UPC · Release
Various Artists
Last verified:
747313329335 is the Universal Product Code (UPC barcode) for the release “The Anniversary Collection” by Various Artists, released 2017-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 345 tracks, each with its own ISRC. Tracks include HKI190911314, HKI190911316, HKI190911321.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture no. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 2 | Overture no. 1 in C major, BWV 1066: II. Courante | — | ||
| 3 | Overture no. 1 in C major, BWV 1066: III. Gavotte I/II | — | ||
| 4 | Overture no. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 5 | Overture no. 1 in C major, BWV 1066: V. Menuet I/II | — | ||
| 6 | Overture no. 1 in C major, BWV 1066: VI. Bourée I/II | — | ||
| 7 | Overture no. 1 in C major, BWV 1066: VII. Passepied I/II | — | ||
| 8 | Overture no. 2 in B minor, BWV 1067: I. Ouverture | — | ||
| 9 | Overture no. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 10 | Overture no. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 11 | Overture no. 2 in B minor, BWV 1067: IV. Bourée I/II | — | ||
| 12 | Overture no. 2 in B minor, BWV 1067: V. Polonaise, Double | — | ||
| 13 | Overture no. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 14 | Overture No. 2 in B minor, BWV 1067: VII. Badinerie | Kölner Kammerorchester, Helmut Müller-Brühl | T-011.654.484-3 | |
| 15 | Overture no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 16 | Overture No. 3 in D major, BWV 1068: II. Air | Kölner Kammerorchester, Helmut Müller-Brühl | T-914.248.874-2 | |
| 17 | Overture no. 3 in D major, BWV 1068: III. Gavotte I/II | — | ||
| 18 | Overture no. 3 in D major, BWV 1068: IV. Bourée | — | ||
| 19 | Overture no. 3 in D major, BWV 1068: V. Gigue | — | ||
| 20 | Overture no. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 21 | Overture No. 4 in D major, BWV 1069: II. Bourée I/II | Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 22 | Overture no. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 23 | Overture no. 4 in D major, BWV 1069: IV. Menuet I/II | — | ||
| 24 | Overture no. 4 in D major, BWV 1069: V. Réjouissance | — | ||
| 2-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | Jenő Jandó | T-915.723.669-6 | |
| 2-2 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Jenő Jandó | T-001.397.158-8 | |
| 2-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Jenő Jandó | — | |
| 2-4 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — | |
| 2-5 | Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: II. Allegretto | Jenő Jandó | — | |
| 2-6 | Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: III. Presto agitato | Jenő Jandó | — | |
| 2-7 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | Jenő Jandó | T-306.395.786-4 | |
| 2-8 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | Jenő Jandó | — | |
| 2-9 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo - Presto | Jenő Jandó | — | |
| 3-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 3-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | — | ||
| 3-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | — | ||
| 3-4 | Die Mainacht, op. 43 no. 2 | — | ||
| 3-5 | Botschaft, op. 47 no. 1 | — | ||
| 3-6 | Liebesglut, op. 47 no. 2 | — | ||
| 3-7 | Verzagen, op. 72 no. 4 | — | ||
| 3-8 | Sommerabend, op. 85 no. 1 | — | ||
| 3-9 | Nachtigall, op. 97 no. 1 | — | ||
| 3-10 | Cello Sonata no. 2 in F major, op. 99: I. Allegro vivace | — | ||
| 3-11 | Cello Sonata no. 2 in F major, op. 99: II. Adagio affettuoso | — | ||
| 3-12 | Cello Sonata no. 2 in F major, op. 99: III. Allegro passionato | — | ||
| 3-13 | Cello Sonata no. 2 in F major, op. 99: IV. Allegro molto | — | ||
| 4-1 | Symphony no. 5 in B-flat major, WAB 105: I. Adagio - Allegro | Royal Scottish National Orchestra, Georg Tintner | — | |
| 4-2 | Symphony no. 5 in B-flat major, WAB 105: II. Adagio | Royal Scottish National Orchestra, Georg Tintner | — | |
| 4-3 | Symphony no. 5 in B-flat major, WAB 105: III. Scherzo: Molto vivace | Royal Scottish National Orchestra, Georg Tintner | — | |
| 4-4 | Symphony no. 5 in B-flat major, WAB 105: IV. Finale: Adagio - Allegro moderato | Royal Scottish National Orchestra, Georg Tintner | — | |
| 5-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | İdil Biret, Štátna filharmónia Košice, Róbert Stankovský | T-308.381.369-4 | |
| 5-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romanza: Larghetto | İdil Biret, Štátna filharmónia Košice, Róbert Stankovský | — | |
| 5-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | Štátna filharmónia Košice, Róbert Stankovský, İdil Biret | — | |
| 5-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 5-5 | Piano Concerto no. 2 in F minor, op. 21: Larghetto | İdil Biret, Czech-Slovak State Philharmonic Orchestra, Róbert Stankovský | — | |
| 5-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 6-1 | Rodeo (Complete Ballet): I. Buckaroo Holiday | — | ||
| 6-2 | Rodeo (Complete Ballet): II. Corral Nocturne | Detroit Symphony Orchestra, Leonard Slatkin | — | |
| 6-3 | Rodeo (Complete Ballet): III. Ranch House Party | — | ||
| 6-4 | Rodeo (Complete Ballet): IV. Saturday Night Waltz | — | ||
| 6-5 | Rodeo (Complete Ballet): V. Hoe Down | — | ||
| 6-6 | Dance Panels: I. Introduction: Moderato (Tempo di valzer) - Espressivo un poco rubato | — | ||
| 6-7 | Dance Panels: II. Allegretto con tenerezza (Un poco rubato) | — | ||
| 6-8 | Dance Panels: III. Scherzando - Moderato | — | ||
| 6-9 | Dance Panels: IV. Pas de trois: Lento | — | ||
| 6-10 | Dance Panels: V. Con brio | — | ||
| 6-11 | Dance Panels: VI. Con moto | — | ||
| 6-12 | Dance Panels: VII. Molto ritmico - Coda - Come prima - Moderato | — | ||
| 6-13 | El Salón México | — | ||
| 6-14 | Danzón Cubano | — | ||
| 7-1 | Metropolis Symphony: I. Lex | Nashville Symphony Orchestra, Giancarlo Guerrero | — | |
| 7-2 | Metropolis Symphony: II. Krypton | — | ||
| 7-3 | Metropolis Symphony: III. MXYZPTLK | — | ||
| 7-4 | Metropolis Symphony: IV. Oh, Lois! | — | ||
| 7-5 | Metropolis Symphony: V. Red Cape Tango | — | ||
| 7-6 | Deus ex Machina: I. Fast Forward (Di andata veloce) | — | ||
| 7-7 | Deus ex Machina: II. Train of Tears | — | ||
| 7-8 | Deus ex Machina: III. Night Steam | — | ||
| 8-1 | Préludes, Book One: Danseuses de Delphes | — | ||
| 8-2 | Préludes, Book One: Voiles | Royal Scottish National Orchestra, Jun Märkl | — | |
| 8-3 | Préludes, Book One: Le vent dans la plaine | — | ||
| 8-4 | Préludes, Book One: “Les sons et les parfums tournent dans l’air du soir” | — | ||
| 8-5 | Préludes, Book One: Les collines d’Anacapri | — | ||
| 8-6 | Préludes, Book One: Des pas sur la neige | — | ||
| 8-7 | Préludes, Book One: Ce qu’a vu le vent d’ouest | — | ||
| 8-8 | Préludes, Book One: La fille aux cheveux de lin | — | ||
| 8-9 | Préludes, Book One: La sérénade interrompue | — | ||
| 8-10 | Préludes, Book One: La cathédrale engloutie | — | ||
| 8-11 | Préludes, Book One: La danse de Puck | — | ||
| 8-12 | Préludes, Book One: Minstrels | — | ||
| 8-13 | Préludes, Book Two: Brouillards | — | ||
| 8-14 | Préludes, Book Two: Feuilles mortes | — | ||
| 8-15 | Préludes, Book Two: La Puerta del Vino | — | ||
| 8-16 | Préludes, Book Two: “Les fées sont d’exquises danseuses” | — | ||
| 8-17 | Préludes, Book Two: Bruyères | — | ||
| 8-18 | Préludes, Book Two: General Lavine – eccentric | — | ||
| 8-19 | Préludes, Book Two: La terrasse des audiences du clair de lune | — | ||
| 8-20 | Préludes, Book Two: Ondine | — | ||
| 8-21 | Préludes, Book Two: Hommage à S. Pickwith Esq. P.P.M.P.C. | — | ||
| 8-22 | Préludes, Book Two: Canope | — | ||
| 8-23 | Préludes, Book Two: Les tierces alternées | — | ||
| 8-24 | Préludes, Book Two: Feux d’artifice | — | ||
| 9-1 | Piano Trio no. 3 in F minor, op. 65, B. 130: I. Allegro ma non troppo - Poco più mosso, quasi vivace | — | ||
| 9-2 | Piano Trio no. 3 in F minor, op. 65, B. 130: II. Allegro grazioso - Meno mosso | — | ||
| 9-3 | Piano Trio no. 3 in F minor, op. 65, B. 130: III. Poco adagio | — | ||
| 9-4 | Piano Trio no. 3 in F minor, op. 65, B. 130: IV. Finale: Allegro con brio - Meno mosso - Vivace | — | ||
| 9-5 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I - Allegro molto | — | ||
| 9-6 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": II. Poco adagio - Vivace non troppo | — | ||
| 9-7 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": III. Andante - Vivace non troppo - Andante - Allegretto | — | ||
| 9-8 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": IV. Andante moderato (quasi tempo di marcia) - Allegretto scherzando - Meno mosso - Allegro - Moderato | — | ||
