UPC · Release
Gerard Schwarz
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The UPC for “The Gerard Schwarz Collection” by Gerard Schwarz is 747313329434. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 359 tracks, each with its own ISRC. Tracks include HKI191202607, HKI191144506, HKI191144507.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Don Juan, Op. 20, TrV 156 | — | ||
| 2 | Tod und Verklärung, Op. 24, TrV 158 | — | ||
| 3 | Also sprach Zarathustra, Op. 30, TrV 176: I. Einleitung | — | ||
| 4 | Also sprach Zarathustra, Op. 30, TrV 176: II. Von den Hinterweltlern | — | ||
| 5 | Also sprach Zarathustra, Op. 30, TrV 176: III. Von der grossen Sehnsucht | — | ||
| 6 | Also sprach Zarathustra, Op. 30, TrV 176: IV. Von den Freuden- und Leidenschaften | — | ||
| 7 | Also sprach Zarathustra, Op. 30, TrV 176: V. Das Grablied | — | ||
| 8 | Also sprach Zarathustra, Op. 30, TrV 176: VI. Von der Wissenschaft | — | ||
| 9 | Also sprach Zarathustra, Op. 30, TrV 176: VII. Der Genesende | — | ||
| 10 | Also sprach Zarathustra, Op. 30, TrV 176: VIII. Das Tanzlied | — | ||
| 11 | Also sprach Zarathustra, Op. 30, TrV 176: IX. Nachtwandlerlied | — | ||
| 2-1 | Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 | — | ||
| 2-2 | Die Liebe der Danae, TrV 278a: Symphonic Fragment (Arr. C. Krauss for Orchestra) | — | ||
| 2-3 | Duett-Concertino, TrV 293: I. Allegro moderato | — | ||
| 2-4 | Duett-Concertino, TrV 293: II. Andante | — | ||
| 2-5 | Duett-Concertino, TrV 293: III. Rondo. Allegro ma non troppo | — | ||
| 2-6 | Divertimento, Op. 86 (After F. Couperin): I. La visionnaire | — | ||
| 2-7 | Divertimento, Op. 86 (After F. Couperin): IIa. Musette de Choisy | — | ||
| 2-8 | Divertimento, Op. 86 (After F. Couperin): IIb. La fine Madelon | — | ||
| 2-9 | Divertimento, Op. 86 (After F. Couperin): IIc. La douce Janneton | — | ||
| 2-10 | Divertimento, Op. 86 (After F. Couperin): IIe. La Sezile | — | ||
| 2-11 | Divertimento, Op. 86 (After F. Couperin): IId. Musette de Taverny | — | ||
| 2-12 | Divertimento, Op. 86 (After F. Couperin): III. Le tic-toc-choc - La Lutine | — | ||
| 2-13 | Divertimento, Op. 86 (After F. Couperin): IV. Les fauvettes plaintives | — | ||
| 2-14 | Divertimento, Op. 86 (After F. Couperin): Va. La trophée | — | ||
| 2-15 | Divertimento, Op. 86 (After F. Couperin): Vb. L'anguille | — | ||
| 2-16 | Divertimento, Op. 86 (After F. Couperin): Vc. Les jeunes seigneurs | — | ||
| 2-17 | Divertimento, Op. 86 (After F. Couperin): V. La linotte effrachochée | — | ||
| 2-18 | Divertimento, Op. 86 (After F. Couperin): VI. Les tours de passe-passe | — | ||
| 2-19 | Divertimento, Op. 86 (After F. Couperin): VII. Les ombres errantes | — | ||
| 2-20 | Divertimento, Op. 86 (After F. Couperin): VIIIa. Les brimborions | — | ||
| 2-21 | Divertimento, Op. 86 (After F. Couperin): VIIIb. La badine | — | ||
| 3-1 | Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto | — | ||
| 3-2 | Symphony No. 3 in F Major, Op. 90: II. Andante | — | ||
| 3-3 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | — | ||
| 3-4 | Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 3-5 | Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo | — | ||
| 3-6 | Symphony No. 4 in E Minor, Op. 98: II. Andante moderato | — | ||
| 3-7 | Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto | — | ||
