UPC · Release
Ludwig van Beethoven
Last verified:
747313025039 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Ludwig van Beethoven, released 2019-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 981 tracks, each with its own ISRC. Tracks include HKI199513701, HKI199513702, HKI199513703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-915.714.772-3 | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | T-900.167.504-3 | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-915.714.772-3 | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-321.873.233-9 | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-902.781.050-0 | |
| 2-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Allegro assai | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-902.781.050-0 | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Nicolaus Esterházy Sinfonia, Béla Drahos | T-001.444.317-4 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-315.948.171-3 | |
| 3-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-909.879.288-2 | |
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 3-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 3-5 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 3-6 | Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 3-7 | Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute: Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-801.974.499-2 | |
| 3-8 | Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm: Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 3-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | T-318.847.583-0 | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-915.710.750-1 | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-315.948.171-3 | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Nicolaus Esterházy Sinfonia, Béla Drahos | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-909.821.799-3 | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | T-909.821.799-3 | |
| 5-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto | Ruxandra Donose, Manfred Fink, Nicolaus Esterházy Choir, Claudio Otelli, Hasmik Papian, Nicolaus Esterházy Sinfonia, Béla Drahos | T-318.676.528-2 | |
| 6-1 | Coriolanus | Slovenská filharmónia, Stephen Gunzenhauser | — | |
| 6-2 | Name-Day Celebration, op. 115 | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 6-3 | Leonora no. 1, op. 138 | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 6-4 | Leonora No. 3 | Slovak Philharmonic Orchestra, Stephen Gunzenhauser | — | |
| 6-5 | Music for a Knightly Ballet, WoO 1 | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 7-1 | Mödlinger Tänze, WoO 17: 1. Walzer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-2 | Mödlinger Tänze, WoO 17: 2. Menuett | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-3 | Mödlinger Tänze, WoO 17: 3. Walzer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-4 | Mödlinger Tänze, WoO 17: 4. Menuett | Capella Istropolitana, Oliver von Dohnányi | T-001.444.317-4 | |
| 7-5 | Mödlinger Tänze, WoO 17: 5. Menuett | Capella Istropolitana, Oliver von Dohnányi | T-905.312.587-4 | |
| 7-6 | Mödlinger Tänze, WoO 17: 6. Länderer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-7 | Mödlinger Tänze, WoO 17: 7. Menuett | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-8 | Mödlinger Tänze, WoO 17: 8. Länderer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-9 | Mödlinger Tänze, WoO 17: 9. Menuett | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-10 | Mödlinger Tänze, WoO 17: 10. Walzer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-11 | Mödlinger Tänze, WoO 17: 11. Walzer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-12 | Zwölf Kontretänze, WoO 14: Nr. 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-13 | Zwölf Kontretänze, WoO 14: Nr. 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-14 | Zwölf Kontretänze, WoO 14: Nr. 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-15 | Zwölf Kontretänze, WoO 14: Nr. 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-16 | Zwölf Kontretänze, WoO 14: Nr. 5 | Capella Istropolitana, Oliver von Dohnányi | T-916.194.049-4 | |
| 7-17 | Zwölf Kontretänze, WoO 14: Nr. 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-18 | Zwölf Kontretänze, WoO 14: Nr. 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-19 | Zwölf Kontretänze, WoO 14: Nr. 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-20 | Zwölf Kontretänze, WoO 14: Nr. 9 | Capella Istropolitana, Oliver von Dohnányi | T-909.695.614-8 | |
| 7-21 | Zwölf Kontretänze, WoO 14: Nr. 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-22 | Zwölf Kontretänze, WoO 14: Nr. 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-23 | Zwölf Kontretänze, WoO 14: Nr. 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-24 | Zwölf deutsche Tänze, WoO 8: 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-25 | Zwölf deutsche Tänze, WoO 8: 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-26 | Zwölf deutsche Tänze, WoO 8: 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-27 | Zwölf deutsche Tänze, WoO 8: 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-28 | Zwölf deutsche Tänze, WoO 8: 5 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-29 | Zwölf deutsche Tänze, WoO 8: 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-30 | Zwölf deutsche Tänze, WoO 8: 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-31 | Zwölf deutsche Tänze, WoO 8: 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-32 | Zwölf deutsche Tänze, WoO 8: 9 | Capella Istropolitana, Oliver von Dohnányi | T-909.695.614-8 | |
| 7-33 | Zwölf deutsche Tänze, WoO 8: 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-34 | Zwölf deutsche Tänze, WoO 8: 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-35 | Zwölf deutsche Tänze, WoO 8: 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-36 | Triumphmarsch zum Trauerspiel Tarpeja von Kuffner, WoO 2a, Hess 117 | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-1 | Zwölf Menuette, WoO 7: 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-2 | Zwölf Menuette, WoO 7: 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-3 | Zwölf Menuette, WoO 7: 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-4 | Zwölf Menuette, WoO 7: 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-5 | Zwölf Menuette, WoO 7: 5 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-6 | Zwölf Menuette, WoO 7: 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-7 | Zwölf Menuette, WoO 7: 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-8 | Zwölf Menuette, WoO 7: 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-9 | Zwölf Menuette, WoO 7: 9 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-10 | Zwölf Menuette, WoO 7: 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-11 | Zwölf Menuette, WoO 7: 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-12 | Zwölf Menuette, WoO 7: 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-13 | Sechs Menuette, WoO 10: No. 1 in C major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-14 | Sechs Menuette, WoO 10: No. 2 in G major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-15 | Sechs Menuette, WoO 10: No. 3 in D major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-16 | Sechs Menuette, WoO 10: No. 4 in B-flat major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-17 | Sechs Menuette, WoO 10: No. 5 in E-flat major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-18 | Sechs Menuette, WoO 10: No.6 in C major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-19 | Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — | |
| 8-20 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: Schlacht | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | — | |
| 8-21 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: Siegessymphonie | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | T-902.796.758-4 | |
| 9-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-315.948.171-3 | |
| 9-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-900.248.630-8 | |
| 9-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 9-4 | Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny) | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 9-5 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 9-6 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 9-7 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-315.948.171-3 | |
| 10-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 10-3 | Piano Concerto no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 10-4 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | Capella Istropolitana, Barry Wordsworth, Stefan Vladar | T-031.682.208-8 | |
| 10-5 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-928.635.608-9 | |
| 10-6 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 10-7 | Romance cantabile in E minor, WoO 207, Hess 13 (fragment) | Johanna Haniková, Filip Krytinář, Martina Čechová, Komorní filharmonie Pardubice, Marek Štilec | — | |
| 11-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-315.948.171-3 | |
| 11-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-900.248.630-8 | |
| 11-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 11-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-902.781.050-0 | |
| 11-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-909.879.288-2 | |
| 11-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo: Vivace | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 11-7 | Concert Finale in C major, Hess 65 | Jenő Jandó | — | |
| 12-1 | Piano Concerto in D major, op. 61a: I. Allegro ma non troppo | Jenő Jandó, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 12-2 | Piano Concerto in D major, op. 61a: II. Larghetto | Jenő Jandó, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 12-3 | Piano Concerto in D major, op. 61a: III. Rondo | Jenő Jandó, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 12-4 | Triple Concerto in C major, op. 56: I. Allegro | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 12-5 | Triple Concerto in C major, op. 56: II. Largo | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | T-900.248.630-8 | |
| 12-6 | Triple Concerto in C major, op. 56: III. Rondo alla Polacca | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 13-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | T-031.682.208-8 | |
| 13-2 | Violin Concerto in D major, op. 61: II. Larghetto | Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | T-310.235.444-5 | |
| 13-3 | Violin Concerto in D major, op. 61: III. Rondo | Takako Nishizaki, Slovenská filharmónia, Kenneth Jean | — | |
| 13-4 | Violin Concerto in C major, WoO 5, Hess 10 (fragment): Allegro con brio | Jakub Junek, Komorní filharmonie Pardubice, Marek Štilec | T-329.520.403-0 | |
| 13-5 | Romance no. 1 in G major, op. 40 | Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | T-801.768.565-4 | |
| 13-6 | Romance no. 2 in F major, op. 50 | Takako Nishizaki, Slovak Philharmonic Orchestra, Kenneth Jean | — | |
| 14-1 | Bagatelle for Piano, op. 33 no. 1 in E-flat major: Andante grazioso quasi allegretto | Jenő Jandó | — | |
| 14-2 | Bagatelle for Piano, op. 33 no. 2 in C major: Scherzo. Allegro | Jenő Jandó | T-321.873.233-9 | |
| 14-3 | Bagatelle for Piano, op. 33 no. 3 in F major: Allegretto | Jenő Jandó | T-926.372.463-6 | |
| 14-4 | Bagatelle for Piano, op. 33 no. 4 in A major: Andante | Jenő Jandó | — | |
| 14-5 | Bagatelle for Piano, op. 33 no. 5 in C major: Allegro ma non troppo | Jenő Jandó | T-031.682.208-8 | |
| 14-6 | Bagatelle for Piano, op. 33 no. 6 in D major: Allegretto quasi andante | Jenő Jandó | — | |
| 14-7 | Bagatelle for Piano, op. 33 no. 7 in A-flat major: Presto | Jenő Jandó | — | |
| 14-8 | Bagatelle for Piano, op. 119 no. 1 in B-flat major: Allegretto | Jenő Jandó | — | |
| 14-9 | Bagatelle for Piano, op. 119 no. 2 in C major: Andante con moto | Jenő Jandó | — | |
| 14-10 | Bagatelle for Piano, op. 119 no. 3 in D major: À l'Allemande | Jenő Jandó | — | |
| 14-11 | Bagatelle for Piano, op. 119 no. 4 in A major: Andante cantabile | Jenő Jandó | — | |
| 14-12 | Bagatelle for Piano, op. 119 no. 5 in C minor: Risoluto | Jenő Jandó | — | |
| 14-13 | Bagatelle for Piano, op. 119 no. 6 in G major: Andante - Allegretto | Jenő Jandó | — | |
| 14-14 | Bagatelle for Piano, op. 119 no. 7 in C major: Allegro ma non troppo | Jenő Jandó | T-031.682.208-8 | |
| 14-15 | Bagatelle for Piano, op. 119 no. 8 in C major: Moderato cantabile | Jenő Jandó | — | |
| 14-16 | Bagatelle for Piano, op. 119 no. 9 in A minor: Vivace moderato | Jenő Jandó | — | |
| 14-17 | Bagatelle for Piano, op. 119 no. 10 in A major: Allegramente | Jenő Jandó | — | |
| 14-18 | Bagatelle for Piano, op. 119 no. 11 in B-flat major: Andante, ma non troppo | Jenő Jandó | — | |
| 14-19 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | Jenő Jandó | — | |
| 14-20 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | Jenő Jandó | — | |
| 14-21 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | Jenő Jandó | — | |
| 14-22 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | Jenő Jandó | — | |
| 14-23 | Bagatelle for Piano, op. 126 no. 5 in G major: Quasi allegretto | Jenő Jandó | — | |
| 14-24 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto | Jenő Jandó | — | |
| 14-25 | Bagatelle for Piano in A minor, WoO 59 "Für Elise": Poco moto | Jenő Jandó | — | |
| 14-27 | Piece for Piano in B-flat major, WoO 60 | Jenő Jandó | — | |
| 14-28 | Bagatelle in C major | Jenő Jandó | — | |
| 14-29 | Two Bagatelles | Jenő Jandó | — | |
| 14-30 | Bagatelle in C major “Lustig-Traurig”, WoO 54 | Jenő Jandó | — | |
| 15-1 | Allegretto for Piano in B minor, WoO 61 | Jenő Jandó | — | |
| 15-2 | Allegretto for Piano in G minor, WoO 61a | Jenő Jandó | — | |
| 15-3 | Seven Ländler, WoO 11 | Jenő Jandó | — | |
| 15-5 | Twelve German Dances, WoO 8 | Jenő Jandó | — | |
| 15-6 | Menuette in C major | Jenő Jandó | — | |
| 15-8 | Bagatelle for Piano in C major, WoO 56. Allegretto | Jenő Jandó | — | |
| 15-9 | Allegretto in C minor, WoO 53 | Jenő Jandó | — | |
| 15-10 | Fantasia, op. 77 | Jenő Jandó | — | |
| 16-1 | Twelve German Dances, WoO 13 | Jenő Jandó | — | |
| 16-3 | Six Ecossaises, WoO 83 | Jenő Jandó | — | |
| 16-4 | Menuett in E-flat major, WoO 82 | Jenő Jandó | — | |
| 16-5 | Allegretto for Piano in C minor, Hess 69 | Jenő Jandó | — | |
| 16-6 | Polonaise in C major, op. 89 | Jenő Jandó | — | |
| 16-7 | Rondo in C major, WoO 48 | Jenő Jandó | — | |
| 16-8 | Prelude in F minor, WoO 55 | Jenő Jandó | — | |
| 16-9 | Two Preludes, op. 39 | Jenő Jandó | — | |
| 16-10 | Fugue for Piano in C major, Hess 64 | Jenő Jandó | — | |
| 16-11 | Rondo a Capriccio in G major, op. 129 "Rage Over a Lost Penny" | Jenő Jandó | — | |
| 16-12 | Two German Dances, Hess 67: Allegro and Da capo the "Deutscher" | Jenő Jandó | — | |
| 16-13 | 12 Piano Miniatures from the Sketchbooks: No. 9 in D major: Menuetto | Sergio Gallo | — | |
| 17-1 | Rondo in C major, op. 51 no. 1 | Jenő Jandó | — | |
| 17-2 | Rondo in G major, op. 51 no. 2 | Jenő Jandó | — | |
| 17-3 | Rondo in A major, WoO 49 | Jenő Jandó | — | |
| 17-4 | Twelve Minuets, WoO 7: No. 1 in D major | Jenő Jandó | T-900.021.469-7 | |
| 17-5 | Twelve Minuets, WoO 7: No. 2 in B-flat major | Jenő Jandó | — | |
| 17-6 | Twelve Minuets, WoO 7: No. 3 in G major | Jenő Jandó | — | |
| 17-7 | Twelve Minuets, WoO 7: No. 4 in E-flat major | Jenő Jandó | — | |
| 17-8 | Twelve Minuets, WoO 7: No. 5 in C major | Jenő Jandó | — | |
| 17-9 | Twelve Minuets, WoO 7: No. 6 in A major | Jenő Jandó | — | |
| 17-10 | Twelve Minuets, WoO 7: No. 7 in D major | Jenő Jandó | — | |
| 17-11 | Twelve Minuets, WoO 7: No. 8 in B-flat major | Jenő Jandó | — | |
| 17-12 | Twelve Minuets, WoO 7: No. 9 in G major | Jenő Jandó | — | |
| 17-13 | Twelve Minuets, WoO 7: No. 10 in E-flat major | Jenő Jandó | — | |
| 17-14 | Twelve Minuets, WoO 7: No. 11 in C major | Jenő Jandó | — | |
| 17-15 | Twelve Minuets, WoO 7: No. 12 in F major | Jenő Jandó | — | |
| 17-16 | 4 Bagatelles, WoO 213: No. 1 in D‐Flat major | Sergio Gallo | — | |
| 17-17 | 4 Bagatelles, WoO 213: No. 2 in G major | Sergio Gallo | — | |
| 17-18 | 4 Bagatelles, WoO 213: No. 3 in A-flat major (Ed. A.W. Holsbergen) | Carl Petersson | — | |
| 17-19 | 4 Bagatelles, WoO 213: No. 4 in A major | Sergio Gallo | — | |
| 17-20 | Anglaise in D-dur, WoO 212, Hess 61 | Carl Petersson | — | |
| 17-21 | Bagatelle in A-dur, WoO 81 | Carl Petersson | — | |
| 17-22 | Waltz in E-flat major, WoO 84 | Larry Weng | — | |
| 17-23 | Waltz in D major, WoO 85 | Larry Weng | — | |
| 17-24 | Menuett in F-dur, WoO 217, Biamonti 66 | Carl Petersson | — | |
| 17-25 | Ecossaise in G, WoO 23 | Carl Petersson | T-801.974.499-2 | |
| 17-26 | Ecossaise in Es‐dur, WoO 86 | Carl Petersson | — | |
| 17-27 | Walzer in c-moll, WoO 219, Hess 68 | Carl Petersson | — | |
| 17-28 | Minuet in B-flat major, Hess 331 (Transcr. W. Virneisel) | Carl Petersson | — | |
| 17-29 | Minuet in B-flat major, Hess 331 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 18-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Jenő Jandó | T-905.049.604-3 | |
| 18-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Jenő Jandó | — | |
| 18-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Jenő Jandó | — | |
| 18-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Jenő Jandó | — | |
| 18-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Jenő Jandó | — | |
| 18-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Jenő Jandó | — | |
| 18-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | Jenő Jandó | — | |
| 18-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Jenő Jandó | — | |
| 18-9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Jenő Jandó | — | |
| 18-10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | Jenő Jandó | — | |
| 18-11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Jenő Jandó | — | |
| 18-12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Jenő Jandó | T-306.395.786-4 | |
| 19-1 | Piano Sonata no. 4 in E flat major, op. 7: I. Allegro molto e con brio | Jenő Jandó | — | |
| 19-2 | Piano Sonata no. 4 in E flat major, op. 7: II. Largo, con gran espressione | Jenő Jandó | — | |
| 19-3 | Piano Sonata no. 4 in E flat major, op. 7: III. Allegro | Jenő Jandó | T-330.120.705-2 | |
| 19-4 | Piano Sonata no. 4 in E flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Jenő Jandó | — | |
| 19-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Jenő Jandó | — | |
| 19-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Jenő Jandó | — | |
| 19-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | Jenő Jandó | — | |
| 19-8 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Jenő Jandó | T-801.974.499-2 | |
| 19-9 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | Jenő Jandó | — | |
| 19-10 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | Jenő Jandó | — | |
| 19-11 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | Jenő Jandó | — | |
| 19-12 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Jenő Jandó | — | |
| 19-13 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Jenő Jandó | — | |
| 19-14 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | Jenő Jandó | — | |
| 20-1 | Piano Sonata no. 8 in C minor, "Pathétique", op. 13: I. Grave - Allegro di molto e con brio | Boris Giltburg | T-915.723.669-6 | |
| 20-2 | Piano Sonata no. 8 in C minor, "Pathétique", op. 13: II. Adagio cantabile | Boris Giltburg | T-001.397.158-8 | |
| 20-3 | Piano Sonata no. 8 in C minor, "Pathétique", op. 13: III. Rondo: Allegro | Boris Giltburg | — | |
| 20-4 | Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Jenő Jandó | — | |
| 20-5 | Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Jenő Jandó | — | |
| 20-6 | Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Jenő Jandó | — | |
| 20-7 | Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Jenő Jandó | T-905.049.604-3 | |
| 20-8 | Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Jenő Jandó | — | |
| 20-9 | Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Jenő Jandó | — | |
| 20-10 | Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | Jenő Jandó | — | |
| 20-11 | Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Jenő Jandó | — | |
| 20-12 | Sonata no. 11 in B-flat major, op. 22: III. Menuetto | Jenő Jandó | — | |
| 20-13 | Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Jenő Jandó | T-801.974.499-2 | |
| 21-1 | Sonata no. 12 in A major, op. 26: I. Andante con variazioni | Jenő Jandó | — | |
| 21-2 | Sonata no. 12 in A major, op. 26: II. Scherzo. Allegro molto | Jenő Jandó | — | |
| 21-3 | Sonata no. 12 in A major, op. 26: III. Marcia funebre sulla morte d'un eroe | Jenő Jandó | — | |
| 21-4 | Sonata no. 12 in A major, op. 26: IV. Allegro | Jenő Jandó | — | |
| 21-5 | Piano Sonata no. 13 in E flat major, op. 27, no. 1 “Quasi una fantasia”: I. Andante - Allegro - Tempo I | Jenő Jandó | — | |
| 21-6 | Piano Sonata no. 13 in E flat major, op. 27, no. 1 “Quasi una fantasia”: II. Allegro molto vivace | Jenő Jandó | — | |
| 21-7 | Piano Sonata no. 13 in E flat major, op. 27, no. 1 “Quasi una fantasia”: III. Adagio con espressione | Jenő Jandó | — | |
| 21-8 | Piano Sonata no. 13 in E flat major, op. 27, no. 1 “Quasi una fantasia”: IV. Allegro vivace - Tempo I - Presto | Jenő Jandó | — | |
| 21-9 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — | |
| 21-10 | Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: II. Allegretto | Jenő Jandó | — | |
| 21-11 | Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: III. Presto agitato | Jenő Jandó | — | |
| 21-12 | Piano Sonata no. 15 in D major, op. 28 “Pastoral”: I. Allegro | Jenő Jandó | — | |
| 21-13 | Piano Sonata no. 15 in D major, op. 28 “Pastoral”: II. Andante | Jenő Jandó | T-800.722.074-9 | |
| 21-14 | Piano Sonata no. 15 in D major, op. 28 “Pastoral”: III. Scherzo. Allegro assai - Allegro vivace | Jenő Jandó | — | |
| 21-15 | Piano Sonata no. 15 in D major, op. 28 “Pastoral”: IV. Rondo. Allegro ma non troppo | Jenő Jandó | — | |
| 22-1 | Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | Jenő Jandó | — | |
| 22-2 | Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | Jenő Jandó | — | |
| 22-3 | Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | Jenő Jandó | — | |
| 22-4 | Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: I. Largo - Allegro | Jenő Jandó | — | |
| 22-5 | Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: II. Adagio | Jenő Jandó | T-050.096.172-7 | |
| 22-6 | Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto | Jenő Jandó | — | |
| 22-7 | Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | Jenő Jandó | — | |
| 22-8 | Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegro vivace | Jenő Jandó | — | |
| 22-9 | Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso | Jenő Jandó | — | |
| 22-10 | Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | Jenő Jandó | — | |
| 23-1 | Piano Sonata no. 19 in G minor, op. 49, no. 1: I. Andante | Jenő Jandó | — | |
| 23-2 | Piano Sonata no. 19 in G minor, op. 49, no. 1: II. Rondo. Allegro | Jenő Jandó | — | |
| 23-3 | Piano Sonata no. 20 in G major, op. 49, no. 2: I. Allegro ma non troppo | Jenő Jandó | T-031.682.208-8 | |
| 23-4 | Piano Sonata no. 20 in G major, op. 49, no. 2: II. Tempo di Menuetto | Jenő Jandó | — | |
| 23-5 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | Boris Giltburg | — | |
| 23-6 | Piano Sonata no. 21 in C major, "Waldstein", op. 53: II. Introduzione: Adagio molto | Boris Giltburg | — | |
| 23-7 | Piano Sonata no. 21 in C major, "Waldstein", op. 53: III. Rondo: Allegretto moderato | Boris Giltburg | — | |
| 23-8 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un Menuetto | Jenő Jandó | — | |
| 23-9 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto - Più allegro | Jenő Jandó | — | |
| 23-10 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | Jenő Jandó | T-306.395.786-4 | |
| 23-11 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | Jenő Jandó | — | |
| 23-12 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo - Presto | Jenő Jandó | — | |
| 24-1 | Sonata no. 24 in F‐sharp major, op. 78: I. Adagio cantabile – Allegro ma non troppo | Jenő Jandó | T-001.397.158-8 | |
| 24-2 | Sonata no. 24 in F‐sharp major, op. 78: II. Allegro vivace | Jenő Jandó | — | |
| 24-3 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | Jenő Jandó | — | |
| 24-4 | Piano Sonata no. 25 in G major, op. 79: II. Andante | Jenő Jandó | — | |
| 24-5 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | Jenő Jandó | — | |
| 24-6 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: I. Adagio - Allegro “Les Adieux” | Jenő Jandó | — | |
| 24-7 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: II. Andante espressivo “L'Absence” / III. Vivacissimamente “Le Retour” | Jenő Jandó | T-800.722.074-9 | |
| 24-8 | Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Jenő Jandó | — | |
| 24-9 | Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Jenő Jandó | — | |
| 24-10 | Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung | Jenő Jandó | — | |
| 24-11 | Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig | Jenő Jandó | — | |
| 24-12 | Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll – Geschwind, doch nicht zu sehr und mit Entschlossenheit | Jenő Jandó | — | |
| 25-1 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro | Jenő Jandó | T-905.049.604-3 | |
| 25-2 | Piano Sonata no. 29 in B‐flat major, op. 106, “Hammerklavier”: II. Scherzo. Assai vivace – Presto – Tempo I | Jenő Jandó | — | |
| 25-3 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto. Appassionato e con molto sentimento | Jenő Jandó | — | |
| 25-4 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo – Allegro | Jenő Jandó | — | |
| 25-5 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: V. Allegro risoluto. Fuga a tre voci, con alcune licenze | Jenő Jandó | — | |
| 25-6 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo – Adagio espressivo – II. Prestissimo | Jenő Jandó | — | |
| 25-7 | Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo | Jenő Jandó | — | |
| 25-8 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile, molto espressivo | Jenő Jandó | — | |
| 25-9 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Jenő Jandó | — | |
| 25-10 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo / IV. Fuga. Allegro, ma non troppo | Jenő Jandó | — | |
| 26-1 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Boris Giltburg | — | |
| 26-2 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | Boris Giltburg | — | |
| 26-3 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: I. Allegro cantabile | Jenő Jandó | — | |
| 26-4 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: II. Andante | Jenő Jandó | — | |
| 26-5 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: III. Rondo vivace | Jenő Jandó | — | |
| 26-6 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: I. Larghetto maestoso - Allegro assai | Jenő Jandó | — | |
| 26-7 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: II. Andante | Jenő Jandó | — | |
| 26-8 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: III. Presto | Jenő Jandó | — | |
| 26-9 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: I. Allegro | Jenő Jandó | — | |
| 26-10 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: II. Menuetto. Sostenuto (con 6 variazioni) | Jenő Jandó | — | |
| 26-11 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: III. Scherzando. Allegretto ma non troppo | Jenő Jandó | — | |
| 26-12 | Piano Sonata (Sonatina) in F major, WoO 50, Hess 53 | Sergio Gallo | — | |
| 26-13 | Piano Sonata in C major, WoO 51: I. Allegro | Larry Weng | T-070.160.313-5 | |
| 26-14 | Piano Sonata in C major, WoO 51: II. Adagio | Larry Weng | — | |
| 27-1 | Fifteen Variations and Fugue on an Original Theme in E-flat major, op. 35 “Eroica” | Ian Yungwook Yoo | — | |
| 27-2 | 32 Variations in C minor, WoO 80 | Jenő Jandó | — | |
| 27-3 | 6 Variations in F major, op. 34 | Jenő Jandó | — | |
| 27-4 | 6 Variations on the Duet “Nel cor più non mi sento” by Paisiello in G major, WoO 70 | Jenő Jandó | — | |
| 27-5 | Twelve Variations on the “Menuett à la Viganò” from Jakob Haibel’s “Le nozze disturbate”, WoO 68 | Ian Yungwook Yoo | — | |
| 28-1 | Ten Variations on “La stessa, la stessissima” from Antonio Salieri’s “Falstaff”, WoO 73 | Ian Yungwook Yoo | — | |
| 28-2 | Eight Variations on “Tändeln und Scherzen” from Franz Xaver Süssmayr’s “Soliman II”, WoO 76 | Ian Yungwook Yoo | — | |
| 28-3 | Six Variations in D major, op. 76 | Ian Yungwook Yoo | — | |
| 28-5 | 24 Variations on "Venni amore", WoO 65 | Larry Weng | — | |
| 28-6 | 13 Variations on “Es war einmal ein alter Mann”, WoO 66 | Sergio Gallo | — | |
| 28-7 | 9 Variations on "Quant'e più bello", WoO 69 | Larry Weng | — | |
| 28-8 | 8 Variations on "Une fièvre brûlante", WoO 72 | Larry Weng | — | |
| 29-1 | 7 Variations on "Kind, willst du ruhig schlafen", WoO 75 | Larry Weng | — | |
| 29-2 | Sechs leichte Variationen (G-dur) über ein eigenes Thema, WoO 77 | Carl Petersson | — | |
| 29-3 | Sieben Variationen (C-dur) über das Thema “God Save the King”, WoO 78 | Carl Petersson | — | |
| 29-4 | Fünf Variationen (D-dur) über das Thema “Rule Britannia”, WoO 79 | Carl Petersson | — | |
| 29-5 | 9 Variations in C minor on a March by Dressler, WoO 63 “Dresselver Variations” (original version) | Sergio Gallo | — | |
