UPC · Release
Bach, The Amsterdam Baroque Orchestra, Choir, Ton Koopman
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745099853624 is the Universal Product Code (UPC barcode) for the release “Complete Cantatas, Volume 1” by Bach, The Amsterdam Baroque Orchestra, Choir, Ton Koopman, released 1995-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC. Tracks include NLK170200066, NLK170200067, NLK170200068.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": I. Sinfonia | — | ||
| 2 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": II. Coro "Ich hatte viel Bekümmernis" | — | ||
| 3 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" | — | ||
| 4 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": IV. Recititivo (Soprano) "Wie hast du dich, mein Gott" | — | ||
| 5 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": V. Aria (Soprano) "Bäche von gesalznen Zähren" | — | ||
| 6 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": VI. Coro "Was betrübst du dich, meine Seele" | — | ||
| 7 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": VII. Recitativo (Soprano, Basso) "Ach Jesu, meine Ruh" | — | ||
| 8 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": VIII. Duetto (Soprano, Basso) "Komm, mein Jesu" | — | ||
| 9 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": IX. Coro "Sei nun wieder zufrieden" | — | ||
| 10 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": X. Aria (Soprano) "Erfreue dich, Seele" | — | ||
| 11 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": XI. Coro "Das Lamm, das erwürget ist" | — | ||
| 12 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia-Choral "Aus der Tiefen rufe ich, Herr, zu dir" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | T-919.519.336-3 | |
| 13 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Aria (Basso) "So du willst, Herr, Sünde zurechnen" | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | T-802.372.990-1 | |
| 14 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 15 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenore, Choral) "Meine Seele wartet auf den Herrn" | Guy de Mey, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 16 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel, hoffe auf den Herrn" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 17 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": (appendix) Coro "Sei nun wieder zufrieden" | — | ||
| 2-1 | Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit", BWV 106: I. Sonatina | Amsterdam Baroque Orchestra, Ton Koopman | T-007.186.645-9 | |
| 2-2 | Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit", BWV 106: II. Coro "Gottes Zeit ist die allerbeste Zeit" / "Ach herr, lehre uns bedenken" / "Bestelle dein haus; denn du wirst sterben" | Amsterdam Baroque Choir, Klaus Mertens, Guy de Mey, Amsterdam Baroque Orchestra, Ton Koopman | T-007.186.645-9 | |
| 2-3 | Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit", BWV 106: III. Aria "In deine Hände befehl ich meinen Geist" | Amsterdam Baroque Choir, Klaus Mertens, Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | T-007.186.645-9 | |
| 2-4 | Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit", BWV 106: IV. Coro "Glorie, Lob, Ehr und Herrlichkeit" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | T-007.186.645-9 | |
| 2-5 | Cantata No. 196 "Der Herr denket an uns" BWV 196: I. Sinfonia | — | ||
| 2-6 | Cantata No. 196 "Der Herr denket an uns" BWV 196: II. Coro "Der Herr denket an uns" | — | ||
| 2-7 | Cantata No. 196 "Der Herr denket an uns" BWV 196: III. Aria "Er segnet, die den Herrn fürchten" | — | ||
| 2-8 | Cantata No. 196 "Der Herr denket an uns" BWV 196: IV. Duetto "Der Herr segne euch" | — | ||
| 2-9 | Cantata No. 196 "Der Herr denket an uns" BWV 196: V. Coro "Ihr seid die Gesegneten des Herrn" | — | ||
| 2-10 | Cantata No. 71 "Gott ist mein König", BWV 71: I. Coro "Gott ist mein König" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-11 | Cantata No. 71 "Gott ist mein König", BWV 71: II. Aria "Ich bin nun achtzig Jahr" / "Soll ich auf dieser Welt" | Guy de Mey, Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-12 | Cantata No. 71 "Gott ist mein König", BWV 71: III. Coro "Dein Alter sei wie deine Jugend" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-13 | Cantata No. 71 "Gott ist mein König", BWV 71: IV. Arioso "Tag und Nacht ist dein" | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-14 | Cantata No. 71 "Gott ist mein König", BWV 71: V. Aria "Durch mächtige Kraft" | Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-15 | Cantata No. 71 "Gott ist mein König", BWV 71: VI. Coro "Du wollest dem Feinde nicht geben" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-16 | Cantata No. 71 "Gott ist mein König", BWV 71: VII. Coro "Das neue Regiment" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-17 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: I. Sinfonia | — | ||
