UPC · Release
Semele
George Frideric Handel, Joachim Carlos Martini, Junge Kantorei, Frankfurt Baroque Orchestra, Scholl, Schmidt, Popken, Schwarz, Markert, Schoch, Mertens
747313043170
76 tracksReleased 2008-01-01Naxos
Last verified:
747313043170 is the Universal Product Code (UPC barcode) for the release “Semele” by George Frideric Handel, Joachim Carlos Martini, Junge Kantorei, Frankfurt Baroque Orchestra, Scholl, Schmidt, Popken, Schwarz, Markert, Schoch, Mertens, released 2008-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 76 tracks, each with its own ISRC.
Format
7Number system
47313Manufacturer
04317Product
0Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (76)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Act I: Overture | — | ||
| 2 | Act I: Gavotte | — | ||
| 3 | Act I: Accompagnato: Behold! Auspicious flashes rise (Chief Priest) | — | ||
| 4 | Act I: Lucky omens bless our rites (Chorus of Priests and Augurs) | — | ||
| 5 | Act I: Recitative and Arioso: Daughter, obey, Hear and obey! (Cadmus, Athamas) | — | ||
| 6 | Act I: Accompagnato and Aria: Ah me! What refuge now is left me? (Semele) | — | ||
| 7 | Act I: Aria: The morning lark to mine accords his note (Semele) | — | ||
| 8 | Act I: Aria: See, she blushing turns her eyes (Ino) | — | ||
| 9 | Act I: Recitative: Alas! She yields, and has undone me! (Ino, Athamas, Semele) | — | ||
| 10 | Act I: Quartet: Why dost thou thus untimely grieve (Cadmus, Ino, Athamas, Semele) | — | ||
| 11 | Act I: Avert these omens, all ye pow'rs! (Chorus of Priests and Augurs) | — | ||
| 12 | Act I: Accompagnato: Again auspicious flashes rise (Cadmus) | — | ||
| 13 | Act I: Recitative: Thy aid, pronubial Juno, Athamas implores! (Athamas, Semele) | — | ||
| 14 | Act I: Cease, cease your vows, 'tis impious to proceed (Chorus of Priests and Augurs) | — | ||
| 15 | Act I: Recitative: O Athamas, what torture hast thou borne! (Athamas) | — | ||
| 16 | Act I: Aria: Turn, hopeless lover, turn thy eye (Ino) | — | ||
| 17 | Act I: Recitative: She weeps! (Athamas) | — | ||
| 18 | Act I: Aria: Your tuneful voice my tale would tell (Athamas) | — | ||
| 19 | Act I: Recitative: Too well I see, Thou wilt not understand me (Ino, Athamas) | — | ||
| 20 | Act I: Duet: You've undone me (Ino, Athamas) | — | ||
| 21 | Act I: Recitative and Accompagnato: Ah, wretched prince, doom'd to disastrous love! (Cadmus, Athamas, Ino) | — | ||
| 22 | Act I: Hail, Cadmus, hail! Jove salutes the Theban King (Chorus of Priests and Augurs) | — | ||
| 23 | Act I: Aria: Endless pleasure, endless love (Semele) | — | ||
| 24 | Act I: Endless pleasure, endless love (Chorus of Love and Zephyrs) | — | ||
| 2-1 | Act II: Symphony | — | ||
| 2-2 | Act II: Recitative: Iris, impatient of thy stay (Juno, Iris) | — | ||
| 2-3 | Act II: Aria: There, from mortal cares retiring (Iris) | — | ||
| 2-4 | Act II: Recitative and Accompagnato: No more, I'll hear no more! (Juno, Iris) | — | ||
| 2-5 | Act II: Aria: Hence, Iris, hence away! (Juno) | — | ||
| 2-6 | Act II: Aria: Come, Zephyrs, come (Cupid) | — | ||
| 2-7 | Act II: Aria: O sleep, why dost thou leave me? (Semele) | — | ||
| 2-8 | Act II: Recitative: Let me not another moment bear the pangs of absence (Semele) | — | ||
| 2-9 | Act II: Aria: Lay your doubts and fears aside (Jupiter) | — | ||
| 2-10 | Act II: Recitative: You are mortal and require time to rest (Jupiter) | — | ||
| 2-11 | Act II: Aria: With fond desiring (Semele) | — | ||
| 2-12 | Act II: How engaging, how endearing (Chorus of Loves and Zephyrs) | — | ||
| 2-13 | Act II: Recitative: Ah me! (Semele, Jupiter) | — | ||
| 2-14 | Act II: Aria: I must with speed amuse her (Jupiter) | — | ||
| 2-15 | Act II: Now Love, that everlasting boy (Chorus of Loves and Zephyrs) | — | ||
| 2-16 | Act II: Recitative: By my command now (Jupiter, Semele) | — | ||