| 29-6 | 9 Variations on a March by Dressler, WoO 63 | — | ||
| 30-1 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Thema: Vivace | Konstantin Scherbakov | — | |
| 30-2 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation I: Alla Marcia maestoso | Konstantin Scherbakov | — | |
| 30-3 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation II: Poco allegro | Konstantin Scherbakov | — | |
| 30-4 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation III: L’istesso tempo | Konstantin Scherbakov | — | |
| 30-5 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation IV: Un poco piu vivace | Konstantin Scherbakov | — | |
| 30-6 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation V: Allegro vivace | Konstantin Scherbakov | — | |
| 30-7 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VI: Allegro ma non troppo e serioso | Konstantin Scherbakov | — | |
| 30-8 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VII: Un poco piu allegro | Konstantin Scherbakov | — | |
| 30-9 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VIII: Poco vivace | Konstantin Scherbakov | — | |
| 30-10 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation IX: Allegro pesante e risoluto | Konstantin Scherbakov | — | |
| 30-11 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation X: Presto | Konstantin Scherbakov | — | |
| 30-12 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XI: Allegretto | Konstantin Scherbakov | — | |
| 30-13 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VarVariation XII: Un poco piu moto | Konstantin Scherbakov | — | |
| 30-14 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XIII: Vivace | Konstantin Scherbakov | — | |
| 30-15 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VarVariation XIV: Grave e maestoso | Konstantin Scherbakov | — | |
| 30-16 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VaVariation XV: Presto scherzando | Konstantin Scherbakov | — | |
| 30-17 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVI: Allegro | Konstantin Scherbakov | — | |
| 30-18 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVII | Konstantin Scherbakov | — | |
| 30-19 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVIII: Poco moderato | Konstantin Scherbakov | — | |
| 30-20 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XIX: Presto | Konstantin Scherbakov | — | |
| 30-21 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XX: Andante | Konstantin Scherbakov | — | |
| 30-22 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXI: Allegro con brio | Konstantin Scherbakov | — | |
| 30-23 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXII: Allegro molto alla “Notte e giorno faticar” di Mozart | Konstantin Scherbakov | — | |
| 30-24 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIII: Allegro assai | Konstantin Scherbakov | — | |
| 30-25 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIV: Fughetta: Andante | Konstantin Scherbakov | — | |
| 30-26 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXV: Allegro | Konstantin Scherbakov | — | |
| 30-27 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXVI: Piacevole | Konstantin Scherbakov | — | |
| 30-28 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXVII: Vivace | Konstantin Scherbakov | — | |
| 30-29 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VariaVariation XXVIII: Allegro | Konstantin Scherbakov | — | |
| 30-30 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIX: Adagio ma non troppo | Konstantin Scherbakov | — | |
| 30-31 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXX: Andante, sempre cantabile | Konstantin Scherbakov | — | |
| 30-32 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXI: Largo, molto espressivo | Konstantin Scherbakov | — | |
| 30-33 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXII: Fuga: Allegro | Konstantin Scherbakov | — | |
| 30-34 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXIII: Tempo di Minuetto moderato (ma non tirarsi dietro) | Konstantin Scherbakov | — | |
| 30-35 | Twelve Variations on the Russian Dance from Paul Wranitzky’s Ballet “Waldmädchen”, WoO 71 | Ian Yungwook Yoo | — | |
| 31-1 | Sonata for Piano Four Hands in D major op.6 - I. Allegro molto | — | ||
| 31-2 | Sonata in D major for Piano, 4 Hands, op. 6: II. Rondo: Moderato | Sara Hamann, Amy Hamann | — | |
| 31-3 | 8 Variations in C major on a Theme by Count Waldstein WoO 67 'Waldstein Variations' | — | ||
| 31-4 | 6 Variations in D major on 'Ich denke dein' WoO 74 | — | ||
| 31-5 | Three Marches op.45 - No.1 in C major | — | ||
| 31-6 | Three Marches op.45 - No.2 in E flat major | — | ||
| 31-7 | Three Marches op.45 - No.3 in D major | — | ||
| 31-8 | Grosse Fuge in B flat major op.134 Hess 86 | — | ||
| 32-1 | Piano Étude in B‐flat major, Hess 58 | Sergio Gallo | — | |
| 32-2 | Piano Étude in C major, Hess 59 | Sergio Gallo | — | |
| 32-3 | Sketch in A major, Hess 60 | Sergio Gallo | — | |
| 32-4 | Theme With Variations in A major, Hess 72 | Sergio Gallo | — | |
| 32-5 | 3 Little Sketches in Canonic Style, Bia. 69 | Sergio Gallo | — | |
| 32-6 | 3 Drafts for Piano, Bia. 276 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-7 | Fragment in A major, Bia. 268 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 32-8 | Fragment in A major, Bia. 268 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-9 | Andante in F major, Bia. 270 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 32-10 | Fragment in E-flat major, Bia. 271 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 32-11 | Sketch in F major, Bia. 273 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 32-12 | Andante in B-flat major, Bia. 272 (Arr. C. Petersson) | Carl Petersson | — | |
| 32-13 | Passage in B major, Bia. 280 (Arr. C. Petersson) | Carl Petersson | — | |
| 32-14 | Sketch in E-flat major, Bia. 317 (Transcr. S. Brandenburg) | Carl Petersson | — | |
| 32-15 | Sketch for Piano Sonata in E-flat major, Bia. 98 | Carl Petersson | — | |
| 32-16 | Sketch for Piano Sonata in A minor, Bia. 318 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-17 | Unused Sketches for the Finale to the “Eroica Variations”, Bia. 319 (Transcr. S. Brandenburg) | Carl Petersson | — | |
| 32-18 | Fragment in G major, Bia. 720 (Transcr. J. Schmidt-Görg) | Carl Petersson | — | |
| 32-19 | Instrumental Sketch, Bia. 849 | Carl Petersson | — | |
| 32-20 | Klaviertrio in G-dur, op. 1 Nr. 2: III. Scherzo (fragment), Hess 98 | Carl Petersson | — | |
| 32-21 | String Quintet in C major, WoO 62, Hess 41: I. Andante maestoso “Letzter musikalischer Gedanke” | Sergio Gallo | — | |
| 32-22 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Hess 96 | Carl Petersson | — | |
| 32-23 | Menuett in As-dur, WoO 209, Hess 88 | Carl Petersson | — | |
| 32-24 | 2 Cadenzas to Mozart’s Piano Concerto no. 20, WoO 58: Cadenza to I. Allegro | Sergio Gallo | T-070.160.313-5 | |
| 32-25 | 2 Cadenzas to Mozart’s Piano Concerto no. 20, WoO 58: Cadenza to III. Rondo | Sergio Gallo | — | |
| 32-26 | March in C minor, Hess 330 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-27 | Allegretto Sketches, Bia. 99: No. 1, — | Carl Petersson | — | |
| 32-28 | Allegretto Sketches, Bia. 99: No. 2, — | Carl Petersson | — | |
| 32-29 | Allegretto Sketches, Bia. 99: No. 3, — | Carl Petersson | — | |
| 32-30 | Allegretto Sketches, Bia. 99: No. 4, — | Carl Petersson | — | |
| 32-31 | Allegretto Sketches, Bia. 99: No. 5, — | Carl Petersson | — | |
| 32-32 | Allegretto Sketches, Bia. 99: No. 6, — | Carl Petersson | — | |
| 32-33 | Allegretto Sketches, Bia. 99: No. 7, — | Carl Petersson | — | |
| 32-34 | Allegretto Sketches, Bia. 99: No. 8, — | Carl Petersson | — | |
| 32-35 | Sketch for Piano in C major, Bia. 191 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-36 | Andante in B-flat major, Bia. 272 (Arr. C. Petersson) | Carl Petersson | — | |
| 32-37 | Andante in B-flat major, Bia. 272 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-38 | 18 Sketches, Bia. 96: No. 1, Adagio | Carl Petersson | — | |
| 32-39 | 18 Sketches, Bia. 96: No. 2, — | Carl Petersson | — | |
| 32-40 | 18 Sketches, Bia. 96: No. 3, — | Carl Petersson | — | |
| 32-41 | 18 Sketches, Bia. 96: No. 4, — | Carl Petersson | — | |
| 32-42 | 18 Sketches, Bia. 96: No. 5, — | Carl Petersson | — | |
| 32-43 | 18 Sketches, Bia. 96: No. 6, Allegro | Carl Petersson | — | |
| 32-44 | 18 Sketches, Bia. 96: No. 7, — | Carl Petersson | — | |
| 32-45 | 18 Sketches, Bia. 96: No. 8, Allegro maestoso | Carl Petersson | — | |
| 32-46 | 18 Sketches, Bia. 96: No. 9, Adagio molto | Carl Petersson | — | |
| 32-47 | 18 Sketches, Bia. 96: No. 10, — | Carl Petersson | T-306.242.818-2 | |
| 32-48 | 18 Sketches, Bia. 96: No. 11, — | Carl Petersson | — | |
| 32-49 | 18 Sketches, Bia. 96: No. 12, — | Carl Petersson | — | |
| 32-50 | 18 Sketches, Bia. 96: No. 13, — | Carl Petersson | — | |
| 32-51 | 18 Sketches, Bia. 96: No. 14, — | Carl Petersson | — | |
| 32-52 | 18 Sketches, Bia. 96: No. 15, Fugentema | Carl Petersson | — | |
| 32-53 | 18 Sketches, Bia. 96: No. 16, Adagio | Carl Petersson | — | |
| 32-54 | 18 Sketches, Bia. 96: No. 17, — | Carl Petersson | — | |
| 32-55 | 18 Sketches, Bia. 96: No. 18, Allegro | Carl Petersson | — | |
| 32-56 | March in B-flat major, WoO 29, Hess 107 “Grenadier March” | Janette Fishell | — | |
| 32-57 | Fugue in D major, WoO 31 | Janette Fishell | — | |
| 32-58 | 2 Stücke, WoO 33b, Hess 106: No. 1. Allegro non più molto | Janette Fishell | — | |
| 32-59 | 2 Stücke, WoO 33b, Hess 106: No. 2. Allegretto | Janette Fishell | — | |
| 32-60 | 3 Stücke, WoO 33a: No. 1. Adagio assai, Hess 103 | Janette Fishell | — | |
| 32-61 | 3 Stücke, WoO 33a: No. 2. Scherzo, Hess 104 | Janette Fishell | — | |
| 32-62 | 3 Stücke, WoO 33a: No. 3. Allegro, Hess 105 | Janette Fishell | — | |
| 33-1 | Triumphmarsch zum Trauerspiel Tarpeja von Kuffner, WoO 2a, Hess 117 | Carl Petersson | — | |
| 33-2 | Marsch Nr. 1 in F-dur, “Für die Böhmische Landwehr”, WoO 18, Hess 99 | Carl Petersson | — | |
| 33-3 | Musik zu einem Ritterballett, WoO 1, Hess 89: Marsch | Carl Petersson | — | |
| 33-4 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-5 | Musik zu einem Ritterballett, WoO 1, Hess 89: Jagdlied: Allegretto | Carl Petersson | — | |
| 33-6 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-7 | Musik zu einem Ritterballett, WoO 1, Hess 89: Minnelied: Romance: Andantino | Carl Petersson | — | |
| 33-8 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-9 | Musik zu einem Ritterballett, WoO 1, Hess 89: Kriegslied: Allegro assai | Carl Petersson | — | |
| 33-10 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-11 | Musik zu einem Ritterballett, WoO 1, Hess 89: Trinklied: Allegro con brio | Carl Petersson | — | |
| 33-12 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-13 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Tanz: Walzer | Carl Petersson | — | |
| 33-14 | Musik zu einem Ritterballett, WoO 1, Hess 89: Coda: Allegro vivace | Carl Petersson | — | |
| 33-15 | Die Geschöpfe des Prometheus Hess 90 - Act I: Ouverture | — | ||
| 33-16 | Die Geschöpfe des Prometheus Hess 90 - Act I: Introduzione | — | ||
| 33-17 | Die Geschöpfe des Prometheus Hess 90 - Act I: Poco adagio | — | ||
| 33-18 | Die Geschöpfe des Prometheus Hess 90 - Act I: Asagio | — | ||
| 33-19 | Die Geschöpfe des Prometheus Hess 90 - Act I: Allegro vivace | — | ||
| 33-20 | Die Geschöpfe des Prometheus Hess 90 - Act II: Maestoso | — | ||
| 33-21 | Die Geschöpfe des Prometheus Hess 90 - Act II: Adagio | — | ||
| 33-22 | Die Geschöpfe des Prometheus Hess 90 - Act II: Un poco adagio | — | ||
| 33-23 | Die Geschöpfe des Prometheus Hess 90 - Act II: Grave | — | ||
| 33-24 | Die Geschöpfe des Prometheus Hess 90 - Act II: Allegro con brio | — | ||
| 33-25 | Die Geschöpfe des Prometheus Hess 90 - Act II: Adagio | — | ||
| 33-26 | Die Geschöpfe des Prometheus Hess 90 - Act II: Pastorale | — | ||
| 33-27 | Die Geschöpfe des Prometheus Hess 90 - Act II: Coro di Gioja | — | ||
| 33-28 | Die Geschöpfe des Prometheus Hess 90 - Act II: Solo di Gioja | — | ||
| 33-29 | Die Geschöpfe des Prometheus Hess 90 - Act II: Terezettino | — | ||
| 33-30 | Die Geschöpfe des Prometheus Hess 90 - Act II: Solo della Signora Cassentini | — | ||
| 33-31 | Die Geschöpfe des Prometheus Hess 90 - Act II: Coro e Solo di Vigano | — | ||
| 33-32 | Die Geschöpfe des Prometheus Hess 90 - Act II: Finale | — | ||
| 34-1 | Andante in F major, WoO 57 "Andante favori" | Jenő Jandó | T-306.231.675-6 | |
| 34-2 | Bagatelle in C minor WoO 52 | — | ||
| 34-5 | 12 Piano Miniatures from the Sketchbooks: No. 3 in C major: Alla marcia | Sergio Gallo | — | |
| 34-6 | 12 Piano Miniatures from the Sketchbooks: No. 4 in A major: Allegro giocoso | Sergio Gallo | — | |
| 34-7 | 12 Piano Miniatures from the Sketchbooks: No. 6 in A major: Allegro | Sergio Gallo | — | |
| 34-8 | 12 Piano Miniatures from the Sketchbooks: No. 7 in A major: Presto | Sergio Gallo | — | |
| 34-9 | 12 Piano Miniatures from the Sketchbooks: No. 8 in G major: Allegretto | Sergio Gallo | — | |
| 34-10 | Molto adagio in G major, Hess 71 | Sergio Gallo | — | |
| 34-11 | Adagio ma non molto in G major, Hess 70 | Sergio Gallo | — | |
| 34-12 | Allegretto in C minor, WoO 53, Hess 66 | Sergio Gallo | T-912.576.580-2 | |
| 34-13 | Pastorale in C major, Bia. 622 | Sergio Gallo | — | |
| 34-14 | Presto in G major, Bia. 277 | Sergio Gallo | — | |
| 34-15 | Allegro in C major, Bia. 279 | Sergio Gallo | — | |
| 34-16 | Canon in G major, Hess 274 | Sergio Gallo | — | |
| 34-17 | Piano Piece in D major, Hess 325 (Transcr. N. Fishman) | Carl Petersson | — | |
| 34-18 | Andante molto in E-flat major, Bia. 269 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 34-19 | Fugue in C major, Bia. 345 (Transcr. N. Fishman) | Carl Petersson | — | |
| 34-20 | Fugue in C major, Bia. 346 “Antique” (Transcr. N. Fishman) | Carl Petersson | — | |
| 34-21 | Anglaise in G minor, Bia. 48 (Original Version) | Carl Petersson | — | |
| 34-23 | Composition for Piano in D major, Bia. 213 | Sergio Gallo | — | |
| 34-24 | Liedthema in G major, WoO 200 “O Hoffnung” | Sergio Gallo | — | |
| 34-25 | Klaviersatz, Hess 63 | Sergio Gallo | — | |
| 34-26 | Andante in C major, WoO 211 | Sergio Gallo | — | |
| 34-27 | Canon in A‐Flat major, WoO 222, Hess 275/328 | Sergio Gallo | — | |
| 34-28 | Sonatina no. 37 in G, Anh. 5 no. 1: I. Moderato | Jenő Jandó | T-905.750.680-6 | |
| 34-29 | Sonatina no. 37 in G, Anh. 5 no. 1: II. Romanze | Jenő Jandó | — | |
| 34-30 | Sonatina no. 38 in F, Anh. 5 no. 2: I. Allegro | Jenő Jandó | — | |
| 34-31 | Sonatina no. 38 in F, Anh. 5 no. 2: II. Rondo. Allegro | Jenő Jandó | — | |
| 34-32 | Melody in C minor, Hess 324 (Transcr. N. Fishman) | Carl Petersson | — | |
| 34-33 | Melody in C minor, Hess 324 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 34-34 | Zweiter Eingang in’s Thema vom Rondo, Hess 84 | Sergio Gallo | — | |
| 34-35 | Kadenz zum Rondo, Hess 85 | Sergio Gallo | — | |
| 34-36 | Wellingtons Sieg oder die Schlacht bei Vittoria, Hess 97 (piano version of op. 91): Erste Abteilung | Carl Petersson | — | |
| 34-37 | Wellingtons Sieg oder die Schlacht bei Vittoria, Hess 97 (piano version of op. 91): Zweite Abteilung: Sieges-Sinfonie | Carl Petersson | — | |
| 35-1 | Sonata in F major for Cello and Piano, op. 5 no. 1: Adagio sostenuto - Allegro | Maria Kliegel, Nina Tichman | — | |
| 35-2 | Sonata in F major for Cello and Piano, op. 5 no. 1: Allegro vivace | Maria Kliegel, Nina Tichman | — | |
| 35-3 | Sonata in G minor for Cello and Piano, op. 5 no. 2: Adagio sostenuto ed espressivo – Allegro molto più tosto presto | Maria Kliegel, Nina Tichman | — | |
| 35-4 | Sonata in G minor for Cello and Piano, op. 5 no. 2: Rondo: Allegro | Maria Kliegel, Nina Tichman | — | |
| 35-5 | Sonata no. 3 in A major for Cello and Piano, op .69: Allegro, ma non tanto | Maria Kliegel, Nina Tichman | — | |
| 35-6 | Sonata no. 3 in A major for Cello and Piano, op .69: Scherzo: Allegro molto | Maria Kliegel, Nina Tichman | — | |
| 35-7 | Sonata no. 3 in A major for Cello and Piano, op .69: Adagio cantabile – | Maria Kliegel, Nina Tichman | — | |
| 35-8 | Sonata no. 3 in A major for Cello and Piano, op .69: Allegro vivace | Maria Kliegel, Nina Tichman | — | |
| 36-1 | Sonata no. 4 in C major for Cello and Piano, op. 102 no. 1: Andante – Allegro vivace | Maria Kliegel, Nina Tichman | — | |
| 36-2 | Sonata no. 4 in C major for Cello and Piano, op. 102 no. 1: Adagio – Tempo d’Andante | Maria Kliegel, Nina Tichman | — | |
| 36-3 | Sonata no. 4 in C major for Cello and Piano, op. 102 no. 1: Allegro vivace | Maria Kliegel, Nina Tichman | — | |
| 36-4 | Sonata no. 5 in D major for Cello and Piano, op. 102 no. 2: Allegro con brio | Maria Kliegel, Nina Tichman | — | |
| 36-5 | Sonata no. 5 in D major for Cello and Piano, op. 102 no. 2: Adagio con molto sentimento d’affetto | Maria Kliegel, Nina Tichman | — | |
| 36-6 | Sonata no. 5 in D major for Cello and Piano, op. 102 no. 2: Allegro fugato | Maria Kliegel, Nina Tichman | — | |
| 36-7 | Sonata in E-flat major for Cello and Piano, op. 64: Allegro con brio | Maria Kliegel, Nina Tichman | — | |
| 36-8 | Sonata in E-flat major for Cello and Piano, op. 64: Andante | Maria Kliegel, Nina Tichman | — | |
| 36-9 | Sonata in E-flat major for Cello and Piano, op. 64: Menuetto: Allegro | Maria Kliegel, Nina Tichman | — | |
| 36-10 | Sonata in E-flat major for Cello and Piano, op. 64: Adagio | Maria Kliegel, Nina Tichman | T-003.055.867-8 | |
| 36-11 | Sonata in E-flat major for Cello and Piano, op. 64: Menuetto: Moderato | Maria Kliegel, Nina Tichman | — | |
| 36-12 | Sonata in E-flat major for Cello and Piano, op. 64: Finale: Allegro | Maria Kliegel, Nina Tichman | — | |
| 37-1 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Theme: Allegretto | Maria Kliegel, Nina Tichman | — | |
| 37-2 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation I | Maria Kliegel, Nina Tichman | — | |
| 37-3 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation II | Maria Kliegel, Nina Tichman | — | |
| 37-4 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation III | Maria Kliegel, Nina Tichman | — | |
| 37-5 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation IV | Maria Kliegel, Nina Tichman | — | |
| 37-6 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation V | Maria Kliegel, Nina Tichman | — | |
| 37-7 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation VI | Maria Kliegel, Nina Tichman | — | |
| 37-8 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation VII | Maria Kliegel, Nina Tichman | — | |
| 37-9 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation VIII | Maria Kliegel, Nina Tichman | — | |
| 37-10 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation IX | Maria Kliegel, Nina Tichman | — | |
| 37-11 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation X | Maria Kliegel, Nina Tichman | — | |
| 37-12 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation XI | Maria Kliegel, Nina Tichman | — | |
| 37-13 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation XII | Maria Kliegel, Nina Tichman | — | |
| 37-14 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Thema: Andante | Maria Kliegel, Nina Tichman | — | |
| 37-15 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation I | Maria Kliegel, Nina Tichman | — | |
| 37-16 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation II | Maria Kliegel, Nina Tichman | — | |
| 37-17 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation III | Maria Kliegel, Nina Tichman | — | |
| 37-18 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation IV | Maria Kliegel, Nina Tichman | — | |
| 37-19 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation V: Si prenda il tempo un poco più vivace | Maria Kliegel, Nina Tichman | — | |
| 37-20 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation VI: Adagio | Maria Kliegel, Nina Tichman | — | |
| 37-21 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation VII: Allegro, ma non troppo | Maria Kliegel, Nina Tichman | — | |
| 37-22 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Thema | Maria Kliegel, Nina Tichman | — | |
| 37-23 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation I | Maria Kliegel, Nina Tichman | — | |
| 37-24 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation II | Maria Kliegel, Nina Tichman | — | |
| 37-25 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation III | Maria Kliegel, Nina Tichman | — | |
| 37-26 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation IV | Maria Kliegel, Nina Tichman | — | |
| 37-27 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation V | Maria Kliegel, Nina Tichman | — | |
| 37-28 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation VI | Maria Kliegel, Nina Tichman | — | |
| 37-29 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation VII | Maria Kliegel, Nina Tichman | — | |
| 37-30 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation VIII | Maria Kliegel, Nina Tichman | — | |
| 37-31 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation IX | Maria Kliegel, Nina Tichman | — | |
| 37-32 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation X | Maria Kliegel, Nina Tichman | — | |
| 37-33 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation XI | Maria Kliegel, Nina Tichman | — | |
| 37-34 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation XII | Maria Kliegel, Nina Tichman | — | |
| 37-35 | Mandolin Sonatina in C minor, WoO 43a | Alon Sariel, Michael Tsalka | — | |
| 37-36 | Adagio in E-flat major, WoO 43b, Hess 44 | Alon Sariel, Michael Tsalka | — | |
| 37-37 | Mandolin Sonatina in C major, WoO 44a, Hess 43 | Alon Sariel, Michael Tsalka | T-801.974.499-2 | |
| 37-38 | Andante and Variations in D major, WoO 44b, Hess 45 | Alon Sariel, Michael Tsalka | — | |
| 37-39 | 12 Variations in F major on 'Se vuol ballare' | — | ||
| 37-40 | Rondo in G major, WoO 41 | Tatiana Lokhina, Clara Scholtes | — | |
| 37-41 | Sonata in F major for Horn and Piano, op. 17 (arr. cello and piano): Allegro moderato | Maria Kliegel, Nina Tichman | — | |
| 37-42 | Sonata in F major for Horn and Piano, op. 17 (arr. cello and piano): Poco adagio, quasi andante | Maria Kliegel, Nina Tichman | — | |
| 37-43 | Sonata in F major for Horn and Piano, op. 17 (arr. cello and piano): Rondo. Allegro moderato | Maria Kliegel, Nina Tichman | — | |
| 38-1 | Piano Trio in E-flat major, op. 1 no. 1: Allegro | Xyrion Trio | — | |
| 38-2 | Piano Trio in E-flat major, op. 1 no. 1: Adagio cantabile | Xyrion Trio | — | |
| 38-3 | Piano Trio in E-flat major, op. 1 no. 1: Scherzo: Allegro assai | Xyrion Trio | — | |
| 38-4 | Piano Trio in E-flat major, op. 1 no. 1: Finale: Presto | Xyrion Trio | T-318.676.528-2 | |
| 38-5 | Piano Trio in G major, op. 1 no. 2: Adagio | Xyrion Trio | — | |
| 38-6 | Piano Trio in G major, op. 1 no. 2: Allegro vivace | Xyrion Trio | — | |
| 38-7 | Piano Trio in G major, op. 1 no. 2: Largo con espressione | Xyrion Trio | — | |
| 38-8 | Piano Trio in G major, op. 1 no. 2: Scherzo: Allegro | Xyrion Trio | — | |
| 38-9 | Piano Trio in G major, op. 1 no. 2: Finale: Presto | Xyrion Trio | — | |
| 39-1 | Piano Trio no.3 in C minor op.1 no.3 - I. Allegro con brio | — | ||
| 39-2 | Piano Trio no.3 in C minor op.1 no.3 - II. Andante cantabile con variazioni | — | ||
| 39-3 | Piano Trio no.3 in C minor op.1 no.3 - III. Menuetto | — | ||
| 39-4 | Piano Trio no.3 in C minor op.1 no.3 - IV. Finale | — | ||
| 39-5 | Piano Trio no. 4 for Piano, Clarinet and Cello, op. 11 “Gassenhauer”: Allegro con brio | Ib Hausmann, Maria Kliegel, Nina Tichman | — | |
| 39-6 | Piano Trio no. 4 for Piano, Clarinet and Cello, op. 11 “Gassenhauer”: Adagio | Ib Hausmann, Maria Kliegel, Nina Tichman | — | |
| 39-7 | Piano Trio no. 4 for Piano, Clarinet and Cello, op. 11 “Gassenhauer”: Allegretto | Ib Hausmann, Maria Kliegel, Nina Tichman | — | |
| 39-8 | Piano Trio no.5 in D major op.70 no.1 'Ghost' - I. Allegro vivace e con brio | — | ||
| 39-9 | Piano Trio no.5 in D major op.70 no.1 'Ghost' - II. Largo assai ed espressivo | — | ||
| 39-10 | Piano Trio no.5 in D major op.70 no.1 'Ghost' - III. Presto | — | ||
| 40-1 | Piano Trio no.6 in E flat major op.70 no.2 - I. Poco sostenuto | — | ||
| 40-2 | Piano Trio no.6 in E flat major op.70 no.2 - II. Allegretto | — | ||
| 40-3 | Piano Trio no.6 in E flat major op.70 no.2 - III. Allegretto ma non troppo | — | ||
| 40-4 | Piano Trio no.6 in E flat major op.70 no.2 - IV. Finale | — | ||
| 40-5 | Piano Trio no.7 in B flat major op.97 'Archducke' - I. Allegro moderato | — | ||
| 40-6 | Piano Trio no.7 in B flat major op.97 'Archducke' - II. Scherzo | — | ||
| 40-7 | Piano Trio no.7 in B flat major op.97 'Archducke' - III. Andante cantabile | — | ||
| 40-8 | Piano Trio no.7 in B flat major op.97 'Archducke' - IV. Allegro moderato | — | ||
| 41-1 | Allegretto in B-flat major, WoO 39 | Xyrion Trio | — | |
| 41-2 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Theme | — | ||
| 41-3 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation I | — | ||
| 41-4 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation II | — | ||
| 41-5 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation III | — | ||
| 41-6 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation IV | — | ||
| 41-7 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation V | — | ||
| 41-8 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation VI | — | ||
| 41-9 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation VII | — | ||
| 41-10 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation VIII | — | ||
| 41-11 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation IX | — | ||
| 41-12 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation X | — | ||
| 41-13 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation XI | — | ||
| 41-14 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation XII | — | ||
| 41-15 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation XIII | — | ||
| 41-16 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation XIV | — | ||
| 41-17 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variations in G major on Wenzel Müller's op.212a | — | ||
| 41-18 | Allegretto in E flat major, Hess 48 | — | ||
| 42-1 | Piano Trio in E flat major WoO 38 - I. Allegro moderato | — | ||
| 42-2 | Piano Trio in E flat major WoO 38 - II. Scherzo | — | ||
| 42-3 | Piano Trio in E flat major WoO 38 - III. Rondo | — | ||
| 42-4 | Piano Trio no.8 in E flat major op.38 - I. Adagio | — | ||
| 42-5 | Piano Trio in E flat major WoO 38 - II. Adagio cantabile | — | ||
| 42-6 | Piano Trio in E flat major WoO 38 - III. Tempo di menuetto | — | ||
| 42-7 | Piano Trio in E flat major WoO 38 - IV. Andante con variazioni | — | ||
| 42-8 | Piano Trio in E flat major WoO 38 - V. Scherzo | — | ||
| 42-9 | Piano Trio in E flat major WoO 38 - VI. Andante con moto alla marcia | — | ||
| 42-10 | Piano Trio in G major WoO 37 - I. Allegro | — | ||
| 42-11 | Piano Trio in G major WoO 37 - II. Adagio | — | ||
| 42-12 | Piano Trio in G major WoO 37 - III. Thema andante con variazioni | — | ||
| 42-13 | Piano Trio in F minor, Bia. 637 (fragments) | Lawrence DiBello, Andreas Ioannides, Tristan Siegel | — | |
| 43-1 | Piano Quartet in C major, WoO 36 no. 3: I. Allegro vivace | — | ||
| 43-2 | Piano Quartet in C major, WoO 36 no. 3: II. Adagio con espressione | — | ||
| 43-3 | Piano Quartet in C major, WoO 36 no. 3: III. Rondo: Allegro | — | ||
| 43-4 | Piano Quartet in E-flat major, WoO 36 no. 1: I. Adagio assai | — | ||
| 43-5 | Piano Quartet in E-flat major, WoO 36 no. 1: II. Allegro con spirito | — | ||
| 43-6 | Piano Quartet in E-flat major, WoO 36 no. 1: III. Theme and Variations: Cantabile | — | ||
| 43-7 | Piano Quartet in D major, WoO 36 no. 2: I. Allegro moderato | — | ||
| 43-8 | Piano Quartet in D major, WoO 36 no. 2: II. Andante con moto | — | ||
| 43-9 | Piano Quartet in D major, WoO 36 no. 2: III. Rondo: Allegro | — | ||
| 44-1 | Piano Quartet in E-flat major, op. 16: I. Grave – Allegro ma non troppo | Lawrence DiBello, Andreas Ioannides, Seido Karasaki, Clara Scholtes | — | |
| 44-2 | Piano Quartet in E-flat major, op. 16: II. Andante cantabile | Lawrence DiBello, Andreas Ioannides, Seido Karasaki, Clara Scholtes | T-322.688.088-8 | |
| 44-3 | Piano Quartet in E-flat major, op. 16: III. Rondo: Allegro, ma non troppo | Lawrence DiBello, Andreas Ioannides, Seido Karasaki, Clara Scholtes | — | |
| 44-4 | Quintet for Piano and Winds in E flat major op.16 - I. Grave | — | ||
| 44-5 | Quintet for Piano and Winds in E flat major op.16 - II. Andante cantabile | — | ||
| 44-6 | Quintet for Piano and Winds in E flat major op.16 - III. Rondo | — | ||
| 45-1 | String Trio in G major op.9 no.1 - I. Adagio | — | ||
| 45-2 | String Trio in G major op.9 no.1 - II. Adagio | — | ||
| 45-3 | String Trio in G major op.9 no.1 - III. Scherzo | — | ||
| 45-4 | String Trio in G major op.9 no.1 - IV. Presto | — | ||
| 45-5 | String Trio in G major op.9 no.2 - I. Allegretto | — | ||
| 45-6 | String Trio in G major op.9 no.2 - II. Andante quasi allegretto | — | ||
| 45-7 | String Trio in G major op.9 no.2 - III. Menuetto | — | ||
| 45-8 | String Trio in G major op.9 no.2 - IV. Rondo | — | ||
| 45-9 | String Trio in G major op.9 no.3 - I. Allegro con spirito | — | ||
| 45-10 | String Trio in G major op.9 no.3 - II. Adagio con espressione | — | ||
| 45-11 | String Trio in G major op.9 no.3 - III. Scherzo | — | ||
| 45-12 | String Trio in G major op.9 no.3 - IV. Finale | — | ||
| 45-13 | Trio Secondo Hess 28 | — | ||
| 46-1 | String Trio in E-flat major, op. 3: Allegro con brio | — | ||
| 46-2 | String Trio in E-flat major, op. 3: Andante | — | ||
| 46-3 | String Trio in E-flat major, op. 3: Menuetto: Allegretto | — | ||
| 46-4 | String Trio in E-flat major, op. 3: Adagio | — | ||
| 46-5 | String Trio in E-flat major, op. 3: Menuetto: Moderato | — | ||
| 46-6 | String Trio in E-flat major, op. 3: Finale: Allegro | — | ||
| 46-7 | Serenade (String Trio) in D major, op. 8: Marcia: Allegro | — | ||
| 46-8 | Serenade (String Trio) in D major, op. 8: Adagio | — | ||
| 46-9 | Serenade (String Trio) in D major, op. 8: Menuetto: Allegretto | — | ||
| 46-10 | Serenade (String Trio) in D major, op. 8: Adagio – Scherzo: Allegro molto – Adagio – Allegro molto | — | ||
| 46-11 | Serenade (String Trio) in D major, op. 8: Allegretto alla Polacca | — | ||
| 46-12 | Serenade (String Trio) in D major, op. 8: Andante quasi Allegretto – Allegro – Marcia: Allegro | — | ||
| 47-1 | String Quartet in F major, op. 18 no. 1: I. Allegro con brio | Kodály Quartet | — | |
| 47-2 | String Quartet in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | Kodály Quartet | — | |
| 47-3 | String Quartet in F major, op. 18 no. 1: III. Scherzo: Allegro molto | Kodály Quartet | — | |
| 47-4 | String Quartet in F major, op. 18 no. 1: IV. Allegro | Kodály Quartet | — | |
| 47-5 | String Quartet no.2 in G major op.18 no.2 - I. Allegro | — | ||
| 47-6 | String Quartet no.2 in G major op.18 no.2 - II. Adagio cantabile | — | ||
| 47-7 | String Quartet no. 2 in G major, op. 18, No. 2: III. Scherzo: Allegro | Kodály Quartet | — | |
| 47-8 | String Quartet no.2 in G major op.18 no.2 - IV. Allegro molto | — | ||
| 47-9 | String Quartet no.3 in D major op.18 no.3 - I. Allegro | — | ||
| 47-10 | String Quartet no.3 in D major op.18 no.3 - II. Andante con moto | — | ||
| 47-11 | String Quartet no.3 in D major op.18 no.3 - III. Allegro | — | ||
| 47-12 | String Quartet no.3 in D major op.18 no.3 - IV. Presto | — | ||
| 48-1 | String Quartet no.4 in C minor op.18 no.4 - I. Allegro ma non tanto | — | ||
| 48-2 | String Quartet no.4 in C minor op.18 no.4 - II. Scherzo | — | ||
| 48-3 | String Quartet no.4 in C minor op.18 no.4 - III. Menuetto | — | ||
| 48-4 | String Quartet no.4 in C minor op.18 no.4 - IV. Allegretto | — | ||
| 48-5 | String Quartet no.5 in A major op.18 no.5 - I. Allegro | — | ||
| 48-6 | String Quartet no.5 in A major op.18 no.5 - II. Menuetto | — | ||
| 48-7 | String Quartet no.5 in A major op.18 no.5 - III. Andante cantabile | — | ||
| 48-8 | String Quartet no.5 in A major op.18 no.5 - IV. Allegro | — | ||
| 48-9 | String Quartet no.6 in B flat major op.18 no.6 - I. Allegro con brio | — | ||
| 48-10 | String Quartet no.6 in B flat major op.18 no.6 - II. Adagio ma non troppo | — | ||
| 48-11 | String Quartet no.6 in B flat major op.18 no.6 - III. Scherzo | — | ||
| 48-12 | String Quartet no.6 in B flat major op.18 no.6 - IV. La malinconia | — | ||
| 49-1 | String Quartet no.7 in F major op.59 no.1 'Razumovsky' - I. Allegro | — | ||
| 49-2 | String Quartet no.7 in F major op.59 no.1 'Razumovsky' - II. Allegretto vivace e sempre scherzando | — | ||
| 49-3 | String Quartet no.7 in F major op.59 no.1 'Razumovsky' - III. Adagio molto e mesto | — | ||
| 49-4 | String Quartet no.7 in F major op.59 no.1 'Razumovsky' - IV. Theme russe | — | ||
| 49-5 | String Quartet no.8 in E minor op.59 no.2 'Razumovsky' - I. Allegro | — | ||
| 49-6 | String Quartet no.8 in E minor op.59 no.2 'Razumovsky' - II. Molto adagio | — | ||
| 49-7 | String Quartet no.8 in E minor op.59 no.2 'Razumovsky' - III. Allegretto | — | ||
| 49-8 | String Quartet no.8 in E minor op.59 no.2 'Razumovsky' - IV. Finale | — | ||
| 50-1 | String Quartet no.9 in C major op.59 no.3 'Razumovsky' - I. Introduzione | — | ||
| 50-2 | String Quartet no.9 in C major op.59 no.3 'Razumovsky' - II. Andante con moto quasi allegretto | — | ||
| 50-3 | String Quartet no.9 in C major op.59 no.3 'Razumovsky' - III. Menuetto grazioso | — | ||
| 50-4 | String Quartet no.9 in C major op.59 no.3 'Razumovsky' - IV. Allegro molto | — | ||
| 50-5 | String Quartet no.10 in E flat major op.74 'Harp' - I. Poco adagio | — | ||
| 50-6 | String Quartet no.10 in E flat major op.74 'Harp' - II. Adagio ma non troppo | — | ||
| 50-7 | String Quartet no.10 in E flat major op.74 'Harp' - III. Presto | — | ||
| 50-8 | String Quartet no.10 in E flat major op.74 'Harp' - IV. Allegretto con variazioni | — | ||
| 51-1 | String Quartet no.11 in F minor op.95 'Serioso' - I. Allegro con brio | — | ||
| 51-2 | String Quartet no.11 in F minor op.95 'Serioso' - II. Allegretto ma non troppo | — | ||
| 51-3 | String Quartet no.11 in F minor op.95 'Serioso' - III. Allegro assai vivace, ma serioso | — | ||
| 51-4 | String Quartet no.11 in F minor op.95 'Serioso' - IV. Larghetto espressivo | — | ||
| 51-5 | String Quartet no.12 in E flat major op.127 - I. Maestoso | — | ||
| 51-6 | String Quartet no.12 in E flat major op.127 - II. Adagio ma non troppo e molto cantabile | — | ||
| 51-7 | String Quartet no.12 in E flat major op.127 - III. Scherzo | — | ||
| 51-8 | String Quartet no.12 in E flat major op.127 - IV. Allegro | — | ||
| 52-1 | String Quartet no.13 in B flat major op.130 - I. Adagio ma non troppo | — | ||
| 52-2 | String Quartet no.13 in B flat major op.130 - II. Presto | — | ||
| 52-3 | String Quartet no.13 in B flat major op.130 - III. Poco scherzoso | — | ||
| 52-4 | String Quartet no.13 in B flat major op.130 - IV. Alla danza tedesca | — | ||
| 52-5 | String Quartet in B-flat major, op. 130: V. Cavatina: Adagio molto espressivo | Kodály Quartet | T-310.749.282-6 | |
| 52-6 | String Quartet no.13 in B flat major op.130 - VI. Finale | — | ||
| 52-7 | String Quartet in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo | Kodály Quartet | — | |
| 52-8 | String Quartet in C-sharp minor, op. 131: II. Allegro molto vivace | Kodály Quartet | — | |
| 52-9 | String Quartet in C-sharp minor, op. 131: III. Allegro moderato | Kodály Quartet | — | |
| 52-10 | String Quartet in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile | Kodály Quartet | — | |
| 52-11 | String Quartet in C-sharp minor, op. 131: V. Presto | Kodály Quartet | — | |
| 52-12 | String Quartet in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | Kodály Quartet | — | |
| 52-13 | String Quartet in C-sharp minor, op. 131: VII. Allegro | Kodály Quartet | — | |
| 53-1 | String Quartet no.15 in A minor op.132 - I. Assai sostenuto | — | ||
| 53-2 | String Quartet no.15 in A minor op.132 - II. Allegro ma non tanto | — | ||
| 53-3 | String Quartet no.15 in A minor op.132 - III. Heiliger Dankgesang eines Genesenen | — | ||
| 53-4 | String Quartet no.15 in A minor op.132 - IV. Alla marcia, V. Piu allegro | — | ||
| 53-5 | String Quartet no.15 in A minor op.132 - VI. Allegro appassionato | — | ||
| 53-6 | String Quartet in F major, op. 135: I. Allegretto | Kodály Quartet | — | |
| 53-7 | String Quartet in F major, op. 135: II. Vivace | Kodály Quartet | — | |
| 53-8 | String Quartet in F major, op. 135: III. Lento assai, e cantante tranquillo | Kodály Quartet | — | |
| 53-9 | String Quartet in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro | Kodály Quartet | — | |
| 53-10 | String Quartet in F major, Hess 34 - I. Allegro moderato | — | ||
| 53-11 | String Quartet in F major, Hess 34 - II. Allegretto | — | ||
| 53-12 | String Quartet in F major, Hess 34 - III. Allegro | — | ||
| 54-1 | String Quartet in F major, Hess 32: I. Allegro con brio | Fine Arts Quartet | — | |
| 54-2 | String Quartet in F major, Hess 32: II. Adagio molto | Fine Arts Quartet | — | |
| 54-3 | String Quartet in F major, Hess 32: III. Scherzo: Allegro | Fine Arts Quartet | — | |
| 54-4 | String Quartet in F major, Hess 32: IV. Allegretto | Fine Arts Quartet | — | |
| 54-5 | Allegretto in B minor, WoO 210 | Fine Arts Quartet | — | |
| 54-7 | Solomon, HWV 67, Part I: Overture: Fugue, Hess 36 | Fine Arts Quartet | — | |
| 54-8 | String Quintet in E flat major op.4 - I. Allegro con brio | — | ||
| 54-9 | String Quintet in E flat major op.4 - II. Andante | — | ||
| 54-10 | String Quintet in E flat major op.4 - III. Menuetto | — | ||
| 54-11 | String Quintet in E flat major op.4 - IV. Finale | — | ||
| 55-1 | String Quintet in C major op.29 - I. Allegro moderato | — | ||
| 55-2 | String Quintet in C major op.29 - II. Adagio molto espressivo | — | ||
| 55-3 | String Quintet in C major op.29 - III. Scherzo | — | ||
| 55-4 | String Quintet in C major op.29 - IV. Presto | — | ||
| 55-5 | String Quintet in C minor op.104 - I. Allegro con brio | — | ||
| 55-6 | String Quintet in C minor op.104 - II. Andante cantabile con variazioni | — | ||
| 55-7 | String Quintet in C minor op.104 - III. Menuetto | — | ||
| 55-8 | String Quintet in C minor op.104 - IV. Finale | — | ||
| 56-1 | Violin Sonata no.1 in D major op.12 no.1 - I. Allegro con brio | — | ||
| 56-2 | Violin Sonata no.1 in D major op.12 no.1 - II. Theme and Variations | — | ||
| 56-3 | Violin Sonata no.1 in D major op.12 no.1 - III. Rondo | — | ||
| 56-4 | Violin Sonata no.2 in A major op.12 no.2 - I. Allegro vivace | — | ||
| 56-5 | Violin Sonata no.2 in A major op.12 no.2 - II. Andante piu tosto allegretto | — | ||
| 56-6 | Violin Sonata no.2 in A major op.12 no.2 - III. Allegro piacevole | — | ||
| 56-7 | Violin Sonata no.3 in E flat major op.12 no.3 - I. Allegro con spirito | — | ||
| 56-8 | Violin Sonata no.3 in E flat major op.12 no.3 - II. Adagio con molta espressione | — | ||
| 56-9 | Violin Sonata no.3 in E flat major op.12 no.3 - III. Rondo | — | ||
| 56-10 | Violin Sonata no.4 in A minor op.23 - I. PResto | — | ||
| 56-11 | Violin Sonata no.4 in A minor op.23 - II. Andante scherzoso piu allegretto | — | ||
| 56-12 | Violin Sonata no.4 in A minor op.23 - III. Allegro molto | — | ||
| 57-1 | Violin Sonata no. 5 in F major, op. 24 “Spring”: I. Allegro | Jenő Jandó, Takako Nishizaki | T-031.682.208-8 | |
| 57-2 | Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — | |
| 57-3 | Violin Sonata no. 5 in F major, op. 24 “Spring”: III. Scherzo. Allegro ma non troppo | Jenő Jandó, Takako Nishizaki | — | |
| 57-4 | Violin Sonata no. 5 in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Jenő Jandó, Takako Nishizaki | T-909.573.283-5 | |
| 57-5 | Violin Sonata no.6 in A major op.30 no.1 - I. Allegro | — | ||
| 57-6 | Violin Sonata no.6 in A major op.30 no.1 - II. Adagio molto espressivo | — | ||
| 57-7 | Violin Sonata no.6 in A major op.30 no.1 - III. Alegretto con variazioni | — | ||
| 57-8 | Violin Sonata no.7 in C minor op.30 no.2 'Eroica' - I. Allegro con brio | — | ||
| 57-9 | Violin Sonata no.7 in C minor op.30 no.2 'Eroica' - II. Adagio cantabile | — | ||
| 57-10 | Violin Sonata no.7 in C minor op.30 no.2 'Eroica' - III. Scherzo | — | ||
| 57-11 | Violin Sonata no.7 in C minor op.30 no.2 'Eroica' - IV. Finale | — | ||
| 58-1 | Violin Sonata no.8 in G major op.30 no.3 'Champagnersonate' - I. Allegro assai | — | ||
| 58-2 | Violin Sonata no.8 in G major op.30 no.3 'Champagnersonate' - II. Tempo di minuetto ma molto moderato e grazioso | — | ||
| 58-3 | Violin Sonata no.8 in G major op.30 no.3 'Champagnersonate' - III. Allegro vivace | — | ||
| 58-4 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Jenő Jandó, Takako Nishizaki | — | |
| 58-5 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazione | Jenő Jandó, Takako Nishizaki | — | |
| 58-6 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto | Jenő Jandó, Takako Nishizaki | — | |
| 58-7 | Violin Sonata no.10 in G major op.96 - I. Allegro moderato | — | ||
| 58-8 | Violin Sonata no.10 in G major op.96 - II. Adagio espressivo | — | ||
| 58-9 | Violin Sonata no.10 in G major op.96 - III. Scherzo | — | ||
| 58-10 | Violin Sonata no.10 in G major op.96 - IV. Poco allgretto | — | ||
| 59-1 | 6 Minuets, WoO 9, Hess 26: No. 1 in E-flat major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-2 | 6 Minuets, WoO 9, Hess 26: No. 2 in G major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-3 | 6 Minuets, WoO 9, Hess 26: No. 3 in C major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-4 | 6 Minuets, WoO 9, Hess 26: No. 4. in F major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-5 | 6 Minuets, WoO 9, Hess 26: No. 5 in D major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-6 | 6 Minuets, WoO 9, Hess 26: No. 6 in G major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-7 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 1 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-8 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 2 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-9 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 3 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-10 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 4 in D minor | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-11 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 5 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-12 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 6 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-13 | 6 German Dances, WoO 42: No. 1 in F major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-14 | 6 German Dances, WoO 42: No. 2 in D major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-15 | 6 German Dances, WoO 42: No. 3 in F major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-16 | 6 German Dances, WoO 42: No. 4 in A major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-17 | 6 German Dances, WoO 42: No. 5 in D major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-18 | 6 German Dances, WoO 42: No. 6 in G major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-19 | Polonaise in D major, WoO 21 | IU Wind Ensemble, Rodney Dorsey | — | |
| 59-20 | Écossaise in D major, WoO 22 | IU Wind Ensemble, Rodney Dorsey | — | |
| 59-21 | Menuett in A-flat major, WoO 209, Hess 33 | Fine Arts Quartet | — | |
| 59-22 | March no.1 in F major WoO 18 | — | ||
| 59-23 | March no.1 in F major WoO 18 | — | ||
| 59-24 | Morch no.2 in F major WoO 19 | — | ||
| 59-25 | March no.2 in F major WoO 19 | — | ||
| 59-26 | March in C major, op. WoO 20 “Zapfenstreich no. 2” | IU Wind Ensemble, Rodney Dorsey | — | |
| 59-27 | March in D major, WoO 24 “Marsch zur grossen Wachtparade (Grosser Marsch no. 4)” | IU Wind Ensemble, Rodney Dorsey | — | |
| 59-28 | March in B-flat major, WoO 29 | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 59-29 | Flute Duo in G major WoO 26 - Allegro con brio | — | ||
| 59-30 | Minuetto quasi allgeretto | — | ||
| 59-31 | Trio in C major, op. 87: Allegro | Marc Schachman, John Abberger, Lani Spahr | — | |
| 59-32 | Trio in C major, op. 87: Adagio | Marc Schachman, John Abberger, Lani Spahr | — | |
| 59-33 | Trio in C major, op. 87: Scherzo | Marc Schachman, John Abberger, Lani Spahr | — | |
| 59-34 | Trio in C major, op. 87: Presto | Marc Schachman, John Abberger, Lani Spahr | — | |
| 60-1 | 3 Duets WoO 27 no.1 in C major - I. Allegro commodo | — | ||
| 60-2 | 3 Duets WoO 27 no.1 in C major - II. Larghetto | — | ||
| 60-3 | 3 Duets WoO 27 no.1 in C major - III. Rondo | — | ||
| 60-4 | 3 Duets WoO 27 no.2 in F major - I Allegro affettuoso | — | ||
| 60-5 | 3 Duets WoO 27 no.2 in F major - II. Aria | — | ||
| 60-6 | 3 Duets WoO 27 no.2 in F major - III. Rondo | — | ||
| 60-7 | 3 Duets WoO 27 no.3 in B flat major - I. Allegro sostetuto | — | ||
| 60-8 | 3 Duets WoO 27 no.3 in B flat major - II. Aria con variazioni | — | ||
| 60-9 | Duo for Viola and Cello in E flat major WoO 32 - I. | — | ||
| 60-10 | Duo for Viola and Cello in E flat major WoO 32 - II. Minuetto | — | ||
| 60-11 | Duet for 2 Violins in A major, WoO 34, Hess 42 | Sofia Kim, Susie Kroh | — | |
| 60-12 | Duo for Violin and Cello in E-flat major, Gardi 2 (fragment) | Hrafnhildur Marta Guðmundsdóttir, Sofia Kim | — | |
| 60-13 | Variations on “Là ci darem la mano” from Mozart’s “Don Giovanni”, WoO 28 | Marc Schachman, John Abberger, Lani Spahr | — | |
| 60-14 | 3 Equali, WoO 30: No. 1. Andante | Chris Houlihan, William Karceski, Noah Roper, Stefan Wiebe | — | |
| 60-15 | 3 Equali, WoO 30: No. 2. Poco adagio | Chris Houlihan, William Karceski, Noah Roper, Stefan Wiebe | — | |
| 60-16 | 3 Equali, WoO 30: No. 3. Poco sostenuto | Chris Houlihan, William Karceski, Noah Roper, Stefan Wiebe | — | |
| 60-17 | Adagio in A-flat major, Hess 297 | Layne Anspach, Yu-Hsuan Cheng, Scott Holben | — | |
| 61-1 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: I.Adagio - Allegro con brio | — | ||
| 61-2 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: II. Adagio cantabile | — | ||
| 61-3 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: III. Tempo di menuetto | — | ||
| 61-4 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: IV. Tema con variazioni. Andante | — | ||
| 61-5 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: V. Scherzo. Allegro molto e vivace | — | ||
| 61-6 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: VI. Andante con moto alla marcia - Presto | — | ||
| 61-7 | Quintet in E-flat major for Three Horns, Oboe and Basoon, H. 19: I. Allegro | — | ||
| 61-8 | Quintet in E-flat major for Three Horns, Oboe and Basoon, H. 19: II. Adagio maestoso | — | ||
| 61-9 | Quintet in E-flat major for Three Horns, Oboe and Basoon, H. 19: III. Minuetto | — | ||
| 61-10 | Rondino in E-flat major, WoO 25 | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-1 | Wind Sextet in E-flat major, op. 71: I. Adagio – Allegro | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-2 | Wind Sextet in E-flat major, op. 71: II. Adagio | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-3 | Wind Sextet in E-flat major, op. 71: III. Minuet: Quasi allegretto | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-4 | Wind Sextet in E-flat major, op. 71: IV. Rondo: Allegro | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-5 | Sextet in E flat major op.81b - I. Allegro con brio | — | ||
| 62-6 | Sextet in E flat major op.81b - II. Adagio | — | ||
| 62-7 | Sextet in E flat major op.81b - III. Rondo | — | ||
| 62-8 | Wind Octet in E-flat major, op. 103: I. Allegro | Hsuan-Fong Chen, Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin, Stephen Taylor | — | |
| 62-9 | Wind Octet in E-flat major, op. 103: II. Andante | Hsuan-Fong Chen, Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin, Stephen Taylor | — | |
| 62-10 | Wind Octet in E-flat major, op. 103: III. Menuetto | Hsuan-Fong Chen, Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin, Stephen Taylor | — | |
| 62-11 | Wind Octet in E-flat major, op. 103: IV. Finale: Presto | Hsuan-Fong Chen, Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin, Stephen Taylor | — | |
| 63-4 | Prelude and Fugue in F major, Hess 30 | Fine Arts Quartet | — | |
| 63-5 | Prelude and Fugue in C major, Hess 31 | Fine Arts Quartet | — | |
| 63-6 | The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue no. 22 in B-flat minor, BWV 867 | Lawrence DiBello, Hrafnhildur Marta Guðmundsdóttir, Seido Karasaki, Sofia Kim, Susie Kroh | — | |
| 63-7 | String Quintet in D minor, Hess 40 (fragment) | Andrew Collins, Hrafnhildur Marta Guðmundsdóttir, Seido Karasaki, Sofia Kim, Susie Kroh | — | |
| 63-8 | Fugue in D minor, Hess 245 (fragment) | Fine Arts Quartet | — | |
| 63-9 | Grosse Fuge in B-flat major, op. 133 | Fine Arts Quartet | — | |
| 63-10 | Fugue in D major op.137 | — | ||
| 63-11 | Canon in A major, WoO 35, Hess 273 | Sofia Kim, Susie Kroh | — | |
| 63-12 | Canon in G major WoO 160 no.1 | — | ||
| 63-13 | Canon in C major WoO 160 no.2 | — | ||
| 64-1 | Flute Sonata in B flat major Ohn.4 - I. Allegro | — | ||
| 64-2 | Flute Sonata in B flat major Ohn.4 - II. Polonaise | — | ||
| 64-3 | Flute Sonata in B flat major Ohn.4 - III. Largo | — | ||
| 64-4 | Flute Sonata in B flat major Ohn.4 - IV. Tema | — | ||
| 64-5 | Serenade in D major op.25 - I. Entrata | — | ||
| 64-6 | Serenade in D major op.25 - II. Tempo ordinario d'un menuetto | — | ||
| 64-7 | Serenade in D major op.25 - III. Allegro molto | — | ||
| 64-8 | Serenade in D major op.25 - IV. Andante con variazioni | — | ||
| 64-9 | Serenade in D major op.25 - V. Allegro scherzando e vivace | — | ||
| 64-10 | Serenade in D major op.25 - VI. Adagio | — | ||
| 64-11 | Serenade in D major op.41 - I. Entrata | — | ||
| 64-12 | Serenade in D major op.41 - II. Tempo ordinario d'un menuetto | — | ||
| 64-13 | Serenade in D major op.41 - III. Allegro molto | — | ||
| 64-14 | Serenade in D major op.41 - IV. Andante con variazioni | — | ||
| 64-15 | Serenade in D major op.41 - V. Allegre scherzando e vivace | — | ||
| 64-16 | Serenade in D major op.41 - VI. Adagio | — | ||
| 64-17 | Violin Sonata in A major, Hess 46 (fragments) | Tatiana Lokhina, Clara Scholtes | — | |
| 65-1 | 6 Variations on Folk Songs op.105 - No.1 Variation on a Welsh folk song | — | ||
| 65-2 | 6 Variations on Folk Songs op.105 - No.2 Variation on a Welsh folk song | — | ||
| 65-3 | 6 Variations on Folk Songs op.105 - No.3 Variation on 'A Schüsserl und a Renderl' | — | ||
| 65-4 | 6 Variations on Folk Songs op.105 - No.4 Variation on an Irish folk song | — | ||
| 65-5 | 6 Variations on Folk Songs op.105 - No.5 Variation on an Irish folk song | — | ||
| 65-6 | 6 Variations on Folk Songs op.105 - No.6 Variation on an Irish folk song | — | ||
| 65-7 | 10 Variations on Folk Songs op.107 - No.1 | — | ||
| 65-8 | 10 Variations on Folk Songs op.107 - No.2 | — | ||
| 65-9 | 10 Variations on Folk Songs op.107 - No.3 | — | ||
| 65-10 | 10 Variations on Folk Songs op.107 - No.4 | — | ||
| 65-11 | 10 Variations on Folk Songs op.107 - No.5 | — | ||
| 65-12 | 10 Variations on Folk Songs op.107 - No.6 | — | ||
| 65-13 | 10 Variations on Folk Songs op.107 - No.7 | — | ||
| 65-14 | 10 Variations on Folk Songs op.107 - No.8 | — | ||
| 65-15 | 10 Variations on Folk Songs op.107 - No.9 | — | ||
| 65-16 | 10 Variations on Folk Songs op.107 - No.10 | — | ||
| 65-17 | Horn Sonata in F major op.17 - I. Allegro moderato | — | ||
| 65-18 | Horn Sonata in F major op.17 - II. Poco adagio | — | ||
| 65-19 | Horn Sonata in F major op.17 - III. Rondo | — | ||
| 66-1 | Die Geschöpfe des Prometheus, op. 43: Ouverture: Adagio – Allegro molto con brio | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-2 | Die Geschöpfe des Prometheus, op. 43: Introduzione, “La Tempesta”: Allegro non troppo | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-3 | Die Geschöpfe des Prometheus, op. 43: Act I: No. 1. Poco adagio | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-4 | Die Geschöpfe des Prometheus, op. 43: Act I: No. 2. Adagio – Allegro con brio | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-5 | Die Geschöpfe des Prometheus, op. 43: Act I: No. 3. Allegro vivace | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-6 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 4. Maestoso – Andante | Turun filharmoninen orkesteri, Leif Segerstam | T-931.717.254-6 | |
| 66-7 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 5. Adagio – Andante quasi allegretto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-8 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 6. Un poco adagio – Allegro | Turun filharmoninen orkesteri, Leif Segerstam | T-928.635.608-9 | |
| 66-9 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 7. Grave | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-10 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 8. Allegro con brio – Presto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-11 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 9. Adagio – Allegro molto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-12 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 10. Pastorale: Allegro | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-13 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 11. Coro di Gioja: Andante | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-14 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 12. Solo di Gioja: Maestoso – Allegro | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-15 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 13. Terzetto i grotteschi: Allegro – Comodo | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-16 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 14. Solo della Cassentini: Andante – Adagio – Allegro – Allegretto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-17 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 15. Coro e Solo di Viganò: Andantino – Adagio – Allegro | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-18 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 16. Finale: Allegretto – Allegro molto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 67-1 | Fidelio, Act I: Overture | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | T-909.574.378-5 | |
| 67-2 | Fidelio, Act I: no. 1 Duet: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-3 | Fidelio, Act I: Dialogue: "Armer Jaquino" (Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-4 | Fidelio, Act I: no. 2 Aria: "O wär' ich schon mit dir vereint" (Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-5 | Fidelio, Act I: Dialogue: "Marzelline? Marzelline?" (Rocco, Marzelline, Jaquino, Leonore) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-6 | Fidelio, Act I: no. 3 Quartet: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-7 | Fidelio, Act I: Dialogue: "Höre Fidelio!" (Rocco, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-8 | Fidelio, Act I: no. 4 Aria: "Hat man nicht auch Gold beineben" (Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-9 | Fidelio, Act I: Dialogue: "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-10 | Fidelio, Act I: no. 5 Terzetto: "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-11 | Fidelio, Act I: no. 6 March | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-12 | Fidelio, Act I: Dialogue: "Drei Schildwachen auf den Wall" (Pizarro, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-13 | Fidelio, Act I: no. 7 Aria and Chorus: "Ha! welch ein Augenblick!" (Pizarro, the Watch) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-14 | Fidelio, Act I: Dialogue: "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizarro, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-15 | Fidelio, Act I: no. 8 Duet: "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-16 | Fidelio, Act I: no. 9 Recitative and Aria: "Abscheulicher! wo eilst du hin?" (Leonore) | Nicolaus Esterházy Sinfonia, Michael Halász, Inga Nielsen | — | |
| 67-17 | Fidelio, Act I: Dialogue: "Marzelline! Marzelline!!" (Jaquino, Marzelline, Rocco, Leonore) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-18 | Fidelio, Act I: no. 10 Finale: "O welche Lust" (Chorus of Prisoners) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-19 | Fidelio, Act I: "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizarro) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-20 | Fidelio, Act I: "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-1 | Fidelio, Act II: no 11. Introduction and Aria: "Gott! welch' Dunkel hier!" (Florestan) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-2 | Fidelio, Act II: no 12. Melodrama and Duet: "Wie kalt ist es" (Leonore, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-3 | Fidelio, Act II: Dialogue: "Er erwacht!" (Leonore, Rocco, Florestan) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-4 | Fidelio, Act II: no 13. Terzetto: "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-5 | Fidelio, Act II: Dialogue: "Alles ist bereit" (Rocco, Florestan, Leonore) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-6 | Fidelio, Act II: no 14. Quartet: "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-7 | Fidelio, Act II: no 15. Duet: "O namenlose Freude!" (Leonore, Forestan) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-8 | Fidelio, Act II: no 16. Finale: "Heil! Heil sei dem Tag!" (People and Prisoners) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-9 | Fidelio, Act II: "Des besten Königs Wink und Wille" (Don Fernando, People and Prisoners, Rocco, Pizarro, Leonore, Marzelline, Florestan) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-10 | Fidelio, Act II: "Wer ein holdes Weib errungen" (People and Prisoners, Florestan, Leonore, Marzelline, Jaquino, Rocco, Don Fernando) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-11 | König Stephan, op. 117: Overture | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-12 | König Stephan, op. 117: Chorus: Ruhend von seinen Taten | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-13 | König Stephan, op. 117: Monologue: Seid mir gegrüsst an dieses Thrones Stufen (Stephan) | Claus Obalski | — | |
| 68-14 | König Stephan, op. 117: Chorus: Auf dunkelm Irrweg in finstern Hainen | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-15 | König Stephan, op. 117: Dialogue: Fürst! Mich sandten die Edlen im Heere (Warrior, Stephan) | Roland Astor, Claus Obalski | — | |
| 68-16 | König Stephan, op. 117: Victory March: Siegesmarsch. Feurig und stolz | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-17 | König Stephan, op. 117: Dialogue: Ihr tapfern Krieger, Ungarns Stolz und Zierde (Stephan, Gyula, Envoy) | Roland Astor, Claus Obalski, Ernst Oder | — | |