| 2-18 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: II. Coro "Nach dir, Herr, verlanget mich" | — | ||
| 2-19 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" | — | ||
| 2-20 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: IV. Coro "Leite mich in deiner Wahrheit" | — | ||
| 2-21 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: V. Aria "Zedern müssen von den Winden" | — | ||
| 2-22 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: VI. Coro "Meine Augen sehen stets zu dem Herrn" | — | ||
| 2-23 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: VII. Coro "Meine Tage in dem Leide" | — | ||
| 3-1 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata | — | ||
| 3-2 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": II. Coro "Der Himmel lacht! die Erde jubilieret" | — | ||
| 3-3 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": III. Recitativo (Basso) "Erwünschter Tag! sei, Seele, wieder froh!" | — | ||
| 3-4 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IV. Aria (Basso) "Fürst des Lebens, starker Streiter" | — | ||
| 3-5 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": V. Recitativo (Tenore) "So stehe dann, du gottergebne Seele" | — | ||
| 3-6 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VI. Aria (Tenore) "Adam muss in uns verwesen" | — | ||
| 3-7 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VII. Recitativo (Soprano) "Weil dann das Haupt sein Glied" | — | ||
| 3-8 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein | — | ||
| 3-9 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IX. Choral "So fahr ich hin zu Jesu Christ" | — | ||
| 3-10 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": I. Aria (Duetto e choral: Soprano, Tenore) "Barmherziges Herze der ewigen Liebe" | — | ||
| 3-11 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo (Alto) "Ihr Herzen, die ihr euch in Stein und Fels verkehret" | — | ||
| 3-12 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria (Alto) "Sei bemüht in dieser Zeit" | — | ||
| 3-13 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": IV. Recitativo (Basso) "Die Eigenliebe schmeichelt sich!" | — | ||
| 3-14 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": V. Aria (Basso) "Das ist der Christen Kunst" | — | ||
| 3-15 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": VI. Choral "Ich ruf zu dir, Herr Jesu Christ" | — | ||
| 3-16 | Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-17 | Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-18 | Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" | Barbara Schlick, Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-19 | Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" | Guy de Mey, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-20 | Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-21 | Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-22 | Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" | Guy de Mey, Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-23 | Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-24 | Kantate, BWV 4 (appendix) "Christ lag in Todesbanden": I. Sinfonia | — | ||
| 3-25 | Kantate, BWV 4 (appendix) "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" | — | ||
| 3-26 | Kantate, BWV 4 (appendix) "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" | — | ||
| 3-27 | Kantate, BWV 4 (appendix) "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Identifier Graph
745099853624 is a Universal Product Code (UPC) assigned to Complete Cantatas, Volume 1 by Bach, The Amsterdam Baroque Orchestra, Choir, Ton Koopman. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
745099853624 is the Universal Product Code (UPC barcode) for the release “Complete Cantatas, Volume 1” by Bach, The Amsterdam Baroque Orchestra, Choir, Ton Koopman, released 1995-01-01 on Erato. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 67 tracks, each with its own ISRC. Tracks include NLK170200066, NLK170200067, NLK170200068.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": I. Sinfonia | — | ||