| 3-8 | Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | — | ||
| 4-1 | Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro | — | ||
| 4-2 | Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | — | ||
| 4-3 | Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | — | ||
| 4-4 | Symphony No. 1 in C Minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio | — | ||
| 4-5 | 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor | Gerard Schwarz, Seattle Symphony Orchestra | T-909.573.827-5 | |
| 4-6 | 21 Hungarian Dances, WoO 1: No. 6 in D-Flat Major | — | ||
| 4-7 | 21 Hungarian Dances, WoO 1: No. 11 in D Minor | — | ||
| 4-8 | 21 Hungarian Dances, WoO 1: No. 16 in F Minor | — | ||
| 4-9 | Langsamer Satz (Arr. G. Schwarz for String Orchestra) | — | ||
| 5-1 | Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo | — | ||
| 5-2 | Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 5-3 | Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso quasi andantino - Presto ma non assai | — | ||
| 5-4 | Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito | — | ||
| 5-5 | Heimkehr aus der Fremde, Op. 89, MWV L6: Overture | — | ||
| 5-6 | Serenade in D Minor, Op. 44, B. 77: I. Moderato | — | ||
| 5-7 | Serenade in D Minor, Op. 44, B. 77: II. Minuetto | — | ||
| 5-8 | Serenade in D Minor, Op. 44, B. 77: III. Romance | — | ||
| 5-9 | Serenade in D Minor, Op. 44, B. 77: IV. Finale | — | ||
| 6-1 | Serenade No. 1 in D Major, Op. 11: I. Allegro molto | — | ||
| 6-2 | Serenade No. 1 in D Major, Op. 11: II. Scherzo. Allegro non troppo | — | ||
| 6-3 | Serenade No. 1 in D Major, Op. 11: III. Adagio non troppo | — | ||
| 6-4 | Serenade No. 1 in D Major, Op. 11: IV. Menuetti I & II | — | ||
| 6-5 | Serenade No. 1 in D Major, Op. 11: V. Scherzo. Allegro | — | ||
| 6-6 | Serenade No. 1 in D Major, Op. 11: VI. Rondo. Allegro | — | ||
| 6-7 | Czech Suite, Op. 39, B. 93: I. Preludium "Pastorale". Allegro moderato | — | ||
| 6-8 | Czech Suite, Op. 39, B. 93: II. Polka. Allegretto grazioso | — | ||
| 6-9 | Czech Suite, Op. 39, B. 93: III. Sousedská (Minuetto). Allegro giusto | — | ||
| 6-10 | Czech Suite, Op. 39, B. 93: IV. Romance. Andante con moto | — | ||
| 6-11 | Czech Suite, Op. 39, B. 93: V. Finale "Furiant". Presto | — | ||
| 7-1 | Concerto for String Quartet & Orchestra (Arr. of Handel's Op. 6 No. 7, HWV 325): I. Largo - Allegro | — | ||
| 7-2 | Concerto for String Quartet & Orchestra (Arr. of Handel's Op. 6 No. 7, HWV 325): II. Largo - Gerard Schwarz | — | ||
| 7-3 | Concerto for String Quartet & Orchestra (Arr. of Handel's Op. 6 No. 7, HWV 325): III. Allegretto grazioso - Gerard Schwarz | — | ||
| 7-4 | Concerto for String Quartet & Orchestra (Arr. of Handel's Op. 6 No. 7, HWV 325): IV. Hornpipe. Moderato - Gerard Schwarz | — | ||
| 7-5 | Chamber Symphony No. 1, Op. 9 | — | ||
| 7-6 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 1, Vorgefühle | — | ||
| 7-7 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 2, Vergangenes | — | ||
| 7-8 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 3, Sommermorgen an einem See "Fabern" | — | ||
| 7-9 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 4, Peripetie | — | ||
| 7-10 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 5, Das obligate Rezitativ | — | ||