| 68-18 | König Stephan, op. 117: Chorus: Wo die Unschuld Blumen streute | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-19 | König Stephan, op. 117: Melodrama: Du hast Dein Vaterland (Stephan, Gisela) | Angela Eberlein, Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-20 | König Stephan, op. 117: Chorus: Eine neue strahlende Sonne | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-21 | König Stephan, op. 117: Melodrama: Ihr edlen Ungarn! (Stephan) | Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-22 | König Stephan, op. 117: Monologue: Werft einen Blick in die Vergangenheit (Stephan) | Claus Obalski | — | |
| 68-23 | König Stephan, op. 117: Andante con moto | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-24 | König Stephan, op. 117: Monologue: Empfanget sie aus Eures Fürsten Händen (Stephan) | Claus Obalski | — | |
| 68-25 | König Stephan, op. 117: Maestoso con moto | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-26 | König Stephan, op. 117: Religious March: Moderato | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-27 | König Stephan, op. 117: Monologue: In der schönsten Deiner Lebensstunden (Old Man) | Roland Astor | — | |
| 68-28 | König Stephan, op. 117: Chorus: Heil unserm Könige – Melodrama. Ich schmücke ehrfurchtsvoll mein Haupt mit dieser Krone (Stephan) | Key Ensemble, Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-29 | König Stephan, op. 117: Chorus: Heil unserm Könige | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Leonore, Act II: Introduction, WoO 2b, Hess 117 | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Bagatelle in A minor, WoO 59 “Für Elise” (1822 Version) | Sergio Gallo | T-304.254.199-7 |
| Six Ländler, WoO 15 | Jenő Jandó | — |
| Six Minuets, WoO 10 | Jenő Jandó | — |
| Seven Contredanses, WoO 14 | Jenő Jandó | — |
| Menuett in d-moll, Gardi 10 | Carl Petersson | — |
| 6 Variations on a Swiss Song in F major, WoO 64 (version for Piano) | Sergio Gallo | — |
| Marsch in B-dur, WoO 29, Hess 87: Marcia: Vivace (original version) | Carl Petersson | — |
| Marsch in B-dur, WoO 29, Hess 87: Marcia: Vivace (revised version) | Carl Petersson | — |
| Anglaise in G minor, Bia. 48 (Revised Version) [Transcr. D.P. Johnson] | Carl Petersson | — |
| Der glorreiche Augenblick, op. 136: Chorus: Europa steht! | City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Recitative: O seht sie nah' und näher treten! | Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Aria with Chorus: O Himmel, welch' Entzücken! | Claire Rutter, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Recitative: Das Auge schaut | Matilde Wallevik, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Recitative and Quartet: Der den Bund im Sturme fest gehalten | Claire Rutter, Matilde Wallevik, Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Chorus: Es treten hervor | Westminster Boys' Choir, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Fantasia in C minor for piano, chorus and orchestra, op. 80 | Leon McCawley, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Christus am Ölberge, op. 85: Introduction | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Jehovah! Du! Mein Vater! (Jesus) | Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Aria: Meine Seele ist erschüttert (Jesus) | Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Erzitt’re, Erde! (Seraph) | Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Aria: Preist des Erlösers Güte (Seraph) | Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: O Heil euch ihr Erlösten! (Angels, Seraph) | Hanna-Leena Haapamäki, Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Verkündet, Seraph, mir dein Mund Erbarmen (Jesus, Seraph) | Jussi Myllys, Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Duet: So ruhe denn mit ganzer Schwere (Jesus, Seraph) | Jussi Myllys, Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Willkommen, Tod! (Jesus) | Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Wir haben ihn gesehen (Soldiers) | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Die mich zu fangen ausgezogen sind (Jesus) | Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Hier ist er, der Verbannte (Soldiers, Disciples) | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Nicht ungestraft soll der Verweg’nen (Peter, Jesus) | Niklas Spångberg, Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Trio: in meinen Adern wühlen gerechter Zorn und Wuth (Peter, Jesus, Seraph) | Niklas Spångberg, Jussi Myllys, Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Auf! ergreifet den Verräther! (Soldiers, Disciples, Jesus) | Jussi Myllys, Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Welten singen Dank und Ehre (Jesus, Angels) | Jussi Myllys, Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Preiset ihn, ihr Engelchöre (Angels) | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Elegischer Gesang, op. 118 | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Primo amore, piacer del ciel, WoO 92 | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| No, non turbati, WoO 92a | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Ah! perfido, op. 65 | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| 2 Arias for Umlauf’s Singspiel “Die schöne Schusterin”, WoO 91: No. 2. Soll ein Schuh nicht drücken | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Prüfung des Küssens, WoO 89 “Meine weise Mutter spricht” | Kevin Greenlaw, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mit Mädeln sich vertragen, WoO 90 | Kevin Greenlaw, Turun filharmoninen orkesteri, Leif Segerstam | — |
| 2 Arias for Umlauf’s Singspiel “Die schöne Schusterin”, WoO 91: No. 1. O welch ein Leben, ein ganzes Meer von Lust | Dan Karlström, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Ne’ giorni tuoi felici, WoO 93, Hess 120 | Reetta Haavisto, Dan Karlström, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Tremate, empi, tremate, op. 116 | Kevin Greenlaw, Reetta Haavisto, Dan Karlström, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Overture | Turun filharmoninen orkesteri, Leif Segerstam | T-909.574.378-5 |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Besteigt denn, von den Tönen hold geleitet (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Lied: Die Trommel gerühret! (Klärchen) | Kaisa Ranta, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Zwischenakt I: Andante – Allegro con brio | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Wo Egmont wandelt, hoch auf steilem Pfade (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Zwischenakt II: Larghetto | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Die Geliebte harrt (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Lied: Freudvoll und leidvoll (Klärchen) | Kaisa Ranta, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Zwischenakt III: Allegro – Marcia vivace | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Sorglos dem Wort des Königs trauend (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Zwischenakt IV: Poco sostenuto e risoluto – Larghetto – Andante agitato | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Doch jenes Mädchen (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Klärchens Tod bezeichnend: Larghetto | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Melodrama: Süsser Schlaf! Du kommst wie ein reines Glück (Egmont) – Siegessinfonie: Allegro con brio | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Leonore Prohaska, WoO 96: Trauermarsch | Turun filharmoninen orkesteri, Leif Segerstam | — |
| String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio espressivo (early version) | Fine Arts Quartet | — |
| König Stephan, op. 117: Melodrama: Sie bleibe ewig unverletzlich (Stephan) | Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — |
| König Stephan, op. 117: Melodrama: Da steigen sie herauf die edlen Fürsten (Stephan) | Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — |
| König Stephan, op. 117: Melodrama: Umsonst will Zwietracht ihren Bogen spannen (Stephan) | Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — |
| König Stephan, op. 117: Chorus: Heil unsern Enkeln! | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Leonore Prohaska, WoO 96: Jäger: Chorus: Wir bauen und sterben | Chorus Cathedralis Aboensis | — |
| Leonore Prohaska, WoO 96: Romanze: Es blüht eine Blume | Reetta Haavisto, Päivi Severeide | — |
| Opferlied, op. 121b | Key Ensemble, Johanna Lehesvuori, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Bundeslied, op. 122 “In allen guten Stunden” | Key Ensemble, Johanna Lehesvuori, Merja Mäkelä, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Opferlied, op. 121b (2nd setting, version for 3 voices, choir & orchestra) | Key Ensemble, Andreas Nordström, Kristina Raudanen, Maikki Säikkä, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Ihr weisen Gründer glücklicher Staaten, WoO 95 | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Die gute Nachricht: Chorus: Germania, WoO 94 | Key Ensemble, Niklas Spångberg, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Die Ehrenpforten: Chorus: Es ist Vollbracht, WoO 97 | Chorus Cathedralis Aboensis, Juha Kotilainen, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Die Weihe des Hauses Overture, op. 124 | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Musik zu Carl Meisis Gelegenheitsfestspiel, Hess 118 (Die Weihe des Hauses): No. 1. Invisible Chorus: Folge dem mächtigen Ruf der Ehre! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Weihe des Hauses: Wo sich die Pulse, WoO 98 | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen: March with Chorus: Schmückt die Altäre, op. 114 | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Overture | Turun filharmoninen orkesteri, Leif Segerstam | T-909.574.378-5 |
| Die Ruinen von Athen op. 113: Chorus: Tochter des mächtigen Zeus! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Dialogue: Versöhnt? (Minerva, Merkur) | Angela Eberlein, Claus Obalski | — |
| Die Ruinen von Athen op. 113: Duet: Ohne Verschulden Knechtschaft dulden | Reetta Haavisto, Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Dialogue: Wo sind wir? (Minerva, Merkur, Greek Man, Maiden) | Roland Astor, Angela Eberlein, Claus Obalski, Leah Sinka | — |
| Die Ruinen von Athen op. 113: Chorus: Du hast in deines Ärmels Falten | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Dialogue: Ha! Welchen Unsinn hat mein Ohr vernommen! (Minerva, Maiden) | Angela Eberlein, Leah Sinka | — |
| Die Ruinen von Athen op. 113: Marcia alla turca – Dialogue: He! Achmet! (First Turk, Second Turk, Minerva, Merkur) | Roland Astor, Angela Eberlein, Claus Obalski, Ernst Oder, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Harmonie auf dem Theater: Melodrama: Es wandelt schon das Volk im Feierkleide und fullt die weiten Strassen und frohlockt! (Old Man) | Roland Astor, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Dialogue: Wo sind wir nun? (Minerva, Merkur, Old Man) | Roland Astor, Angela Eberlein, Claus Obalski | — |
| Die Ruinen von Athen op. 113: March: Dialogue: Schau dieser Kinder fröhliches Gewühl (Merkur, Minerva) – Chorus: Schmückt die Altäre! (Priests, Virgins) | Chorus Cathedralis Aboensis, Angela Eberlein, Claus Obalski, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Recitative: Mit reger Freude (Chief Priest) | Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Chorus: Wir tragen empfängliche Herzen im Busen | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Aria and Chorus: Will unser Genius noch einen Wunsch gewähren (Chief Priest, Minerva, Chorus) | Chorus Cathedralis Aboensis, Angela Eberlein, Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Monologue: Nicht in des Königs furchtgebietendem Glanze (Minerva) | Angela Eberlein | — |
| Die Ruinen von Athen op. 113: Chorus: Heil unserm König! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Chorus: Tot, stöhnt es durch die öde Nacht! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Recitative: Ein Ungeheuer, sein Name Fanatismus (Bass) | Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Aria: Da kam Joseph, mit Gottes Stärke (Bass) | Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Aria with Chorus: Da stiegen die Menschen an’s Licht (Soprano, Chorus) | Chorus Cathedralis Aboensis, Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Recitative: Er schläft, von den Sorgen seiner Welten entladen (Soprano) | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Aria: Hier schlummert seinen stillen Frieden (Soprano) | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Chorus: Tot, stöhnt es durch die öde Nacht! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Recitative with Chorus: Er schlummert ... schlummert! (Soprano, Chorus) | Key Ensemble, Johanna Lehesvuori, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Aria: Fliesse, Wonnezähre, fliesse! (Soprano) | Johanna Lehesvuori, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Recitative: Ihr staunt, Völker der Erde! (Bass) | Niklas Spångberg, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Recitative: Wie bebt mein Herz vor Wonne! (Tenor) | Tuomas Katajala, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Terzetto: Ihr, die Joseph ihren Vater nannten (Soprano, Tenor, Bass) | Tuomas Katajala, Johanna Lehesvuori, Niklas Spångberg, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Chorus: Heil! Stürzet nieder, Millionen | Key Ensemble, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: I. Kyrie | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: II. Gloria | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: III. Credo | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: IV. Sanctus – Benedictus | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: V. Agnus Dei | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Vestas Feuer, Hess 115 | Tuomas Katajala, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Meeressstille und glückliche Fahrt, op. 112 | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Prelude and Fugue in E minor, Hess 29: Prelude (first version) | Isabel Kwon, Noa Sarid, Tristan Siegel | — |
| Prelude and Fugue in E minor, Hess 29 (final version): Prelude | Isabel Kwon, Noa Sarid, Tristan Siegel | — |
| Prelude and Fugue in E minor, Hess 29 (final version): Fugue | Isabel Kwon, Noa Sarid, Tristan Siegel | — |
| 22 Scottish Songs, WoO 156: No. 1 | Lawrence DiBello, Andreas Ioannides, Tristan Siegel | T-072.208.996-4 |
| Der freie Mann (1st version), Hess 146 | Cantus Novus Wien, Tabea Gerstgrasser, Stefan Tauber, Diána Fuchs, Thomas Holmes | — |
| Opferlied, Hess 91 (2nd setting, op. 121b, version for voice, choir and piano) | Cantus Novus Wien, Claudia Schlemmer, Diána Fuchs, Thomas Holmes | — |
| Bundeslied, op. 122 “In allen guten Stunden” (version for choir and piano) | Cantus Novus Wien, Diána Fuchs, Thomas Holmes | — |
| Abschiedsgesang, WoO 102 “Die Stunde schlägt” | Cantus Novus Wien, Thomas Holmes | — |
| Cantata campestre, WoO 103, Hess 127 “Un lieto brindisi” | Cantus Novus Wien, Diána Fuchs, Thomas Holmes | — |
| Gesang der Mönche, WoO 104 “Rasch tritt der Tod” | Cantus Novus Wien, Thomas Holmes | — |
| Auf, Freunde, singt dem Gott der Ehen! (1st version), WoO 105, Hess 125 “Hochzeitslied” | Cantus Novus Wien, Tabea Gerstgrasser, Stefan Tauber, Diána Fuchs, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 1. Bei labbri, che amore, Hess 211 | Nicolas Frémy, Tabea Gerstgrasser, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 2. Ma tu tremi, o mio tesoro, Hess 212 | Nicolas Frémy, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 3. E pur fra le tempeste, Hess 232 | Daniel Johannsen, Bernadette Bartos | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 4. Sei mio ben, Hess 231 | Nicolas Frémy, Tabea Gerstgrasser, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 5a. Giura il nocchier, Hess 227 (1st setting) | Alex Gazda, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 5b. Giura il nocchier, Hess 230 (2nd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 5c. Giura il nocchier, Hess 221 (3rd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 7. Chi mai di questo core, Hess 214 | Nicolas Frémy, Alex Gazda, Tabea Gerstgrasser, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 8. Scrivo in te, Hess 215 | Claudia Schlemmer, Stefan Tauber, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 9. Per te d’amico aprile, Hess 216 | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 10a. Nei campi e nelle selve, Hess 217 (1st setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 10b. Nei campi e nelle selve, Hess 220 (2nd setting) | Nicolas Frémy, Alex Gazda, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11a. Fra tutte le pene, Hess 208 (1st setting, original version) | Nicolas Frémy, Alex Gazda, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11a. Fra tutte le pene, Hess 208 (1st setting, revised by A. Salieri) | Nicolas Frémy, Alex Gazda, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11b. Fra tutte le pene, Hess 209 (2nd setting, revised by A. Salieri) | Nicolas Frémy, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11b. Fra tutte le pene, Hess 225 (2nd setting, original version) | Nicolas Frémy, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11c. Fra tutte le pene, Hess 224 (3rd setting, original version) | Nicolas Frémy, Alex Gazda, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11c. Fra tutte le pene, Hess 210 (3rd setting, revised by A. Salieri) | Nicolas Frémy, Tabea Gerstgrasser, Marianne Prenner, Martin Weiser, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 12a. Salvo tu vuoi lo sposo (1st setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 12b. Salvo tu vuoi lo sposo, Hess 228 (2nd setting) | Claudia Schlemmer, Stefan Tauber, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 13a. Quella cetra ah pur tu sei, Hess 218 (1st setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 13b. Quella cetra ah pur tu sei, Hess 219 (2nd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 13c. Quella cetra ah pur tu sei, Hess 213 (3rd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 14a. Gia la notte savvicina, Hess 223 (1st setting) | Nicolas Frémy, Alex Gazda, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 14b. Gia la notte savvicina, Hess 222 (2nd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Die laute Klage, WoO 135 (1st version) | Paula Sophie Bohnet, Bernadette Bartos | — |
| In questa tomba oscura, WoO 133 (1st version) | Ricardo Bojórquez Martínez, Bernadette Bartos | — |
| Klage, WoO 113 (1st version) | Daniel Johannsen, Bernadette Bartos | — |
| Lied aus der Ferne, WoO 137 (1st version) | Daniel Johannsen, Bernadette Bartos | — |
| 6 Songs, op. 48: No. 3. Vom Tode (1st version) | Georg Klimbacher, Bernadette Bartos | — |
| An die Geliebte (draft version) | Georg Klimbacher, Bernadette Bartos | — |
| Lob auf den Dicken, WoO 100 | Stefan Tauber, Martin Weiser, Franz Schneckenleitner, Cantus Novus Wien, Thomas Holmes | — |
| Graf, liebster Graf, liebstes Schaf, WoO 101 | Cantus Novus Wien, Thomas Holmes | — |
| Im Arm der Liebe ruht sich’s wohl, WoO 159 | Ensemble Tamanial, Thomas Holmes | — |
| Ewig dein, WoO 161 | Cantus Novus Wien, Thomas Holmes | — |
| Freundschaft ist die Quelle wahrer Glückseligkeit, WoO 164 | Cantus Novus Wien, Thomas Holmes | — |
| Glück zum neuen Jahr, WoO 165 | Cantus Novus Wien, Thomas Holmes | — |
| Kurz ist der Schmerz, und ewig ist die Freude, WoO 163 | Cantus Novus Wien, Thomas Holmes | — |
| Brauchle, Linke, WoO 167 | Cantus Novus Wien, Thomas Holmes | — |
| Das Schweigen, WoO 168a | Cantus Novus Wien, Thomas Holmes | — |
| Das Reden, WoO 168b | Cantus Novus Wien, Thomas Holmes | — |
| Ich küße Sie, drücke Sie an mein Herz, WoO 169 (Arr. T. Holmes for Voice & Choir) | Stefan Tauber, Cantus Novus Wien, Thomas Holmes | — |
| Ars longa, vita brevis, WoO 170 (Arr. T. Holmes for Choir) | Cantus Novus Wien, Thomas Holmes | — |
| Glück fehl’ dir vor allem, MH 582 (Attrib. Beethoven as WoO 171) | Ensemble Tamanial, Thomas Holmes | — |
| Ich bitt’ dich, WoO 172 | Cantus Novus Wien, Thomas Holmes | — |
| Hol’ euch der Teufel, WoO 173 | Cantus Novus Wien, Thomas Holmes | — |
| Glaube und hoffe, WoO 174 | Ensemble Tamanial, Thomas Holmes | — |
| Sankt Petrus war ein Fels, WoO 175 no. 1 | Cantus Novus Wien, Thomas Holmes | — |
| Bernardus war ein Sankt, WoO 175 no. 2 | Cantus Novus Wien, Thomas Holmes | — |
| Bester Magistrat, ihr friert, WoO 177 | Wolfgang Däuble, Cantus Novus Wien, Thomas Holmes | — |
| Glück zum neuen Jahr, WoO 176 | Cantus Novus Wien, Thomas Holmes | — |
| Alles Gute, alles schöne, WoO 179 | Cantus Novus Wien, Thomas Holmes | — |
| Hofmann und kein Hofmann, WoO 180 | Cantus Novus Wien, Thomas Holmes | — |
| Gedenket heute an Baden, WoO 181 no. 1 | Cantus Novus Wien, Thomas Holmes | — |
| Gehabt euch wohl, WoO 181 no. 2 | Cantus Novus Wien, Thomas Holmes | — |
| Tugend ist kein leerer Name, WoO 181 no. 3 | Cantus Novus Wien, Thomas Holmes | — |
| O Tobias, WoO 182 | Cantus Novus Wien, Thomas Holmes | — |
| Falstafferel, lass dich sehen, WoO 184 | Cantus Novus Wien, Thomas Holmes | — |
| Edel sei der Mensch, WoO 185 (1st Version) | Cantus Novus Wien, Thomas Holmes | — |
| Te solo adoro, WoO 186 | Cantus Novus Wien, Thomas Holmes | — |
| Schwenke, WoO 187 | Cantus Novus Wien, Thomas Holmes | — |
| Gott ist eine feste Burg, WoO 188 | Cantus Novus Wien, Thomas Holmes | — |
| Doktor sperrt das Tor dem Tod, WoO 189 | Ensemble Tamanial, Thomas Holmes | — |
| Ich war hier, Doktor, WoO 190 | Cantus Novus Wien, Thomas Holmes | — |
| Kühl, nicht lau, WoO 191 | Cantus Novus Wien, Thomas Holmes | — |
| Ars longa, vita brevis, WoO 192 | Cantus Novus Wien, Thomas Holmes | — |
| Ars longa, vita brevis, WoO 193 | Cantus Novus Wien, Thomas Holmes | — |
| Si non per portas, WoO 194 | Cantus Novus Wien, Thomas Holmes | — |
| Freu’ dich des Lebens, WoO 195 | Cantus Novus Wien, Thomas Holmes | — |
| Es muß sein, WoO 196 | Cantus Novus Wien, Thomas Holmes | — |
| Da ist das Werk, WoO 197 | Cantus Novus Wien, Thomas Holmes | — |
| Wir irren allesamt, WoO 198 | Cantus Novus Wien, Thomas Holmes | — |
| Ich bin der Herr von zu, WoO 199 | Cantus Novus Wien, Thomas Holmes | — |
| Ich bin bereit, WoO 201 (Arr. T. Holmes for Choir) | Cantus Novus Wien, Thomas Holmes | — |
| Das Schöne zum Guten, WoO 202 | Cantus Novus Wien, Thomas Holmes | — |
| Das Schöne zum Guten, WoO 203 | Cantus Novus Wien, Thomas Holmes | — |
| Holz, Holz geigt die Quartette so (Attrib. Beethoven as WoO 204) | Cantus Novus Wien, Thomas Holmes | — |
| Languisco e moro, Hess 229 (After Mattheson) | Claudia Schlemmer, Stefan Tauber | — |
| Te solo adoro, Hess 263 | Cantus Novus Wien, Thomas Holmes | — |
| Te solo adoro, Hess 264 | Cantus Novus Wien, Thomas Holmes | — |
| Herr Graf, WoO 221 (Arr. T. Holmes for Choir & Piano) | Cantus Novus Wien, Thomas Holmes | — |
| Esel aller Esel, WoO 227 | Cantus Novus Wien, Thomas Holmes | — |
| Kurz ist der Schmerz, und ewig ist die Freude, WoO 166 | Cantus Novus Wien, Thomas Holmes | — |
| Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | Capella Istropolitana, Barry Wordsworth, Stefan Vladar | — |
| Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
| Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-925.881.218-9 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-071.125.227-5 |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: I. Allegro | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: II. Andante | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: III. Scherzo. Allegro assai - Allegro vivace | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: IV. Rondo. Allegro ma non troppo | Jenő Jandó | — |
| Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — |
| Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Romance no. 2 in F major, op. 50 | Takako Nishizaki, Slovak Philharmonic Orchestra, Kenneth Jean | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-803.746.784-9 |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 5 in C minor, op. 67: III. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.312.587-4 |
| Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 6 in F major, op. 68, “Pastoral” III. Happy gathering of villagers: Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 6 in F major, op. 68, “Pastoral” IV. Thunder‐storm: Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Fidelio: Act 1 Scene 9: Abscheulicher! wo eilst du hin? | Edith Lienbacher, Nicolaus Esterhazy Sinfonia, Michael Halasz | — |
| Romance no. 2 in F major, op. 50 | Takako Nishizaki, Slovak Philharmonic Orchestra, Kenneth Jean | T-801.768.565-4 |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise": Poco moto | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: I. Allegro | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: II. Andante | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: III. Scherzo. Allegro assai - Allegro vivace | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: IV. Rondo. Allegro ma non troppo | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: II. Allegretto | Jenő Jandó | — |
| Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: III. Presto agitato | Jenő Jandó | — |
| Triple Concerto in C major, op. 56: I. Allegro | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Triple Concerto in C major, op. 56: II. Largo | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Triple Concerto in C major, op. 56: III. Rondo alla Polacca | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
747313025039 is a Universal Product Code (UPC) assigned to Complete Edition by Ludwig van Beethoven. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 981 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
747313025039 is the Universal Product Code (UPC barcode) for the release “Complete Edition” by Ludwig van Beethoven, released 2019-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 981 tracks, each with its own ISRC. Tracks include HKI199513701, HKI199513702, HKI199513703.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 in C major, op. 21: I. Adagio molto - Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-915.714.772-3 | |
| 2 | Symphony no. 1 in C major, op. 21: II. Andante cantabile con moto | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 3 | Symphony no. 1 in C major, op. 21: III. Menuetto: Allegro molto e vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 4 | Symphony no. 1 in C major, op. 21: IV. Adagio - Allegro molto e vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | T-900.167.504-3 | |
| 5 | Symphony no. 2 in D major, op. 36: I. Adagio molto - Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-915.714.772-3 | |
| 6 | Symphony no. 2 in D major, op. 36: II. Larghetto | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 7 | Symphony no. 2 in D major, op. 36: III. Scherzo. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-321.873.233-9 | |
| 8 | Symphony no. 2 in D major, op. 36: IV. Allegro molto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-902.781.050-0 | |
| 2-1 | Symphony no. 3 in E-flat major, op. 55 "Eroica": I. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 2-2 | Symphony no. 3 in E-flat major, op. 55 "Eroica": II. Marcia funebre: Allegro assai | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 2-3 | Symphony no. 3 in E-flat major, op. 55 "Eroica": III. Scherzo. Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 2-4 | Symphony no. 3 in E-flat major, op. 55 "Eroica": IV. Finale: Allegro molto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-902.781.050-0 | |
| 2-5 | Symphony no. 4 in B-flat major, op. 60: I. Adagio - Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | T-001.444.317-4 | |
| 2-6 | Symphony no. 4 in B-flat major, op. 60: II. Adagio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-001.444.317-4 | |
| 2-7 | Symphony no. 4 in B-flat major, op. 60: III. Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 2-8 | Symphony no. 4 in B-flat major, op. 60: IV. Allegro ma non troppo | Nicolaus Esterházy Sinfonia, Béla Drahos | T-001.444.317-4 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-315.948.171-3 | |
| 3-2 | Symphony no. 5 in C minor, op. 67: II. Andante con moto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-909.879.288-2 | |
| 3-3 | Symphony no. 5 in C minor, op. 67: III. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 3-4 | Symphony no. 5 in C minor, op. 67: IV. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 3-5 | Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 3-6 | Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 3-7 | Symphony no. 6 in F major, op. 68 "Pastoral": III. Lustiges Zusammensein der Landleute: Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-801.974.499-2 | |
| 3-8 | Symphony no. 6 in F major, op. 68 "Pastoral": IV. Gewitter, Sturm: Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 3-9 | Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 4-1 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto - Vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | T-318.847.583-0 | |
| 4-2 | Symphony no. 7 in A major, op. 92: II. Allegretto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-314.638.300-4 | |
| 4-3 | Symphony no. 7 in A major, op. 92: III. Presto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-915.710.750-1 | |
