UPC · Release
Solomon
Handel, Wolak, Scholl, Wemyss, Schoch, Vieweg, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini
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747313257423 is the Universal Product Code (UPC barcode) for the release “Solomon” by Handel, Wolak, Scholl, Wemyss, Schoch, Vieweg, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini, released 2006-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 64 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (64)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Part I: Ouverture | — | ||
| 2 | Part I: Allegro | — | ||
| 3 | Part I, Scene 1: Chorus of Priests: Your Harps and Symbols Sound | — | ||
| 4 | Part I, Scene 1: Air: Praise Ye the Lord | — | ||
| 5 | Part I, Scene 1: Chorus of Priests: With Pious Hearts | — | ||
| 6 | Acompagnato: Almighty Pow'r! (Solomon) | — | ||
| 7 | Part I, Scene 1: Recitative: Imperial Solomon | — | ||
| 8 | Part I, Scene 1: Air: Sacred Raptures | — | ||
| 9 | Part I, Scene 1: Chorus of Israelites: Throughout the Land Jehova's Praise | — | ||
| 10 | Part I, Scene 1: Recitative: Bless'd Be the Lord | — | ||
| 11 | Part I, Scene 1: Air: What Tho' I Trace | — | ||
| 12 | Part I, Scene 2: Recitative: And See My Queen | — | ||
| 13 | Part I, Scene 2: Air: Bless'd the Day | — | ||
| 14 | Part I, Scene 2: Recitative: Thou Fair Inhabitant of Nile | — | ||
| 15 | Part I, Scene 2: Duet: Welcome As the Dawn of Day | — | ||
| 16 | Part I, Scene 2: Recitative: Vain Are the Transient Beauties | — | ||
| 17 | Part I, Scene 2: Air: Indulge Thy Faith | — | ||
| 18 | Part I, Scene 2: Recitative: My Blooming Fair | — | ||
| 19 | Part I, Scene 2: Air: Haste to the Cedar Grove | — | ||
| 20 | Part I, Scene 2: Recitative: When Thou Art Absent from My Sight | — | ||
| 21 | Part I, Scene 2: Air: With Thee Th'unshelter'd Moor I Tread | — | ||
| 22 | Part I, Scene 2: Recitative: Search Round the World | — | ||
| 23 | Part I, Scene 2: Chorus: May No Rash Intruder | — | ||
| 24 | Part II, Scene 1: Chorus: From the Censer Curling Rise | — | ||
| 25 | Part II, Scene 1: Recitative: Prais'd Be the Lord | — | ||
| 26 | Part II, Scene 1: Air: When the Sun O'er Yonder Hills | — | ||
| 27 | Part II, Scene 1: Air: Great Prince | — | ||
| 28 | Part II, Scene 1: Air: Thrice Bless'd That Wise Discerning King | — | ||
| 29 | Part II, Scene 2: Recitative: My Sovereign Liege, Two Women | — | ||
| 30 | Part II, Scene 1: Air: Air & Terzetto: Words Are Weak to Paint My Fears | — | ||
| 2-1 | Part II, Scene 3: Recitative: What Says the Other | — | ||
| 2-2 | Part II, Scene 3: Air: Thy Sentence, Great King | — | ||
| 2-3 | Part II, Scene 3: Recitative: Withhold the Executing Hand | — | ||
| 2-4 | Part II, Scene 3: Air: Can I See My Infant Gor'd | — | ||
| 2-5 | Part II, Scene 3: Accompagnato: Israel, Attend | — | ||
| 2-6 | Part II, Scene 3: Duet: Thrice Bless'd Be the King | — | ||
| 2-7 | Part II, Scene 3: Chorus of Israelites: From the East Unto the West | — | ||
| 2-8 | Part II, Scene 3: Recitative: From Morn to Eve | — | ||
| 2-9 | Part II, Scene 3: Air: See the Tall Palm | — | ||
| 2-10 | Part II, Scene 3: Recitative: No More Shall Armed Bands | — | ||
| 2-11 | Part II, Scene 3: Air: Beneath the Vine | — | ||
| 2-12 | Part II, Scene 3: Chorus of Priests: Swell the Full Chorus | — | ||
| 2-13 | Part III, Scene 1: Sinfonia | — | ||
| 2-14 | Part III, Scene 1: Recitative: From Arabia's Spicy Shores | — | ||
| 2-15 | Part III, Scene 1: Air: Ev'ry Sight These Eyes Behold | — | ||
| 2-16 | Part III, Scene 1: Recitative: Sweep the String | — | ||
| 2-17 | Part III, Scene 1: Air & Chorus: Music Spread Thy Voice Around | — | ||
| 2-18 | Part III, Scene 1: Air & Chorus: Now a Diff'rent Measure Try | — | ||
| 2-19 | Part III, Scene 1: Recitative: Then At Once | — | ||
| 2-20 | Part III, Scene 1: Chorus: Draw the Tear from Hopeless Love | — | ||
| 2-21 | Part III, Scene 1: Chorus: Next the Tortur'd Soul Release | — | ||
| 2-22 | Part III, Scene 1: Air & Chorus: Thus Rolling Surges Rise | — | ||
| 2-23 | Part III, Scene 1: Recitative: Thy Harmonies Divine | — | ||
| 2-24 | Part III, Scene 1: Air: Pious King, and Virtuous Queen | — | ||
| 2-25 | Part III, Scene 1: Recitative: Thrice Happy King | — | ||
| 2-26 | Part III, Scene 1: Air: Golden Columns, Fiar and Bright | — | ||
| 2-27 | Part III, Scene 1: Chorus: Praise the Lord | — | ||
| 2-28 | Part III, Scene 1: Recitative: Gold Is Now Common | — | ||
| 2-29 | Part III, Scene 1: Air: How Green Our Fertile Pastures Look | — | ||
| 2-30 | Part III, Scene 1: Recitative: May Peace In Salem Ever Dwell | — | ||
| 2-31 | Part III, Scene 1: Air: Will the Sun Forget to Streak | — | ||
| 2-32 | Part III, Scene 1: Recitative: Adieu, Fair Queen | — | ||
| 2-33 | Part III, Scene 1: Duet: Ev'ry Joy, That Wisdom Knows | — | ||
| 2-34 | Part III, Scene 1: Chorus: The Name of the Wicked | — |
What other identifiers does this connect to?
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 747313257423?
747313257423 is a Universal Product Code (UPC) assigned to Solomon by Handel, Wolak, Scholl, Wemyss, Schoch, Vieweg, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 64 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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