| 8-1 | Piano Quartet No. 1 in G Minor, Op. 25 (Arr. A. Schoenberg for Orchestra) [Live]: I. Allegro | — | ||
| 8-2 | Piano Quartet No. 1 in G Minor, Op. 25 (Arr. A. Schoenberg for Orchestra) [Live]: II. Intermezzo | — | ||
| 8-3 | Piano Quartet No. 1 in G Minor, Op. 25 (Arr. A. Schoenberg for Orchestra) [Live]: III. Andante con moto | — | ||
| 8-4 | Piano Quartet No. 1 in G Minor, Op. 25 (Arr. A. Schoenberg for Orchestra) [Live]: IV. Rondo alla zingarese | — | ||
| 8-5 | Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio | — | ||
| 8-6 | Symphony No. 3 in D Major, D. 200: II. Allegretto | — | ||
| 8-7 | Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace | — | ||
| 8-8 | Symphony No. 3 in D Major, D. 200: IV. Presto vivace | — | ||
| 9-1 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Overture | — | ||
| 9-2 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Queen Pasiphae Prepares for a Tryst with the Sacred Bull | — | ||
| 9-3 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Entrance of the Bulls and the Sacred Bull | — | ||
| 9-4 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Dance of the Bulls and Pasiphae with the Sacred Bull | — | ||
| 9-5 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Interlude. Pasiphae's Heartbeat Becomes the Pounding of Hammers Used in Build | — | ||
| 9-6 | The Minotaur, Scene 2 "Before the Labyrinth": Building the Labyrinth to Imprison the Minotaur Who Destroys Men | — | ||
| 9-7 | The Minotaur, Scene 2 "Before the Labyrinth": Entrance of King Minos | — | ||
| 9-8 | The Minotaur, Scene 2 "Before the Labyrinth": Selection of Greek Victims to Be Sent into the Labyrinth | — | ||
| 9-9 | The Minotaur, Scene 2 "Before the Labyrinth": Ariadne, Princess of Crete, Dances with Theseus, a Greek Victim | — | ||
| 9-10 | The Minotaur, Scene 2 "Before the Labyrinth": Greek Victims Are Driven into the Labyrinth | — | ||
| 9-11 | The Minotaur, Scene 2 "Before the Labyrinth": Theseus' Farewell to Ariadne as He Enters the Labyrinth | — | ||
| 9-12 | The Minotaur, Scene 2 "Before the Labyrinth": Ariadne Unwinds Her Thread as Theseus, Entering the Labyrinth, Pulls the Thread Afte | — | ||
| 9-13 | The Minotaur, Scene 2 "Before the Labyrinth": Theseus Fights and Kills the Minotaur | — | ||
| 9-14 | The Minotaur, Scene 2 "Before the Labyrinth": Ariadne Rewinds Her Thread to Lead Theseus out of the Labyrinth | — | ||
| 9-15 | The Minotaur, Scene 2 "Before the Labyrinth": The Thread Breaks. Ariadne Is Greatly Dismayed | — | ||
| 9-16 | The Minotaur, Scene 2 "Before the Labyrinth": Theseus and Some of the Greeks Emerge from the Labyrinth and Rejoice | — | ||
| 9-17 | The Minotaur, Scene 2 "Before the Labyrinth": The Greeks and Theseus, Forgetting Ariadne, Leave Crete | — | ||
| 9-18 | Notturno: I. Lento | — | ||
| 9-19 | Notturno: II. Animato | — | ||
| 9-20 | Notturno: III. Adagio | — | ||
| 9-21 | Serious Song | — | ||
| 9-25 | Elegy | — | ||
| 9-26 | Canon for 3 "In Memoriam Igor Stravinsky" (Performance on 3 Trumpets) | — | ||
| 9-27 | Canon for 3 "In Memoriam Igor Stravinsky" (Performance on Trumpet, Cornet & Flugelhorn) | — | ||
| 10-1 | Rounds for String Orchestra: I. Allegro, molto vivace | — | ||
| 10-2 | Rounds for String Orchestra: II. Adagio | — | ||
| 10-3 | Rounds for String Orchestra: III. Allegro vigoroso | — | ||
