UPC · Release
Matador at 21
Various Artists
Last verified:
744861100027 is the Universal Product Code (UPC barcode) for the release “Matador at 21” by Various Artists, released 2010-01-01 on Matador. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 98 tracks, each with its own ISRC. Tracks include USMRG0302004, NLD320600066, USMTD9203811.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (98)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Everything Flows | — | ||
| 2 | Dancing Days | — | ||
| 3 | Slack Motherfucker | Superchunk | — | |
| 4 | Throw the Bottlefull | — | ||
| 5 | These Streets | — | ||
| 6 | Fast Piss Blues | — | ||
| 7 | Kid’s Allright | Bettie Serveert | — | |
| 8 | Cut Off the Drug Czar’s Head | — | ||
| 9 | More Glee | — | ||
| 10 | This Town | — | ||
| 11 | Compression of the Species | — | ||
| 12 | Mr. Foster’s Shoes | — | ||
| 13 | The Aim | — | ||
| 14 | Perfume‐V | Pavement | — | |
| 2-1 | Afro | The Jon Spencer Blues Explosion | T-700.108.389-4 | |
| 2-2 | Big Day Coming | Yo La Tengo | T-700.091.453-6 | |
| 2-3 | The Ballad of Railroad Jerk | — | ||
| 2-4 | Superball | — | ||
| 2-5 | Baby Love Child | — | ||
| 2-6 | Mesmerizing | Liz Phair | — | |
| 2-7 | Silence Kid | Pavement | T-700.102.539-6 | |
| 2-8 | Game of Pricks | Guided by Voices | T-917.948.810-9 | |
| 2-9 | Whole Wide World | — | ||
| 2-10 | Peeled Out Too Late | — | ||
| 2-11 | String | — | ||
| 2-12 | Secondhand Clothes | — | ||
| 2-13 | Midnight Violence Rock’n Roll | — | ||
| 2-14 | Back Again | — | ||
| 2-15 | Rumination | Bardo Pond | — | |
| 3-1 | Telephasic Workshop | Boards of Canada | T-900.053.252-5 | |
| 3-2 | Waiting for the Kid to Come Out | Spoon | — | |
| 3-3 | Autumn Sweater | Yo La Tengo | — | |
| 3-4 | You Must Be Stopped | — | ||
| 3-5 | Tarnished Angel | — | ||
| 3-6 | Flavor Part 1 (video) | — | ||
| 3-7 | Fliegen | — | ||
| 3-8 | American Flag | Cat Power | T-904.588.135-4 | |
| 3-9 | We Rule the School | Belle and Sebastian | — | |
| 3-10 | Helps Both Ways | Mogwai | — | |
| 3-11 | Backdraft | — | ||
| 3-12 | ’Bout That Time | Large Professor | — | |
| 3-13 | Tone Twilight Zone | Cornelius | — | |
| 3-14 | Flesh & Blood 2010 | — | ||
| 3-15 | You Are a Light | — | ||
| 3-16 | Blood | Arab Strap | T-010.112.855-5 | |
| 3-17 | L.A.S.I.K. | Matmos | T-916.890.875-6 | |
| 4-1 | Hands Away | Interpol | T-071.688.883-3 | |
| 4-2 | He War | — | ||
| 4-3 | Today Is the Day | — | ||
| 4-4 | From Blown Speakers | The New Pornographers | — | |
| 4-5 | Fix Up, Look Sharp | — | ||
| 4-6 | Good Moanin’ | — | ||
| 4-7 | Kids Will Be Skeletons | Mogwai | — | |
| 4-8 | The Setup | — | ||
| 4-9 | Death Is the Answer | — | ||
| 4-10 | The Blues Are Still Blue | Belle and Sebastian | T-011.583.097-1 | |
| 4-11 | All Medicated Geniuses | Pretty Girls Make Graves | T-072.347.401-8 | |
| 4-12 | Love & Communication | Cat Power | — | |
| 4-13 | Johnny Viola | Shearwater | — | |
| 4-14 | Everybody Daylight | — | ||
| 4-15 | You Broke My Heart | — | ||
| 4-16 | Tonight We Ride | — | ||
| 4-17 | Just Farr a Laugh: The Yogurt Machine | — | ||
| 4-18 | Discretion Grove | — | ||
| 5-1 | Son the Father | Fucked Up | — | |
| 5-2 | Sacred Trickster | Sonic Youth | T-902.064.240-4 | |
| 5-3 | Amplifier | — | ||
| 5-4 | Nothing to Hide | Yo La Tengo | T-903.356.016-6 | |
| 5-5 | There Is No Sun | Jay Reatard | T-904.990.655-0 | |
| 5-6 | Move to California | Times New Viking | — | |
| 5-7 | Friendly Ghost | — | ||
| 5-8 | Bottled in Cork | — | ||
| 5-9 | My Shepherd | The New Pornographers | — | |
| 5-10 | Youth and Lust | — | ||
| 5-11 | Summer Well | Interpol | T-905.254.324-5 | |
| 5-12 | Castaways | Shearwater | — | |
| 5-13 | Marching Song | Esben and the Witch | T-905.389.831-0 | |
| 5-14 | Lust for Life | Girls | T-900.018.377-7 | |
| 5-15 | Superball | — | ||
| 5-16 | Stay Close | — | ||
| 5-17 | Metal Heart | Cat Power | T-904.588.146-7 | |
| 5-18 | Learning | Perfume Genius | T-903.601.345-3 | |
| 5-19 | Real Emotional Trash | Stephen Malkmus and the Jicks | — | |
| 6-1 | Here (live 1999) | — | ||
| 6-2 | Trigger Cut (live 1999) | — | ||
| 6-3 | The Hexx (live 1999) | — | ||
| 6-4 | She Believes (live 1999) | — | ||
| 6-5 | Unfair (live 1999) | — | ||
| 6-6 | Zurich Is Stained (live 1999) | — | ||
| 6-7 | Debris Slide (live 1999) | — | ||
| 6-8 | Spit on a Stranger (live 1999) | — | ||
| 6-9 | New Coat (live 1999) | — | ||
| 6-10 | Walking Stick Man (live 1999) | — | ||
| 6-11 | Tommy Gun Angel (live 1999) | — | ||
| 6-12 | Good Woman (live 1999) | — | ||
| 6-13 | Naked, If I Want To (live 1999) | — | ||
| 6-14 | You May Know Him / Sea of Love (live 1999) | — | ||
| 6-15 | Ex‐Cowboy (live 1999) | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Dress Up in You | Belle and Sebastian | T-011.583.878-2 |
| Slack Motherfucker | Superchunk | — |
| Kids Will Be Skeletons | Mogwai | — |
What other identifiers does this connect to?
Musical Works (ISWC)
+25 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+40 more
Credits Graph
People also ask
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What is UPC 744861100027?
744861100027 is a Universal Product Code (UPC) assigned to Matador at 21 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 98 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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