| 4-4 | Symphony no. 7 in A major, op. 92: IV. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-315.948.171-3 | |
| 4-5 | Symphony no. 8 in F major, op. 93: I. Allegro vivace e con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 4-6 | Symphony no. 8 in F major, op. 93: II. Allegretto scherzando | Nicolaus Esterházy Sinfonia, Béla Drahos | T-909.821.799-3 | |
| 4-7 | Symphony no. 8 in F major, op. 93: III. Tempo di menuetto | Nicolaus Esterházy Sinfonia, Béla Drahos | T-909.821.799-3 | |
| 4-8 | Symphony no. 8 in F major, op. 93: IV. Allegro vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | T-909.821.799-3 | |
| 5-1 | Symphony no. 9 in D minor, op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 5-2 | Symphony no. 9 in D minor, op. 125 "Choral": II. Molto vivace | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 5-3 | Symphony no. 9 in D minor, op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 5-4 | Symphony no. 9 in D minor, op. 125 "Choral": IV. Finale: Presto | Ruxandra Donose, Manfred Fink, Nicolaus Esterházy Choir, Claudio Otelli, Hasmik Papian, Nicolaus Esterházy Sinfonia, Béla Drahos | T-318.676.528-2 | |
| 6-1 | Coriolanus | Slovenská filharmónia, Stephen Gunzenhauser | — | |
| 6-2 | Name-Day Celebration, op. 115 | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 6-3 | Leonora no. 1, op. 138 | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 6-4 | Leonora No. 3 | Slovak Philharmonic Orchestra, Stephen Gunzenhauser | — | |
| 6-5 | Music for a Knightly Ballet, WoO 1 | Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 7-1 | Mödlinger Tänze, WoO 17: 1. Walzer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-2 | Mödlinger Tänze, WoO 17: 2. Menuett | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-3 | Mödlinger Tänze, WoO 17: 3. Walzer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-4 | Mödlinger Tänze, WoO 17: 4. Menuett | Capella Istropolitana, Oliver von Dohnányi | T-001.444.317-4 | |
| 7-5 | Mödlinger Tänze, WoO 17: 5. Menuett | Capella Istropolitana, Oliver von Dohnányi | T-905.312.587-4 | |
| 7-6 | Mödlinger Tänze, WoO 17: 6. Länderer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-7 | Mödlinger Tänze, WoO 17: 7. Menuett | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-8 | Mödlinger Tänze, WoO 17: 8. Länderer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-9 | Mödlinger Tänze, WoO 17: 9. Menuett | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-10 | Mödlinger Tänze, WoO 17: 10. Walzer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-11 | Mödlinger Tänze, WoO 17: 11. Walzer | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-12 | Zwölf Kontretänze, WoO 14: Nr. 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-13 | Zwölf Kontretänze, WoO 14: Nr. 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-14 | Zwölf Kontretänze, WoO 14: Nr. 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-15 | Zwölf Kontretänze, WoO 14: Nr. 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-16 | Zwölf Kontretänze, WoO 14: Nr. 5 | Capella Istropolitana, Oliver von Dohnányi | T-916.194.049-4 | |
| 7-17 | Zwölf Kontretänze, WoO 14: Nr. 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-18 | Zwölf Kontretänze, WoO 14: Nr. 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-19 | Zwölf Kontretänze, WoO 14: Nr. 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-20 | Zwölf Kontretänze, WoO 14: Nr. 9 | Capella Istropolitana, Oliver von Dohnányi | T-909.695.614-8 | |
| 7-21 | Zwölf Kontretänze, WoO 14: Nr. 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-22 | Zwölf Kontretänze, WoO 14: Nr. 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-23 | Zwölf Kontretänze, WoO 14: Nr. 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-24 | Zwölf deutsche Tänze, WoO 8: 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-25 | Zwölf deutsche Tänze, WoO 8: 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-26 | Zwölf deutsche Tänze, WoO 8: 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-27 | Zwölf deutsche Tänze, WoO 8: 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-28 | Zwölf deutsche Tänze, WoO 8: 5 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-29 | Zwölf deutsche Tänze, WoO 8: 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-30 | Zwölf deutsche Tänze, WoO 8: 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-31 | Zwölf deutsche Tänze, WoO 8: 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-32 | Zwölf deutsche Tänze, WoO 8: 9 | Capella Istropolitana, Oliver von Dohnányi | T-909.695.614-8 | |
| 7-33 | Zwölf deutsche Tänze, WoO 8: 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-34 | Zwölf deutsche Tänze, WoO 8: 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-35 | Zwölf deutsche Tänze, WoO 8: 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 7-36 | Triumphmarsch zum Trauerspiel Tarpeja von Kuffner, WoO 2a, Hess 117 | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-1 | Zwölf Menuette, WoO 7: 1 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-2 | Zwölf Menuette, WoO 7: 2 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-3 | Zwölf Menuette, WoO 7: 3 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-4 | Zwölf Menuette, WoO 7: 4 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-5 | Zwölf Menuette, WoO 7: 5 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-6 | Zwölf Menuette, WoO 7: 6 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-7 | Zwölf Menuette, WoO 7: 7 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-8 | Zwölf Menuette, WoO 7: 8 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-9 | Zwölf Menuette, WoO 7: 9 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-10 | Zwölf Menuette, WoO 7: 10 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-11 | Zwölf Menuette, WoO 7: 11 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-12 | Zwölf Menuette, WoO 7: 12 | Capella Istropolitana, Oliver von Dohnányi | — | |
| 8-13 | Sechs Menuette, WoO 10: No. 1 in C major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-14 | Sechs Menuette, WoO 10: No. 2 in G major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-15 | Sechs Menuette, WoO 10: No. 3 in D major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-16 | Sechs Menuette, WoO 10: No. 4 in B-flat major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-17 | Sechs Menuette, WoO 10: No. 5 in E-flat major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-18 | Sechs Menuette, WoO 10: No.6 in C major | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 8-19 | Gratulationsmenuett, WoO 3 | Minnesota Orchestra, Stanisław Skrowaczewski | — | |
| 8-20 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: Schlacht | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | — | |
| 8-21 | Wellingtons Sieg oder die Schlacht bei Vittoria, op. 91: Siegessymphonie | CSR Symphony Orchestra (Bratislava), Ondrej Lenárd | T-902.796.758-4 | |
| 9-1 | Piano Concerto no. 1 in C major, op. 15: I. Allegro con brio | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-315.948.171-3 | |
| 9-2 | Piano Concerto no. 1 in C major, op. 15: II. Largo | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-900.248.630-8 | |
| 9-3 | Piano Concerto no. 1 in C major, op. 15: III. Rondo. Allegro scherzando | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 9-4 | Rondo for Piano and Orchestra in B-flat major, WoO 6. Allegro (cadenza: Carl Czerny) | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 9-5 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): I. Allegro moderato | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 9-6 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): II. Larghetto | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 9-7 | Concerto for Piano and Orchestra in E-flat major, WoO 4 (reconstruction from Piano part: Willy Hess): III. Rondo. Allegretto (cadenza: Willy Hess) | Martin Galling, Symphonisches Orchester Berlin, Carl-August Bünte | — | |
| 10-1 | Piano Concerto no. 2 in B-flat major, op. 19: I. Allegro con brio | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-315.948.171-3 | |
| 10-2 | Piano Concerto no. 2 in B-flat major, op. 19: II. Adagio | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 10-3 | Piano Concerto no. 2 in B‐flat major, op. 19: III. Rondo. Molto allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 10-4 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | Capella Istropolitana, Barry Wordsworth, Stefan Vladar | T-031.682.208-8 | |
| 10-5 | Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-928.635.608-9 | |
| 10-6 | Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 10-7 | Romance cantabile in E minor, WoO 207, Hess 13 (fragment) | Johanna Haniková, Filip Krytinář, Martina Čechová, Komorní filharmonie Pardubice, Marek Štilec | — | |
| 11-1 | Piano Concerto no. 3 in C minor, op. 37: I. Allegro con brio | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-315.948.171-3 | |
| 11-2 | Piano Concerto no. 3 in C minor, op. 37: II. Largo | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-900.248.630-8 | |
| 11-3 | Piano Concerto no. 3 in C minor, op. 37: III. Rondo: Allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 11-4 | Piano Concerto no. 4 in G major, op. 58: I. Allegro moderato | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-902.781.050-0 | |
| 11-5 | Piano Concerto no. 4 in G major, op. 58: II. Andante con moto | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | T-909.879.288-2 | |
| 11-6 | Piano Concerto no. 4 in G major, op. 58: III. Rondo: Vivace | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — | |
| 11-7 | Concert Finale in C major, Hess 65 | Jenő Jandó | — | |
| 12-1 | Piano Concerto in D major, op. 61a: I. Allegro ma non troppo | Jenő Jandó, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 12-2 | Piano Concerto in D major, op. 61a: II. Larghetto | Jenő Jandó, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 12-3 | Piano Concerto in D major, op. 61a: III. Rondo | Jenő Jandó, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 12-4 | Triple Concerto in C major, op. 56: I. Allegro | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.049.604-3 | |
| 12-5 | Triple Concerto in C major, op. 56: II. Largo | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | T-900.248.630-8 | |
| 12-6 | Triple Concerto in C major, op. 56: III. Rondo alla Polacca | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — | |
| 13-1 | Violin Concerto in D major, op. 61: I. Allegro ma non troppo | Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | T-031.682.208-8 | |
| 13-2 | Violin Concerto in D major, op. 61: II. Larghetto | Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | T-310.235.444-5 | |
| 13-3 | Violin Concerto in D major, op. 61: III. Rondo | Takako Nishizaki, Slovenská filharmónia, Kenneth Jean | — | |
| 13-4 | Violin Concerto in C major, WoO 5, Hess 10 (fragment): Allegro con brio | Jakub Junek, Komorní filharmonie Pardubice, Marek Štilec | T-329.520.403-0 | |
| 13-5 | Romance no. 1 in G major, op. 40 | Takako Nishizaki, Slovak Philharmonic, Kenneth Jean | T-801.768.565-4 | |
| 13-6 | Romance no. 2 in F major, op. 50 | Takako Nishizaki, Slovak Philharmonic Orchestra, Kenneth Jean | — | |
| 14-1 | Bagatelle for Piano, op. 33 no. 1 in E-flat major: Andante grazioso quasi allegretto | Jenő Jandó | — | |
| 14-2 | Bagatelle for Piano, op. 33 no. 2 in C major: Scherzo. Allegro | Jenő Jandó | T-321.873.233-9 | |
| 14-3 | Bagatelle for Piano, op. 33 no. 3 in F major: Allegretto | Jenő Jandó | T-926.372.463-6 | |
| 14-4 | Bagatelle for Piano, op. 33 no. 4 in A major: Andante | Jenő Jandó | — | |
| 14-5 | Bagatelle for Piano, op. 33 no. 5 in C major: Allegro ma non troppo | Jenő Jandó | T-031.682.208-8 | |
| 14-6 | Bagatelle for Piano, op. 33 no. 6 in D major: Allegretto quasi andante | Jenő Jandó | — | |
| 14-7 | Bagatelle for Piano, op. 33 no. 7 in A-flat major: Presto | Jenő Jandó | — | |
| 14-8 | Bagatelle for Piano, op. 119 no. 1 in B-flat major: Allegretto | Jenő Jandó | — | |
| 14-9 | Bagatelle for Piano, op. 119 no. 2 in C major: Andante con moto | Jenő Jandó | — | |
| 14-10 | Bagatelle for Piano, op. 119 no. 3 in D major: À l'Allemande | Jenő Jandó | — | |
| 14-11 | Bagatelle for Piano, op. 119 no. 4 in A major: Andante cantabile | Jenő Jandó | — | |
| 14-12 | Bagatelle for Piano, op. 119 no. 5 in C minor: Risoluto | Jenő Jandó | — | |
| 14-13 | Bagatelle for Piano, op. 119 no. 6 in G major: Andante - Allegretto | Jenő Jandó | — | |
| 14-14 | Bagatelle for Piano, op. 119 no. 7 in C major: Allegro ma non troppo | Jenő Jandó | T-031.682.208-8 | |
| 14-15 | Bagatelle for Piano, op. 119 no. 8 in C major: Moderato cantabile | Jenő Jandó | — | |
| 14-16 | Bagatelle for Piano, op. 119 no. 9 in A minor: Vivace moderato | Jenő Jandó | — | |
| 14-17 | Bagatelle for Piano, op. 119 no. 10 in A major: Allegramente | Jenő Jandó | — | |
| 14-18 | Bagatelle for Piano, op. 119 no. 11 in B-flat major: Andante, ma non troppo | Jenő Jandó | — | |
| 14-19 | Bagatelle for Piano, op. 126 no. 1 in G major: Andante con moto cantabile e compiacevole | Jenő Jandó | — | |
| 14-20 | Bagatelle for Piano, op. 126 no. 2 in G minor: Allegro | Jenő Jandó | — | |
| 14-21 | Bagatelle for Piano, op. 126 no. 3 in E-flat major: Andante cantabile e grazioso | Jenő Jandó | — | |
| 14-22 | Bagatelle for Piano, op. 126 no. 4 in B minor: Presto | Jenő Jandó | — | |
| 14-23 | Bagatelle for Piano, op. 126 no. 5 in G major: Quasi allegretto | Jenő Jandó | — | |
| 14-24 | Bagatelle for Piano, op. 126 no. 6 in E-flat major: Presto - Andante amabile e con moto | Jenő Jandó | — | |
| 14-25 | Bagatelle for Piano in A minor, WoO 59 "Für Elise": Poco moto | Jenő Jandó | — | |
| 14-27 | Piece for Piano in B-flat major, WoO 60 | Jenő Jandó | — | |
| 14-28 | Bagatelle in C major | Jenő Jandó | — | |
| 14-29 | Two Bagatelles | Jenő Jandó | — | |
| 14-30 | Bagatelle in C major “Lustig-Traurig”, WoO 54 | Jenő Jandó | — | |
| 15-1 | Allegretto for Piano in B minor, WoO 61 | Jenő Jandó | — | |
| 15-2 | Allegretto for Piano in G minor, WoO 61a | Jenő Jandó | — | |
| 15-3 | Seven Ländler, WoO 11 | Jenő Jandó | — | |
| 15-5 | Twelve German Dances, WoO 8 | Jenő Jandó | — | |
| 15-6 | Menuette in C major | Jenő Jandó | — | |
| 15-8 | Bagatelle for Piano in C major, WoO 56. Allegretto | Jenő Jandó | — | |
| 15-9 | Allegretto in C minor, WoO 53 | Jenő Jandó | — | |
| 15-10 | Fantasia, op. 77 | Jenő Jandó | — | |
| 16-1 | Twelve German Dances, WoO 13 | Jenő Jandó | — | |
| 16-3 | Six Ecossaises, WoO 83 | Jenő Jandó | — | |
| 16-4 | Menuett in E-flat major, WoO 82 | Jenő Jandó | — | |
| 16-5 | Allegretto for Piano in C minor, Hess 69 | Jenő Jandó | — | |
| 16-6 | Polonaise in C major, op. 89 | Jenő Jandó | — | |
| 16-7 | Rondo in C major, WoO 48 | Jenő Jandó | — | |
| 16-8 | Prelude in F minor, WoO 55 | Jenő Jandó | — | |
| 16-9 | Two Preludes, op. 39 | Jenő Jandó | — | |
| 16-10 | Fugue for Piano in C major, Hess 64 | Jenő Jandó | — | |
| 16-11 | Rondo a Capriccio in G major, op. 129 "Rage Over a Lost Penny" | Jenő Jandó | — | |
| 16-12 | Two German Dances, Hess 67: Allegro and Da capo the "Deutscher" | Jenő Jandó | — | |
| 16-13 | 12 Piano Miniatures from the Sketchbooks: No. 9 in D major: Menuetto | Sergio Gallo | — | |
| 17-1 | Rondo in C major, op. 51 no. 1 | Jenő Jandó | — | |
| 17-2 | Rondo in G major, op. 51 no. 2 | Jenő Jandó | — | |
| 17-3 | Rondo in A major, WoO 49 | Jenő Jandó | — | |
| 17-4 | Twelve Minuets, WoO 7: No. 1 in D major | Jenő Jandó | T-900.021.469-7 | |
| 17-5 | Twelve Minuets, WoO 7: No. 2 in B-flat major | Jenő Jandó | — | |
| 17-6 | Twelve Minuets, WoO 7: No. 3 in G major | Jenő Jandó | — | |
| 17-7 | Twelve Minuets, WoO 7: No. 4 in E-flat major | Jenő Jandó | — | |
| 17-8 | Twelve Minuets, WoO 7: No. 5 in C major | Jenő Jandó | — | |
| 17-9 | Twelve Minuets, WoO 7: No. 6 in A major | Jenő Jandó | — | |
| 17-10 | Twelve Minuets, WoO 7: No. 7 in D major | Jenő Jandó | — | |
| 17-11 | Twelve Minuets, WoO 7: No. 8 in B-flat major | Jenő Jandó | — | |
| 17-12 | Twelve Minuets, WoO 7: No. 9 in G major | Jenő Jandó | — | |
| 17-13 | Twelve Minuets, WoO 7: No. 10 in E-flat major | Jenő Jandó | — | |
| 17-14 | Twelve Minuets, WoO 7: No. 11 in C major | Jenő Jandó | — | |
| 17-15 | Twelve Minuets, WoO 7: No. 12 in F major | Jenő Jandó | — | |
| 17-16 | 4 Bagatelles, WoO 213: No. 1 in D‐Flat major | Sergio Gallo | — | |
| 17-17 | 4 Bagatelles, WoO 213: No. 2 in G major | Sergio Gallo | — | |
| 17-18 | 4 Bagatelles, WoO 213: No. 3 in A-flat major (Ed. A.W. Holsbergen) | Carl Petersson | — | |
| 17-19 | 4 Bagatelles, WoO 213: No. 4 in A major | Sergio Gallo | — | |
| 17-20 | Anglaise in D-dur, WoO 212, Hess 61 | Carl Petersson | — | |
| 17-21 | Bagatelle in A-dur, WoO 81 | Carl Petersson | — | |
| 17-22 | Waltz in E-flat major, WoO 84 | Larry Weng | — | |
| 17-23 | Waltz in D major, WoO 85 | Larry Weng | — | |
| 17-24 | Menuett in F-dur, WoO 217, Biamonti 66 | Carl Petersson | — | |
| 17-25 | Ecossaise in G, WoO 23 | Carl Petersson | T-801.974.499-2 | |
| 17-26 | Ecossaise in Es‐dur, WoO 86 | Carl Petersson | — | |
| 17-27 | Walzer in c-moll, WoO 219, Hess 68 | Carl Petersson | — | |
| 17-28 | Minuet in B-flat major, Hess 331 (Transcr. W. Virneisel) | Carl Petersson | — | |
| 17-29 | Minuet in B-flat major, Hess 331 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 18-1 | Piano Sonata no. 1 in F minor, op. 2 no. 1: I. Allegro | Jenő Jandó | T-905.049.604-3 | |
| 18-2 | Piano Sonata no. 1 in F minor, op. 2 no. 1: II. Adagio | Jenő Jandó | — | |
| 18-3 | Piano Sonata no. 1 in F minor, op. 2 no. 1: III. Menuetto. Allegretto | Jenő Jandó | — | |
| 18-4 | Piano Sonata no. 1 in F minor, op. 2 no. 1: IV. Prestissimo | Jenő Jandó | — | |
| 18-5 | Piano Sonata no. 2 in A major, op. 2 no. 2: I. Allegro vivace | Jenő Jandó | — | |
| 18-6 | Piano Sonata no. 2 in A major, op. 2 no. 2: II. Largo appassionato | Jenő Jandó | — | |
| 18-7 | Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto | Jenő Jandó | — | |
| 18-8 | Piano Sonata no. 2 in A major, op. 2 no. 2: IV. Rondo. Grazioso | Jenő Jandó | — | |
| 18-9 | Piano Sonata no. 3 in C major, op. 2 no. 3: I. Allegro con brio | Jenő Jandó | — | |
| 18-10 | Piano Sonata no. 3 in C major, op. 2 no. 3: II. Adagio | Jenő Jandó | — | |
| 18-11 | Piano Sonata no. 3 in C major, op. 2 no. 3: III. Scherzo. Allegro | Jenő Jandó | — | |
| 18-12 | Piano Sonata no. 3 in C major, op. 2 no. 3: IV. Allegro assai | Jenő Jandó | T-306.395.786-4 | |
| 19-1 | Piano Sonata no. 4 in E flat major, op. 7: I. Allegro molto e con brio | Jenő Jandó | — | |
| 19-2 | Piano Sonata no. 4 in E flat major, op. 7: II. Largo, con gran espressione | Jenő Jandó | — | |
| 19-3 | Piano Sonata no. 4 in E flat major, op. 7: III. Allegro | Jenő Jandó | T-330.120.705-2 | |
| 19-4 | Piano Sonata no. 4 in E flat major, op. 7: IV. Rondo. Poco allegretto e grazioso | Jenő Jandó | — | |
| 19-5 | Piano Sonata no. 5 in C minor, op. 10 no. 1: I. Allegro molto e con brio | Jenő Jandó | — | |
| 19-6 | Piano Sonata no. 5 in C minor, op. 10 no. 1: II. Adagio molto | Jenő Jandó | — | |
| 19-7 | Piano Sonata no. 5 in C minor, op. 10 no. 1: III. Finale. Prestissimo | Jenő Jandó | — | |
| 19-8 | Piano Sonata no. 6 in F major, op. 10 no. 2: I. Allegro | Jenő Jandó | T-801.974.499-2 | |
| 19-9 | Piano Sonata no. 6 in F major, op. 10 no. 2: II. Allegretto | Jenő Jandó | — | |
| 19-10 | Piano Sonata no. 6 in F major, op. 10 no. 2: III. Presto | Jenő Jandó | — | |
| 19-11 | Piano Sonata no. 7 in D major, op. 10 no. 3: I. Presto | Jenő Jandó | — | |
| 19-12 | Piano Sonata no. 7 in D major, op. 10 no. 3: II. Largo e mesto | Jenő Jandó | — | |
| 19-13 | Piano Sonata no. 7 in D major, op. 10 no. 3: III. Menuetto. Allegro | Jenő Jandó | — | |
| 19-14 | Piano Sonata no. 7 in D major, op. 10 no. 3: IV. Rondo. Allegro | Jenő Jandó | — | |
| 20-1 | Piano Sonata no. 8 in C minor, "Pathétique", op. 13: I. Grave - Allegro di molto e con brio | Boris Giltburg | T-915.723.669-6 | |
| 20-2 | Piano Sonata no. 8 in C minor, "Pathétique", op. 13: II. Adagio cantabile | Boris Giltburg | T-001.397.158-8 | |
| 20-3 | Piano Sonata no. 8 in C minor, "Pathétique", op. 13: III. Rondo: Allegro | Boris Giltburg | — | |
| 20-4 | Sonata no. 9 in E major, op. 14 no. 1: I. Allegro | Jenő Jandó | — | |
| 20-5 | Sonata no. 9 in E major, op. 14 no. 1: II. Allegretto | Jenő Jandó | — | |
| 20-6 | Sonata no. 9 in E major, op. 14 no. 1: III. Rondo. Allegro comodo | Jenő Jandó | — | |
| 20-7 | Sonata no. 10 in G major, op. 14 no. 2: I. Allegro | Jenő Jandó | T-905.049.604-3 | |
| 20-8 | Sonata no. 10 in G major, op. 14 no. 2: II. Andante | Jenő Jandó | — | |
| 20-9 | Sonata no. 10 in G major, op. 14 no. 2: III. Scherzo. Allegro assai | Jenő Jandó | — | |
| 20-10 | Sonata no. 11 in B-flat major, op. 22: I. Allegro con brio | Jenő Jandó | — | |
| 20-11 | Sonata no. 11 in B-flat major, op. 22: II. Adagio con molta espressione | Jenő Jandó | — | |
| 20-12 | Sonata no. 11 in B-flat major, op. 22: III. Menuetto | Jenő Jandó | — | |
| 20-13 | Sonata no. 11 in B-flat major, op. 22: IV. Rondo. Allegretto | Jenő Jandó | T-801.974.499-2 | |
| 21-1 | Sonata no. 12 in A major, op. 26: I. Andante con variazioni | Jenő Jandó | — | |
| 21-2 | Sonata no. 12 in A major, op. 26: II. Scherzo. Allegro molto | Jenő Jandó | — | |
| 21-3 | Sonata no. 12 in A major, op. 26: III. Marcia funebre sulla morte d'un eroe | Jenő Jandó | — | |
| 21-4 | Sonata no. 12 in A major, op. 26: IV. Allegro | Jenő Jandó | — | |
| 21-5 | Piano Sonata no. 13 in E flat major, op. 27, no. 1 “Quasi una fantasia”: I. Andante - Allegro - Tempo I | Jenő Jandó | — | |
| 21-6 | Piano Sonata no. 13 in E flat major, op. 27, no. 1 “Quasi una fantasia”: II. Allegro molto vivace | Jenő Jandó | — | |
| 21-7 | Piano Sonata no. 13 in E flat major, op. 27, no. 1 “Quasi una fantasia”: III. Adagio con espressione | Jenő Jandó | — | |
| 21-8 | Piano Sonata no. 13 in E flat major, op. 27, no. 1 “Quasi una fantasia”: IV. Allegro vivace - Tempo I - Presto | Jenő Jandó | — | |
| 21-9 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — | |
| 21-10 | Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: II. Allegretto | Jenő Jandó | — | |
| 21-11 | Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: III. Presto agitato | Jenő Jandó | — | |
| 21-12 | Piano Sonata no. 15 in D major, op. 28 “Pastoral”: I. Allegro | Jenő Jandó | — | |
| 21-13 | Piano Sonata no. 15 in D major, op. 28 “Pastoral”: II. Andante | Jenő Jandó | T-800.722.074-9 | |
| 21-14 | Piano Sonata no. 15 in D major, op. 28 “Pastoral”: III. Scherzo. Allegro assai - Allegro vivace | Jenő Jandó | — | |
| 21-15 | Piano Sonata no. 15 in D major, op. 28 “Pastoral”: IV. Rondo. Allegro ma non troppo | Jenő Jandó | — | |
| 22-1 | Sonata no. 16 in G major, op. 31 no. 1: I. Allegro vivace | Jenő Jandó | — | |
| 22-2 | Sonata no. 16 in G major, op. 31 no. 1: II. Adagio grazioso | Jenő Jandó | — | |
| 22-3 | Sonata no. 16 in G major, op. 31 no. 1: III. Rondo. Allegretto | Jenő Jandó | — | |
| 22-4 | Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: I. Largo - Allegro | Jenő Jandó | — | |
| 22-5 | Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: II. Adagio | Jenő Jandó | T-050.096.172-7 | |
| 22-6 | Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto | Jenő Jandó | — | |
| 22-7 | Sonata no. 18 in E-flat major, op. 31 no. 3: I. Allegro | Jenő Jandó | — | |
| 22-8 | Sonata no. 18 in E-flat major, op. 31 no. 3: II. Scherzo. Allegro vivace | Jenő Jandó | — | |
| 22-9 | Sonata no. 18 in E-flat major, op. 31 no. 3: III. Menuetto. Moderato e grazioso | Jenő Jandó | — | |
| 22-10 | Sonata no. 18 in E-flat major, op. 31 no. 3: IV. Presto con fuoco | Jenő Jandó | — | |
| 23-1 | Piano Sonata no. 19 in G minor, op. 49, no. 1: I. Andante | Jenő Jandó | — | |
| 23-2 | Piano Sonata no. 19 in G minor, op. 49, no. 1: II. Rondo. Allegro | Jenő Jandó | — | |
| 23-3 | Piano Sonata no. 20 in G major, op. 49, no. 2: I. Allegro ma non troppo | Jenő Jandó | T-031.682.208-8 | |
| 23-4 | Piano Sonata no. 20 in G major, op. 49, no. 2: II. Tempo di Menuetto | Jenő Jandó | — | |
| 23-5 | Piano Sonata no. 21 in C major, op. 53 “Waldstein”: I. Allegro con brio | Boris Giltburg | — | |
| 23-6 | Piano Sonata no. 21 in C major, "Waldstein", op. 53: II. Introduzione: Adagio molto | Boris Giltburg | — | |
| 23-7 | Piano Sonata no. 21 in C major, "Waldstein", op. 53: III. Rondo: Allegretto moderato | Boris Giltburg | — | |
| 23-8 | Piano Sonata no. 22 in F major, op. 54: I. In tempo d'un Menuetto | Jenő Jandó | — | |
| 23-9 | Piano Sonata no. 22 in F major, op. 54: II. Allegretto - Più allegro | Jenő Jandó | — | |
| 23-10 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | Jenő Jandó | T-306.395.786-4 | |
| 23-11 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | Jenő Jandó | — | |
| 23-12 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo - Presto | Jenő Jandó | — | |
| 24-1 | Sonata no. 24 in F‐sharp major, op. 78: I. Adagio cantabile – Allegro ma non troppo | Jenő Jandó | T-001.397.158-8 | |
| 24-2 | Sonata no. 24 in F‐sharp major, op. 78: II. Allegro vivace | Jenő Jandó | — | |
| 24-3 | Piano Sonata no. 25 in G major, op. 79: I. Presto alla tedesca | Jenő Jandó | — | |
| 24-4 | Piano Sonata no. 25 in G major, op. 79: II. Andante | Jenő Jandó | — | |
| 24-5 | Piano Sonata no. 25 in G major, op. 79: III. Vivace | Jenő Jandó | — | |
| 24-6 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: I. Adagio - Allegro “Les Adieux” | Jenő Jandó | — | |
| 24-7 | Sonata no. 26 in E-flat major, op. 81a “Les Adieux”: II. Andante espressivo “L'Absence” / III. Vivacissimamente “Le Retour” | Jenő Jandó | T-800.722.074-9 | |
| 24-8 | Sonata no. 27 in E minor, op. 90: I. Mit Lebhaftigkeit und durchaus mit Empfindung und Ausdruck | Jenő Jandó | — | |
| 24-9 | Sonata no. 27 in E minor, op. 90: II. Nicht zu geschwind und sehr singbar vorgetragen | Jenő Jandó | — | |
| 24-10 | Sonata no. 28 in A major, op. 101: I. Etwas lebhaft und mit der innigsten Empfindung | Jenő Jandó | — | |
| 24-11 | Sonata no. 28 in A major, op. 101: II. Lebhaft, marschmäßig | Jenő Jandó | — | |
| 24-12 | Sonata no. 28 in A major, op. 101: III. Langsam und sehnsuchtsvoll – Geschwind, doch nicht zu sehr und mit Entschlossenheit | Jenő Jandó | — | |
| 25-1 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: I. Allegro | Jenő Jandó | T-905.049.604-3 | |
| 25-2 | Piano Sonata no. 29 in B‐flat major, op. 106, “Hammerklavier”: II. Scherzo. Assai vivace – Presto – Tempo I | Jenő Jandó | — | |
| 25-3 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: III. Adagio sostenuto. Appassionato e con molto sentimento | Jenő Jandó | — | |
| 25-4 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: IV. Largo – Allegro | Jenő Jandó | — | |
| 25-5 | Sonata no. 29 in B-flat major, op. 106 “Hammerklavier”: V. Allegro risoluto. Fuga a tre voci, con alcune licenze | Jenő Jandó | — | |
| 25-6 | Piano Sonata no. 30 in E major, op. 109: I. Vivace, ma non troppo – Adagio espressivo – II. Prestissimo | Jenő Jandó | — | |
| 25-7 | Piano Sonata no. 30 in E major, op. 109: III. Andante molto cantabile ed espressivo | Jenő Jandó | — | |
| 25-8 | Piano Sonata no. 31 in A-flat major, op. 110: I. Moderato cantabile, molto espressivo | Jenő Jandó | — | |
| 25-9 | Piano Sonata no. 31 in A-flat major, op. 110: II. Allegro molto | Jenő Jandó | — | |
| 25-10 | Piano Sonata no. 31 in A-flat major, op. 110: III. Adagio, ma non troppo / IV. Fuga. Allegro, ma non troppo | Jenő Jandó | — | |
| 26-1 | Piano Sonata no. 32 in C minor, op. 111: I. Maestoso - Allegro con brio ed appassionato | Boris Giltburg | — | |
| 26-2 | Piano Sonata no. 32 in C minor, op. 111: II. Arietta: Adagio molto semplice e cantabile | Boris Giltburg | — | |
| 26-3 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: I. Allegro cantabile | Jenő Jandó | — | |
| 26-4 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: II. Andante | Jenő Jandó | — | |
| 26-5 | Piano Sonata no. 33 in E-flat, WoO 47 no. 1 “Kurfürstensonate”: III. Rondo vivace | Jenő Jandó | — | |
| 26-6 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: I. Larghetto maestoso - Allegro assai | Jenő Jandó | — | |
| 26-7 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: II. Andante | Jenő Jandó | — | |
| 26-8 | Piano Sonata no. 34 in F minor, WoO 47 no. 2 “Kurfürstensonate”: III. Presto | Jenő Jandó | — | |
| 26-9 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: I. Allegro | Jenő Jandó | — | |
| 26-10 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: II. Menuetto. Sostenuto (con 6 variazioni) | Jenő Jandó | — | |
| 26-11 | Piano Sonata no. 35 in D, WoO 47 no. 3 “Kurfürstensonate”: III. Scherzando. Allegretto ma non troppo | Jenő Jandó | — | |
| 26-12 | Piano Sonata (Sonatina) in F major, WoO 50, Hess 53 | Sergio Gallo | — | |
| 26-13 | Piano Sonata in C major, WoO 51: I. Allegro | Larry Weng | T-070.160.313-5 | |
| 26-14 | Piano Sonata in C major, WoO 51: II. Adagio | Larry Weng | — | |
| 27-1 | Fifteen Variations and Fugue on an Original Theme in E-flat major, op. 35 “Eroica” | Ian Yungwook Yoo | — | |
| 27-2 | 32 Variations in C minor, WoO 80 | Jenő Jandó | — | |
| 27-3 | 6 Variations in F major, op. 34 | Jenő Jandó | — | |
| 27-4 | 6 Variations on the Duet “Nel cor più non mi sento” by Paisiello in G major, WoO 70 | Jenő Jandó | — | |