| 2-17 | Act II: Aria: Where'er you walk (Jupiter) | — | ||
| 2-18 | Act II: Recitative: Dear sister, how was your passage hither? (Semele, Ino) | — | ||
| 2-19 | Act II: Aria: But hark! (Ino) | — | ||
| 2-20 | Act II: Accompagnato and Arioso: Prepare then, ye immortal choir (Ino, Semele) | — | ||
| 2-21 | Act II: Bless the glad earth with heav'nly lays (Chorus of Nymphs and Swains) | — | ||
| 3-1 | Act III: Symphony | — | ||
| 3-2 | Act III: Accompagnato: Somnus, awake! (Juno, Iris) | — | ||
| 3-3 | Act III: Aria: Leave me, loathsome light! (Somnus) | — | ||
| 3-4 | Act III: Recitative: Dull God, canst thou attend the water's fall (Iris, Juno) | — | ||
| 3-5 | Act III: Aria: More sweet is that name (Somnus) | — | ||
| 3-6 | Act III: Recitative: My will obey (Juno, Somnus) | — | ||
| 3-7 | Act III: Duet: Obey my will (Juno, Somnus) | — | ||
| 3-8 | Act III: Aria: My racking thoughts by no kind slumbers freed (Semele) | — | ||
| 3-9 | Act III: Recitative: Thus shap'd like Ino (Juno, Semele) | — | ||
| 3-10 | Act III: Accompagnato: Behold in this mirror (Juno) | — | ||
| 3-11 | Act III: Recitative: O ecstasy of happiness! (Semele) | — | ||
| 3-12 | Act III: Aria: Myself I shall adore (Semele) | — | ||
| 3-13 | Act III: Recitative: Be wise, as you are beautiful (Juno, Semele) | — | ||
| 3-14 | Act III: Accompagnato: Conjure him by his oath (Juno) | — | ||
| 3-15 | Act III: Aria: Thus let my thanks be pay'd (Semele) | — | ||
| 3-16 | Act III: Recitative: Rich odours fill the fragrant air (Juno, Semele) | — | ||
| 3-17 | Act III: Aria: Come to my arms, my lovely fair (Jupiter) | — | ||
| 3-18 | Act III: Recitative: O Semele! Why art thou thus insensible? (Jupiter, Semele) | — | ||
| 3-19 | Act III: Recitative: Speak, speak your desire (Jupiter, Semele) | — | ||
| 3-20 | Act III: Aria: Ah! Take heed what you press! (Jupiter) | — | ||
| 3-21 | Act III: Aria: No, no, I'll take no less (Semele) | — | ||
| 3-22 | Act III: Recitative: Ah, whither is she gone! (Jupiter) | — | ||
| 3-23 | Act III: Aria: Above measure is the pleasure (Juno) | — | ||
| 3-24 | Act III: Recitative: Ah me! Too late I now repent (Semele) | — | ||
| 3-25 | Act III: Recitative: Of my ill-boding dream (Ino) | — | ||
| 3-26 | Act III: Chorus: Oh, terror and astonishment! (Chorus of Priests) | — | ||
| 3-27 | Act III: Recitative: How I was hence remov'd (Ino, Cadmus, Athamas) | — | ||
| 3-28 | Act III: Aria: Despair no more shall wound me (Athamas) | — | ||
| 3-29 | Act III: Recitative: See from above the bellying clouds descend (Cadmus) | — | ||
| 3-31 | Act III: Recitative: Apollo comes, to relieve your care (Apollo) | — | ||
| 3-32 | Act III: Happy, happy shall we be (Chorus) | — |
Act I: Overture
—
Act I: Gavotte
—
Act I: Accompagnato: Behold! Auspicious flashes rise (Chief Priest)
—
Act I: Lucky omens bless our rites (Chorus of Priests and Augurs)
—
Act I: Recitative and Arioso: Daughter, obey, Hear and obey! (Cadmus, Athamas)
—
Act I: Accompagnato and Aria: Ah me! What refuge now is left me? (Semele)
—
Act I: Aria: The morning lark to mine accords his note (Semele)
—
Act I: Aria: See, she blushing turns her eyes (Ino)
—
Act I: Recitative: Alas! She yields, and has undone me! (Ino, Athamas, Semele)
—
Act I: Quartet: Why dost thou thus untimely grieve (Cadmus, Ino, Athamas, Semele)
—
Act I: Avert these omens, all ye pow'rs! (Chorus of Priests and Augurs)
—
Act I: Accompagnato: Again auspicious flashes rise (Cadmus)
—
Act I: Recitative: Thy aid, pronubial Juno, Athamas implores! (Athamas, Semele)
—
Act I: Cease, cease your vows, 'tis impious to proceed (Chorus of Priests and Augurs)
—
Act I: Recitative: O Athamas, what torture hast thou borne! (Athamas)
—
Act I: Aria: Turn, hopeless lover, turn thy eye (Ino)
—
Act I: Recitative: She weeps! (Athamas)
—
Act I: Aria: Your tuneful voice my tale would tell (Athamas)
—