| 9-9 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": V. Allegro | — | ||
| 9-10 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": VI. Lento maestoso - Vivace, quasi doppio movimento - Lento - Vivace | — | ||
| 10-1 | Symphonic Variations, op. 78: Theme - Variations 1-27 - Finale | Baltimore Symphony Orchestra, Marin Alsop | — | |
| 10-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Baltimore Symphony Orchestra, Marin Alsop | — | |
| 10-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Baltimore Symphony Orchestra, Marin Alsop | T-902.286.256-2 | |
| 10-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Molto vivace | Baltimore Symphony Orchestra, Marin Alsop | — | |
| 10-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Baltimore Symphony Orchestra, Marin Alsop | — | |
| 11-1 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 11-2 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 11-3 | Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato - Andante - Allegro vivo | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | — | |
| 11-4 | Cello Concerto in E minor, op. 85: I. Adagio – Moderato | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | — | |
| 11-5 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | T-010.115.156-7 | |
| 11-6 | Cello Concerto in E minor, op. 85: III. Adagio | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | T-010.115.155-6 | |
| 11-7 | Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | T-010.115.154-5 | |
| 12-1 | Coronation March, op. 65 | — | ||
| 12-2 | Funeral March (from Grania and Diarmid, op. 42) | — | ||
| 12-3 | Pomp and Circumstance Marches, op. 39: No. 1 in D minor | New Zealand Symphony Orchestra, James Judd | — | |
| 12-4 | Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Zealand Symphony Orchestra, James Judd | — | |
| 12-5 | Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Zealand Symphony Orchestra, James Judd | — | |
| 12-6 | Pomp and Circumstance Marches, op. 39: No. 4 in G major | New Zealand Symphony Orchestra, James Judd | T-010.247.851-2 | |
| 12-7 | Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Zealand Symphony Orchestra, James Judd | — | |
| 12-8 | March from Caractacus, op. 35 | — | ||
| 12-9 | March of the Mogul Emperors, op. 66 no. 4 | — | ||
| 12-10 | Empire March | — | ||
| 12-11 | Polonia, op. 76 | — | ||
| 13-1 | Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": I. Wandering Pilgrims: Il'ya Muromets and Svyatogor. Andante sostenuto - Allegro risoluto | — | ||
| 13-2 | Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": II. Solovey, the Brigand. Andante | — | ||
| 13-3 | Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": III. At the Court of Vladimir, the Mighty Sun. Allegro | — | ||
| 13-4 | Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": IV. The Heroism and Petrification of Il'ya Muromets. Allegtro tumultuoso - Andante | — | ||
| 14-1 | Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: I. Lento: Sostenuto tranquillo ma cantabile | Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-2 | Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo | Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-3 | Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: III. Lento: Cantabile semplice | Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-4 | 3 Olden Style Pieces: I. | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-5 | 3 Olden Style Pieces: II. | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-6 | 3 Utwory w dawnym stylu (3 Pieces in Old Style), No. 3 | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 15-1 | Peer Gynt Suite no. 1 op. 46: I. Morgenstemning (Morning Mood) | Malmö Symphony Orchestra, Bjarte Engeset | T-304.254.813-6 | |
| 15-2 | Peer Gynt Suite no. 1 op. 46: II. Åses død (The Death of Åse) | Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-3 | Peer Gynt Suite no. 1 op. 46: III. Anitras dans (Anitra’s Dance) | Malmö SymfoniOrkester, Bjarte Engeset | T-928.635.589-3 | |
| 15-4 | Peer Gynt Suite no. 1 op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King) | Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-5 | Peer Gynt Suite no. 2 op. 55: I. Bruderovet - Ingrids klage (The Abduction of the Bride - Ingrid’s Lament) | Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-6 | Peer Gynt Suite no. 2 op. 55: II. Arabisk dans (Arabian Dance) | Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-7 | Peer Gynt Suite no. 2 op. 55: III. Peer Gynts hjemfart (Peer Gynt’s Homecoming) | Malmö SymfoniOrkester, Bjarte Engeset | T-300.003.632-4 | |
| 15-8 | Peer Gynt Suite no. 2 op. 55: IV. Solveigs sang (Solveig’s Song) | Malmö SymfoniOrkester, Bjarte Engeset | T-905.806.281-0 | |
| 15-9 | Fire Digte fra “Fiskerjenten” (Four Poems from “The Fisher-Maiden”), op. 21 no. 1: Det første møde (The First Meeting) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-10 | Den Bergtekne (The Mountain Thrall), op. 32 | Inger Dam-Jensen, Palle Knudsen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-11 | Six Orchestral Songs, EG 177 no. 1: Solveigs sang (Solveig’s Song) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-12 | Six Orchestral Songs, EG 177 no. 2: Solveigs vuggevise (Solveig’s Cradle Song) | Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | — | |
| 15-13 | Six Orchestral Songs, EG 177 no. 3: Fra Monte Pincio (From Monte Pincio) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-14 | Six Orchestral Songs, EG 177 no. 4: En Svane (A Swan) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-15 | Six Orchestral Songs, EG 177 no. 5: Våren (Last Spring) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-16 | Six Orchestral Songs, EG 177 no. 6: Henrik Wergeland | Palle Knudsen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 16-1 | Water Music Suite No. 1 in F major, HWV 348: I. Overture / II. Adagio e staccato | Aradia Ensemble, Kevin Mallon | — | |
| 16-2 | Water Music Suite No. 1 in F major, HWV 348: III. Andante / IV. Andante | Aradia Ensemble, Kevin Mallon | — | |
| 16-3 | Water Music Suite No. 1 in F major, HWV 348: V. Passepied | Aradia Ensemble, Kevin Mallon | — | |
| 16-4 | Water Music Suite No. 1 in F major, HWV 348: VI. Air | Aradia Ensemble, Kevin Mallon | T-306.036.936-6 | |
| 16-5 | Water Music Suite No. 1 in F major, HWV 348: VII. Minuet | Aradia Ensemble, Kevin Mallon | — | |
| 16-6 | Water Music Suite No. 1 in F major, HWV 348: VIII. Bourrée | Aradia Ensemble, Kevin Mallon | — | |
| 16-7 | Water Music Suite No. 1 in F major, HWV 348: IX. Hornpipe | Aradia Ensemble, Kevin Mallon | — | |
| 16-8 | Water Music Suite No. 1 in F major, HWV 348: X. Allegro | Aradia Ensemble, Kevin Mallon | — | |
| 16-9 | Water Music Suite No. 2 in D major, HWV 349: I. Overture | Aradia Ensemble, Kevin Mallon | — | |
| 16-10 | Water Music Suite No. 2 in D major, HWV 349: II. Alla Hornpipe | Aradia Ensemble, Kevin Mallon | T-905.384.308-6 | |
| 16-11 | Water Music Suite No. 2 in D major, HWV 349: III. Minuet | Aradia Ensemble, Kevin Mallon | — | |
| 16-12 | Water Music Suite No. 2 in D major, HWV 349: IV. Lentement | Aradia Ensemble, Kevin Mallon | — | |
| 16-13 | Water Music Suite No. 2 in D major, HWV 349: V. Bourrée | Aradia Ensemble, Kevin Mallon | — | |
| 16-14 | Water Music Suite No. 3 in G major, HWV 350: I. Sarabande | Aradia Ensemble, Kevin Mallon | — | |
| 16-15 | Water Music Suite No. 3 in G major, HWV 350: II. Rigaudon I and II | Aradia Ensemble, Kevin Mallon | — | |
| 16-16 | Water Music Suite No. 3 in G major, HWV 350: III. Menuet I and II | Aradia Ensemble, Kevin Mallon | — | |
| 16-17 | Water Music Suite No. 3 in G major, HWV 350: IV. Gigue I and II | Aradia Ensemble, Kevin Mallon | — | |
| 16-18 | Music for the Royal Fireworks, HWV 351: I. Overture | Aradia Ensemble, Kevin Mallon | — | |
| 16-19 | Music for the Royal Fireworks, HWV 351: II. Bourrée | Aradia Ensemble, Kevin Mallon | — | |
| 16-20 | Music for the Royal Fireworks, HWV 351: III. La Paix | Aradia Ensemble, Kevin Mallon | — | |
| 16-21 | Music for the Royal Fireworks, HWV 351: IV. La réjouissance | Aradia Ensemble, Kevin Mallon | — | |
| 16-22 | Music for the Royal Fireworks, HWV 351: V. Menuets I and II | Aradia Ensemble, Kevin Mallon | — | |
| 17-1 | String Quartet no. 63 in B-flat major, op. 76 no. 4 "Sunrise": I. Allegro con spirito | — | ||
| 17-2 | String Quartet no. 63 in B-flat major, op. 76 no. 4 "Sunrise": II. Adagio | — | ||
| 17-3 | String Quartet no. 63 in B-flat major, op. 76 no. 4 "Sunrise": III. Menuetto: Allegro | — | ||