| 10-4 | Flower of the Mountain | — | ||
| 10-5 | Serenade No. 3: I. Allegro | — | ||
| 10-6 | Serenade No. 3: II. Burlesco | — | ||
| 10-7 | Serenade No. 3: III. Elegy (In Memory of George Balanchine) | — | ||
| 10-8 | Serenade No. 3: IV. Perpetuum mobile | — | ||
| 10-9 | Serenade No. 3: V. Finale | — | ||
| 10-10 | Piano Concertino | — | ||
| 10-11 | Space Is a Diamond | — | ||
| 10-12 | Polyphony | — | ||
| 10-13 | Solo Piece for Trumpet | — | ||
| 11-1 | Suite for Cello & Orchestra, Op. 3: I. Allegro moderato | — | ||
| 11-2 | Suite for Cello & Orchestra, Op. 3: II. Andante | — | ||
| 11-3 | Suite for Cello & Orchestra, Op. 3: III. Scherzo. Vivace | — | ||
| 11-4 | 3 Compositions for String Orchestra: No. 1, Air de ballet | — | ||
| 11-5 | 3 Compositions for String Orchestra: No. 3, Sunset | — | ||
| 11-6 | 3 Compositions for String Orchestra: No. 2, Forget‐me‐not | — | ||
| 11-7 | Serenade, Op. 12: I. Aufzug | — | ||
| 11-8 | Serenade, Op. 12: II. Polonaise | — | ||
| 11-9 | Serenade, Op. 12: III. Liebes‐Scene | — | ||
| 11-10 | Serenade, Op. 12: IV. Canzonetta | — | ||
| 11-11 | Serenade, Op. 12: V. Finale | — | ||
| 11-12 | Tuba Concerto: I. Andante con moto | — | ||
| 11-13 | Tuba Concerto: II. Andante mosso - Adagietto | — | ||
| 11-14 | Tuba Concerto: III. Largo - Allegro molto | — | ||
| 12-1 | Symphony No. 10 | — | ||
| 12-2 | Autumn Music | — | ||
| 12-3 | Heroic Overture | — | ||
| 12-4 | Sinfonia sacra “Symphony No. 3”: I. Vision I. Maestoso | — | ||
| 12-5 | Sinfonia sacra “Symphony No. 3”: II. Vision II. Larghetto | — | ||
| 12-6 | Sinfonia sacra “Symphony No. 3”: III. Vision III. Allegro assai - Agitato | — | ||
| 12-7 | Sinfonia sacra “Symphony No. 3”: IV. Hymn. Andante sostenuto - Maestoso | — | ||
| 13-1 | Kammersymphonie | — | ||
| 13-2 | Kammermusik No. 1, Op. 24 No. 1: I. Sehr schnell und wild | — | ||
| 13-3 | Kammermusik No. 1, Op. 24 No. 1: II. Mäßig schnell Halbe. Sehr streng in Rhythms | — | ||
| 13-4 | Kammermusik No. 1, Op. 24 No. 1: III. Quartett. Sehr langsam und mit Ausdruck | — | ||
| 13-5 | Kammermusik No. 1, Op. 24 No. 1: IV. Finale. 1921, Lebhaft | — | ||
| 13-6 | Clarinet Concertino, Op. 48 | — | ||
| 13-7 | Concerto da camera: I. Allegretto amabile | — | ||
| 13-8 | Concerto da camera: II. Andante | — | ||
| 13-9 | Concerto da camera: III. Vivace | — | ||
| 15-1 | Symphony No. 3 “Kaddish”: Ia. Invocation | — | ||
| 15-2 | Symphony No. 3 “Kaddish”: Ib. Kaddish 1 | — | ||
| 15-3 | Symphony No. 3 “Kaddish”: IIa. Din Torah | — | ||
| 15-4 | Symphony No. 3 “Kaddish”: IIb. Kaddish 2 | — | ||
| 15-5 | Symphony No. 3 “Kaddish”: IIIa. Scherzo | — | ||
| 15-6 | Symphony No. 3 “Kaddish”: IIIb. Kaddish 3 | — | ||
| 15-7 | Symphony No. 3 “Kaddish”: IIIc. Finale | — | ||
| 15-8 | Peter Ibbetson, Op. 20 (Highlights) [Live]: En revenant d’Auvergne | — | ||
| 15-9 | Peter Ibbetson, Op. 20 (Highlights) [Live]: She Does Not Hear! | — | ||
| 15-10 | Peter Ibbetson, Op. 20 (Highlights) [Live]: How Is He Tonight? | — | ||
| 15-11 | Peter Ibbetson, Op. 20 (Highlights) [Live]: Beloved. Mimsey! Mimsey! | — | ||
| 16-1 | Carmen Suite “The Carmen Ballet”: I. Introduction & Dance | — | ||
| 16-2 | Carmen Suite “The Carmen Ballet”: II. Intermezzo No. 1 | — | ||
| 16-3 | Carmen Suite “The Carmen Ballet”: III. Changing the Guard | — | ||
