UPC · Release
Booom 2002: The First
Various Artists
Last verified:
743219007025 is the Universal Product Code (UPC barcode) for the release “Booom 2002: The First” by Various Artists, released 2001-12-21. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 20 tracks, each with its own ISRC. Tracks include DEE860100981, DEN120103354, DEP810100048.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (20)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | From Sarah With Love | Sarah Connor | — | |
| 2 | How It’s Got to Be (radio edit) | Jeanette | — | |
| 3 | I’m in Heaven (When You Kiss Me) (radio edit 5 inch version) | ATC | T-700026855-5 | |
| 4 | You Win Again (radio edit) | B3 | T-070.940.935-7 | |
| 5 | Let’s Talk About a Man | Prezioso feat. Marvin | — | |
| 6 | Queen of My Heart (radio edit) | Westlife | T-011084807-1 | |
| 7 | Forever | Melanie Thornton | T-801.173.984-8 | |
| 8 | Here She Comes Again | Sasha | T-801.674.139-3 | |
| 9 | Love Song | Right Said Fred | T0050079087 | |
| 10 | Closer to Me | Five | T0110812515 | |
| 11 | Hold You (airplay mix) | ATB | T-801771691-6 | |
| 12 | I Miss You (Dam Dubi Dam) (radio edit) | Millane Fernandez | T-800.490.671-3 | |
| 13 | Future in Your Hand | Hand in Hand for Children e.V. | — | |
| 14 | Drei kleine Worte | Die 3. Generation | — | |
| 15 | Popmusik | Die Prinzen | — | |
| 16 | When You Are Here | Oli.P, Emilia | T8008213535 | |
| 17 | Slipping Into You (radio/video version) | Band ohne Namen | — | |
| 18 | The Sun on Your Face (radio edit) | Orange Blue | — | |
| 19 | When I Dream | Caroline Beil | — | |
| 20 | Lonely | Lou Bega | — |
Additional database matches (21)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Speedy Gonzales | Monkey Circus | — |
| Sunglasses at Night (radio edit) | Tiga, Zyntherius | T-071.513.878-5 |
| Club Bizarre | Brooklyn Bounce | T-800495509-4 |
| Ich will Spaß (Ich geb Gas) | Mundstuhl | T-801.692.462-3 |
| Was zählt | Die Toten Hosen | T-801.729.826-0 |
| I’m Dreaming of… a White Christmas (video edit) | Passion Fruit | T8008128777 |
| Never Stop That Feeling 2001 | Mark ’Oh | T-800055023-3 |
| The Party | Kraze | — |
| Wonderful Days (2001 radio edit) | Starsplash | T-070201791-1 |
| Dance | SQ-1 | T-800.479.057-3 |
| Din Daa Daa (single version) | Pulsedriver, George Kranz | T-800212620-8 |
| The Sun Always Shines on TV | Mario Lopez | T-010.043.511-7 |
| Drei kleine Worte | Die 3. Generation | — |
| I’m in Heaven (When You Kiss Me) (radio edit 5 inch version) | ATC | T8014269694 |
| Because of You | Dr. Alban | T-000.125.973-9 |
| Sexual Guarantee | Alcazar | — |
| Sexual Guarantee | Alcazar | T-071805323-6 |
| Sunglasses at Night (radio edit) | Tiga, Zyntherius | T-071513878-5 |
| Was zählt | Die Toten Hosen | T-801729826-0 |
| Because of You | Dr. Alban | T-000.125.973-9 |
| Because of You | Dr. Alban | T-000.125.973-9 |
What other identifiers does this connect to?
Musical Works (ISWC)
+26 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+22 more
Identifier Graph
People also ask
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What is UPC 743219007025?
743219007025 is a Universal Product Code (UPC) assigned to Booom 2002: The First by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 20 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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