| 17-4 | String Quartet no. 63 in B-flat major, op. 76 no. 4 "Sunrise": IV. Finale: Allegro ma non troppo | — | ||
| 17-5 | String Quartet no. 64 in D major, op. 76 no. 5 "Largo": I. Allegretto - Allegro | — | ||
| 17-6 | String Quartet no. 64 in D major, op. 76 no. 5 "Largo": II. Largo cantabile e mesto | — | ||
| 17-7 | String Quartet no. 64 in D major, op. 76 no. 5 "Largo": III. Menuetto: Allegro | — | ||
| 17-8 | String Quartet no. 64 in D major, op. 76 no. 5 "Largo": IV. Finale: Presto | — | ||
| 17-9 | String Quartet no. 65 in E-flat major, op. 76 no. 6: I. Allegretto - Allegro | — | ||
| 17-10 | String Quartet no. 65 in E-flat major, op. 76 no. 6: II. Fantasia: Adagio | — | ||
| 17-11 | String Quartet no. 65 in E-flat major, op. 76 no. 6: III. Menuetto: Presto | — | ||
| 17-12 | String Quartet no. 65 in E-flat major, op. 76 no. 6: IV. Finale: Allegro spirituoso | — | ||
| 18-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-3 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace - Allegro animato | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-4 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-5 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-6 | Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-7 | Piano Concerto no. 2 in A major, S. 125: III. Allegro deciso - Marziale un poco meno allegro | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | T-313.744.789-9 | |
| 18-8 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-9 | Totentanz | — | ||
| 19-1 | Flute Concerto no. 2 in D major, K314: I. Allegro aperto | — | ||
| 19-2 | Flute Concerto no. 2 in D major, K314: II. Adagio ma non troppo | — | ||
| 19-3 | Flute Concerto no. 2 in D major, K314: III. Rondeau: Allegro | — | ||
| 19-4 | Concerto for Flute, Harp and Orchestra, K299: I. Allegro | — | ||
| 19-5 | Flute & Harp Concerto in C major, K299: II. Andantino | Jiří Válek, Hana Müllerová, Richard Edlinger, Patrick Gallois, Fabrice Pierre, Roderick Shaw, Capella Istropolitana, Svenska Kammarorkestern, Katarina Andreasson | T-911.534.020-0 | |
| 19-6 | Concerto for Flute, Harp and Orchestra, K299: III. Rondeau: Allegro | — | ||
| 19-7 | Flute Concerto no. 1 in G major, K313: I. Allegro maestoso | — | ||
| 19-8 | Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo | Patrick Gallois, Roderick Shaw, Svenska Kammarorkestern | — | |
| 19-9 | Flute Concerto no. 1 in G major, K313: III. Rondo: Tempo di menuetto | — | ||
| 20-1 | Six Old Village Songs from Lom in Norway: I. Andante | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-2 | Six Old Village Songs from Lom in Norway: II. Lento | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-3 | Six Old Village Songs from Lom in Norway: III. Allegro moderato | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-4 | Six Old Village Songs from Lom in Norway: IV. Allegretto | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-5 | Six Old Village Songs from Lom in Norway: V. Andante | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-6 | Six Old Village Songs from Lom in Norway: VI. Moderato | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-7 | Suite no. 3 for Violin, Viola and String Orchestra, op. 19: I. Prelude | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-8 | Suite no. 3 for Violin, Viola and String Orchestra, op. 19: II. Pantomim | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-9 | Suite no. 3 for Violin, Viola and String Orchestra, op. 19: III. Vision | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-10 | Two Sentimental Romances for Violin and Orchestra, op. 28: I. Andantino | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-11 | Two Sentimental Romances for Violin and Orchestra, op. 28: II. Allegro patetico | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-12 | Los recuerdos de la Habana | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-13 | A Mountain Vision | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-14 | Norwegian Dance no. 3 | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-15 | Humoresques for Violin and Orchestra, op. 87: No. 1 in D minor | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-16 | Humoresques for Violin and Orchestra, op. 87: No. 2 in D major | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-17 | Humoresques for Violin and Orchestra, op. Humoresques, op. 89: No. 1 in G minor | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-18 | Humoresques for Violin and Orchestra, op. 89: No. 2 in G minor | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-19 | Humoresques for Violin and Orchestra, op. 89: No. 3 in E-flat major | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | T-910.256.719-1 | |
| 20-20 | Humoresques for Violin and Orchestra, op. 89: No. 4 in G minor | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-21 | Evening Mood, op. 120 | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 21-1 | Études-tableaux, op. 39: No. 1 in C minor: Allegro agitato | — | ||
| 21-2 | Études-tableaux, op. 39: No. 2 in A minor: Lento assai | — | ||
| 21-3 | Études-tableaux, op. 39: No. 3 in F-sharp minor: Allegro molto | — | ||
| 21-4 | Études-tableaux, op. 39: No. 4 in B minor: Allegro assai | — | ||
| 21-5 | Études-tableaux, op. 39: No. 5 in E-flat minor: Appassionato | — | ||
| 21-6 | Études-tableaux, op. 39: No. 6 in A minor: Allegro | — | ||
| 21-7 | Études-tableaux, op. 39: No. 7 in C minor: Lento | — | ||
| 21-8 | Études-tableaux, op. 39: No. 8 in D minor: Allegro moderato | — | ||
| 21-9 | Études-tableaux, op. 39: No. 9 in D major: Allegro moderato | — | ||
| 21-10 | Moments musicaux, op. 16: No. 1 in B-flat minor: Andantino | — | ||
| 21-11 | Moments musicaux, op. 16: No. 2 in E-flat minor: Allegretto | — | ||
| 21-12 | Moments musicaux, op. 16: No. 3 in B minor: Andante cantabile | — | ||
| 21-13 | Moments musicaux, op. 16: No. 4 in E minor: Presto | — | ||
| 21-14 | Moments musicaux, op. 16: No. 5 in D-flat major: Adagio sostenuto | — | ||
| 21-15 | Moments musicaux, op. 16: No. 6 in C major: Maestoso | — | ||
| 22-1 | Suite from "The Snow Maiden": I. Introduction | Seattle Symphony, Gerard Schwarz | — | |
| 22-2 | Suite from "The Snow Maiden": II. Dance of the Birds | Seattle Symphony, Gerard Schwarz | — | |
| 22-3 | Suite from "The Snow Maiden": III. Cortège | Seattle Symphony, Gerard Schwarz | — | |
| 22-4 | Suite from "The Snow Maiden": IV. Dance of the Clowns | Seattle Symphony, Gerard Schwarz | — | |
| 22-5 | Sadko, Musical Picture, op. 5 | Seattle Symphony, Gerard Schwarz | — | |
| 22-6 | Suite from "Mlada": I. Introduction | Seattle Symphony, Gerard Schwarz | — | |
| 22-7 | Suite from "Mlada": II. Redowa | Seattle Symphony, Gerard Schwarz | — | |
| 22-8 | Suite from "Mlada": III. Lithuanian Dance | Seattle Symphony, Gerard Schwarz | — | |
| 22-9 | Suite from "Mlada": IV. Indian Dance | Seattle Symphony, Gerard Schwarz | — | |
| 22-10 | Suite from "Mlada": V. Cortège | Seattle Symphony, Gerard Schwarz | — | |
| 22-11 | Suite from "Le Coq d’or": I. King Dodon in his Palace | Seattle Symphony, Gerard Schwarz | — | |
| 22-12 | Suite from "Le Coq d’or": II. King Dodon on the Battlefield | Seattle Symphony, Gerard Schwarz | — | |
| 22-13 | Suite from "Le Coq d’or": III. King Dodon with Queen of Shemakhan | Seattle Symphony, Gerard Schwarz | — | |
| 22-14 | Suite from "Le Coq d’or": IV. Marriage Feast and Lamentable End of King Dodon | Seattle Symphony, Gerard Schwarz | — | |
| 23-1 | Concierto de Aranjuez: I. Allegro con spirito | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | T-041.489.061-1 | |
| 23-2 | Concierto de Aranjuez: II. Adagio | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | T-041.489.061-1 | |
| 23-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 23-4 | Guitar Concerto, A. 501: I. Allegro preciso | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | — | |
| 23-5 | Guitar Concerto, A. 501: II. Andantino e andante: Cadenza | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | — | |
| 23-6 | Guitar Concerto, A. 501: III. Allegretto non troppo | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | — | |
| 23-7 | Guitar Concerto no. 1 in D major, op. 99: I. Allegretto | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | — | |
| 23-8 | Guitar Concerto no. 1 in D major, op. 99: II. Andantino alla romanza | — | ||
| 23-9 | Guitar Concerto no. 1 in D major, op. 99: III. Ritmico e cavalleresco - Quasi andante - Tempo I | — | ||
| 24-1 | Il barbiere di Siviglia: Sinfonia | Failoni Chamber Orchestra, Will Humburg | T-306.482.271-1 | |
| 24-2 | The Barber of Seville: Act I. Cavatina: Ecco, ridente in ciedo | — | ||