| 16-4 | Carmen Suite “The Carmen Ballet”: IV. Carmen’s Entrance & Habanera | — | ||
| 16-5 | Carmen Suite “The Carmen Ballet”: V. Scene | — | ||
| 16-6 | Carmen Suite “The Carmen Ballet”: VI. Intermezzo No. 2 | — | ||
| 16-7 | Carmen Suite “The Carmen Ballet”: VII. Bolero | — | ||
| 16-8 | Carmen Suite “The Carmen Ballet”: VIII. Torero | — | ||
| 16-9 | Carmen Suite “The Carmen Ballet”: IX. Torero & Carmen | — | ||
| 16-10 | Carmen Suite “The Carmen Ballet”: X. Adagio | — | ||
| 16-11 | Carmen Suite “The Carmen Ballet”: XI. Fortune Telling | — | ||
| 16-12 | Carmen Suite “The Carmen Ballet”: XII. Finale | — | ||
| 16-13 | Symphony in D Major: I. Largo - Allegro | — | ||
| 16-14 | Symphony in D Major: II. Larghetto cantabile | — | ||
| 16-15 | Symphony in D Major: III. Minuet. Allegro non tanto | — | ||
| 16-16 | Symphony in D Major: IV. Allegro assai | — | ||
| 17-1 | Symphony No. 10 in E Minor, Op. 93: I. Moderato | — | ||
| 17-2 | Symphony No. 10 in E Minor, Op. 93: II. Allegro | — | ||
| 17-3 | Symphony No. 10 in E Minor, Op. 93: III. Allegretto | — | ||
| 17-4 | Symphony No. 10 in E Minor, Op. 93: IV. Andante - Allegro | — | ||
| 17-5 | Suite from "Mlada": I. Introduction | Seattle Symphony, Gerard Schwarz | — | |
| 17-6 | Suite from "Mlada": II. Redowa | Seattle Symphony, Gerard Schwarz | — | |
| 17-7 | Suite from "Mlada": III. Lithuanian Dance | Seattle Symphony, Gerard Schwarz | — | |
| 17-8 | Suite from "Mlada": IV. Indian Dance | Seattle Symphony, Gerard Schwarz | — | |
| 17-9 | Suite from "Mlada": V. Cortège | Seattle Symphony, Gerard Schwarz | — | |
| 18-1 | Su le sponde del Tebro: Su le sponde del Tebro - Contentatevi, o fidi pensieri | — | ||
| 18-2 | Su le sponde del Tebro: Mesto, stanco e spirante - Infelici miei lumi | — | ||
| 18-3 | Su le sponde del Tebro: Dite almeno | — | ||
| 18-4 | Su le sponde del Tebro: All'aura, al cielo - Tralascia pur di piangere | — | ||
| 18-5 | Endimione e Cintia: Se geloso e il mio core | — | ||
| 18-6 | Ode for the Birthday of Queen Anne, HWV 74 "Eternal Source of Light Divine" | — | ||
| 18-7 | Samson, HWV 57: Let the Bright Seraphim in Burning Row | — | ||
| 18-8 | Wassermusik Suite No. 2 in D Major, HWV 349: I. Overture | — | ||
| 18-9 | Wassermusik Suite No. 2 in D Major, HWV 349: IV. March (Bourrée) | — | ||
| 18-10 | Wassermusik Suite No. 2 in D Major, HWV 349: III. Air (Menuetto) | — | ||
| 18-11 | Wassermusik Suite No. 2 in D Major, HWV 349: II. Gigue | — | ||
| 18-12 | Quartet in D Major, TWV 43:D7: I. Largo | — | ||
| 18-13 | Quartet in D Major, TWV 43:D7: II. Vivace | — | ||
| 18-14 | Quartet in D Major, TWV 43:D7: III. Siciliano | — | ||
| 18-15 | Quartet in D Major, TWV 43:D7: IV. Vivace | — | ||
| 18-16 | Concerto à 5 in D Major: I. Allegro | — | ||
| 18-17 | Concerto à 5 in D Major: II. Cantabile | — | ||
| 18-18 | Concerto à 5 in D Major: III. Plaisanterie - Duetto | — | ||
| 18-19 | Concerto à 5 in D Major: IV. Menuet | — | ||
| 18-20 | Concerto for Trumpet, 3 Oboes & Bassoon in C Major: I. Allegro moderato | — | ||
| 18-21 | Concerto for Trumpet, 3 Oboes & Bassoon in C Major: II. Affettuoso | — | ||
| 18-22 | Concerto for Trumpet, 3 Oboes & Bassoon in C Major: III. Presto | — | ||
| 19-1 | Canzona prima | — | ||
| 19-2 | Canzona seconda | — | ||
| 19-3 | Canzona terza | — | ||