| 2 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": II. Coro "Ich hatte viel Bekümmernis" | — | ||
| 3 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": III. Aria (Soprano) "Seufzer, Tränen, Kummer, Not" | — | ||
| 4 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": IV. Recititivo (Soprano) "Wie hast du dich, mein Gott" | — | ||
| 5 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": V. Aria (Soprano) "Bäche von gesalznen Zähren" | — | ||
| 6 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": VI. Coro "Was betrübst du dich, meine Seele" | — | ||
| 7 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": VII. Recitativo (Soprano, Basso) "Ach Jesu, meine Ruh" | — | ||
| 8 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": VIII. Duetto (Soprano, Basso) "Komm, mein Jesu" | — | ||
| 9 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": IX. Coro "Sei nun wieder zufrieden" | — | ||
| 10 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": X. Aria (Soprano) "Erfreue dich, Seele" | — | ||
| 11 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": XI. Coro "Das Lamm, das erwürget ist" | — | ||
| 12 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": I. Sinfonia-Choral "Aus der Tiefen rufe ich, Herr, zu dir" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | T-919.519.336-3 | |
| 13 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": II. Aria (Basso) "So du willst, Herr, Sünde zurechnen" | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | T-802.372.990-1 | |
| 14 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": III. Coro "Ich harre des Herrn" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 15 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": IV. Aria (Tenore, Choral) "Meine Seele wartet auf den Herrn" | Guy de Mey, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 16 | Cantata, BWV 131 "Aus der Tiefen rufe ich, Herr, zu dir": V. Coro "Israel, hoffe auf den Herrn" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 17 | Cantata, BWV 21 "Ich hatte viel Bekümmernis": (appendix) Coro "Sei nun wieder zufrieden" | — | ||
| 2-1 | Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit", BWV 106: I. Sonatina | Amsterdam Baroque Orchestra, Ton Koopman | T-007.186.645-9 | |
| 2-2 | Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit", BWV 106: II. Coro "Gottes Zeit ist die allerbeste Zeit" / "Ach herr, lehre uns bedenken" / "Bestelle dein haus; denn du wirst sterben" | Amsterdam Baroque Choir, Klaus Mertens, Guy de Mey, Amsterdam Baroque Orchestra, Ton Koopman | T-007.186.645-9 | |
| 2-3 | Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit", BWV 106: III. Aria "In deine Hände befehl ich meinen Geist" | Amsterdam Baroque Choir, Klaus Mertens, Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | T-007.186.645-9 | |
| 2-4 | Cantata No. 106 "Gottes Zeit ist die allerbeste Zeit", BWV 106: IV. Coro "Glorie, Lob, Ehr und Herrlichkeit" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | T-007.186.645-9 | |
| 2-5 | Cantata No. 196 "Der Herr denket an uns" BWV 196: I. Sinfonia | — | ||
| 2-6 | Cantata No. 196 "Der Herr denket an uns" BWV 196: II. Coro "Der Herr denket an uns" | — | ||
| 2-7 | Cantata No. 196 "Der Herr denket an uns" BWV 196: III. Aria "Er segnet, die den Herrn fürchten" | — | ||
| 2-8 | Cantata No. 196 "Der Herr denket an uns" BWV 196: IV. Duetto "Der Herr segne euch" | — | ||
| 2-9 | Cantata No. 196 "Der Herr denket an uns" BWV 196: V. Coro "Ihr seid die Gesegneten des Herrn" | — | ||
| 2-10 | Cantata No. 71 "Gott ist mein König", BWV 71: I. Coro "Gott ist mein König" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-11 | Cantata No. 71 "Gott ist mein König", BWV 71: II. Aria "Ich bin nun achtzig Jahr" / "Soll ich auf dieser Welt" | Guy de Mey, Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-12 | Cantata No. 71 "Gott ist mein König", BWV 71: III. Coro "Dein Alter sei wie deine Jugend" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-13 | Cantata No. 71 "Gott ist mein König", BWV 71: IV. Arioso "Tag und Nacht ist dein" | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-14 | Cantata No. 71 "Gott ist mein König", BWV 71: V. Aria "Durch mächtige Kraft" | Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-15 | Cantata No. 71 "Gott ist mein König", BWV 71: VI. Coro "Du wollest dem Feinde nicht geben" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-16 | Cantata No. 71 "Gott ist mein König", BWV 71: VII. Coro "Das neue Regiment" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 2-17 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: I. Sinfonia | — | ||