| 24-3 | Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro) | Roberto Servile, Failoni Chamber Orchestra, Will Humburg | T-900.095.253-4 | |
| 24-4 | The Barber of Seville: Act I. Duetto: All'idea di quel metallo | — | ||
| 24-5 | The Barber of Seville: Act I. Cavatina: Una voce poco fa | — | ||
| 24-6 | The Barber of Seville: Act I. Aria: La calunnia è un venticello | — | ||
| 24-7 | The Barber of Seville: Act I. Duetto: Dunque io son...tu non m'inganni? | — | ||
| 24-8 | The Barber of Seville: Act I. Aria: A un dottor della mia sorte | — | ||
| 24-9 | The Barber of Seville: Act I. Finale: Fredda ed immobile | — | ||
| 24-10 | The Barber of Seville: Act II. Duetto: Pace e gioia sia con voi | — | ||
| 24-11 | The Barber of Seville: Act II. Aria: Contro un cor che accende amore | — | ||
| 24-12 | The Barber of Seville: Act II. Sequito del Quintetto: Buona sera, mio signore | — | ||
| 24-13 | The Barber of Seville: Act II. Aria: Il vecchiotto cerca moglie | — | ||
| 24-14 | The Barber of Seville: Act II. Terzetto: Ah! qual colpo inaspettato! | — | ||
| 24-15 | The Barber of Seville: Act II. Finaletto: Di si felice innesto serbiam memoria eterna? | — | ||
| 25-1 | Fantasy on Carmen, op. 25: Introduction: Allegro moderato (Aragonaise) | — | ||
| 25-2 | Fantasy on Carmen, op. 25: I. Moderato (Habanera) | — | ||
| 25-3 | Fantasy on Carmen, op. 25: II. Lento assai | — | ||
| 25-4 | Fantasy on Carmen, op. 25: III. Allegro moderato (Seguidilla) | — | ||
| 25-5 | Fantasy on Carmen, op. 25: IV. Moderato – Animato (Gypsy Dance) | — | ||
| 25-6 | Concert Fantasy on Gounod’s Roméo et Juliette, op. 5 | — | ||
| 25-7 | Canciones rusas, op. 49 | — | ||
| 25-8 | El canto del ruiseñor, op. 29 | — | ||
| 25-9 | La Chasse, op. 44 | — | ||
| 25-10 | Jota de Pablo, op. 52 | — | ||
| 26-1 | Stabat Mater, op. 53: I. Stabat mater dolorosa | — | ||
| 26-2 | Stabat Mater, op. 53: II. Quis est homo qui non fleret | — | ||
| 26-3 | Stabat Mater, op. 53: III. Eia Mater, fons amoris | — | ||
| 26-4 | Stabat Mater, op. 53: IV. Fac me tecum pie flere | — | ||
| 26-5 | Stabat Mater, op. 53: V. Virgo virginum praeciara | — | ||
| 26-6 | Stabat Mater, op. 53: VI. Christe, cum sit hinc exire | Jarosław Bręk, Warsaw Philharmonic Choir, Iwona Hossa, Ewa Marciniec, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 26-7 | Veni Creator, op. 57 | — | ||
| 26-8 | Litania do Marii Panny, op. 59: I. Dwunastodzwieczna cytaro | — | ||
| 26-9 | Litania do Marii Panny, op. 59: II. Jak krzak skarlaly | — | ||
| 26-10 | Demeter, op. 37b | — | ||
| 26-11 | Penthesilea, op. 18 | — | ||
| 27-1 | Spem in alium (40‐Voice Motet) | Oxford Camerata, Jeremy Summerly | T-906.288.103-2 | |
| 27-2 | Salve intemerata virgo | Oxford Camerata, Jeremy Summerly | — | |
| 27-3 | Missa Salve intemerata: Gloria | Oxford Camerata, Jeremy Summerly | T-905.034.867-9 | |
| 27-4 | Missa Salve intemerata: Credo | Oxford Camerata, Jeremy Summerly | T-002.632.480-0 | |
| 27-5 | Missa Salve intemerata: Sanctus | Oxford Camerata, Jeremy Summerly | T-060.951.046-4 | |
| 27-6 | Mass, "Salve intemerata" (excerpts): Agnus Dei | Oxford Camerata, Jeremy Summerly | T-910.379.859-0 | |
| 27-7 | With all our heart | Oxford Camerata, Jeremy Summerly | T-070.200.502-4 | |
| 27-8 | Discomfort them, O Lord | Oxford Camerata, Jeremy Summerly | — | |
| 27-9 | I call and cry to thee, O Lord | Oxford Camerata, Jeremy Summerly | — | |
| 28-1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto | — | ||
| 28-2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | — | ||
| 28-3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | — | ||
| 28-4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | — | ||
| 28-5 | The Voyevoda, op. 78 | — | ||
| 29-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 29-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | — | ||
| 29-3 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | — | ||
| 29-4 | Sérénade mélancolique, op. 26 | — | ||
| 29-5 | Souvenir d'un lieu cher, op. 42: I. Méditation | — | ||
| 29-6 | Souvenir d'un lieu cher, op. 42: II. Scherzo | — | ||
| 29-7 | Souvenir d'un lieu cher, op. 42: III. Mélodie | — | ||
| 29-8 | Valse-Scherzo, op. 34 | — | ||
| 30-1 | Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-2 | Violin Concerto in E major, op. 8 no. 1 "Spring": II. Largo e pianissimo sempre | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-3 | Violin Concerto in E major, op. 8 no. 1 "Spring": III. Danza pastorale (Allegro) | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-4 | Violin Concerto in G minor, op. 8 no. 2 "Summer": I. Allegro non molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-5 | Violin Concerto in G minor, op. 8 no. 2 "Summer": II. Adagio - Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-6 | Violin Concerto in G minor, op. 8 no. 2 "Summer": III. Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-7 | The Four Seasons - Autumn: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-8 | Violin Concerto in F major, op. 8 no. 3 “Autumn”: II. Adagio molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-9 | Violin Concerto in F major, op. 8 no. 3 "Autumn": III. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-10 | Winter From “The Four Seasons”: Allegro non molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-11 | Winter from “The Four Seasons” - Largo | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-910.415.366-4 | |
| 30-12 | Winter From "The Four Seasons" - Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-902.836.120-8 | |
| 30-13 | Concerto for Strings in G major, RV 151 "Concerto alla rustica": I. Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-14 | Concerto for Strings in G major, RV 151 "Concerto alla rustica": II. Adagio | — | ||
| 30-15 | Concerto for Strings in G major, RV 151 "Concerto alla rustica": III. Allegro | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-925.881.218-9 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | T-071.125.227-5 |
| Piano Concerto no. 1 in E minor, op. 11: II. Romanza: Larghetto | İdil Biret, Štátna filharmónia Košice, Róbert Stankovský | T-308.381.369-4 |
| Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-903.286.302-8 |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Concierto de Aranjuez: II. Adagio | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | T-041.489.081-5 |
| Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro) | Roberto Servile, Failoni Chamber Orchestra, Will Humburg | T-001.394.025-4 |
| Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in E major, op. 8 no. 1 "Spring": II. Largo e pianissimo sempre | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-910.415.366-4 |
| Violin Concerto in E major, op. 8 no. 1 "Spring": III. Danza pastorale (Allegro) | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in G minor, op. 8 no. 2 "Summer": I. Allegro non molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in G minor, op. 8 no. 2 "Summer": II. Adagio - Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-071.481.827-5 |
| Violin Concerto in G minor, op. 8 no. 2 "Summer": III. Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| The Four Seasons - Autumn: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-061.483.131-0 |
| Violin Concerto in F major, op. 8 no. 3 “Autumn”: II. Adagio molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in F major, op. 8 no. 3 "Autumn": III. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-902.836.120-8 |
| Winter From “The Four Seasons”: Allegro non molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-061.483.131-0 |
| Violin Concerto in E major, op. 8 no. 1 "Spring": II. Largo e pianissimo sempre | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in E major, op. 8 no. 1 "Spring": III. Danza pastorale (Allegro) | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in G minor, op. 8 no. 2 "Summer": I. Allegro non molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-932.186.758-7 |
| Violin Concerto in G minor, op. 8 no. 2 "Summer": II. Adagio - Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in G minor, op. 8 no. 2 "Summer": III. Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| The Four Seasons - Autumn: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in F major, op. 8 no. 3 “Autumn”: II. Adagio molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Violin Concerto in F major, op. 8 no. 3 "Autumn": III. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Winter From “The Four Seasons”: Allegro non molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Winter From "The Four Seasons" - Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
| Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo | Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | — |
| Piano Concerto no. 2 in F minor, op. 21: Larghetto | İdil Biret, Czech-Slovak State Philharmonic Orchestra, Róbert Stankovský | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Jenő Jandó | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Cello Concerto in E minor, op. 85: I. Adagio – Moderato | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | — |
| Concerto for Flute, Harp and Orchestra, KV 299: II. Andantino | Patrick Gallois, Fabrice Pierre, Roderick Shaw, Swedish Chamber Orchestra, Katarina Andreasson | — |
| Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — |
| Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: II. Allegretto | Jenő Jandó | — |
| Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: III. Presto agitato | Jenő Jandó | — |
| Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
747313329335 is a Universal Product Code (UPC) assigned to The Anniversary Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 345 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
747313329335 is the Universal Product Code (UPC barcode) for the release “The Anniversary Collection” by Various Artists, released 2017-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 345 tracks, each with its own ISRC. Tracks include HKI190911314, HKI190911316, HKI190911321.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Overture no. 1 in C major, BWV 1066: I. Ouverture | — | ||
| 2 | Overture no. 1 in C major, BWV 1066: II. Courante | — | ||
| 3 | Overture no. 1 in C major, BWV 1066: III. Gavotte I/II | — | ||
| 4 | Overture no. 1 in C major, BWV 1066: IV. Forlane | — | ||
| 5 | Overture no. 1 in C major, BWV 1066: V. Menuet I/II | — | ||
| 6 | Overture no. 1 in C major, BWV 1066: VI. Bourée I/II | — | ||
| 7 | Overture no. 1 in C major, BWV 1066: VII. Passepied I/II | — | ||
| 8 | Overture no. 2 in B minor, BWV 1067: I. Ouverture | — | ||
| 9 | Overture no. 2 in B minor, BWV 1067: II. Rondeau | — | ||
| 10 | Overture no. 2 in B minor, BWV 1067: III. Sarabande | — | ||
| 11 | Overture no. 2 in B minor, BWV 1067: IV. Bourée I/II | — | ||
| 12 | Overture no. 2 in B minor, BWV 1067: V. Polonaise, Double | — | ||
| 13 | Overture no. 2 in B minor, BWV 1067: VI. Menuet | — | ||
| 14 | Overture No. 2 in B minor, BWV 1067: VII. Badinerie | Kölner Kammerorchester, Helmut Müller-Brühl | T-011.654.484-3 | |
| 15 | Overture no. 3 in D major, BWV 1068: I. Ouverture | — | ||
| 16 | Overture No. 3 in D major, BWV 1068: II. Air | Kölner Kammerorchester, Helmut Müller-Brühl | T-914.248.874-2 | |
| 17 | Overture no. 3 in D major, BWV 1068: III. Gavotte I/II | — | ||
| 18 | Overture no. 3 in D major, BWV 1068: IV. Bourée | — | ||
| 19 | Overture no. 3 in D major, BWV 1068: V. Gigue | — | ||
| 20 | Overture no. 4 in D major, BWV 1069: I. Ouverture | — | ||
| 21 | Overture No. 4 in D major, BWV 1069: II. Bourée I/II | Kölner Kammerorchester, Helmut Müller-Brühl | — | |
| 22 | Overture no. 4 in D major, BWV 1069: III. Gavotte | — | ||
| 23 | Overture no. 4 in D major, BWV 1069: IV. Menuet I/II | — | ||
| 24 | Overture no. 4 in D major, BWV 1069: V. Réjouissance | — | ||
| 2-1 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: I. Grave - Allegro di molto e con brio | Jenő Jandó | T-915.723.669-6 | |
| 2-2 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile | Jenő Jandó | T-001.397.158-8 | |
| 2-3 | Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: III. Rondo. Allegro | Jenő Jandó | — | |
| 2-4 | Piano Sonata no. 14 in C‐sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: I. Adagio sostenuto | Jenő Jandó | — | |
| 2-5 | Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: II. Allegretto | Jenő Jandó | — | |
| 2-6 | Piano Sonata no. 14 in C-sharp minor ‘quasi una fantasia’, op. 27 no. 2 “Moonlight”: III. Presto agitato | Jenő Jandó | — | |
| 2-7 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: I. Allegro assai | Jenő Jandó | T-306.395.786-4 | |
| 2-8 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: II. Andante con moto | Jenő Jandó | — | |
| 2-9 | Piano Sonata no. 23 in F minor, op. 57 “Appassionata”: III. Allegro ma non troppo - Presto | Jenő Jandó | — | |
| 3-1 | Cello Sonata no. 1 in E minor, op. 38: I. Allegro non troppo | — | ||
| 3-2 | Cello Sonata no. 1 in E minor, op. 38: II. Allegretto quasi menuetto | — | ||
| 3-3 | Cello Sonata no. 1 in E minor, op. 38: III. Allegro | — | ||
| 3-4 | Die Mainacht, op. 43 no. 2 | — | ||
| 3-5 | Botschaft, op. 47 no. 1 | — | ||
| 3-6 | Liebesglut, op. 47 no. 2 | — | ||
| 3-7 | Verzagen, op. 72 no. 4 | — | ||
| 3-8 | Sommerabend, op. 85 no. 1 | — | ||
| 3-9 | Nachtigall, op. 97 no. 1 | — | ||
| 3-10 | Cello Sonata no. 2 in F major, op. 99: I. Allegro vivace | — | ||
| 3-11 | Cello Sonata no. 2 in F major, op. 99: II. Adagio affettuoso | — | ||
| 3-12 | Cello Sonata no. 2 in F major, op. 99: III. Allegro passionato | — | ||
| 3-13 | Cello Sonata no. 2 in F major, op. 99: IV. Allegro molto | — | ||
| 4-1 | Symphony no. 5 in B-flat major, WAB 105: I. Adagio - Allegro | Royal Scottish National Orchestra, Georg Tintner | — | |
| 4-2 | Symphony no. 5 in B-flat major, WAB 105: II. Adagio | Royal Scottish National Orchestra, Georg Tintner | — | |
| 4-3 | Symphony no. 5 in B-flat major, WAB 105: III. Scherzo: Molto vivace | Royal Scottish National Orchestra, Georg Tintner | — | |
| 4-4 | Symphony no. 5 in B-flat major, WAB 105: IV. Finale: Adagio - Allegro moderato | Royal Scottish National Orchestra, Georg Tintner | — | |
| 5-1 | Piano Concerto no. 1 in E minor, op. 11: I. Allegro maestoso | İdil Biret, Štátna filharmónia Košice, Róbert Stankovský | T-308.381.369-4 | |
| 5-2 | Piano Concerto no. 1 in E minor, op. 11: II. Romanza: Larghetto | İdil Biret, Štátna filharmónia Košice, Róbert Stankovský | — | |
| 5-3 | Piano Concerto no. 1 in E minor, op. 11: III. Rondo. Vivace | Štátna filharmónia Košice, Róbert Stankovský, İdil Biret | — | |
| 5-4 | Piano Concerto no. 2 in F minor, op. 21: I. Maestoso | — | ||
| 5-5 | Piano Concerto no. 2 in F minor, op. 21: Larghetto | İdil Biret, Czech-Slovak State Philharmonic Orchestra, Róbert Stankovský | — | |
| 5-6 | Piano Concerto no. 2 in F minor, op. 21: III. Allegro vivace | — | ||
| 6-1 | Rodeo (Complete Ballet): I. Buckaroo Holiday | — | ||
| 6-2 | Rodeo (Complete Ballet): II. Corral Nocturne | Detroit Symphony Orchestra, Leonard Slatkin | — | |
| 6-3 | Rodeo (Complete Ballet): III. Ranch House Party | — | ||
| 6-4 | Rodeo (Complete Ballet): IV. Saturday Night Waltz | — | ||
| 6-5 | Rodeo (Complete Ballet): V. Hoe Down | — | ||
| 6-6 | Dance Panels: I. Introduction: Moderato (Tempo di valzer) - Espressivo un poco rubato | — | ||
| 6-7 | Dance Panels: II. Allegretto con tenerezza (Un poco rubato) | — | ||
| 6-8 | Dance Panels: III. Scherzando - Moderato | — | ||
| 6-9 | Dance Panels: IV. Pas de trois: Lento | — | ||
| 6-10 | Dance Panels: V. Con brio | — | ||
| 6-11 | Dance Panels: VI. Con moto | — | ||
| 6-12 | Dance Panels: VII. Molto ritmico - Coda - Come prima - Moderato | — | ||
| 6-13 | El Salón México | — | ||
| 6-14 | Danzón Cubano | — | ||
| 7-1 | Metropolis Symphony: I. Lex | Nashville Symphony Orchestra, Giancarlo Guerrero | — | |
| 7-2 | Metropolis Symphony: II. Krypton | — | ||
| 7-3 | Metropolis Symphony: III. MXYZPTLK | — | ||
| 7-4 | Metropolis Symphony: IV. Oh, Lois! | — | ||
| 7-5 | Metropolis Symphony: V. Red Cape Tango | — | ||
| 7-6 | Deus ex Machina: I. Fast Forward (Di andata veloce) | — | ||
| 7-7 | Deus ex Machina: II. Train of Tears | — | ||
| 7-8 | Deus ex Machina: III. Night Steam | — | ||
| 8-1 | Préludes, Book One: Danseuses de Delphes | — | ||
| 8-2 | Préludes, Book One: Voiles | Royal Scottish National Orchestra, Jun Märkl | — | |
| 8-3 | Préludes, Book One: Le vent dans la plaine | — | ||
| 8-4 | Préludes, Book One: “Les sons et les parfums tournent dans l’air du soir” | — | ||
| 8-5 | Préludes, Book One: Les collines d’Anacapri | — | ||
| 8-6 | Préludes, Book One: Des pas sur la neige | — | ||
| 8-7 | Préludes, Book One: Ce qu’a vu le vent d’ouest | — | ||
| 8-8 | Préludes, Book One: La fille aux cheveux de lin | — | ||
| 8-9 | Préludes, Book One: La sérénade interrompue | — | ||
| 8-10 | Préludes, Book One: La cathédrale engloutie | — | ||
| 8-11 | Préludes, Book One: La danse de Puck | — | ||
| 8-12 | Préludes, Book One: Minstrels | — | ||
| 8-13 | Préludes, Book Two: Brouillards | — | ||
| 8-14 | Préludes, Book Two: Feuilles mortes | — | ||