| 27-5 | Twelve Variations on the “Menuett à la Viganò” from Jakob Haibel’s “Le nozze disturbate”, WoO 68 | Ian Yungwook Yoo | — | |
| 28-1 | Ten Variations on “La stessa, la stessissima” from Antonio Salieri’s “Falstaff”, WoO 73 | Ian Yungwook Yoo | — | |
| 28-2 | Eight Variations on “Tändeln und Scherzen” from Franz Xaver Süssmayr’s “Soliman II”, WoO 76 | Ian Yungwook Yoo | — | |
| 28-3 | Six Variations in D major, op. 76 | Ian Yungwook Yoo | — | |
| 28-5 | 24 Variations on "Venni amore", WoO 65 | Larry Weng | — | |
| 28-6 | 13 Variations on “Es war einmal ein alter Mann”, WoO 66 | Sergio Gallo | — | |
| 28-7 | 9 Variations on "Quant'e più bello", WoO 69 | Larry Weng | — | |
| 28-8 | 8 Variations on "Une fièvre brûlante", WoO 72 | Larry Weng | — | |
| 29-1 | 7 Variations on "Kind, willst du ruhig schlafen", WoO 75 | Larry Weng | — | |
| 29-2 | Sechs leichte Variationen (G-dur) über ein eigenes Thema, WoO 77 | Carl Petersson | — | |
| 29-3 | Sieben Variationen (C-dur) über das Thema “God Save the King”, WoO 78 | Carl Petersson | — | |
| 29-4 | Fünf Variationen (D-dur) über das Thema “Rule Britannia”, WoO 79 | Carl Petersson | — | |
| 29-5 | 9 Variations in C minor on a March by Dressler, WoO 63 “Dresselver Variations” (original version) | Sergio Gallo | — | |
| 29-6 | 9 Variations on a March by Dressler, WoO 63 | — | ||
| 30-1 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Thema: Vivace | Konstantin Scherbakov | — | |
| 30-2 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation I: Alla Marcia maestoso | Konstantin Scherbakov | — | |
| 30-3 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation II: Poco allegro | Konstantin Scherbakov | — | |
| 30-4 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation III: L’istesso tempo | Konstantin Scherbakov | — | |
| 30-5 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation IV: Un poco piu vivace | Konstantin Scherbakov | — | |
| 30-6 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation V: Allegro vivace | Konstantin Scherbakov | — | |
| 30-7 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VI: Allegro ma non troppo e serioso | Konstantin Scherbakov | — | |
| 30-8 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VII: Un poco piu allegro | Konstantin Scherbakov | — | |
| 30-9 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation VIII: Poco vivace | Konstantin Scherbakov | — | |
| 30-10 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation IX: Allegro pesante e risoluto | Konstantin Scherbakov | — | |
| 30-11 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation X: Presto | Konstantin Scherbakov | — | |
| 30-12 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XI: Allegretto | Konstantin Scherbakov | — | |
| 30-13 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VarVariation XII: Un poco piu moto | Konstantin Scherbakov | — | |
| 30-14 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XIII: Vivace | Konstantin Scherbakov | — | |
| 30-15 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VarVariation XIV: Grave e maestoso | Konstantin Scherbakov | — | |
| 30-16 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VaVariation XV: Presto scherzando | Konstantin Scherbakov | — | |
| 30-17 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVI: Allegro | Konstantin Scherbakov | — | |
| 30-18 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVII | Konstantin Scherbakov | — | |
| 30-19 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XVIII: Poco moderato | Konstantin Scherbakov | — | |
| 30-20 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XIX: Presto | Konstantin Scherbakov | — | |
| 30-21 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XX: Andante | Konstantin Scherbakov | — | |
| 30-22 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXI: Allegro con brio | Konstantin Scherbakov | — | |
| 30-23 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXII: Allegro molto alla “Notte e giorno faticar” di Mozart | Konstantin Scherbakov | — | |
| 30-24 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIII: Allegro assai | Konstantin Scherbakov | — | |
| 30-25 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIV: Fughetta: Andante | Konstantin Scherbakov | — | |
| 30-26 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXV: Allegro | Konstantin Scherbakov | — | |
| 30-27 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXVI: Piacevole | Konstantin Scherbakov | — | |
| 30-28 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXVII: Vivace | Konstantin Scherbakov | — | |
| 30-29 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: VariaVariation XXVIII: Allegro | Konstantin Scherbakov | — | |
| 30-30 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXIX: Adagio ma non troppo | Konstantin Scherbakov | — | |
| 30-31 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXX: Andante, sempre cantabile | Konstantin Scherbakov | — | |
| 30-32 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXI: Largo, molto espressivo | Konstantin Scherbakov | — | |
| 30-33 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXII: Fuga: Allegro | Konstantin Scherbakov | — | |
| 30-34 | 33 Variations in C major on a Waltz by A. Diabelli, op. 120: Variation XXXIII: Tempo di Minuetto moderato (ma non tirarsi dietro) | Konstantin Scherbakov | — | |
| 30-35 | Twelve Variations on the Russian Dance from Paul Wranitzky’s Ballet “Waldmädchen”, WoO 71 | Ian Yungwook Yoo | — | |
| 31-1 | Sonata for Piano Four Hands in D major op.6 - I. Allegro molto | — | ||
| 31-2 | Sonata in D major for Piano, 4 Hands, op. 6: II. Rondo: Moderato | Sara Hamann, Amy Hamann | — | |
| 31-3 | 8 Variations in C major on a Theme by Count Waldstein WoO 67 'Waldstein Variations' | — | ||
| 31-4 | 6 Variations in D major on 'Ich denke dein' WoO 74 | — | ||
| 31-5 | Three Marches op.45 - No.1 in C major | — | ||
| 31-6 | Three Marches op.45 - No.2 in E flat major | — | ||
| 31-7 | Three Marches op.45 - No.3 in D major | — | ||
| 31-8 | Grosse Fuge in B flat major op.134 Hess 86 | — | ||
| 32-1 | Piano Étude in B‐flat major, Hess 58 | Sergio Gallo | — | |
| 32-2 | Piano Étude in C major, Hess 59 | Sergio Gallo | — | |
| 32-3 | Sketch in A major, Hess 60 | Sergio Gallo | — | |
| 32-4 | Theme With Variations in A major, Hess 72 | Sergio Gallo | — | |
| 32-5 | 3 Little Sketches in Canonic Style, Bia. 69 | Sergio Gallo | — | |
| 32-6 | 3 Drafts for Piano, Bia. 276 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-7 | Fragment in A major, Bia. 268 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 32-8 | Fragment in A major, Bia. 268 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-9 | Andante in F major, Bia. 270 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 32-10 | Fragment in E-flat major, Bia. 271 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 32-11 | Sketch in F major, Bia. 273 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 32-12 | Andante in B-flat major, Bia. 272 (Arr. C. Petersson) | Carl Petersson | — | |
| 32-13 | Passage in B major, Bia. 280 (Arr. C. Petersson) | Carl Petersson | — | |
| 32-14 | Sketch in E-flat major, Bia. 317 (Transcr. S. Brandenburg) | Carl Petersson | — | |
| 32-15 | Sketch for Piano Sonata in E-flat major, Bia. 98 | Carl Petersson | — | |
| 32-16 | Sketch for Piano Sonata in A minor, Bia. 318 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-17 | Unused Sketches for the Finale to the “Eroica Variations”, Bia. 319 (Transcr. S. Brandenburg) | Carl Petersson | — | |
| 32-18 | Fragment in G major, Bia. 720 (Transcr. J. Schmidt-Görg) | Carl Petersson | — | |
| 32-19 | Instrumental Sketch, Bia. 849 | Carl Petersson | — | |
| 32-20 | Klaviertrio in G-dur, op. 1 Nr. 2: III. Scherzo (fragment), Hess 98 | Carl Petersson | — | |
| 32-21 | String Quintet in C major, WoO 62, Hess 41: I. Andante maestoso “Letzter musikalischer Gedanke” | Sergio Gallo | — | |
| 32-22 | Symphony no. 7 in A major, op. 92: I. Poco sostenuto, Hess 96 | Carl Petersson | — | |
| 32-23 | Menuett in As-dur, WoO 209, Hess 88 | Carl Petersson | — | |
| 32-24 | 2 Cadenzas to Mozart’s Piano Concerto no. 20, WoO 58: Cadenza to I. Allegro | Sergio Gallo | T-070.160.313-5 | |
| 32-25 | 2 Cadenzas to Mozart’s Piano Concerto no. 20, WoO 58: Cadenza to III. Rondo | Sergio Gallo | — | |
| 32-26 | March in C minor, Hess 330 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-27 | Allegretto Sketches, Bia. 99: No. 1, — | Carl Petersson | — | |
| 32-28 | Allegretto Sketches, Bia. 99: No. 2, — | Carl Petersson | — | |
| 32-29 | Allegretto Sketches, Bia. 99: No. 3, — | Carl Petersson | — | |
| 32-30 | Allegretto Sketches, Bia. 99: No. 4, — | Carl Petersson | — | |
| 32-31 | Allegretto Sketches, Bia. 99: No. 5, — | Carl Petersson | — | |
| 32-32 | Allegretto Sketches, Bia. 99: No. 6, — | Carl Petersson | — | |
| 32-33 | Allegretto Sketches, Bia. 99: No. 7, — | Carl Petersson | — | |
| 32-34 | Allegretto Sketches, Bia. 99: No. 8, — | Carl Petersson | — | |
| 32-35 | Sketch for Piano in C major, Bia. 191 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-36 | Andante in B-flat major, Bia. 272 (Arr. C. Petersson) | Carl Petersson | — | |
| 32-37 | Andante in B-flat major, Bia. 272 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 32-38 | 18 Sketches, Bia. 96: No. 1, Adagio | Carl Petersson | — | |
| 32-39 | 18 Sketches, Bia. 96: No. 2, — | Carl Petersson | — | |
| 32-40 | 18 Sketches, Bia. 96: No. 3, — | Carl Petersson | — | |
| 32-41 | 18 Sketches, Bia. 96: No. 4, — | Carl Petersson | — | |
| 32-42 | 18 Sketches, Bia. 96: No. 5, — | Carl Petersson | — | |
| 32-43 | 18 Sketches, Bia. 96: No. 6, Allegro | Carl Petersson | — | |
| 32-44 | 18 Sketches, Bia. 96: No. 7, — | Carl Petersson | — | |
| 32-45 | 18 Sketches, Bia. 96: No. 8, Allegro maestoso | Carl Petersson | — | |
| 32-46 | 18 Sketches, Bia. 96: No. 9, Adagio molto | Carl Petersson | — | |
| 32-47 | 18 Sketches, Bia. 96: No. 10, — | Carl Petersson | T-306.242.818-2 | |
| 32-48 | 18 Sketches, Bia. 96: No. 11, — | Carl Petersson | — | |
| 32-49 | 18 Sketches, Bia. 96: No. 12, — | Carl Petersson | — | |
| 32-50 | 18 Sketches, Bia. 96: No. 13, — | Carl Petersson | — | |
| 32-51 | 18 Sketches, Bia. 96: No. 14, — | Carl Petersson | — | |
| 32-52 | 18 Sketches, Bia. 96: No. 15, Fugentema | Carl Petersson | — | |
| 32-53 | 18 Sketches, Bia. 96: No. 16, Adagio | Carl Petersson | — | |
| 32-54 | 18 Sketches, Bia. 96: No. 17, — | Carl Petersson | — | |
| 32-55 | 18 Sketches, Bia. 96: No. 18, Allegro | Carl Petersson | — | |
| 32-56 | March in B-flat major, WoO 29, Hess 107 “Grenadier March” | Janette Fishell | — | |
| 32-57 | Fugue in D major, WoO 31 | Janette Fishell | — | |
| 32-58 | 2 Stücke, WoO 33b, Hess 106: No. 1. Allegro non più molto | Janette Fishell | — | |
| 32-59 | 2 Stücke, WoO 33b, Hess 106: No. 2. Allegretto | Janette Fishell | — | |
| 32-60 | 3 Stücke, WoO 33a: No. 1. Adagio assai, Hess 103 | Janette Fishell | — | |
| 32-61 | 3 Stücke, WoO 33a: No. 2. Scherzo, Hess 104 | Janette Fishell | — | |
| 32-62 | 3 Stücke, WoO 33a: No. 3. Allegro, Hess 105 | Janette Fishell | — | |
| 33-1 | Triumphmarsch zum Trauerspiel Tarpeja von Kuffner, WoO 2a, Hess 117 | Carl Petersson | — | |
| 33-2 | Marsch Nr. 1 in F-dur, “Für die Böhmische Landwehr”, WoO 18, Hess 99 | Carl Petersson | — | |
| 33-3 | Musik zu einem Ritterballett, WoO 1, Hess 89: Marsch | Carl Petersson | — | |
| 33-4 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-5 | Musik zu einem Ritterballett, WoO 1, Hess 89: Jagdlied: Allegretto | Carl Petersson | — | |
| 33-6 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-7 | Musik zu einem Ritterballett, WoO 1, Hess 89: Minnelied: Romance: Andantino | Carl Petersson | — | |
| 33-8 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-9 | Musik zu einem Ritterballett, WoO 1, Hess 89: Kriegslied: Allegro assai | Carl Petersson | — | |
| 33-10 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-11 | Musik zu einem Ritterballett, WoO 1, Hess 89: Trinklied: Allegro con brio | Carl Petersson | — | |
| 33-12 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Gesang: Allegro | Carl Petersson | — | |
| 33-13 | Musik zu einem Ritterballett, WoO 1, Hess 89: Deutscher Tanz: Walzer | Carl Petersson | — | |
| 33-14 | Musik zu einem Ritterballett, WoO 1, Hess 89: Coda: Allegro vivace | Carl Petersson | — | |
| 33-15 | Die Geschöpfe des Prometheus Hess 90 - Act I: Ouverture | — | ||
| 33-16 | Die Geschöpfe des Prometheus Hess 90 - Act I: Introduzione | — | ||
| 33-17 | Die Geschöpfe des Prometheus Hess 90 - Act I: Poco adagio | — | ||
| 33-18 | Die Geschöpfe des Prometheus Hess 90 - Act I: Asagio | — | ||
| 33-19 | Die Geschöpfe des Prometheus Hess 90 - Act I: Allegro vivace | — | ||
| 33-20 | Die Geschöpfe des Prometheus Hess 90 - Act II: Maestoso | — | ||
| 33-21 | Die Geschöpfe des Prometheus Hess 90 - Act II: Adagio | — | ||
| 33-22 | Die Geschöpfe des Prometheus Hess 90 - Act II: Un poco adagio | — | ||
| 33-23 | Die Geschöpfe des Prometheus Hess 90 - Act II: Grave | — | ||
| 33-24 | Die Geschöpfe des Prometheus Hess 90 - Act II: Allegro con brio | — | ||
| 33-25 | Die Geschöpfe des Prometheus Hess 90 - Act II: Adagio | — | ||
| 33-26 | Die Geschöpfe des Prometheus Hess 90 - Act II: Pastorale | — | ||
| 33-27 | Die Geschöpfe des Prometheus Hess 90 - Act II: Coro di Gioja | — | ||
| 33-28 | Die Geschöpfe des Prometheus Hess 90 - Act II: Solo di Gioja | — | ||
| 33-29 | Die Geschöpfe des Prometheus Hess 90 - Act II: Terezettino | — | ||
| 33-30 | Die Geschöpfe des Prometheus Hess 90 - Act II: Solo della Signora Cassentini | — | ||
| 33-31 | Die Geschöpfe des Prometheus Hess 90 - Act II: Coro e Solo di Vigano | — | ||
| 33-32 | Die Geschöpfe des Prometheus Hess 90 - Act II: Finale | — | ||
| 34-1 | Andante in F major, WoO 57 "Andante favori" | Jenő Jandó | T-306.231.675-6 | |
| 34-2 | Bagatelle in C minor WoO 52 | — | ||
| 34-5 | 12 Piano Miniatures from the Sketchbooks: No. 3 in C major: Alla marcia | Sergio Gallo | — | |
| 34-6 | 12 Piano Miniatures from the Sketchbooks: No. 4 in A major: Allegro giocoso | Sergio Gallo | — | |
| 34-7 | 12 Piano Miniatures from the Sketchbooks: No. 6 in A major: Allegro | Sergio Gallo | — | |
| 34-8 | 12 Piano Miniatures from the Sketchbooks: No. 7 in A major: Presto | Sergio Gallo | — | |
| 34-9 | 12 Piano Miniatures from the Sketchbooks: No. 8 in G major: Allegretto | Sergio Gallo | — | |
| 34-10 | Molto adagio in G major, Hess 71 | Sergio Gallo | — | |
| 34-11 | Adagio ma non molto in G major, Hess 70 | Sergio Gallo | — | |
| 34-12 | Allegretto in C minor, WoO 53, Hess 66 | Sergio Gallo | T-912.576.580-2 | |
| 34-13 | Pastorale in C major, Bia. 622 | Sergio Gallo | — | |
| 34-14 | Presto in G major, Bia. 277 | Sergio Gallo | — | |
| 34-15 | Allegro in C major, Bia. 279 | Sergio Gallo | — | |
| 34-16 | Canon in G major, Hess 274 | Sergio Gallo | — | |
| 34-17 | Piano Piece in D major, Hess 325 (Transcr. N. Fishman) | Carl Petersson | — | |
| 34-18 | Andante molto in E-flat major, Bia. 269 (Transcr. A. Schmitz) | Carl Petersson | — | |
| 34-19 | Fugue in C major, Bia. 345 (Transcr. N. Fishman) | Carl Petersson | — | |
| 34-20 | Fugue in C major, Bia. 346 “Antique” (Transcr. N. Fishman) | Carl Petersson | — | |
| 34-21 | Anglaise in G minor, Bia. 48 (Original Version) | Carl Petersson | — | |
| 34-23 | Composition for Piano in D major, Bia. 213 | Sergio Gallo | — | |
| 34-24 | Liedthema in G major, WoO 200 “O Hoffnung” | Sergio Gallo | — | |
| 34-25 | Klaviersatz, Hess 63 | Sergio Gallo | — | |
| 34-26 | Andante in C major, WoO 211 | Sergio Gallo | — | |
| 34-27 | Canon in A‐Flat major, WoO 222, Hess 275/328 | Sergio Gallo | — | |
| 34-28 | Sonatina no. 37 in G, Anh. 5 no. 1: I. Moderato | Jenő Jandó | T-905.750.680-6 | |
| 34-29 | Sonatina no. 37 in G, Anh. 5 no. 1: II. Romanze | Jenő Jandó | — | |
| 34-30 | Sonatina no. 38 in F, Anh. 5 no. 2: I. Allegro | Jenő Jandó | — | |
| 34-31 | Sonatina no. 38 in F, Anh. 5 no. 2: II. Rondo. Allegro | Jenő Jandó | — | |
| 34-32 | Melody in C minor, Hess 324 (Transcr. N. Fishman) | Carl Petersson | — | |
| 34-33 | Melody in C minor, Hess 324 (Reconstr. A.W. Holsbergen) | Carl Petersson | — | |
| 34-34 | Zweiter Eingang in’s Thema vom Rondo, Hess 84 | Sergio Gallo | — | |
| 34-35 | Kadenz zum Rondo, Hess 85 | Sergio Gallo | — | |
| 34-36 | Wellingtons Sieg oder die Schlacht bei Vittoria, Hess 97 (piano version of op. 91): Erste Abteilung | Carl Petersson | — | |
| 34-37 | Wellingtons Sieg oder die Schlacht bei Vittoria, Hess 97 (piano version of op. 91): Zweite Abteilung: Sieges-Sinfonie | Carl Petersson | — | |
| 35-1 | Sonata in F major for Cello and Piano, op. 5 no. 1: Adagio sostenuto - Allegro | Maria Kliegel, Nina Tichman | — | |
| 35-2 | Sonata in F major for Cello and Piano, op. 5 no. 1: Allegro vivace | Maria Kliegel, Nina Tichman | — | |
| 35-3 | Sonata in G minor for Cello and Piano, op. 5 no. 2: Adagio sostenuto ed espressivo – Allegro molto più tosto presto | Maria Kliegel, Nina Tichman | — | |
| 35-4 | Sonata in G minor for Cello and Piano, op. 5 no. 2: Rondo: Allegro | Maria Kliegel, Nina Tichman | — | |
| 35-5 | Sonata no. 3 in A major for Cello and Piano, op .69: Allegro, ma non tanto | Maria Kliegel, Nina Tichman | — | |
| 35-6 | Sonata no. 3 in A major for Cello and Piano, op .69: Scherzo: Allegro molto | Maria Kliegel, Nina Tichman | — | |
| 35-7 | Sonata no. 3 in A major for Cello and Piano, op .69: Adagio cantabile – | Maria Kliegel, Nina Tichman | — | |
| 35-8 | Sonata no. 3 in A major for Cello and Piano, op .69: Allegro vivace | Maria Kliegel, Nina Tichman | — | |
| 36-1 | Sonata no. 4 in C major for Cello and Piano, op. 102 no. 1: Andante – Allegro vivace | Maria Kliegel, Nina Tichman | — | |
| 36-2 | Sonata no. 4 in C major for Cello and Piano, op. 102 no. 1: Adagio – Tempo d’Andante | Maria Kliegel, Nina Tichman | — | |
| 36-3 | Sonata no. 4 in C major for Cello and Piano, op. 102 no. 1: Allegro vivace | Maria Kliegel, Nina Tichman | — | |
| 36-4 | Sonata no. 5 in D major for Cello and Piano, op. 102 no. 2: Allegro con brio | Maria Kliegel, Nina Tichman | — | |
| 36-5 | Sonata no. 5 in D major for Cello and Piano, op. 102 no. 2: Adagio con molto sentimento d’affetto | Maria Kliegel, Nina Tichman | — | |
| 36-6 | Sonata no. 5 in D major for Cello and Piano, op. 102 no. 2: Allegro fugato | Maria Kliegel, Nina Tichman | — | |
| 36-7 | Sonata in E-flat major for Cello and Piano, op. 64: Allegro con brio | Maria Kliegel, Nina Tichman | — | |
| 36-8 | Sonata in E-flat major for Cello and Piano, op. 64: Andante | Maria Kliegel, Nina Tichman | — | |
| 36-9 | Sonata in E-flat major for Cello and Piano, op. 64: Menuetto: Allegro | Maria Kliegel, Nina Tichman | — | |
| 36-10 | Sonata in E-flat major for Cello and Piano, op. 64: Adagio | Maria Kliegel, Nina Tichman | T-003.055.867-8 | |
| 36-11 | Sonata in E-flat major for Cello and Piano, op. 64: Menuetto: Moderato | Maria Kliegel, Nina Tichman | — | |
| 36-12 | Sonata in E-flat major for Cello and Piano, op. 64: Finale: Allegro | Maria Kliegel, Nina Tichman | — | |
| 37-1 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Theme: Allegretto | Maria Kliegel, Nina Tichman | — | |
| 37-2 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation I | Maria Kliegel, Nina Tichman | — | |
| 37-3 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation II | Maria Kliegel, Nina Tichman | — | |
| 37-4 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation III | Maria Kliegel, Nina Tichman | — | |
| 37-5 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation IV | Maria Kliegel, Nina Tichman | — | |
| 37-6 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation V | Maria Kliegel, Nina Tichman | — | |
| 37-7 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation VI | Maria Kliegel, Nina Tichman | — | |
| 37-8 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation VII | Maria Kliegel, Nina Tichman | — | |
| 37-9 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation VIII | Maria Kliegel, Nina Tichman | — | |
| 37-10 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation IX | Maria Kliegel, Nina Tichman | — | |
| 37-11 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation X | Maria Kliegel, Nina Tichman | — | |
| 37-12 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation XI | Maria Kliegel, Nina Tichman | — | |
| 37-13 | Twelve Variations on “See Here the Conqu’ring Hero Comes” from Handel’s Judas Maccabaeus, WoO 45: Variation XII | Maria Kliegel, Nina Tichman | — | |
| 37-14 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Thema: Andante | Maria Kliegel, Nina Tichman | — | |
| 37-15 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation I | Maria Kliegel, Nina Tichman | — | |
| 37-16 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation II | Maria Kliegel, Nina Tichman | — | |
| 37-17 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation III | Maria Kliegel, Nina Tichman | — | |
| 37-18 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation IV | Maria Kliegel, Nina Tichman | — | |
| 37-19 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation V: Si prenda il tempo un poco più vivace | Maria Kliegel, Nina Tichman | — | |
| 37-20 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation VI: Adagio | Maria Kliegel, Nina Tichman | — | |
| 37-21 | Seven Variations on the Deut “Bei Männern, welche Liebe fühlen” from Mozart’s Opera Die Zauberflöte, WoO 46: Variation VII: Allegro, ma non troppo | Maria Kliegel, Nina Tichman | — | |
| 37-22 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Thema | Maria Kliegel, Nina Tichman | — | |
| 37-23 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation I | Maria Kliegel, Nina Tichman | — | |
| 37-24 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation II | Maria Kliegel, Nina Tichman | — | |
| 37-25 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation III | Maria Kliegel, Nina Tichman | — | |
| 37-26 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation IV | Maria Kliegel, Nina Tichman | — | |
| 37-27 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation V | Maria Kliegel, Nina Tichman | — | |
| 37-28 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation VI | Maria Kliegel, Nina Tichman | — | |
| 37-29 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation VII | Maria Kliegel, Nina Tichman | — | |
| 37-30 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation VIII | Maria Kliegel, Nina Tichman | — | |
| 37-31 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation IX | Maria Kliegel, Nina Tichman | — | |
| 37-32 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation X | Maria Kliegel, Nina Tichman | — | |
| 37-33 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation XI | Maria Kliegel, Nina Tichman | — | |
| 37-34 | Variations on “Ein Mädchen oder Weibchen” from Mozart’s Opera Die Zauberflöte, op. 66: Variation XII | Maria Kliegel, Nina Tichman | — | |
| 37-35 | Mandolin Sonatina in C minor, WoO 43a | Alon Sariel, Michael Tsalka | — | |
| 37-36 | Adagio in E-flat major, WoO 43b, Hess 44 | Alon Sariel, Michael Tsalka | — | |
| 37-37 | Mandolin Sonatina in C major, WoO 44a, Hess 43 | Alon Sariel, Michael Tsalka | T-801.974.499-2 | |
| 37-38 | Andante and Variations in D major, WoO 44b, Hess 45 | Alon Sariel, Michael Tsalka | — | |
| 37-39 | 12 Variations in F major on 'Se vuol ballare' | — | ||
| 37-40 | Rondo in G major, WoO 41 | Tatiana Lokhina, Clara Scholtes | — | |
| 37-41 | Sonata in F major for Horn and Piano, op. 17 (arr. cello and piano): Allegro moderato | Maria Kliegel, Nina Tichman | — | |
| 37-42 | Sonata in F major for Horn and Piano, op. 17 (arr. cello and piano): Poco adagio, quasi andante | Maria Kliegel, Nina Tichman | — | |
| 37-43 | Sonata in F major for Horn and Piano, op. 17 (arr. cello and piano): Rondo. Allegro moderato | Maria Kliegel, Nina Tichman | — | |
| 38-1 | Piano Trio in E-flat major, op. 1 no. 1: Allegro | Xyrion Trio | — | |
| 38-2 | Piano Trio in E-flat major, op. 1 no. 1: Adagio cantabile | Xyrion Trio | — | |
| 38-3 | Piano Trio in E-flat major, op. 1 no. 1: Scherzo: Allegro assai | Xyrion Trio | — | |
| 38-4 | Piano Trio in E-flat major, op. 1 no. 1: Finale: Presto | Xyrion Trio | T-318.676.528-2 | |
| 38-5 | Piano Trio in G major, op. 1 no. 2: Adagio | Xyrion Trio | — | |
| 38-6 | Piano Trio in G major, op. 1 no. 2: Allegro vivace | Xyrion Trio | — | |
| 38-7 | Piano Trio in G major, op. 1 no. 2: Largo con espressione | Xyrion Trio | — | |
| 38-8 | Piano Trio in G major, op. 1 no. 2: Scherzo: Allegro | Xyrion Trio | — | |
| 38-9 | Piano Trio in G major, op. 1 no. 2: Finale: Presto | Xyrion Trio | — | |
| 39-1 | Piano Trio no.3 in C minor op.1 no.3 - I. Allegro con brio | — | ||
| 39-2 | Piano Trio no.3 in C minor op.1 no.3 - II. Andante cantabile con variazioni | — | ||
| 39-3 | Piano Trio no.3 in C minor op.1 no.3 - III. Menuetto | — | ||
| 39-4 | Piano Trio no.3 in C minor op.1 no.3 - IV. Finale | — | ||
| 39-5 | Piano Trio no. 4 for Piano, Clarinet and Cello, op. 11 “Gassenhauer”: Allegro con brio | Ib Hausmann, Maria Kliegel, Nina Tichman | — | |
| 39-6 | Piano Trio no. 4 for Piano, Clarinet and Cello, op. 11 “Gassenhauer”: Adagio | Ib Hausmann, Maria Kliegel, Nina Tichman | — | |
| 39-7 | Piano Trio no. 4 for Piano, Clarinet and Cello, op. 11 “Gassenhauer”: Allegretto | Ib Hausmann, Maria Kliegel, Nina Tichman | — | |
| 39-8 | Piano Trio no.5 in D major op.70 no.1 'Ghost' - I. Allegro vivace e con brio | — | ||
| 39-9 | Piano Trio no.5 in D major op.70 no.1 'Ghost' - II. Largo assai ed espressivo | — | ||
| 39-10 | Piano Trio no.5 in D major op.70 no.1 'Ghost' - III. Presto | — | ||
| 40-1 | Piano Trio no.6 in E flat major op.70 no.2 - I. Poco sostenuto | — | ||
| 40-2 | Piano Trio no.6 in E flat major op.70 no.2 - II. Allegretto | — | ||
| 40-3 | Piano Trio no.6 in E flat major op.70 no.2 - III. Allegretto ma non troppo | — | ||
| 40-4 | Piano Trio no.6 in E flat major op.70 no.2 - IV. Finale | — | ||
| 40-5 | Piano Trio no.7 in B flat major op.97 'Archducke' - I. Allegro moderato | — | ||
| 40-6 | Piano Trio no.7 in B flat major op.97 'Archducke' - II. Scherzo | — | ||
| 40-7 | Piano Trio no.7 in B flat major op.97 'Archducke' - III. Andante cantabile | — | ||
| 40-8 | Piano Trio no.7 in B flat major op.97 'Archducke' - IV. Allegro moderato | — | ||
| 41-1 | Allegretto in B-flat major, WoO 39 | Xyrion Trio | — | |
| 41-2 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Theme | — | ||
| 41-3 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation I | — | ||
| 41-4 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation II | — | ||
| 41-5 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation III | — | ||
| 41-6 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation IV | — | ||
| 41-7 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation V | — | ||
| 41-8 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation VI | — | ||
| 41-9 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation VII | — | ||
| 41-10 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation VIII | — | ||
| 41-11 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation IX | — | ||
| 41-12 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation X | — | ||
| 41-13 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation XI | — | ||
| 41-14 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation XII | — | ||
| 41-15 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation XIII | — | ||
| 41-16 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variation XIV | — | ||
| 41-17 | 14 Variations in E flat major on C.D. von Dittersdorf's op.44 - Variations in G major on Wenzel Müller's op.212a | — | ||
| 41-18 | Allegretto in E flat major, Hess 48 | — | ||
| 42-1 | Piano Trio in E flat major WoO 38 - I. Allegro moderato | — | ||
| 42-2 | Piano Trio in E flat major WoO 38 - II. Scherzo | — | ||
| 42-3 | Piano Trio in E flat major WoO 38 - III. Rondo | — | ||
| 42-4 | Piano Trio no.8 in E flat major op.38 - I. Adagio | — | ||
| 42-5 | Piano Trio in E flat major WoO 38 - II. Adagio cantabile | — | ||
| 42-6 | Piano Trio in E flat major WoO 38 - III. Tempo di menuetto | — | ||
| 42-7 | Piano Trio in E flat major WoO 38 - IV. Andante con variazioni | — | ||
| 42-8 | Piano Trio in E flat major WoO 38 - V. Scherzo | — | ||
| 42-9 | Piano Trio in E flat major WoO 38 - VI. Andante con moto alla marcia | — | ||
| 42-10 | Piano Trio in G major WoO 37 - I. Allegro | — | ||
| 42-11 | Piano Trio in G major WoO 37 - II. Adagio | — | ||
| 42-12 | Piano Trio in G major WoO 37 - III. Thema andante con variazioni | — | ||
| 42-13 | Piano Trio in F minor, Bia. 637 (fragments) | Lawrence DiBello, Andreas Ioannides, Tristan Siegel | — | |
| 43-1 | Piano Quartet in C major, WoO 36 no. 3: I. Allegro vivace | — | ||
| 43-2 | Piano Quartet in C major, WoO 36 no. 3: II. Adagio con espressione | — | ||
| 43-3 | Piano Quartet in C major, WoO 36 no. 3: III. Rondo: Allegro | — | ||
| 43-4 | Piano Quartet in E-flat major, WoO 36 no. 1: I. Adagio assai | — | ||
| 43-5 | Piano Quartet in E-flat major, WoO 36 no. 1: II. Allegro con spirito | — | ||
| 43-6 | Piano Quartet in E-flat major, WoO 36 no. 1: III. Theme and Variations: Cantabile | — | ||
| 43-7 | Piano Quartet in D major, WoO 36 no. 2: I. Allegro moderato | — | ||
| 43-8 | Piano Quartet in D major, WoO 36 no. 2: II. Andante con moto | — | ||