Act I: Recitative: Too well I see, Thou wilt not understand me (Ino, Athamas)
—
Act I: Duet: You've undone me (Ino, Athamas)
—
Act I: Recitative and Accompagnato: Ah, wretched prince, doom'd to disastrous love! (Cadmus, Athamas, Ino)
—
Act I: Hail, Cadmus, hail! Jove salutes the Theban King (Chorus of Priests and Augurs)
—
Act I: Aria: Endless pleasure, endless love (Semele)
—
Act I: Endless pleasure, endless love (Chorus of Love and Zephyrs)
—
Act II: Symphony
—
Act II: Recitative: Iris, impatient of thy stay (Juno, Iris)
—
Act II: Aria: There, from mortal cares retiring (Iris)
—
Act II: Recitative and Accompagnato: No more, I'll hear no more! (Juno, Iris)
—
Act II: Aria: Hence, Iris, hence away! (Juno)
—
Act II: Aria: Come, Zephyrs, come (Cupid)
—
Act II: Aria: O sleep, why dost thou leave me? (Semele)
—
Act II: Recitative: Let me not another moment bear the pangs of absence (Semele)
—
Act II: Aria: Lay your doubts and fears aside (Jupiter)
—
Act II: Recitative: You are mortal and require time to rest (Jupiter)
—
Act II: Aria: With fond desiring (Semele)
—
Act II: How engaging, how endearing (Chorus of Loves and Zephyrs)
—
Act II: Recitative: Ah me! (Semele, Jupiter)
—
Act II: Aria: I must with speed amuse her (Jupiter)
—
Act II: Now Love, that everlasting boy (Chorus of Loves and Zephyrs)
—
Act II: Recitative: By my command now (Jupiter, Semele)
—
Act II: Aria: Where'er you walk (Jupiter)
—
Act II: Recitative: Dear sister, how was your passage hither? (Semele, Ino)
—
Act II: Aria: But hark! (Ino)
—
Act II: Accompagnato and Arioso: Prepare then, ye immortal choir (Ino, Semele)
—
Act II: Bless the glad earth with heav'nly lays (Chorus of Nymphs and Swains)
—
Act III: Symphony
—
Act III: Accompagnato: Somnus, awake! (Juno, Iris)
—
Act III: Aria: Leave me, loathsome light! (Somnus)
—
Act III: Recitative: Dull God, canst thou attend the water's fall (Iris, Juno)
—
Act III: Aria: More sweet is that name (Somnus)
—
Act III: Recitative: My will obey (Juno, Somnus)
—
Act III: Duet: Obey my will (Juno, Somnus)
—
Act III: Aria: My racking thoughts by no kind slumbers freed (Semele)
—
Act III: Recitative: Thus shap'd like Ino (Juno, Semele)
—
Act III: Accompagnato: Behold in this mirror (Juno)
—
Act III: Recitative: O ecstasy of happiness! (Semele)
—
Act III: Aria: Myself I shall adore (Semele)
—
Act III: Recitative: Be wise, as you are beautiful (Juno, Semele)
—
Act III: Accompagnato: Conjure him by his oath (Juno)
—
Act III: Aria: Thus let my thanks be pay'd (Semele)
—
Act III: Recitative: Rich odours fill the fragrant air (Juno, Semele)
—
Act III: Aria: Come to my arms, my lovely fair (Jupiter)
—
Act III: Recitative: O Semele! Why art thou thus insensible? (Jupiter, Semele)
—
Act III: Recitative: Speak, speak your desire (Jupiter, Semele)
—
Act III: Aria: Ah! Take heed what you press! (Jupiter)
—
Act III: Aria: No, no, I'll take no less (Semele)
—
Act III: Recitative: Ah, whither is she gone! (Jupiter)
—
Act III: Aria: Above measure is the pleasure (Juno)
—
Act III: Recitative: Ah me! Too late I now repent (Semele)
—
Act III: Recitative: Of my ill-boding dream (Ino)
—
Act III: Chorus: Oh, terror and astonishment! (Chorus of Priests)
—
Act III: Recitative: How I was hence remov'd (Ino, Cadmus, Athamas)
—
Act III: Aria: Despair no more shall wound me (Athamas)
—
Act III: Recitative: See from above the bellying clouds descend (Cadmus)
—
Act III: Recitative: Apollo comes, to relieve your care (Apollo)
—
Act III: Happy, happy shall we be (Chorus)
—
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What is UPC 747313043170?
747313043170 is a Universal Product Code (UPC) assigned to Semele by George Frideric Handel, Joachim Carlos Martini, Junge Kantorei, Frankfurt Baroque Orchestra, Scholl, Schmidt, Popken, Schwarz, Markert, Schoch, Mertens. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm