
| 5-13 | Managua, Nicaragua | — | ||
| 5-14 | Speak Low | — | ||
| 5-15 | Comme-ci, comme-ça | — | ||
| 5-16 | Guaguancó | — | ||
| 5-17 | Rumba Timbales | — | ||
| 6-1 | Ceremony of Tambo | — | ||
| 6-2 | Ritual Drum Dance | — | ||
| 6-3 | Velorio | — | ||
| 6-4 | Call of the Jungle Birds | — | ||
| 6-5 | Caonao | — | ||
| 6-6 | Porque te perdí | — | ||
| 6-7 | Guancona | — | ||
| 6-8 | Si te contara | — | ||
| 6-9 | Son guacha | — | ||
| 6-10 | Con sandunga | — | ||
| 6-11 | Blue Moon | — | ||
| 6-12 | So in Love | — | ||
| 6-13 | Moonlight in Vermont | — | ||
| 6-14 | Harlem Nocturne | — | ||
| 6-15 | Baby Won't You Please Come Home | — | ||
| 6-16 | I Concentrate on You | — |