| 43-9 | Piano Quartet in D major, WoO 36 no. 2: III. Rondo: Allegro | — | ||
| 44-1 | Piano Quartet in E-flat major, op. 16: I. Grave – Allegro ma non troppo | Lawrence DiBello, Andreas Ioannides, Seido Karasaki, Clara Scholtes | — | |
| 44-2 | Piano Quartet in E-flat major, op. 16: II. Andante cantabile | Lawrence DiBello, Andreas Ioannides, Seido Karasaki, Clara Scholtes | T-322.688.088-8 | |
| 44-3 | Piano Quartet in E-flat major, op. 16: III. Rondo: Allegro, ma non troppo | Lawrence DiBello, Andreas Ioannides, Seido Karasaki, Clara Scholtes | — | |
| 44-4 | Quintet for Piano and Winds in E flat major op.16 - I. Grave | — | ||
| 44-5 | Quintet for Piano and Winds in E flat major op.16 - II. Andante cantabile | — | ||
| 44-6 | Quintet for Piano and Winds in E flat major op.16 - III. Rondo | — | ||
| 45-1 | String Trio in G major op.9 no.1 - I. Adagio | — | ||
| 45-2 | String Trio in G major op.9 no.1 - II. Adagio | — | ||
| 45-3 | String Trio in G major op.9 no.1 - III. Scherzo | — | ||
| 45-4 | String Trio in G major op.9 no.1 - IV. Presto | — | ||
| 45-5 | String Trio in G major op.9 no.2 - I. Allegretto | — | ||
| 45-6 | String Trio in G major op.9 no.2 - II. Andante quasi allegretto | — | ||
| 45-7 | String Trio in G major op.9 no.2 - III. Menuetto | — | ||
| 45-8 | String Trio in G major op.9 no.2 - IV. Rondo | — | ||
| 45-9 | String Trio in G major op.9 no.3 - I. Allegro con spirito | — | ||
| 45-10 | String Trio in G major op.9 no.3 - II. Adagio con espressione | — | ||
| 45-11 | String Trio in G major op.9 no.3 - III. Scherzo | — | ||
| 45-12 | String Trio in G major op.9 no.3 - IV. Finale | — | ||
| 45-13 | Trio Secondo Hess 28 | — | ||
| 46-1 | String Trio in E-flat major, op. 3: Allegro con brio | — | ||
| 46-2 | String Trio in E-flat major, op. 3: Andante | — | ||
| 46-3 | String Trio in E-flat major, op. 3: Menuetto: Allegretto | — | ||
| 46-4 | String Trio in E-flat major, op. 3: Adagio | — | ||
| 46-5 | String Trio in E-flat major, op. 3: Menuetto: Moderato | — | ||
| 46-6 | String Trio in E-flat major, op. 3: Finale: Allegro | — | ||
| 46-7 | Serenade (String Trio) in D major, op. 8: Marcia: Allegro | — | ||
| 46-8 | Serenade (String Trio) in D major, op. 8: Adagio | — | ||
| 46-9 | Serenade (String Trio) in D major, op. 8: Menuetto: Allegretto | — | ||
| 46-10 | Serenade (String Trio) in D major, op. 8: Adagio – Scherzo: Allegro molto – Adagio – Allegro molto | — | ||
| 46-11 | Serenade (String Trio) in D major, op. 8: Allegretto alla Polacca | — | ||
| 46-12 | Serenade (String Trio) in D major, op. 8: Andante quasi Allegretto – Allegro – Marcia: Allegro | — | ||
| 47-1 | String Quartet in F major, op. 18 no. 1: I. Allegro con brio | Kodály Quartet | — | |
| 47-2 | String Quartet in F major, op. 18 no. 1: II. Adagio affettuoso ed appassionato | Kodály Quartet | — | |
| 47-3 | String Quartet in F major, op. 18 no. 1: III. Scherzo: Allegro molto | Kodály Quartet | — | |
| 47-4 | String Quartet in F major, op. 18 no. 1: IV. Allegro | Kodály Quartet | — | |
| 47-5 | String Quartet no.2 in G major op.18 no.2 - I. Allegro | — | ||
| 47-6 | String Quartet no.2 in G major op.18 no.2 - II. Adagio cantabile | — | ||
| 47-7 | String Quartet no. 2 in G major, op. 18, No. 2: III. Scherzo: Allegro | Kodály Quartet | — | |
| 47-8 | String Quartet no.2 in G major op.18 no.2 - IV. Allegro molto | — | ||
| 47-9 | String Quartet no.3 in D major op.18 no.3 - I. Allegro | — | ||
| 47-10 | String Quartet no.3 in D major op.18 no.3 - II. Andante con moto | — | ||
| 47-11 | String Quartet no.3 in D major op.18 no.3 - III. Allegro | — | ||
| 47-12 | String Quartet no.3 in D major op.18 no.3 - IV. Presto | — | ||
| 48-1 | String Quartet no.4 in C minor op.18 no.4 - I. Allegro ma non tanto | — | ||
| 48-2 | String Quartet no.4 in C minor op.18 no.4 - II. Scherzo | — | ||
| 48-3 | String Quartet no.4 in C minor op.18 no.4 - III. Menuetto | — | ||
| 48-4 | String Quartet no.4 in C minor op.18 no.4 - IV. Allegretto | — | ||
| 48-5 | String Quartet no.5 in A major op.18 no.5 - I. Allegro | — | ||
| 48-6 | String Quartet no.5 in A major op.18 no.5 - II. Menuetto | — | ||
| 48-7 | String Quartet no.5 in A major op.18 no.5 - III. Andante cantabile | — | ||
| 48-8 | String Quartet no.5 in A major op.18 no.5 - IV. Allegro | — | ||
| 48-9 | String Quartet no.6 in B flat major op.18 no.6 - I. Allegro con brio | — | ||
| 48-10 | String Quartet no.6 in B flat major op.18 no.6 - II. Adagio ma non troppo | — | ||
| 48-11 | String Quartet no.6 in B flat major op.18 no.6 - III. Scherzo | — | ||
| 48-12 | String Quartet no.6 in B flat major op.18 no.6 - IV. La malinconia | — | ||
| 49-1 | String Quartet no.7 in F major op.59 no.1 'Razumovsky' - I. Allegro | — | ||
| 49-2 | String Quartet no.7 in F major op.59 no.1 'Razumovsky' - II. Allegretto vivace e sempre scherzando | — | ||
| 49-3 | String Quartet no.7 in F major op.59 no.1 'Razumovsky' - III. Adagio molto e mesto | — | ||
| 49-4 | String Quartet no.7 in F major op.59 no.1 'Razumovsky' - IV. Theme russe | — | ||
| 49-5 | String Quartet no.8 in E minor op.59 no.2 'Razumovsky' - I. Allegro | — | ||
| 49-6 | String Quartet no.8 in E minor op.59 no.2 'Razumovsky' - II. Molto adagio | — | ||
| 49-7 | String Quartet no.8 in E minor op.59 no.2 'Razumovsky' - III. Allegretto | — | ||
| 49-8 | String Quartet no.8 in E minor op.59 no.2 'Razumovsky' - IV. Finale | — | ||
| 50-1 | String Quartet no.9 in C major op.59 no.3 'Razumovsky' - I. Introduzione | — | ||
| 50-2 | String Quartet no.9 in C major op.59 no.3 'Razumovsky' - II. Andante con moto quasi allegretto | — | ||
| 50-3 | String Quartet no.9 in C major op.59 no.3 'Razumovsky' - III. Menuetto grazioso | — | ||
| 50-4 | String Quartet no.9 in C major op.59 no.3 'Razumovsky' - IV. Allegro molto | — | ||
| 50-5 | String Quartet no.10 in E flat major op.74 'Harp' - I. Poco adagio | — | ||
| 50-6 | String Quartet no.10 in E flat major op.74 'Harp' - II. Adagio ma non troppo | — | ||
| 50-7 | String Quartet no.10 in E flat major op.74 'Harp' - III. Presto | — | ||
| 50-8 | String Quartet no.10 in E flat major op.74 'Harp' - IV. Allegretto con variazioni | — | ||
| 51-1 | String Quartet no.11 in F minor op.95 'Serioso' - I. Allegro con brio | — | ||
| 51-2 | String Quartet no.11 in F minor op.95 'Serioso' - II. Allegretto ma non troppo | — | ||
| 51-3 | String Quartet no.11 in F minor op.95 'Serioso' - III. Allegro assai vivace, ma serioso | — | ||
| 51-4 | String Quartet no.11 in F minor op.95 'Serioso' - IV. Larghetto espressivo | — | ||
| 51-5 | String Quartet no.12 in E flat major op.127 - I. Maestoso | — | ||
| 51-6 | String Quartet no.12 in E flat major op.127 - II. Adagio ma non troppo e molto cantabile | — | ||
| 51-7 | String Quartet no.12 in E flat major op.127 - III. Scherzo | — | ||
| 51-8 | String Quartet no.12 in E flat major op.127 - IV. Allegro | — | ||
| 52-1 | String Quartet no.13 in B flat major op.130 - I. Adagio ma non troppo | — | ||
| 52-2 | String Quartet no.13 in B flat major op.130 - II. Presto | — | ||
| 52-3 | String Quartet no.13 in B flat major op.130 - III. Poco scherzoso | — | ||
| 52-4 | String Quartet no.13 in B flat major op.130 - IV. Alla danza tedesca | — | ||
| 52-5 | String Quartet in B-flat major, op. 130: V. Cavatina: Adagio molto espressivo | Kodály Quartet | T-310.749.282-6 | |
| 52-6 | String Quartet no.13 in B flat major op.130 - VI. Finale | — | ||
| 52-7 | String Quartet in C-sharp minor, op. 131: I. Adagio ma non troppo e molto espressivo | Kodály Quartet | — | |
| 52-8 | String Quartet in C-sharp minor, op. 131: II. Allegro molto vivace | Kodály Quartet | — | |
| 52-9 | String Quartet in C-sharp minor, op. 131: III. Allegro moderato | Kodály Quartet | — | |
| 52-10 | String Quartet in C-sharp minor, op. 131: IV. Andante ma non troppo e molto cantabile | Kodály Quartet | — | |
| 52-11 | String Quartet in C-sharp minor, op. 131: V. Presto | Kodály Quartet | — | |
| 52-12 | String Quartet in C-sharp minor, op. 131: VI. Adagio quasi un poco andante | Kodály Quartet | — | |
| 52-13 | String Quartet in C-sharp minor, op. 131: VII. Allegro | Kodály Quartet | — | |
| 53-1 | String Quartet no.15 in A minor op.132 - I. Assai sostenuto | — | ||
| 53-2 | String Quartet no.15 in A minor op.132 - II. Allegro ma non tanto | — | ||
| 53-3 | String Quartet no.15 in A minor op.132 - III. Heiliger Dankgesang eines Genesenen | — | ||
| 53-4 | String Quartet no.15 in A minor op.132 - IV. Alla marcia, V. Piu allegro | — | ||
| 53-5 | String Quartet no.15 in A minor op.132 - VI. Allegro appassionato | — | ||
| 53-6 | String Quartet in F major, op. 135: I. Allegretto | Kodály Quartet | — | |
| 53-7 | String Quartet in F major, op. 135: II. Vivace | Kodály Quartet | — | |
| 53-8 | String Quartet in F major, op. 135: III. Lento assai, e cantante tranquillo | Kodály Quartet | — | |
| 53-9 | String Quartet in F major, op. 135: IV. Grave, ma non troppo tratto - Allegro | Kodály Quartet | — | |
| 53-10 | String Quartet in F major, Hess 34 - I. Allegro moderato | — | ||
| 53-11 | String Quartet in F major, Hess 34 - II. Allegretto | — | ||
| 53-12 | String Quartet in F major, Hess 34 - III. Allegro | — | ||
| 54-1 | String Quartet in F major, Hess 32: I. Allegro con brio | Fine Arts Quartet | — | |
| 54-2 | String Quartet in F major, Hess 32: II. Adagio molto | Fine Arts Quartet | — | |
| 54-3 | String Quartet in F major, Hess 32: III. Scherzo: Allegro | Fine Arts Quartet | — | |
| 54-4 | String Quartet in F major, Hess 32: IV. Allegretto | Fine Arts Quartet | — | |
| 54-5 | Allegretto in B minor, WoO 210 | Fine Arts Quartet | — | |
| 54-7 | Solomon, HWV 67, Part I: Overture: Fugue, Hess 36 | Fine Arts Quartet | — | |
| 54-8 | String Quintet in E flat major op.4 - I. Allegro con brio | — | ||
| 54-9 | String Quintet in E flat major op.4 - II. Andante | — | ||
| 54-10 | String Quintet in E flat major op.4 - III. Menuetto | — | ||
| 54-11 | String Quintet in E flat major op.4 - IV. Finale | — | ||
| 55-1 | String Quintet in C major op.29 - I. Allegro moderato | — | ||
| 55-2 | String Quintet in C major op.29 - II. Adagio molto espressivo | — | ||
| 55-3 | String Quintet in C major op.29 - III. Scherzo | — | ||
| 55-4 | String Quintet in C major op.29 - IV. Presto | — | ||
| 55-5 | String Quintet in C minor op.104 - I. Allegro con brio | — | ||
| 55-6 | String Quintet in C minor op.104 - II. Andante cantabile con variazioni | — | ||
| 55-7 | String Quintet in C minor op.104 - III. Menuetto | — | ||
| 55-8 | String Quintet in C minor op.104 - IV. Finale | — | ||
| 56-1 | Violin Sonata no.1 in D major op.12 no.1 - I. Allegro con brio | — | ||
| 56-2 | Violin Sonata no.1 in D major op.12 no.1 - II. Theme and Variations | — | ||
| 56-3 | Violin Sonata no.1 in D major op.12 no.1 - III. Rondo | — | ||
| 56-4 | Violin Sonata no.2 in A major op.12 no.2 - I. Allegro vivace | — | ||
| 56-5 | Violin Sonata no.2 in A major op.12 no.2 - II. Andante piu tosto allegretto | — | ||
| 56-6 | Violin Sonata no.2 in A major op.12 no.2 - III. Allegro piacevole | — | ||
| 56-7 | Violin Sonata no.3 in E flat major op.12 no.3 - I. Allegro con spirito | — | ||
| 56-8 | Violin Sonata no.3 in E flat major op.12 no.3 - II. Adagio con molta espressione | — | ||
| 56-9 | Violin Sonata no.3 in E flat major op.12 no.3 - III. Rondo | — | ||
| 56-10 | Violin Sonata no.4 in A minor op.23 - I. PResto | — | ||
| 56-11 | Violin Sonata no.4 in A minor op.23 - II. Andante scherzoso piu allegretto | — | ||
| 56-12 | Violin Sonata no.4 in A minor op.23 - III. Allegro molto | — | ||
| 57-1 | Violin Sonata no. 5 in F major, op. 24 “Spring”: I. Allegro | Jenő Jandó, Takako Nishizaki | T-031.682.208-8 | |
| 57-2 | Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — | |
| 57-3 | Violin Sonata no. 5 in F major, op. 24 “Spring”: III. Scherzo. Allegro ma non troppo | Jenő Jandó, Takako Nishizaki | — | |
| 57-4 | Violin Sonata no. 5 in F major, op. 24 “Spring”: IV. Rondo. Allegro ma non troppo | Jenő Jandó, Takako Nishizaki | T-909.573.283-5 | |
| 57-5 | Violin Sonata no.6 in A major op.30 no.1 - I. Allegro | — | ||
| 57-6 | Violin Sonata no.6 in A major op.30 no.1 - II. Adagio molto espressivo | — | ||
| 57-7 | Violin Sonata no.6 in A major op.30 no.1 - III. Alegretto con variazioni | — | ||
| 57-8 | Violin Sonata no.7 in C minor op.30 no.2 'Eroica' - I. Allegro con brio | — | ||
| 57-9 | Violin Sonata no.7 in C minor op.30 no.2 'Eroica' - II. Adagio cantabile | — | ||
| 57-10 | Violin Sonata no.7 in C minor op.30 no.2 'Eroica' - III. Scherzo | — | ||
| 57-11 | Violin Sonata no.7 in C minor op.30 no.2 'Eroica' - IV. Finale | — | ||
| 58-1 | Violin Sonata no.8 in G major op.30 no.3 'Champagnersonate' - I. Allegro assai | — | ||
| 58-2 | Violin Sonata no.8 in G major op.30 no.3 'Champagnersonate' - II. Tempo di minuetto ma molto moderato e grazioso | — | ||
| 58-3 | Violin Sonata no.8 in G major op.30 no.3 'Champagnersonate' - III. Allegro vivace | — | ||
| 58-4 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: I. Adagio sostenuto - Presto | Jenő Jandó, Takako Nishizaki | — | |
| 58-5 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: II. Andante con variazione | Jenő Jandó, Takako Nishizaki | — | |
| 58-6 | Violin Sonata no. 9 in A major, op. 47 “Kreutzer”: III. Finale. Presto | Jenő Jandó, Takako Nishizaki | — | |
| 58-7 | Violin Sonata no.10 in G major op.96 - I. Allegro moderato | — | ||
| 58-8 | Violin Sonata no.10 in G major op.96 - II. Adagio espressivo | — | ||
| 58-9 | Violin Sonata no.10 in G major op.96 - III. Scherzo | — | ||
| 58-10 | Violin Sonata no.10 in G major op.96 - IV. Poco allgretto | — | ||
| 59-1 | 6 Minuets, WoO 9, Hess 26: No. 1 in E-flat major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-2 | 6 Minuets, WoO 9, Hess 26: No. 2 in G major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-3 | 6 Minuets, WoO 9, Hess 26: No. 3 in C major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-4 | 6 Minuets, WoO 9, Hess 26: No. 4. in F major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-5 | 6 Minuets, WoO 9, Hess 26: No. 5 in D major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-6 | 6 Minuets, WoO 9, Hess 26: No. 6 in G major | Isabel Kwon, Noa Sarid, Tristan Siegel | — | |
| 59-7 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 1 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-8 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 2 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-9 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 3 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-10 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 4 in D minor | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-11 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 5 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-12 | 6 Ländlerisch Tänze, WoO 15 (version for 2 violins and double bass): No. 6 in D major | Aleck Belcher, Noa Sarid, Tristan Siegel | — | |
| 59-13 | 6 German Dances, WoO 42: No. 1 in F major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-14 | 6 German Dances, WoO 42: No. 2 in D major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-15 | 6 German Dances, WoO 42: No. 3 in F major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-16 | 6 German Dances, WoO 42: No. 4 in A major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-17 | 6 German Dances, WoO 42: No. 5 in D major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-18 | 6 German Dances, WoO 42: No. 6 in G major | Tatiana Lokhina, Clara Scholtes | — | |
| 59-19 | Polonaise in D major, WoO 21 | IU Wind Ensemble, Rodney Dorsey | — | |
| 59-20 | Écossaise in D major, WoO 22 | IU Wind Ensemble, Rodney Dorsey | — | |
| 59-21 | Menuett in A-flat major, WoO 209, Hess 33 | Fine Arts Quartet | — | |
| 59-22 | March no.1 in F major WoO 18 | — | ||
| 59-23 | March no.1 in F major WoO 18 | — | ||
| 59-24 | Morch no.2 in F major WoO 19 | — | ||
| 59-25 | March no.2 in F major WoO 19 | — | ||
| 59-26 | March in C major, op. WoO 20 “Zapfenstreich no. 2” | IU Wind Ensemble, Rodney Dorsey | — | |
| 59-27 | March in D major, WoO 24 “Marsch zur grossen Wachtparade (Grosser Marsch no. 4)” | IU Wind Ensemble, Rodney Dorsey | — | |
| 59-28 | March in B-flat major, WoO 29 | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 59-29 | Flute Duo in G major WoO 26 - Allegro con brio | — | ||
| 59-30 | Minuetto quasi allgeretto | — | ||
| 59-31 | Trio in C major, op. 87: Allegro | Marc Schachman, John Abberger, Lani Spahr | — | |
| 59-32 | Trio in C major, op. 87: Adagio | Marc Schachman, John Abberger, Lani Spahr | — | |
| 59-33 | Trio in C major, op. 87: Scherzo | Marc Schachman, John Abberger, Lani Spahr | — | |
| 59-34 | Trio in C major, op. 87: Presto | Marc Schachman, John Abberger, Lani Spahr | — | |
| 60-1 | 3 Duets WoO 27 no.1 in C major - I. Allegro commodo | — | ||
| 60-2 | 3 Duets WoO 27 no.1 in C major - II. Larghetto | — | ||
| 60-3 | 3 Duets WoO 27 no.1 in C major - III. Rondo | — | ||
| 60-4 | 3 Duets WoO 27 no.2 in F major - I Allegro affettuoso | — | ||
| 60-5 | 3 Duets WoO 27 no.2 in F major - II. Aria | — | ||
| 60-6 | 3 Duets WoO 27 no.2 in F major - III. Rondo | — | ||
| 60-7 | 3 Duets WoO 27 no.3 in B flat major - I. Allegro sostetuto | — | ||
| 60-8 | 3 Duets WoO 27 no.3 in B flat major - II. Aria con variazioni | — | ||
| 60-9 | Duo for Viola and Cello in E flat major WoO 32 - I. | — | ||
| 60-10 | Duo for Viola and Cello in E flat major WoO 32 - II. Minuetto | — | ||
| 60-11 | Duet for 2 Violins in A major, WoO 34, Hess 42 | Sofia Kim, Susie Kroh | — | |
| 60-12 | Duo for Violin and Cello in E-flat major, Gardi 2 (fragment) | Hrafnhildur Marta Guðmundsdóttir, Sofia Kim | — | |
| 60-13 | Variations on “Là ci darem la mano” from Mozart’s “Don Giovanni”, WoO 28 | Marc Schachman, John Abberger, Lani Spahr | — | |
| 60-14 | 3 Equali, WoO 30: No. 1. Andante | Chris Houlihan, William Karceski, Noah Roper, Stefan Wiebe | — | |
| 60-15 | 3 Equali, WoO 30: No. 2. Poco adagio | Chris Houlihan, William Karceski, Noah Roper, Stefan Wiebe | — | |
| 60-16 | 3 Equali, WoO 30: No. 3. Poco sostenuto | Chris Houlihan, William Karceski, Noah Roper, Stefan Wiebe | — | |
| 60-17 | Adagio in A-flat major, Hess 297 | Layne Anspach, Yu-Hsuan Cheng, Scott Holben | — | |
| 61-1 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: I.Adagio - Allegro con brio | — | ||
| 61-2 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: II. Adagio cantabile | — | ||
| 61-3 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: III. Tempo di menuetto | — | ||
| 61-4 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: IV. Tema con variazioni. Andante | — | ||
| 61-5 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: V. Scherzo. Allegro molto e vivace | — | ||
| 61-6 | Septet in E-flat major for Violin, Viola, Cello, Double Bass, Clarinet, Horn and Bassoon, op. 20: VI. Andante con moto alla marcia - Presto | — | ||
| 61-7 | Quintet in E-flat major for Three Horns, Oboe and Basoon, H. 19: I. Allegro | — | ||
| 61-8 | Quintet in E-flat major for Three Horns, Oboe and Basoon, H. 19: II. Adagio maestoso | — | ||
| 61-9 | Quintet in E-flat major for Three Horns, Oboe and Basoon, H. 19: III. Minuetto | — | ||
| 61-10 | Rondino in E-flat major, WoO 25 | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-1 | Wind Sextet in E-flat major, op. 71: I. Adagio – Allegro | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-2 | Wind Sextet in E-flat major, op. 71: II. Adagio | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-3 | Wind Sextet in E-flat major, op. 71: III. Minuet: Quasi allegretto | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-4 | Wind Sextet in E-flat major, op. 71: IV. Rondo: Allegro | Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin | — | |
| 62-5 | Sextet in E flat major op.81b - I. Allegro con brio | — | ||
| 62-6 | Sextet in E flat major op.81b - II. Adagio | — | ||
| 62-7 | Sextet in E flat major op.81b - III. Rondo | — | ||
| 62-8 | Wind Octet in E-flat major, op. 103: I. Allegro | Hsuan-Fong Chen, Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin, Stephen Taylor | — | |
| 62-9 | Wind Octet in E-flat major, op. 103: II. Andante | Hsuan-Fong Chen, Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin, Stephen Taylor | — | |
| 62-10 | Wind Octet in E-flat major, op. 103: III. Menuetto | Hsuan-Fong Chen, Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin, Stephen Taylor | — | |
| 62-11 | Wind Octet in E-flat major, op. 103: IV. Finale: Presto | Hsuan-Fong Chen, Paul Wonjin Cho, Lauren Hunt, Frank Morelli, Marissa Olegario, William Purvis, David Shifrin, Stephen Taylor | — | |
| 63-4 | Prelude and Fugue in F major, Hess 30 | Fine Arts Quartet | — | |
| 63-5 | Prelude and Fugue in C major, Hess 31 | Fine Arts Quartet | — | |
| 63-6 | The Well-Tempered Clavier, Book 1, BWV 846-869: Fugue no. 22 in B-flat minor, BWV 867 | Lawrence DiBello, Hrafnhildur Marta Guðmundsdóttir, Seido Karasaki, Sofia Kim, Susie Kroh | — | |
| 63-7 | String Quintet in D minor, Hess 40 (fragment) | Andrew Collins, Hrafnhildur Marta Guðmundsdóttir, Seido Karasaki, Sofia Kim, Susie Kroh | — | |
| 63-8 | Fugue in D minor, Hess 245 (fragment) | Fine Arts Quartet | — | |
| 63-9 | Grosse Fuge in B-flat major, op. 133 | Fine Arts Quartet | — | |
| 63-10 | Fugue in D major op.137 | — | ||
| 63-11 | Canon in A major, WoO 35, Hess 273 | Sofia Kim, Susie Kroh | — | |
| 63-12 | Canon in G major WoO 160 no.1 | — | ||
| 63-13 | Canon in C major WoO 160 no.2 | — | ||
| 64-1 | Flute Sonata in B flat major Ohn.4 - I. Allegro | — | ||
| 64-2 | Flute Sonata in B flat major Ohn.4 - II. Polonaise | — | ||
| 64-3 | Flute Sonata in B flat major Ohn.4 - III. Largo | — | ||
| 64-4 | Flute Sonata in B flat major Ohn.4 - IV. Tema | — | ||
| 64-5 | Serenade in D major op.25 - I. Entrata | — | ||
| 64-6 | Serenade in D major op.25 - II. Tempo ordinario d'un menuetto | — | ||
| 64-7 | Serenade in D major op.25 - III. Allegro molto | — | ||
| 64-8 | Serenade in D major op.25 - IV. Andante con variazioni | — | ||
| 64-9 | Serenade in D major op.25 - V. Allegro scherzando e vivace | — | ||
| 64-10 | Serenade in D major op.25 - VI. Adagio | — | ||
| 64-11 | Serenade in D major op.41 - I. Entrata | — | ||
| 64-12 | Serenade in D major op.41 - II. Tempo ordinario d'un menuetto | — | ||
| 64-13 | Serenade in D major op.41 - III. Allegro molto | — | ||
| 64-14 | Serenade in D major op.41 - IV. Andante con variazioni | — | ||
| 64-15 | Serenade in D major op.41 - V. Allegre scherzando e vivace | — | ||
| 64-16 | Serenade in D major op.41 - VI. Adagio | — | ||
| 64-17 | Violin Sonata in A major, Hess 46 (fragments) | Tatiana Lokhina, Clara Scholtes | — | |
| 65-1 | 6 Variations on Folk Songs op.105 - No.1 Variation on a Welsh folk song | — | ||
| 65-2 | 6 Variations on Folk Songs op.105 - No.2 Variation on a Welsh folk song | — | ||
| 65-3 | 6 Variations on Folk Songs op.105 - No.3 Variation on 'A Schüsserl und a Renderl' | — | ||
| 65-4 | 6 Variations on Folk Songs op.105 - No.4 Variation on an Irish folk song | — | ||
| 65-5 | 6 Variations on Folk Songs op.105 - No.5 Variation on an Irish folk song | — | ||
| 65-6 | 6 Variations on Folk Songs op.105 - No.6 Variation on an Irish folk song | — | ||
| 65-7 | 10 Variations on Folk Songs op.107 - No.1 | — | ||
| 65-8 | 10 Variations on Folk Songs op.107 - No.2 | — | ||
| 65-9 | 10 Variations on Folk Songs op.107 - No.3 | — | ||
| 65-10 | 10 Variations on Folk Songs op.107 - No.4 | — | ||
| 65-11 | 10 Variations on Folk Songs op.107 - No.5 | — | ||
| 65-12 | 10 Variations on Folk Songs op.107 - No.6 | — | ||
| 65-13 | 10 Variations on Folk Songs op.107 - No.7 | — | ||
| 65-14 | 10 Variations on Folk Songs op.107 - No.8 | — | ||
| 65-15 | 10 Variations on Folk Songs op.107 - No.9 | — | ||
| 65-16 | 10 Variations on Folk Songs op.107 - No.10 | — | ||
| 65-17 | Horn Sonata in F major op.17 - I. Allegro moderato | — | ||
| 65-18 | Horn Sonata in F major op.17 - II. Poco adagio | — | ||
| 65-19 | Horn Sonata in F major op.17 - III. Rondo | — | ||
| 66-1 | Die Geschöpfe des Prometheus, op. 43: Ouverture: Adagio – Allegro molto con brio | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-2 | Die Geschöpfe des Prometheus, op. 43: Introduzione, “La Tempesta”: Allegro non troppo | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-3 | Die Geschöpfe des Prometheus, op. 43: Act I: No. 1. Poco adagio | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-4 | Die Geschöpfe des Prometheus, op. 43: Act I: No. 2. Adagio – Allegro con brio | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-5 | Die Geschöpfe des Prometheus, op. 43: Act I: No. 3. Allegro vivace | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-6 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 4. Maestoso – Andante | Turun filharmoninen orkesteri, Leif Segerstam | T-931.717.254-6 | |
| 66-7 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 5. Adagio – Andante quasi allegretto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-8 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 6. Un poco adagio – Allegro | Turun filharmoninen orkesteri, Leif Segerstam | T-928.635.608-9 | |
| 66-9 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 7. Grave | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-10 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 8. Allegro con brio – Presto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-11 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 9. Adagio – Allegro molto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-12 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 10. Pastorale: Allegro | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-13 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 11. Coro di Gioja: Andante | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-14 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 12. Solo di Gioja: Maestoso – Allegro | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-15 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 13. Terzetto i grotteschi: Allegro – Comodo | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-16 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 14. Solo della Cassentini: Andante – Adagio – Allegro – Allegretto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-17 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 15. Coro e Solo di Viganò: Andantino – Adagio – Allegro | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 66-18 | Die Geschöpfe des Prometheus, op. 43: Act II: No. 16. Finale: Allegretto – Allegro molto | Turun filharmoninen orkesteri, Leif Segerstam | — | |
| 67-1 | Fidelio, Act I: Overture | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | T-909.574.378-5 | |
| 67-2 | Fidelio, Act I: no. 1 Duet: "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-3 | Fidelio, Act I: Dialogue: "Armer Jaquino" (Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-4 | Fidelio, Act I: no. 2 Aria: "O wär' ich schon mit dir vereint" (Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-5 | Fidelio, Act I: Dialogue: "Marzelline? Marzelline?" (Rocco, Marzelline, Jaquino, Leonore) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-6 | Fidelio, Act I: no. 3 Quartet: "Mir ist so wunderbar" (Marzelline, Leonore, Rocco, Jaquino) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-7 | Fidelio, Act I: Dialogue: "Höre Fidelio!" (Rocco, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-8 | Fidelio, Act I: no. 4 Aria: "Hat man nicht auch Gold beineben" (Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-9 | Fidelio, Act I: Dialogue: "Ihr habt recht, Vater Rocco" (Leonore, Rocco, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-10 | Fidelio, Act I: no. 5 Terzetto: "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-11 | Fidelio, Act I: no. 6 March | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-12 | Fidelio, Act I: Dialogue: "Drei Schildwachen auf den Wall" (Pizarro, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-13 | Fidelio, Act I: no. 7 Aria and Chorus: "Ha! welch ein Augenblick!" (Pizarro, the Watch) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-14 | Fidelio, Act I: Dialogue: "Hauptmann! Besteigen Sie mit einem Trompeter" (Pizarro, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-15 | Fidelio, Act I: no. 8 Duet: "Jetzt, Alter, jetzt hat es Eile!" (Pizarro, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-16 | Fidelio, Act I: no. 9 Recitative and Aria: "Abscheulicher! wo eilst du hin?" (Leonore) | Nicolaus Esterházy Sinfonia, Michael Halász, Inga Nielsen | — | |