| 8-15 | Préludes, Book Two: La Puerta del Vino | — | ||
| 8-16 | Préludes, Book Two: “Les fées sont d’exquises danseuses” | — | ||
| 8-17 | Préludes, Book Two: Bruyères | — | ||
| 8-18 | Préludes, Book Two: General Lavine – eccentric | — | ||
| 8-19 | Préludes, Book Two: La terrasse des audiences du clair de lune | — | ||
| 8-20 | Préludes, Book Two: Ondine | — | ||
| 8-21 | Préludes, Book Two: Hommage à S. Pickwith Esq. P.P.M.P.C. | — | ||
| 8-22 | Préludes, Book Two: Canope | — | ||
| 8-23 | Préludes, Book Two: Les tierces alternées | — | ||
| 8-24 | Préludes, Book Two: Feux d’artifice | — | ||
| 9-1 | Piano Trio no. 3 in F minor, op. 65, B. 130: I. Allegro ma non troppo - Poco più mosso, quasi vivace | — | ||
| 9-2 | Piano Trio no. 3 in F minor, op. 65, B. 130: II. Allegro grazioso - Meno mosso | — | ||
| 9-3 | Piano Trio no. 3 in F minor, op. 65, B. 130: III. Poco adagio | — | ||
| 9-4 | Piano Trio no. 3 in F minor, op. 65, B. 130: IV. Finale: Allegro con brio - Meno mosso - Vivace | — | ||
| 9-5 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": I. Lento maestoso - Allegro vivace, quasi doppio movimento - Tempo I - Allegro molto | — | ||
| 9-6 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": II. Poco adagio - Vivace non troppo | — | ||
| 9-7 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": III. Andante - Vivace non troppo - Andante - Allegretto | — | ||
| 9-8 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": IV. Andante moderato (quasi tempo di marcia) - Allegretto scherzando - Meno mosso - Allegro - Moderato | — | ||
| 9-9 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": V. Allegro | — | ||
| 9-10 | Piano Trio no. 4 in E minor, op. 90, B. 166 "Dumky": VI. Lento maestoso - Vivace, quasi doppio movimento - Lento - Vivace | — | ||
| 10-1 | Symphonic Variations, op. 78: Theme - Variations 1-27 - Finale | Baltimore Symphony Orchestra, Marin Alsop | — | |
| 10-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | Baltimore Symphony Orchestra, Marin Alsop | — | |
| 10-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | Baltimore Symphony Orchestra, Marin Alsop | T-902.286.256-2 | |
| 10-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Molto vivace | Baltimore Symphony Orchestra, Marin Alsop | — | |
| 10-5 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | Baltimore Symphony Orchestra, Marin Alsop | — | |
| 11-1 | Cello Concerto in B minor, op. 104: I. Allegro | — | ||
| 11-2 | Cello Concerto in B minor, op. 104: II. Adagio ma non troppo | — | ||
| 11-3 | Cello Concerto in B minor, op. 104: III. Finale: Allegro moderato - Andante - Allegro vivo | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | — | |
| 11-4 | Cello Concerto in E minor, op. 85: I. Adagio – Moderato | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | — | |
| 11-5 | Cello Concerto in E minor, op. 85: II. Lento – Allegro molto | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | T-010.115.156-7 | |
| 11-6 | Cello Concerto in E minor, op. 85: III. Adagio | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | T-010.115.155-6 | |
| 11-7 | Cello Concerto in E minor, op. 85: IV. Allegro - Moderato - Allegro ma non troppo | Maria Kliegel, Royal Philharmonic Orchestra, Michael Halász | T-010.115.154-5 | |
| 12-1 | Coronation March, op. 65 | — | ||
| 12-2 | Funeral March (from Grania and Diarmid, op. 42) | — | ||
| 12-3 | Pomp and Circumstance Marches, op. 39: No. 1 in D minor | New Zealand Symphony Orchestra, James Judd | — | |
| 12-4 | Pomp and Circumstance Marches, op. 39: No. 2 in A minor | New Zealand Symphony Orchestra, James Judd | — | |
| 12-5 | Pomp and Circumstance Marches, op. 39: No. 3 in C minor | New Zealand Symphony Orchestra, James Judd | — | |
| 12-6 | Pomp and Circumstance Marches, op. 39: No. 4 in G major | New Zealand Symphony Orchestra, James Judd | T-010.247.851-2 | |
| 12-7 | Pomp and Circumstance Marches, op. 39: No. 5 in C major | New Zealand Symphony Orchestra, James Judd | — | |
| 12-8 | March from Caractacus, op. 35 | — | ||
| 12-9 | March of the Mogul Emperors, op. 66 no. 4 | — | ||
| 12-10 | Empire March | — | ||
| 12-11 | Polonia, op. 76 | — | ||
| 13-1 | Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": I. Wandering Pilgrims: Il'ya Muromets and Svyatogor. Andante sostenuto - Allegro risoluto | — | ||
| 13-2 | Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": II. Solovey, the Brigand. Andante | — | ||
| 13-3 | Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": III. At the Court of Vladimir, the Mighty Sun. Allegro | — | ||
| 13-4 | Symphony no. 3 in B minor, op. 42 "Il'ya Muromets": IV. The Heroism and Petrification of Il'ya Muromets. Allegtro tumultuoso - Andante | — | ||
| 14-1 | Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: I. Lento: Sostenuto tranquillo ma cantabile | Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-2 | Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: II. Lento e largo: Tranquillissimo - Cantabilissimo - Dolcissimo - Legatissimo | Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-3 | Symphony no. 3, op. 36 “Symphony of Sorrowful Songs”: III. Lento: Cantabile semplice | Zofia Kilanowicz, Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-4 | 3 Olden Style Pieces: I. | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-5 | 3 Olden Style Pieces: II. | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 14-6 | 3 Utwory w dawnym stylu (3 Pieces in Old Style), No. 3 | Polish National Radio Symphony Orchestra, Antoni Wit | — | |
| 15-1 | Peer Gynt Suite no. 1 op. 46: I. Morgenstemning (Morning Mood) | Malmö Symphony Orchestra, Bjarte Engeset | T-304.254.813-6 | |
| 15-2 | Peer Gynt Suite no. 1 op. 46: II. Åses død (The Death of Åse) | Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-3 | Peer Gynt Suite no. 1 op. 46: III. Anitras dans (Anitra’s Dance) | Malmö SymfoniOrkester, Bjarte Engeset | T-928.635.589-3 | |
| 15-4 | Peer Gynt Suite no. 1 op. 46: IV. I Dovregubbens hall (In the Hall of the Mountain King) | Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-5 | Peer Gynt Suite no. 2 op. 55: I. Bruderovet - Ingrids klage (The Abduction of the Bride - Ingrid’s Lament) | Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-6 | Peer Gynt Suite no. 2 op. 55: II. Arabisk dans (Arabian Dance) | Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-7 | Peer Gynt Suite no. 2 op. 55: III. Peer Gynts hjemfart (Peer Gynt’s Homecoming) | Malmö SymfoniOrkester, Bjarte Engeset | T-300.003.632-4 | |
| 15-8 | Peer Gynt Suite no. 2 op. 55: IV. Solveigs sang (Solveig’s Song) | Malmö SymfoniOrkester, Bjarte Engeset | T-905.806.281-0 | |
| 15-9 | Fire Digte fra “Fiskerjenten” (Four Poems from “The Fisher-Maiden”), op. 21 no. 1: Det første møde (The First Meeting) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-10 | Den Bergtekne (The Mountain Thrall), op. 32 | Inger Dam-Jensen, Palle Knudsen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-11 | Six Orchestral Songs, EG 177 no. 1: Solveigs sang (Solveig’s Song) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-12 | Six Orchestral Songs, EG 177 no. 2: Solveigs vuggevise (Solveig’s Cradle Song) | Inger Dam-Jensen, Palle Knudsen, Malmö Symphony Orchestra, Bjarte Engeset | — | |
| 15-13 | Six Orchestral Songs, EG 177 no. 3: Fra Monte Pincio (From Monte Pincio) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-14 | Six Orchestral Songs, EG 177 no. 4: En Svane (A Swan) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-15 | Six Orchestral Songs, EG 177 no. 5: Våren (Last Spring) | Inger Dam-Jensen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 15-16 | Six Orchestral Songs, EG 177 no. 6: Henrik Wergeland | Palle Knudsen, Malmö SymfoniOrkester, Bjarte Engeset | — | |
| 16-1 | Water Music Suite No. 1 in F major, HWV 348: I. Overture / II. Adagio e staccato | Aradia Ensemble, Kevin Mallon | — | |
| 16-2 | Water Music Suite No. 1 in F major, HWV 348: III. Andante / IV. Andante | Aradia Ensemble, Kevin Mallon | — | |
| 16-3 | Water Music Suite No. 1 in F major, HWV 348: V. Passepied | Aradia Ensemble, Kevin Mallon | — | |
| 16-4 | Water Music Suite No. 1 in F major, HWV 348: VI. Air | Aradia Ensemble, Kevin Mallon | T-306.036.936-6 | |
| 16-5 | Water Music Suite No. 1 in F major, HWV 348: VII. Minuet | Aradia Ensemble, Kevin Mallon | — | |
| 16-6 | Water Music Suite No. 1 in F major, HWV 348: VIII. Bourrée | Aradia Ensemble, Kevin Mallon | — | |
| 16-7 | Water Music Suite No. 1 in F major, HWV 348: IX. Hornpipe | Aradia Ensemble, Kevin Mallon | — | |