| 2-18 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: II. Coro "Nach dir, Herr, verlanget mich" | — | ||
| 2-19 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: III. Aria "Doch bin und bleibe ich vergnügt" | — | ||
| 2-20 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: IV. Coro "Leite mich in deiner Wahrheit" | — | ||
| 2-21 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: V. Aria "Zedern müssen von den Winden" | — | ||
| 2-22 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: VI. Coro "Meine Augen sehen stets zu dem Herrn" | — | ||
| 2-23 | Cantata No. 150 "Nach dir, Herr, verlanget mich", BWV 150: VII. Coro "Meine Tage in dem Leide" | — | ||
| 3-1 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata | — | ||
| 3-2 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": II. Coro "Der Himmel lacht! die Erde jubilieret" | — | ||
| 3-3 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": III. Recitativo (Basso) "Erwünschter Tag! sei, Seele, wieder froh!" | — | ||
| 3-4 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IV. Aria (Basso) "Fürst des Lebens, starker Streiter" | — | ||
| 3-5 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": V. Recitativo (Tenore) "So stehe dann, du gottergebne Seele" | — | ||
| 3-6 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VI. Aria (Tenore) "Adam muss in uns verwesen" | — | ||
| 3-7 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VII. Recitativo (Soprano) "Weil dann das Haupt sein Glied" | — | ||
| 3-8 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": VIII. Aria (Soprano) e Choral "Letzte Stunde, brich herein | — | ||
| 3-9 | Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": IX. Choral "So fahr ich hin zu Jesu Christ" | — | ||
| 3-10 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": I. Aria (Duetto e choral: Soprano, Tenore) "Barmherziges Herze der ewigen Liebe" | — | ||
| 3-11 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": II. Recitativo (Alto) "Ihr Herzen, die ihr euch in Stein und Fels verkehret" | — | ||
| 3-12 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": III. Aria (Alto) "Sei bemüht in dieser Zeit" | — | ||
| 3-13 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": IV. Recitativo (Basso) "Die Eigenliebe schmeichelt sich!" | — | ||
| 3-14 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": V. Aria (Basso) "Das ist der Christen Kunst" | — | ||
| 3-15 | Kantate, BWV 185 "Barmherziges Herze der ewigen Liebe": VI. Choral "Ich ruf zu dir, Herr Jesu Christ" | — | ||
| 3-16 | Kantate, BWV 4 "Christ lag in Todesbanden": I. Sinfonia | Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-17 | Kantate, BWV 4 "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-18 | Kantate, BWV 4 "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" | Barbara Schlick, Kai Wessel, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-19 | Kantate, BWV 4 "Christ lag in Todesbanden": IV. Aria (Tenore) Versus III "Jesus Christus, Gottes Sohn" | Guy de Mey, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-20 | Kantate, BWV 4 "Christ lag in Todesbanden": V. Coro Versus IV "Es war ein wunderlicher Krieg" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-21 | Kantate, BWV 4 "Christ lag in Todesbanden": VI. Aria (Basso) Versus V "Hier ist das rechte Osterlamm" | Klaus Mertens, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-22 | Kantate, BWV 4 "Christ lag in Todesbanden": VII. Duetto (Soprano, Tenore) Versus VI "So feiern wir das hohe Fest" | Guy de Mey, Barbara Schlick, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-23 | Kantate, BWV 4 "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" | Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman | — | |
| 3-24 | Kantate, BWV 4 (appendix) "Christ lag in Todesbanden": I. Sinfonia | — | ||
| 3-25 | Kantate, BWV 4 (appendix) "Christ lag in Todesbanden": II. Coro Versus I "Christ Lag in Todes Banden" | — | ||
| 3-26 | Kantate, BWV 4 (appendix) "Christ lag in Todesbanden": III. Duetto (Soprano, Alto) Versus II "Den Tod niemand zwingen kunnt" | — | ||
| 3-27 | Kantate, BWV 4 (appendix) "Christ lag in Todesbanden": VIII. Choral Versus VII "Wir essen und leben wohl" | — |