| 67-17 | Fidelio, Act I: Dialogue: "Marzelline! Marzelline!!" (Jaquino, Marzelline, Rocco, Leonore) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-18 | Fidelio, Act I: no. 10 Finale: "O welche Lust" (Chorus of Prisoners) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-19 | Fidelio, Act I: "Nun sprecht, wie ging's?" (Leonore, Rocco, Marzelline, Jaquino, Pizarro) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 67-20 | Fidelio, Act I: "Leb'wohl, du warmes Sonnenlicht" (Prisoners, Marzelline, Leonore, Jaquino, Pizarro, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-1 | Fidelio, Act II: no 11. Introduction and Aria: "Gott! welch' Dunkel hier!" (Florestan) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-2 | Fidelio, Act II: no 12. Melodrama and Duet: "Wie kalt ist es" (Leonore, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-3 | Fidelio, Act II: Dialogue: "Er erwacht!" (Leonore, Rocco, Florestan) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-4 | Fidelio, Act II: no 13. Terzetto: "Euch werde Lohn in bessern Welten" (Florestan, Rocco, Leonore) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-5 | Fidelio, Act II: Dialogue: "Alles ist bereit" (Rocco, Florestan, Leonore) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-6 | Fidelio, Act II: no 14. Quartet: "Er sterbe!" (Pizarro, Florestan, Leonore, Rocco) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-7 | Fidelio, Act II: no 15. Duet: "O namenlose Freude!" (Leonore, Forestan) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-8 | Fidelio, Act II: no 16. Finale: "Heil! Heil sei dem Tag!" (People and Prisoners) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-9 | Fidelio, Act II: "Des besten Königs Wink und Wille" (Don Fernando, People and Prisoners, Rocco, Pizarro, Leonore, Marzelline, Florestan) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-10 | Fidelio, Act II: "Wer ein holdes Weib errungen" (People and Prisoners, Florestan, Leonore, Marzelline, Jaquino, Rocco, Don Fernando) | Magyar Rádió Énekkara, Nicolaus Esterházy Sinfonia, Michael Halász | — | |
| 68-11 | König Stephan, op. 117: Overture | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-12 | König Stephan, op. 117: Chorus: Ruhend von seinen Taten | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-13 | König Stephan, op. 117: Monologue: Seid mir gegrüsst an dieses Thrones Stufen (Stephan) | Claus Obalski | — | |
| 68-14 | König Stephan, op. 117: Chorus: Auf dunkelm Irrweg in finstern Hainen | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-15 | König Stephan, op. 117: Dialogue: Fürst! Mich sandten die Edlen im Heere (Warrior, Stephan) | Roland Astor, Claus Obalski | — | |
| 68-16 | König Stephan, op. 117: Victory March: Siegesmarsch. Feurig und stolz | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-17 | König Stephan, op. 117: Dialogue: Ihr tapfern Krieger, Ungarns Stolz und Zierde (Stephan, Gyula, Envoy) | Roland Astor, Claus Obalski, Ernst Oder | — | |
| 68-18 | König Stephan, op. 117: Chorus: Wo die Unschuld Blumen streute | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-19 | König Stephan, op. 117: Melodrama: Du hast Dein Vaterland (Stephan, Gisela) | Angela Eberlein, Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-20 | König Stephan, op. 117: Chorus: Eine neue strahlende Sonne | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-21 | König Stephan, op. 117: Melodrama: Ihr edlen Ungarn! (Stephan) | Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-22 | König Stephan, op. 117: Monologue: Werft einen Blick in die Vergangenheit (Stephan) | Claus Obalski | — | |
| 68-23 | König Stephan, op. 117: Andante con moto | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-24 | König Stephan, op. 117: Monologue: Empfanget sie aus Eures Fürsten Händen (Stephan) | Claus Obalski | — | |
| 68-25 | König Stephan, op. 117: Maestoso con moto | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-26 | König Stephan, op. 117: Religious March: Moderato | Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-27 | König Stephan, op. 117: Monologue: In der schönsten Deiner Lebensstunden (Old Man) | Roland Astor | — | |
| 68-28 | König Stephan, op. 117: Chorus: Heil unserm Könige – Melodrama. Ich schmücke ehrfurchtsvoll mein Haupt mit dieser Krone (Stephan) | Key Ensemble, Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — | |
| 68-29 | König Stephan, op. 117: Chorus: Heil unserm Könige | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Leonore, Act II: Introduction, WoO 2b, Hess 117 | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Bagatelle in A minor, WoO 59 “Für Elise” (1822 Version) | Sergio Gallo | T-304.254.199-7 |
| Six Ländler, WoO 15 | Jenő Jandó | — |
| Six Minuets, WoO 10 | Jenő Jandó | — |
| Seven Contredanses, WoO 14 | Jenő Jandó | — |
| Menuett in d-moll, Gardi 10 | Carl Petersson | — |
| 6 Variations on a Swiss Song in F major, WoO 64 (version for Piano) | Sergio Gallo | — |
| Marsch in B-dur, WoO 29, Hess 87: Marcia: Vivace (original version) | Carl Petersson | — |
| Marsch in B-dur, WoO 29, Hess 87: Marcia: Vivace (revised version) | Carl Petersson | — |
| Anglaise in G minor, Bia. 48 (Revised Version) [Transcr. D.P. Johnson] | Carl Petersson | — |
| Der glorreiche Augenblick, op. 136: Chorus: Europa steht! | City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Recitative: O seht sie nah' und näher treten! | Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Aria with Chorus: O Himmel, welch' Entzücken! | Claire Rutter, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Recitative: Das Auge schaut | Matilde Wallevik, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Recitative and Quartet: Der den Bund im Sturme fest gehalten | Claire Rutter, Matilde Wallevik, Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Der glorreiche Augenblick, op. 136: Chorus: Es treten hervor | Westminster Boys' Choir, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Fantasia in C minor for piano, chorus and orchestra, op. 80 | Leon McCawley, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — |
| Christus am Ölberge, op. 85: Introduction | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Jehovah! Du! Mein Vater! (Jesus) | Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Aria: Meine Seele ist erschüttert (Jesus) | Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Erzitt’re, Erde! (Seraph) | Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Aria: Preist des Erlösers Güte (Seraph) | Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: O Heil euch ihr Erlösten! (Angels, Seraph) | Hanna-Leena Haapamäki, Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Verkündet, Seraph, mir dein Mund Erbarmen (Jesus, Seraph) | Jussi Myllys, Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Duet: So ruhe denn mit ganzer Schwere (Jesus, Seraph) | Jussi Myllys, Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Willkommen, Tod! (Jesus) | Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Wir haben ihn gesehen (Soldiers) | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Die mich zu fangen ausgezogen sind (Jesus) | Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Hier ist er, der Verbannte (Soldiers, Disciples) | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Recitative: Nicht ungestraft soll der Verweg’nen (Peter, Jesus) | Niklas Spångberg, Jussi Myllys, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Trio: in meinen Adern wühlen gerechter Zorn und Wuth (Peter, Jesus, Seraph) | Niklas Spångberg, Jussi Myllys, Hanna-Leena Haapamäki, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Auf! ergreifet den Verräther! (Soldiers, Disciples, Jesus) | Jussi Myllys, Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Welten singen Dank und Ehre (Jesus, Angels) | Jussi Myllys, Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Christus am Ölberge, op. 85: Chorus: Preiset ihn, ihr Engelchöre (Angels) | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Elegischer Gesang, op. 118 | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Primo amore, piacer del ciel, WoO 92 | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| No, non turbati, WoO 92a | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Ah! perfido, op. 65 | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| 2 Arias for Umlauf’s Singspiel “Die schöne Schusterin”, WoO 91: No. 2. Soll ein Schuh nicht drücken | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Prüfung des Küssens, WoO 89 “Meine weise Mutter spricht” | Kevin Greenlaw, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mit Mädeln sich vertragen, WoO 90 | Kevin Greenlaw, Turun filharmoninen orkesteri, Leif Segerstam | — |
| 2 Arias for Umlauf’s Singspiel “Die schöne Schusterin”, WoO 91: No. 1. O welch ein Leben, ein ganzes Meer von Lust | Dan Karlström, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Ne’ giorni tuoi felici, WoO 93, Hess 120 | Reetta Haavisto, Dan Karlström, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Tremate, empi, tremate, op. 116 | Kevin Greenlaw, Reetta Haavisto, Dan Karlström, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Overture | Turun filharmoninen orkesteri, Leif Segerstam | T-909.574.378-5 |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Besteigt denn, von den Tönen hold geleitet (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Lied: Die Trommel gerühret! (Klärchen) | Kaisa Ranta, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Zwischenakt I: Andante – Allegro con brio | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Wo Egmont wandelt, hoch auf steilem Pfade (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Zwischenakt II: Larghetto | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Die Geliebte harrt (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Lied: Freudvoll und leidvoll (Klärchen) | Kaisa Ranta, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Zwischenakt III: Allegro – Marcia vivace | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Sorglos dem Wort des Königs trauend (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Zwischenakt IV: Poco sostenuto e risoluto – Larghetto – Andante agitato | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Monologue: Doch jenes Mädchen (Narrator) | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Klärchens Tod bezeichnend: Larghetto | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Music for Goethe’s Tragedy Egmont, op. 84: Melodrama: Süsser Schlaf! Du kommst wie ein reines Glück (Egmont) – Siegessinfonie: Allegro con brio | Matti Salminen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Leonore Prohaska, WoO 96: Trauermarsch | Turun filharmoninen orkesteri, Leif Segerstam | — |
| String Quartet no. 14 in C-sharp minor, op. 131: I. Adagio espressivo (early version) | Fine Arts Quartet | — |
| König Stephan, op. 117: Melodrama: Sie bleibe ewig unverletzlich (Stephan) | Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — |
| König Stephan, op. 117: Melodrama: Da steigen sie herauf die edlen Fürsten (Stephan) | Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — |
| König Stephan, op. 117: Melodrama: Umsonst will Zwietracht ihren Bogen spannen (Stephan) | Claus Obalski, Turku Philharmonic Orchestra, Leif Segerstam | — |
| König Stephan, op. 117: Chorus: Heil unsern Enkeln! | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Leonore Prohaska, WoO 96: Jäger: Chorus: Wir bauen und sterben | Chorus Cathedralis Aboensis | — |
| Leonore Prohaska, WoO 96: Romanze: Es blüht eine Blume | Reetta Haavisto, Päivi Severeide | — |
| Opferlied, op. 121b | Key Ensemble, Johanna Lehesvuori, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Bundeslied, op. 122 “In allen guten Stunden” | Key Ensemble, Johanna Lehesvuori, Merja Mäkelä, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Opferlied, op. 121b (2nd setting, version for 3 voices, choir & orchestra) | Key Ensemble, Andreas Nordström, Kristina Raudanen, Maikki Säikkä, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Ihr weisen Gründer glücklicher Staaten, WoO 95 | Key Ensemble, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Die gute Nachricht: Chorus: Germania, WoO 94 | Key Ensemble, Niklas Spångberg, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Die Ehrenpforten: Chorus: Es ist Vollbracht, WoO 97 | Chorus Cathedralis Aboensis, Juha Kotilainen, Turku Philharmonic Orchestra, Leif Segerstam | — |
| Die Weihe des Hauses Overture, op. 124 | Turun filharmoninen orkesteri, Leif Segerstam | — |
| Musik zu Carl Meisis Gelegenheitsfestspiel, Hess 118 (Die Weihe des Hauses): No. 1. Invisible Chorus: Folge dem mächtigen Ruf der Ehre! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Weihe des Hauses: Wo sich die Pulse, WoO 98 | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen: March with Chorus: Schmückt die Altäre, op. 114 | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Overture | Turun filharmoninen orkesteri, Leif Segerstam | T-909.574.378-5 |
| Die Ruinen von Athen op. 113: Chorus: Tochter des mächtigen Zeus! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Dialogue: Versöhnt? (Minerva, Merkur) | Angela Eberlein, Claus Obalski | — |
| Die Ruinen von Athen op. 113: Duet: Ohne Verschulden Knechtschaft dulden | Reetta Haavisto, Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Dialogue: Wo sind wir? (Minerva, Merkur, Greek Man, Maiden) | Roland Astor, Angela Eberlein, Claus Obalski, Leah Sinka | — |
| Die Ruinen von Athen op. 113: Chorus: Du hast in deines Ärmels Falten | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Dialogue: Ha! Welchen Unsinn hat mein Ohr vernommen! (Minerva, Maiden) | Angela Eberlein, Leah Sinka | — |
| Die Ruinen von Athen op. 113: Marcia alla turca – Dialogue: He! Achmet! (First Turk, Second Turk, Minerva, Merkur) | Roland Astor, Angela Eberlein, Claus Obalski, Ernst Oder, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Harmonie auf dem Theater: Melodrama: Es wandelt schon das Volk im Feierkleide und fullt die weiten Strassen und frohlockt! (Old Man) | Roland Astor, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Dialogue: Wo sind wir nun? (Minerva, Merkur, Old Man) | Roland Astor, Angela Eberlein, Claus Obalski | — |
| Die Ruinen von Athen op. 113: March: Dialogue: Schau dieser Kinder fröhliches Gewühl (Merkur, Minerva) – Chorus: Schmückt die Altäre! (Priests, Virgins) | Chorus Cathedralis Aboensis, Angela Eberlein, Claus Obalski, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Recitative: Mit reger Freude (Chief Priest) | Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Chorus: Wir tragen empfängliche Herzen im Busen | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Aria and Chorus: Will unser Genius noch einen Wunsch gewähren (Chief Priest, Minerva, Chorus) | Chorus Cathedralis Aboensis, Angela Eberlein, Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Die Ruinen von Athen op. 113: Monologue: Nicht in des Königs furchtgebietendem Glanze (Minerva) | Angela Eberlein | — |
| Die Ruinen von Athen op. 113: Chorus: Heil unserm König! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Chorus: Tot, stöhnt es durch die öde Nacht! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Recitative: Ein Ungeheuer, sein Name Fanatismus (Bass) | Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Aria: Da kam Joseph, mit Gottes Stärke (Bass) | Juha Kotilainen, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Aria with Chorus: Da stiegen die Menschen an’s Licht (Soprano, Chorus) | Chorus Cathedralis Aboensis, Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Recitative: Er schläft, von den Sorgen seiner Welten entladen (Soprano) | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Aria: Hier schlummert seinen stillen Frieden (Soprano) | Reetta Haavisto, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf den Tod Kaiser Josephs II, WoO 87 “Trauerkantate”: Chorus: Tot, stöhnt es durch die öde Nacht! | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Recitative with Chorus: Er schlummert ... schlummert! (Soprano, Chorus) | Key Ensemble, Johanna Lehesvuori, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Aria: Fliesse, Wonnezähre, fliesse! (Soprano) | Johanna Lehesvuori, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Recitative: Ihr staunt, Völker der Erde! (Bass) | Niklas Spångberg, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Recitative: Wie bebt mein Herz vor Wonne! (Tenor) | Tuomas Katajala, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Terzetto: Ihr, die Joseph ihren Vater nannten (Soprano, Tenor, Bass) | Tuomas Katajala, Johanna Lehesvuori, Niklas Spångberg, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Kantate auf die Erhebung Leopold II. zur Kaiserwürde, WoO 88: Chorus: Heil! Stürzet nieder, Millionen | Key Ensemble, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: I. Kyrie | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: II. Gloria | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: III. Credo | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: IV. Sanctus – Benedictus | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Mass in C major, op. 86: V. Agnus Dei | Chorus Cathedralis Aboensis, Niina Keitel, Topi Lehtipuu, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Vestas Feuer, Hess 115 | Tuomas Katajala, Kaisa Ranta, Nicholas Söderlund, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Meeressstille und glückliche Fahrt, op. 112 | Chorus Cathedralis Aboensis, Turun filharmoninen orkesteri, Leif Segerstam | — |
| Prelude and Fugue in E minor, Hess 29: Prelude (first version) | Isabel Kwon, Noa Sarid, Tristan Siegel | — |
| Prelude and Fugue in E minor, Hess 29 (final version): Prelude | Isabel Kwon, Noa Sarid, Tristan Siegel | — |
| Prelude and Fugue in E minor, Hess 29 (final version): Fugue | Isabel Kwon, Noa Sarid, Tristan Siegel | — |
| 22 Scottish Songs, WoO 156: No. 1 | Lawrence DiBello, Andreas Ioannides, Tristan Siegel | T-072.208.996-4 |
| Der freie Mann (1st version), Hess 146 | Cantus Novus Wien, Tabea Gerstgrasser, Stefan Tauber, Diána Fuchs, Thomas Holmes | — |
| Opferlied, Hess 91 (2nd setting, op. 121b, version for voice, choir and piano) | Cantus Novus Wien, Claudia Schlemmer, Diána Fuchs, Thomas Holmes | — |
| Bundeslied, op. 122 “In allen guten Stunden” (version for choir and piano) | Cantus Novus Wien, Diána Fuchs, Thomas Holmes | — |
| Abschiedsgesang, WoO 102 “Die Stunde schlägt” | Cantus Novus Wien, Thomas Holmes | — |
| Cantata campestre, WoO 103, Hess 127 “Un lieto brindisi” | Cantus Novus Wien, Diána Fuchs, Thomas Holmes | — |
| Gesang der Mönche, WoO 104 “Rasch tritt der Tod” | Cantus Novus Wien, Thomas Holmes | — |
| Auf, Freunde, singt dem Gott der Ehen! (1st version), WoO 105, Hess 125 “Hochzeitslied” | Cantus Novus Wien, Tabea Gerstgrasser, Stefan Tauber, Diána Fuchs, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 1. Bei labbri, che amore, Hess 211 | Nicolas Frémy, Tabea Gerstgrasser, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 2. Ma tu tremi, o mio tesoro, Hess 212 | Nicolas Frémy, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 3. E pur fra le tempeste, Hess 232 | Daniel Johannsen, Bernadette Bartos | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 4. Sei mio ben, Hess 231 | Nicolas Frémy, Tabea Gerstgrasser, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 5a. Giura il nocchier, Hess 227 (1st setting) | Alex Gazda, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 5b. Giura il nocchier, Hess 230 (2nd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 5c. Giura il nocchier, Hess 221 (3rd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 7. Chi mai di questo core, Hess 214 | Nicolas Frémy, Alex Gazda, Tabea Gerstgrasser, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 8. Scrivo in te, Hess 215 | Claudia Schlemmer, Stefan Tauber, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 9. Per te d’amico aprile, Hess 216 | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 10a. Nei campi e nelle selve, Hess 217 (1st setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 10b. Nei campi e nelle selve, Hess 220 (2nd setting) | Nicolas Frémy, Alex Gazda, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11a. Fra tutte le pene, Hess 208 (1st setting, original version) | Nicolas Frémy, Alex Gazda, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11a. Fra tutte le pene, Hess 208 (1st setting, revised by A. Salieri) | Nicolas Frémy, Alex Gazda, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11b. Fra tutte le pene, Hess 209 (2nd setting, revised by A. Salieri) | Nicolas Frémy, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11b. Fra tutte le pene, Hess 225 (2nd setting, original version) | Nicolas Frémy, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11c. Fra tutte le pene, Hess 224 (3rd setting, original version) | Nicolas Frémy, Alex Gazda, Tabea Gerstgrasser, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 11c. Fra tutte le pene, Hess 210 (3rd setting, revised by A. Salieri) | Nicolas Frémy, Tabea Gerstgrasser, Marianne Prenner, Martin Weiser, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 12a. Salvo tu vuoi lo sposo (1st setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 12b. Salvo tu vuoi lo sposo, Hess 228 (2nd setting) | Claudia Schlemmer, Stefan Tauber, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 13a. Quella cetra ah pur tu sei, Hess 218 (1st setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 13b. Quella cetra ah pur tu sei, Hess 219 (2nd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 13c. Quella cetra ah pur tu sei, Hess 213 (3rd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 14a. Gia la notte savvicina, Hess 223 (1st setting) | Nicolas Frémy, Alex Gazda, Marianne Prenner, Thomas Holmes | — |
| Mehrstimmige italienische Gesänge, WoO 99: No. 14b. Gia la notte savvicina, Hess 222 (2nd setting) | Cantus Novus Wien, Thomas Holmes | — |
| Die laute Klage, WoO 135 (1st version) | Paula Sophie Bohnet, Bernadette Bartos | — |
| In questa tomba oscura, WoO 133 (1st version) | Ricardo Bojórquez Martínez, Bernadette Bartos | — |
| Klage, WoO 113 (1st version) | Daniel Johannsen, Bernadette Bartos | — |
| Lied aus der Ferne, WoO 137 (1st version) | Daniel Johannsen, Bernadette Bartos | — |
| 6 Songs, op. 48: No. 3. Vom Tode (1st version) | Georg Klimbacher, Bernadette Bartos | — |
| An die Geliebte (draft version) | Georg Klimbacher, Bernadette Bartos | — |
| Lob auf den Dicken, WoO 100 | Stefan Tauber, Martin Weiser, Franz Schneckenleitner, Cantus Novus Wien, Thomas Holmes | — |
| Graf, liebster Graf, liebstes Schaf, WoO 101 | Cantus Novus Wien, Thomas Holmes | — |
| Im Arm der Liebe ruht sich’s wohl, WoO 159 | Ensemble Tamanial, Thomas Holmes | — |
| Ewig dein, WoO 161 | Cantus Novus Wien, Thomas Holmes | — |
| Freundschaft ist die Quelle wahrer Glückseligkeit, WoO 164 | Cantus Novus Wien, Thomas Holmes | — |
| Glück zum neuen Jahr, WoO 165 | Cantus Novus Wien, Thomas Holmes | — |
| Kurz ist der Schmerz, und ewig ist die Freude, WoO 163 | Cantus Novus Wien, Thomas Holmes | — |
| Brauchle, Linke, WoO 167 | Cantus Novus Wien, Thomas Holmes | — |
| Das Schweigen, WoO 168a | Cantus Novus Wien, Thomas Holmes | — |
| Das Reden, WoO 168b | Cantus Novus Wien, Thomas Holmes | — |
| Ich küße Sie, drücke Sie an mein Herz, WoO 169 (Arr. T. Holmes for Voice & Choir) | Stefan Tauber, Cantus Novus Wien, Thomas Holmes | — |
| Ars longa, vita brevis, WoO 170 (Arr. T. Holmes for Choir) | Cantus Novus Wien, Thomas Holmes | — |
| Glück fehl’ dir vor allem, MH 582 (Attrib. Beethoven as WoO 171) | Ensemble Tamanial, Thomas Holmes | — |
| Ich bitt’ dich, WoO 172 | Cantus Novus Wien, Thomas Holmes | — |
| Hol’ euch der Teufel, WoO 173 | Cantus Novus Wien, Thomas Holmes | — |
| Glaube und hoffe, WoO 174 | Ensemble Tamanial, Thomas Holmes | — |
| Sankt Petrus war ein Fels, WoO 175 no. 1 | Cantus Novus Wien, Thomas Holmes | — |
| Bernardus war ein Sankt, WoO 175 no. 2 | Cantus Novus Wien, Thomas Holmes | — |
| Bester Magistrat, ihr friert, WoO 177 | Wolfgang Däuble, Cantus Novus Wien, Thomas Holmes | — |
| Glück zum neuen Jahr, WoO 176 | Cantus Novus Wien, Thomas Holmes | — |
| Alles Gute, alles schöne, WoO 179 | Cantus Novus Wien, Thomas Holmes | — |
| Hofmann und kein Hofmann, WoO 180 | Cantus Novus Wien, Thomas Holmes | — |
| Gedenket heute an Baden, WoO 181 no. 1 | Cantus Novus Wien, Thomas Holmes | — |
| Gehabt euch wohl, WoO 181 no. 2 | Cantus Novus Wien, Thomas Holmes | — |
| Tugend ist kein leerer Name, WoO 181 no. 3 | Cantus Novus Wien, Thomas Holmes | — |
| O Tobias, WoO 182 | Cantus Novus Wien, Thomas Holmes | — |
| Falstafferel, lass dich sehen, WoO 184 | Cantus Novus Wien, Thomas Holmes | — |
| Edel sei der Mensch, WoO 185 (1st Version) | Cantus Novus Wien, Thomas Holmes | — |
| Te solo adoro, WoO 186 | Cantus Novus Wien, Thomas Holmes | — |
| Schwenke, WoO 187 | Cantus Novus Wien, Thomas Holmes | — |
| Gott ist eine feste Burg, WoO 188 | Cantus Novus Wien, Thomas Holmes | — |
| Doktor sperrt das Tor dem Tod, WoO 189 | Ensemble Tamanial, Thomas Holmes | — |
| Ich war hier, Doktor, WoO 190 | Cantus Novus Wien, Thomas Holmes | — |
| Kühl, nicht lau, WoO 191 | Cantus Novus Wien, Thomas Holmes | — |
| Ars longa, vita brevis, WoO 192 | Cantus Novus Wien, Thomas Holmes | — |
| Ars longa, vita brevis, WoO 193 | Cantus Novus Wien, Thomas Holmes | — |
| Si non per portas, WoO 194 | Cantus Novus Wien, Thomas Holmes | — |
| Freu’ dich des Lebens, WoO 195 | Cantus Novus Wien, Thomas Holmes | — |
| Es muß sein, WoO 196 | Cantus Novus Wien, Thomas Holmes | — |
| Da ist das Werk, WoO 197 | Cantus Novus Wien, Thomas Holmes | — |
| Wir irren allesamt, WoO 198 | Cantus Novus Wien, Thomas Holmes | — |
| Ich bin der Herr von zu, WoO 199 | Cantus Novus Wien, Thomas Holmes | — |
| Ich bin bereit, WoO 201 (Arr. T. Holmes for Choir) | Cantus Novus Wien, Thomas Holmes | — |
| Das Schöne zum Guten, WoO 202 | Cantus Novus Wien, Thomas Holmes | — |
| Das Schöne zum Guten, WoO 203 | Cantus Novus Wien, Thomas Holmes | — |
| Holz, Holz geigt die Quartette so (Attrib. Beethoven as WoO 204) | Cantus Novus Wien, Thomas Holmes | — |
| Languisco e moro, Hess 229 (After Mattheson) | Claudia Schlemmer, Stefan Tauber | — |
| Te solo adoro, Hess 263 | Cantus Novus Wien, Thomas Holmes | — |
| Te solo adoro, Hess 264 | Cantus Novus Wien, Thomas Holmes | — |
| Herr Graf, WoO 221 (Arr. T. Holmes for Choir & Piano) | Cantus Novus Wien, Thomas Holmes | — |
| Esel aller Esel, WoO 227 | Cantus Novus Wien, Thomas Holmes | — |
| Kurz ist der Schmerz, und ewig ist die Freude, WoO 166 | Cantus Novus Wien, Thomas Holmes | — |
| Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: I. Allegro | Capella Istropolitana, Barry Wordsworth, Stefan Vladar | — |
| Piano Concerto no. 5 in E‐flat major, op. 73 “Emperor”: II. Adagio un poco mosso | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
| Piano Concerto no. 5 in E-flat major, op. 73 “Emperor”: III. Rondo. Allegro | Stefan Vladar, Capella Istropolitana, Barry Wordsworth | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-925.881.218-9 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-071.125.227-5 |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: I. Allegro | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: II. Andante | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: III. Scherzo. Allegro assai - Allegro vivace | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: IV. Rondo. Allegro ma non troppo | Jenő Jandó | — |
| Sonata no. 17 in D minor, op. 31 no. 2 “Tempest”: III. Allegretto | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — |
| Violin Sonata no. 5 in F major, op. 24 “Spring”: II. Adagio molto espressivo | Jenő Jandó, Takako Nishizaki | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Romance no. 2 in F major, op. 50 | Takako Nishizaki, Slovak Philharmonic Orchestra, Kenneth Jean | — |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Nicolaus Esterházy Sinfonia, Béla Drahos | T-803.746.784-9 |
| Symphony no. 5 in C minor, op. 67: II. Andante con moto | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 5 in C minor, op. 67: III. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 5 in C minor, op. 67: IV. Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | T-905.312.587-4 |
| Symphony no. 6 in F major, op. 68 "Pastoral": I. Pleasant, cheerful feelings aroused on approaching the countryside: Allegro ma non troppo | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 6 in F major, op. 68 "Pastorale": II. Andante molto mosso "Scene at the brook" | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 6 in F major, op. 68, “Pastoral” III. Happy gathering of villagers: Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 6 in F major, op. 68, “Pastoral” IV. Thunder‐storm: Allegro | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Symphony no. 6 in F major, op. 68 “Pastoral”: V. Hirtengesang: Frohe und dankbare Gefühle nach dem Sturm: Allegretto | Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Fidelio: Act 1 Scene 9: Abscheulicher! wo eilst du hin? | Edith Lienbacher, Nicolaus Esterhazy Sinfonia, Michael Halasz | — |
| Romance no. 2 in F major, op. 50 | Takako Nishizaki, Slovak Philharmonic Orchestra, Kenneth Jean | T-801.768.565-4 |
| Bagatelle for Piano in A minor, WoO 59 "Für Elise": Poco moto | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: I. Allegro | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: II. Andante | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: III. Scherzo. Allegro assai - Allegro vivace | Jenő Jandó | — |
| Piano Sonata no. 15 in D major, op. 28 “Pastoral”: IV. Rondo. Allegro ma non troppo | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: II. Allegretto | Jenő Jandó | — |
| Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: III. Presto agitato | Jenő Jandó | — |
| Triple Concerto in C major, op. 56: I. Allegro | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Triple Concerto in C major, op. 56: II. Largo | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — |
| Triple Concerto in C major, op. 56: III. Rondo alla Polacca | Jenő Jandó, Dong-Suk Kang, Maria Kliegel, Nicolaus Esterházy Sinfonia, Béla Drahos | — |