| 16-8 | Water Music Suite No. 1 in F major, HWV 348: X. Allegro | Aradia Ensemble, Kevin Mallon | — | |
| 16-9 | Water Music Suite No. 2 in D major, HWV 349: I. Overture | Aradia Ensemble, Kevin Mallon | — | |
| 16-10 | Water Music Suite No. 2 in D major, HWV 349: II. Alla Hornpipe | Aradia Ensemble, Kevin Mallon | T-905.384.308-6 | |
| 16-11 | Water Music Suite No. 2 in D major, HWV 349: III. Minuet | Aradia Ensemble, Kevin Mallon | — | |
| 16-12 | Water Music Suite No. 2 in D major, HWV 349: IV. Lentement | Aradia Ensemble, Kevin Mallon | — | |
| 16-13 | Water Music Suite No. 2 in D major, HWV 349: V. Bourrée | Aradia Ensemble, Kevin Mallon | — | |
| 16-14 | Water Music Suite No. 3 in G major, HWV 350: I. Sarabande | Aradia Ensemble, Kevin Mallon | — | |
| 16-15 | Water Music Suite No. 3 in G major, HWV 350: II. Rigaudon I and II | Aradia Ensemble, Kevin Mallon | — | |
| 16-16 | Water Music Suite No. 3 in G major, HWV 350: III. Menuet I and II | Aradia Ensemble, Kevin Mallon | — | |
| 16-17 | Water Music Suite No. 3 in G major, HWV 350: IV. Gigue I and II | Aradia Ensemble, Kevin Mallon | — | |
| 16-18 | Music for the Royal Fireworks, HWV 351: I. Overture | Aradia Ensemble, Kevin Mallon | — | |
| 16-19 | Music for the Royal Fireworks, HWV 351: II. Bourrée | Aradia Ensemble, Kevin Mallon | — | |
| 16-20 | Music for the Royal Fireworks, HWV 351: III. La Paix | Aradia Ensemble, Kevin Mallon | — | |
| 16-21 | Music for the Royal Fireworks, HWV 351: IV. La réjouissance | Aradia Ensemble, Kevin Mallon | — | |
| 16-22 | Music for the Royal Fireworks, HWV 351: V. Menuets I and II | Aradia Ensemble, Kevin Mallon | — | |
| 17-1 | String Quartet no. 63 in B-flat major, op. 76 no. 4 "Sunrise": I. Allegro con spirito | — | ||
| 17-2 | String Quartet no. 63 in B-flat major, op. 76 no. 4 "Sunrise": II. Adagio | — | ||
| 17-3 | String Quartet no. 63 in B-flat major, op. 76 no. 4 "Sunrise": III. Menuetto: Allegro | — | ||
| 17-4 | String Quartet no. 63 in B-flat major, op. 76 no. 4 "Sunrise": IV. Finale: Allegro ma non troppo | — | ||
| 17-5 | String Quartet no. 64 in D major, op. 76 no. 5 "Largo": I. Allegretto - Allegro | — | ||
| 17-6 | String Quartet no. 64 in D major, op. 76 no. 5 "Largo": II. Largo cantabile e mesto | — | ||
| 17-7 | String Quartet no. 64 in D major, op. 76 no. 5 "Largo": III. Menuetto: Allegro | — | ||
| 17-8 | String Quartet no. 64 in D major, op. 76 no. 5 "Largo": IV. Finale: Presto | — | ||
| 17-9 | String Quartet no. 65 in E-flat major, op. 76 no. 6: I. Allegretto - Allegro | — | ||
| 17-10 | String Quartet no. 65 in E-flat major, op. 76 no. 6: II. Fantasia: Adagio | — | ||
| 17-11 | String Quartet no. 65 in E-flat major, op. 76 no. 6: III. Menuetto: Presto | — | ||
| 17-12 | String Quartet no. 65 in E-flat major, op. 76 no. 6: IV. Finale: Allegro spirituoso | — | ||
| 18-1 | Piano Concerto no. 1 in E-flat major, S. 124: I. Allegro maestoso | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-2 | Piano Concerto no. 1 in E-flat major, S. 124: II. Quasi adagio | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-3 | Piano Concerto no. 1 in E-flat major, S. 124: III. Allegretto vivace - Allegro animato | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-4 | Piano Concerto no. 1 in E-flat major, S. 124: IV. Allegro marziale animato | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-5 | Piano Concerto no. 2 in A major, S. 125: I. Adagio sostenuto assai - Allegro agitato assai | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-6 | Piano Concerto no. 2 in A major, S. 125: II. Allegro moderato | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-7 | Piano Concerto no. 2 in A major, S. 125: III. Allegro deciso - Marziale un poco meno allegro | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | T-313.744.789-9 | |
| 18-8 | Piano Concerto no. 2 in A major, S. 125: IV. Allegro animato | Eldar Nebolsin, Royal Liverpool Philharmonic Orchestra, Vasily Petrenko | — | |
| 18-9 | Totentanz | — | ||
| 19-1 | Flute Concerto no. 2 in D major, K314: I. Allegro aperto | — | ||
| 19-2 | Flute Concerto no. 2 in D major, K314: II. Adagio ma non troppo | — | ||
| 19-3 | Flute Concerto no. 2 in D major, K314: III. Rondeau: Allegro | — | ||
| 19-4 | Concerto for Flute, Harp and Orchestra, K299: I. Allegro | — | ||
| 19-5 | Flute & Harp Concerto in C major, K299: II. Andantino | Jiří Válek, Hana Müllerová, Richard Edlinger, Patrick Gallois, Fabrice Pierre, Roderick Shaw, Capella Istropolitana, Svenska Kammarorkestern, Katarina Andreasson | T-911.534.020-0 | |
| 19-6 | Concerto for Flute, Harp and Orchestra, K299: III. Rondeau: Allegro | — | ||
| 19-7 | Flute Concerto no. 1 in G major, K313: I. Allegro maestoso | — | ||
| 19-8 | Flute Concerto No. 1 in G major, KV 313: II. Adagio ma non troppo | Patrick Gallois, Roderick Shaw, Svenska Kammarorkestern | — | |
| 19-9 | Flute Concerto no. 1 in G major, K313: III. Rondo: Tempo di menuetto | — | ||
| 20-1 | Six Old Village Songs from Lom in Norway: I. Andante | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-2 | Six Old Village Songs from Lom in Norway: II. Lento | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-3 | Six Old Village Songs from Lom in Norway: III. Allegro moderato | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-4 | Six Old Village Songs from Lom in Norway: IV. Allegretto | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-5 | Six Old Village Songs from Lom in Norway: V. Andante | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-6 | Six Old Village Songs from Lom in Norway: VI. Moderato | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-7 | Suite no. 3 for Violin, Viola and String Orchestra, op. 19: I. Prelude | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-8 | Suite no. 3 for Violin, Viola and String Orchestra, op. 19: II. Pantomim | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-9 | Suite no. 3 for Violin, Viola and String Orchestra, op. 19: III. Vision | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-10 | Two Sentimental Romances for Violin and Orchestra, op. 28: I. Andantino | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-11 | Two Sentimental Romances for Violin and Orchestra, op. 28: II. Allegro patetico | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-12 | Los recuerdos de la Habana | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-13 | A Mountain Vision | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-14 | Norwegian Dance no. 3 | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-15 | Humoresques for Violin and Orchestra, op. 87: No. 1 in D minor | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-16 | Humoresques for Violin and Orchestra, op. 87: No. 2 in D major | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-17 | Humoresques for Violin and Orchestra, op. Humoresques, op. 89: No. 1 in G minor | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-18 | Humoresques for Violin and Orchestra, op. 89: No. 2 in G minor | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-19 | Humoresques for Violin and Orchestra, op. 89: No. 3 in E-flat major | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | T-910.256.719-1 | |
| 20-20 | Humoresques for Violin and Orchestra, op. 89: No. 4 in G minor | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 20-21 | Evening Mood, op. 120 | Henning Kraggerud, Dalasinfoniettan, Bjarte Engeset | — | |
| 21-1 | Études-tableaux, op. 39: No. 1 in C minor: Allegro agitato | — | ||
| 21-2 | Études-tableaux, op. 39: No. 2 in A minor: Lento assai | — | ||
| 21-3 | Études-tableaux, op. 39: No. 3 in F-sharp minor: Allegro molto | — | ||
| 21-4 | Études-tableaux, op. 39: No. 4 in B minor: Allegro assai | — | ||
| 21-5 | Études-tableaux, op. 39: No. 5 in E-flat minor: Appassionato | — | ||
| 21-6 | Études-tableaux, op. 39: No. 6 in A minor: Allegro | — | ||
| 21-7 | Études-tableaux, op. 39: No. 7 in C minor: Lento | — | ||
| 21-8 | Études-tableaux, op. 39: No. 8 in D minor: Allegro moderato | — | ||
| 21-9 | Études-tableaux, op. 39: No. 9 in D major: Allegro moderato | — | ||
| 21-10 | Moments musicaux, op. 16: No. 1 in B-flat minor: Andantino | — | ||
| 21-11 | Moments musicaux, op. 16: No. 2 in E-flat minor: Allegretto | — | ||
| 21-12 | Moments musicaux, op. 16: No. 3 in B minor: Andante cantabile | — | ||
| 21-13 | Moments musicaux, op. 16: No. 4 in E minor: Presto | — | ||
| 21-14 | Moments musicaux, op. 16: No. 5 in D-flat major: Adagio sostenuto | — | ||
| 21-15 | Moments musicaux, op. 16: No. 6 in C major: Maestoso | — | ||
| 22-1 | Suite from "The Snow Maiden": I. Introduction | Seattle Symphony, Gerard Schwarz | — | |
