UPC · Album

The Bartered Bride (sung in German)

Bedřich Smetana, Traute Richter, Rita Streich and 6 more

747313281381
41 tracksReleased 1978-01-01

Last verified:

747313281381 is the Universal Product Code (UPC barcode) for the release The Bartered Bride (sung in German) by Bedřich Smetana, Traute Richter, Rita Streich, Sebastian Hauser, Ralph Peters, Kurt Böhme, Berlin Civic Opera Chorus, Orchestra, Hans Lenzer, released 1978-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 41 tracks, each with its own ISRC. Tracks include HKI192514800, HKI192514801, HKI192514802.

Format

7Number system
47313Manufacturer
28138Product
1Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCThe Bartered Bride (sung in German)
ISRC41 recordings

Track List (41)

The Bartered Bride (sung in German), Act I: Overture
Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Seht am Strauch die Knospen springen” (Chorus, Hans, Marie)
Traute Richter, Sebastian Hauser, Berlin Civic Opera Chorus, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Zum Tanze rufen sie mich heut’ umsonst” (Marie, Hans)
Traute Richter, Sebastian Hauser, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Gern, ja, will ich dir vertrauen” (Marie)
Traute Richter, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “O sage, was dich fort von Hause in die Fremde trieb” (Marie, Hans)
Traute Richter, Sebastian Hauser, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Mit der Mutter sank zu Grabe” (Hans, Marie)
Traute Richter, Sebastian Hauser, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Alles ist so gut wie richtig” (Kezal, Kruschina, Kathinka)
Johanna Blatter, Robert Koffmane, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Nun freilich, den Tobias Micha” (Kruschina, Kezal, Kathinka)
Johanna Blatter, Robert Koffmane, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Wär’ er nur gleich mitgekommen!” (Kruschina, Kathinka)
Johanna Blatter, Robert Koffmane, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Seht, da kommt sie sonder Ahnung!” (Kezal, Marie, Kruschina, Kathinka)
Traute Richter, Johanna Blatter, Robert Koffmane, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Mit Hans bin ich vereinigt” (Marie, Kruschina, Kathinka, Kezal)
Traute Richter, Johanna Blatter, Robert Koffmane, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act I: “Durch die Reihen hinzufliegen” (Chorus)
Berlin Civic Opera Chorus, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Wie schäumst du in den Gläsern” (Chorus, Hans)
Sebastian Hauser, Kurt Böhme, Berlin Civic Opera Chorus, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: Furiant
Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Theurer Sohn, sprach Mütterlein” (Wenzel)
Ralph Peters, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Seid der Verlobte ihr von Kruschina’s Mariechen nicht?” (Marie, Wenzel)
Traute Richter, Ralph Peters, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Ich weiß Euch einen lieben Schatz” (Marie, Wenzel)
Traute Richter, Ralph Peters, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Komm’, mein Söhnchen, auf ein Wort!” (Kezal, Hans)
Sebastian Hauser, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Gib die törichte Liebschaft auf” (Kezal, Hans)
Sebastian Hauser, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Armer Narr, glaubtest du mich zu fangen?” (Hans)
Sebastian Hauser, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Es muß gelingen” (Hans)
Sebastian Hauser, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act II: “Nicht zu hitzig!” (Kezal, Chorus)
Sebastian Hauser, Kurt Böhme, Robert Koffmane, Berlin Civic Opera Chorus, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “O, was ich mich betrübe” (Wenzel)
Ralph Peters, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: Marsch der Komödianten
Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Dem nie genug verehrten Publikum” (Springer)
Edwin Heyer, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: Tanz und Produktion der Komödianten
Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: Recitative. “Ei, ei, ei, wie reizend!” (Wenzel, Esmeralda, Muff, Springer)
Rita Streich, Ralph Peters, Edwin Heyer, Wilhelm Lang, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Alles geht am Schnürchen” (Esmeralda, Springer)
Rita Streich, Edwin Heyer, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Ach, wie wird es mir ergehn?” (Wenzel, Agnes, Kezal, Micha)
Emmy Hagemann, Ralph Peters, Wilhelm Lang, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Nein, nein, nein!” (Marie, Kruschina, Kezal, Kathinka, Wenzel, Agnes, Micha)
Traute Richter, Johanna Blatter, Emmy Hagemann, Robert Koffmane, Wilhelm Lang, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Noch ein Weilchen, Marie, Bedenk’ es Dir” (Kathinka, Agnes, Kruschina, Micha, Kezal, Marie)
Traute Richter, Johanna Blatter, Emmy Hagemann, Robert Koffmane, Wilhelm Lang, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Endlich allein” (Marie)
Traute Richter, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Wie fremd und todt ist Alles umher” (Marie)
Traute Richter, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “So find’ ich dich, Feinsliebchen, hier” (Hans, Marie)
Traute Richter, Sebastian Hauser, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Mein lieber Schatz, nun aufgepasst!” (Hans, Marie)
Traute Richter, Sebastian Hauser, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “He, Hans, möchtest wohl dein Geld?” (Kezal, Marie, Hans)
Traute Richter, Sebastian Hauser, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Kommen wir gerne, so kommen wir gleich!” (Chorus, Marie, Hans, Agnes, Micha)
Traute Richter, Sebastian Hauser, Emmy Hagemann, Wilhelm Lang, Berlin Civic Opera Chorus, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Herr Vater und Frau Mutter, da bin ich wieder” (Hans, Kezal, Agnes, Marie)
Traute Richter, Sebastian Hauser, Emmy Hagemann, Kurt Böhme, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Wer hätte das von ihm gedacht!?” (Kezal, Micha, Agnes, Chorus)
Traute Richter, Sebastian Hauser, Emmy Hagemann, Johanna Blatter, Wilhelm Lang, Robert Koffmane, Kurt Böhme, Berlin Civic Opera Chorus, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “Seid ohne Furcht!” (Wenzel, Agnes, Kruschina, Kathinka)
Emmy Hagemann, Johanna Blatter, Ralph Peters, Robert Koffmane, Berlin Civic Opera Chorus, Berlin Civic Opera Orchestra, Hans Lenzer
The Bartered Bride (sung in German), Act III: “So ist’s recht, es freut uns alle!” (All, Chorus)
Traute Richter, Johanna Blatter, Sebastian Hauser, Wilhelm Lang, Robert Koffmane, Berlin Civic Opera Chorus, Berlin Civic Opera Orchestra, Hans Lenzer

What other identifiers does this connect to?

Creative Contributors (ISNI)

People also ask

What is UPC 747313281381?
UPC 747313281381 is the Universal Product Code (barcode) for "The Bartered Bride (sung in German)" by Bedřich Smetana, Traute Richter, Rita Streich, Sebastian Hauser, Ralph Peters, Kurt Böhme, Berlin Civic Opera Chorus, Orchestra, Hans Lenzer.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 747313281381?
UPC 747313281381 contains 41 tracks, each with its own ISRC.
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Verified on

What is UPC 747313281381?

747313281381 is a Universal Product Code (UPC) assigned to The Bartered Bride (sung in German) by Bedřich Smetana, Traute Richter, Rita Streich, Sebastian Hauser, Ralph Peters, Kurt Böhme, Berlin Civic Opera Chorus, Orchestra, Hans Lenzer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 41 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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