| 22-2 | Suite from "The Snow Maiden": II. Dance of the Birds | Seattle Symphony, Gerard Schwarz | — | |
| 22-3 | Suite from "The Snow Maiden": III. Cortège | Seattle Symphony, Gerard Schwarz | — | |
| 22-4 | Suite from "The Snow Maiden": IV. Dance of the Clowns | Seattle Symphony, Gerard Schwarz | — | |
| 22-5 | Sadko, Musical Picture, op. 5 | Seattle Symphony, Gerard Schwarz | — | |
| 22-6 | Suite from "Mlada": I. Introduction | Seattle Symphony, Gerard Schwarz | — | |
| 22-7 | Suite from "Mlada": II. Redowa | Seattle Symphony, Gerard Schwarz | — | |
| 22-8 | Suite from "Mlada": III. Lithuanian Dance | Seattle Symphony, Gerard Schwarz | — | |
| 22-9 | Suite from "Mlada": IV. Indian Dance | Seattle Symphony, Gerard Schwarz | — | |
| 22-10 | Suite from "Mlada": V. Cortège | Seattle Symphony, Gerard Schwarz | — | |
| 22-11 | Suite from "Le Coq d’or": I. King Dodon in his Palace | Seattle Symphony, Gerard Schwarz | — | |
| 22-12 | Suite from "Le Coq d’or": II. King Dodon on the Battlefield | Seattle Symphony, Gerard Schwarz | — | |
| 22-13 | Suite from "Le Coq d’or": III. King Dodon with Queen of Shemakhan | Seattle Symphony, Gerard Schwarz | — | |
| 22-14 | Suite from "Le Coq d’or": IV. Marriage Feast and Lamentable End of King Dodon | Seattle Symphony, Gerard Schwarz | — | |
| 23-1 | Concierto de Aranjuez: I. Allegro con spirito | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | T-041.489.061-1 | |
| 23-2 | Concierto de Aranjuez: II. Adagio | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | T-041.489.061-1 | |
| 23-3 | Concierto de Aranjuez: III. Allegro gentile | — | ||
| 23-4 | Guitar Concerto, A. 501: I. Allegro preciso | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | — | |
| 23-5 | Guitar Concerto, A. 501: II. Andantino e andante: Cadenza | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | — | |
| 23-6 | Guitar Concerto, A. 501: III. Allegretto non troppo | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | — | |
| 23-7 | Guitar Concerto no. 1 in D major, op. 99: I. Allegretto | Norbert Kraft, Northern Chamber Orchestra, Nicholas Ward | — | |
| 23-8 | Guitar Concerto no. 1 in D major, op. 99: II. Andantino alla romanza | — | ||
| 23-9 | Guitar Concerto no. 1 in D major, op. 99: III. Ritmico e cavalleresco - Quasi andante - Tempo I | — | ||
| 24-1 | Il barbiere di Siviglia: Sinfonia | Failoni Chamber Orchestra, Will Humburg | T-306.482.271-1 | |
| 24-2 | The Barber of Seville: Act I. Cavatina: Ecco, ridente in ciedo | — | ||
| 24-3 | Il barbiere di Siviglia: Atto I, scena 2. No. 2 Cavatina "Largo al factotum della città" (Figaro) | Roberto Servile, Failoni Chamber Orchestra, Will Humburg | T-900.095.253-4 | |
| 24-4 | The Barber of Seville: Act I. Duetto: All'idea di quel metallo | — | ||
| 24-5 | The Barber of Seville: Act I. Cavatina: Una voce poco fa | — | ||
| 24-6 | The Barber of Seville: Act I. Aria: La calunnia è un venticello | — | ||
| 24-7 | The Barber of Seville: Act I. Duetto: Dunque io son...tu non m'inganni? | — | ||
| 24-8 | The Barber of Seville: Act I. Aria: A un dottor della mia sorte | — | ||
| 24-9 | The Barber of Seville: Act I. Finale: Fredda ed immobile | — | ||
| 24-10 | The Barber of Seville: Act II. Duetto: Pace e gioia sia con voi | — | ||
| 24-11 | The Barber of Seville: Act II. Aria: Contro un cor che accende amore | — | ||
| 24-12 | The Barber of Seville: Act II. Sequito del Quintetto: Buona sera, mio signore | — | ||
| 24-13 | The Barber of Seville: Act II. Aria: Il vecchiotto cerca moglie | — | ||
| 24-14 | The Barber of Seville: Act II. Terzetto: Ah! qual colpo inaspettato! | — | ||
| 24-15 | The Barber of Seville: Act II. Finaletto: Di si felice innesto serbiam memoria eterna? | — | ||
| 25-1 | Fantasy on Carmen, op. 25: Introduction: Allegro moderato (Aragonaise) | — | ||
| 25-2 | Fantasy on Carmen, op. 25: I. Moderato (Habanera) | — | ||
| 25-3 | Fantasy on Carmen, op. 25: II. Lento assai | — | ||
| 25-4 | Fantasy on Carmen, op. 25: III. Allegro moderato (Seguidilla) | — | ||
| 25-5 | Fantasy on Carmen, op. 25: IV. Moderato – Animato (Gypsy Dance) | — | ||
| 25-6 | Concert Fantasy on Gounod’s Roméo et Juliette, op. 5 | — | ||
| 25-7 | Canciones rusas, op. 49 | — | ||
| 25-8 | El canto del ruiseñor, op. 29 | — | ||
| 25-9 | La Chasse, op. 44 | — | ||
| 25-10 | Jota de Pablo, op. 52 | — | ||
| 26-1 | Stabat Mater, op. 53: I. Stabat mater dolorosa | — | ||
| 26-2 | Stabat Mater, op. 53: II. Quis est homo qui non fleret | — | ||
| 26-3 | Stabat Mater, op. 53: III. Eia Mater, fons amoris | — | ||
| 26-4 | Stabat Mater, op. 53: IV. Fac me tecum pie flere | — | ||
| 26-5 | Stabat Mater, op. 53: V. Virgo virginum praeciara | — | ||
| 26-6 | Stabat Mater, op. 53: VI. Christe, cum sit hinc exire | Jarosław Bręk, Warsaw Philharmonic Choir, Iwona Hossa, Ewa Marciniec, Warsaw Philharmonic Orchestra, Antoni Wit | — | |
| 26-7 | Veni Creator, op. 57 | — | ||
| 26-8 | Litania do Marii Panny, op. 59: I. Dwunastodzwieczna cytaro | — | ||
| 26-9 | Litania do Marii Panny, op. 59: II. Jak krzak skarlaly | — | ||
| 26-10 | Demeter, op. 37b | — | ||
| 26-11 | Penthesilea, op. 18 | — | ||
| 27-1 | Spem in alium (40‐Voice Motet) | Oxford Camerata, Jeremy Summerly | T-906.288.103-2 | |
| 27-2 | Salve intemerata virgo | Oxford Camerata, Jeremy Summerly | — | |
| 27-3 | Missa Salve intemerata: Gloria | Oxford Camerata, Jeremy Summerly | T-905.034.867-9 | |
| 27-4 | Missa Salve intemerata: Credo | Oxford Camerata, Jeremy Summerly | T-002.632.480-0 | |
| 27-5 | Missa Salve intemerata: Sanctus | Oxford Camerata, Jeremy Summerly | T-060.951.046-4 | |
| 27-6 | Mass, "Salve intemerata" (excerpts): Agnus Dei | Oxford Camerata, Jeremy Summerly | T-910.379.859-0 | |
| 27-7 | With all our heart | Oxford Camerata, Jeremy Summerly | T-070.200.502-4 | |
| 27-8 | Discomfort them, O Lord | Oxford Camerata, Jeremy Summerly | — | |
| 27-9 | I call and cry to thee, O Lord | Oxford Camerata, Jeremy Summerly | — | |
| 28-1 | Manfred Symphony in B minor, op. 58: I. Lento lugubre - Moderato con moto | — | ||
| 28-2 | Manfred Symphony in B minor, op. 58: II. Vivace con spirito | — | ||
| 28-3 | Manfred Symphony in B minor, op. 58: III. Andante con moto | — | ||
| 28-4 | Manfred Symphony in B minor, op. 58: IV. Allegro con fuoco | — | ||
| 28-5 | The Voyevoda, op. 78 | — | ||
| 29-1 | Violin Concerto in D major, op. 35: I. Allegro moderato | — | ||
| 29-2 | Violin Concerto in D major, op. 35: II. Canzonetta: Andante | — | ||
| 29-3 | Violin Concerto in D major, op. 35: III. Finale: Allegro vivacissimo | — | ||
| 29-4 | Sérénade mélancolique, op. 26 | — | ||
| 29-5 | Souvenir d'un lieu cher, op. 42: I. Méditation | — | ||
| 29-6 | Souvenir d'un lieu cher, op. 42: II. Scherzo | — | ||
| 29-7 | Souvenir d'un lieu cher, op. 42: III. Mélodie | — | ||
| 29-8 | Valse-Scherzo, op. 34 | — | ||
| 30-1 | Violin Concerto in E major, op. 8 no. 1 “Spring”: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-2 | Violin Concerto in E major, op. 8 no. 1 "Spring": II. Largo e pianissimo sempre | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-3 | Violin Concerto in E major, op. 8 no. 1 "Spring": III. Danza pastorale (Allegro) | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-4 | Violin Concerto in G minor, op. 8 no. 2 "Summer": I. Allegro non molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-5 | Violin Concerto in G minor, op. 8 no. 2 "Summer": II. Adagio - Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-6 | Violin Concerto in G minor, op. 8 no. 2 "Summer": III. Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-7 | The Four Seasons - Autumn: I. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-8 | Violin Concerto in F major, op. 8 no. 3 “Autumn”: II. Adagio molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-9 | Violin Concerto in F major, op. 8 no. 3 "Autumn": III. Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-10 | Winter From “The Four Seasons”: Allegro non molto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-11 | Winter from “The Four Seasons” - Largo | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-910.415.366-4 | |
| 30-12 | Winter From "The Four Seasons" - Allegro | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | T-902.836.120-8 | |
| 30-13 | Concerto for Strings in G major, RV 151 "Concerto alla rustica": I. Presto | Takako Nishizaki, Capella Istropolitana, Stephen Gunzenhauser | — | |
| 30-14 | Concerto for Strings in G major, RV 151 "Concerto alla rustica": II. Adagio | — | ||
| 30-15 | Concerto for Strings in G major, RV 151 "Concerto alla rustica": III. Allegro | — |