| 19-4 | Canzona quarta | — | ||
| 19-5 | Canzona quinta | — | ||
| 19-6 | 18 Sonatas in 1, 2 & 3 Parts: No. 1 in C Major | — | ||
| 19-7 | 18 Sonatas in 1, 2 & 3 Parts: No. 2 in D Major | — | ||
| 19-8 | 18 Sonatas in 1, 2 & 3 Parts: No. 3 in C Major | — | ||
| 19-9 | 18 Sonatas in 1, 2 & 3 Parts: No. 4 in G Major | — | ||
| 19-10 | 18 Sonatas in 1, 2 & 3 Parts: No. 5 in C Major | — | ||
| 19-11 | 18 Sonatas in 1, 2 & 3 Parts: No. 6 in G Major | — | ||
| 19-12 | Sonate à 2 istromenti, Op. 55 No. 1 "La Pellicana" (Arr. for Trumpet, Bassoon & Harpsichord): I. Largo, e vivace | — | ||
| 19-13 | Sonate à 2 istromenti, Op. 55 No. 1 "La Pellicana" (Arr. for Trumpet, Bassoon & Harpsichord): II. Grave | — | ||
| 19-14 | Sonate à 2 istromenti, Op. 55 No. 1 "La Pellicana" (Arr. for Trumpet, Bassoon & Harpsichord): III. Presto | — | ||
| 19-15 | Sonate à 2 istromenti, Op. 55 No. 1 "La Pellicana" (Arr. for Trumpet, Bassoon & Harpsichord): IV. Prestissimo | — | ||
| 19-16 | Balletto e pass'e mezzo | — | ||
| 19-17 | Sonata à 2 in D Minor | — | ||
| 19-18 | Arie, madrigali et corenti, Op. 3: Romanesca | — | ||
| 19-19 | Air de trompette, TWV 41:C1 | — | ||
| 20-1 | Sonata à 7 in C Major | — | ||
| 20-2 | Sonatina no. 61 | — | ||
| 20-3 | Sonatina no. 65 | — | ||
| 20-4 | Sonata for 4 Trumpets, Strings, Timpani & Continuo: I. Un poco allegro | — | ||
| 20-5 | Sonata for 4 Trumpets, Strings, Timpani & Continuo: II. Adagio | — | ||
| 20-6 | Sonata for 4 Trumpets, Strings, Timpani & Continuo: III. Presto | — | ||
| 20-7 | Canzoni et sonate (1615): Sonata no. 21 | — | ||
| 20-8 | Ludi musici, Pt. 1: no. 18, Canzon à 4, SSWV 56 “Cornetto” | — | ||
| 20-9 | Concerto for 2 Trumpets in E‐Flat Major, op. 6 no. 15: I. Allegro | — | ||
| 20-10 | Concerto for 2 Trumpets in E‐Flat Major, op. 6 no. 15: II. Adagio | — | ||
| 20-11 | Concerto for 2 Trumpets in E‐Flat Major, op. 6 no. 15: III. Allegro | — | ||
| 20-12 | Sonatina no. 62 | — | ||
| 20-13 | Sonatina no. 66 | — | ||
| 20-14 | Sinfonia in C Major for 4 Trumpets: I. Allegro | — | ||
| 20-15 | Sinfonia in C Major for 4 Trumpets: II. Minuet | — | ||
| 20-16 | Sinfonia in C Major for 4 Trumpets: III. Allegro | — | ||
| 20-17 | Sinfonia in C Major for 4 Trumpets: IV. Allegro | — | ||
| 20-18 | Sinfonia in C Major for 4 Trumpets: V. Allegro | — | ||
| 20-19 | Sonata for 2 Choirs | — | ||
| 20-20 | Trumpet Sonata: I. Allegro moderato | — | ||
| 20-21 | Trumpet Sonata: II. Lento | — | ||
| 20-22 | Trumpet Sonata: III. Allegro vivo | — | ||
| 21-1 | Stars in a Velvety Sky (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-2 | Interlude (Woodwinds, Horns & Cello) | — | ||
| 21-3 | Three Kings (Arr. G. Schuller for 3 Cornets & Chamber Ensemble) | — | ||
| 21-4 | Interlude (incl. Tuba Cadenza) | — | ||
| 21-5 | Mephisto Masque (Arr. G. Schuller for Chamber Ensemble) | — | ||
| 21-6 | Lullaby (Arr. G. Schuller for Trombone & Chamber Ensemble) | — | ||
| 21-7 | Violin Interlude | — | ||
| 21-8 | Variations on Norma by Bellini (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-9 | Neptune’s Court (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-10 | Modulation (Trumpet Imitating a Banjo) | — | ||
| 21-11 | Side Partners (Arr. G. Schuller for Cornet, Trombone & Chamber Ensemble) | — | ||
| 21-12 | Three Aces (Arr. G. Schuller for 3 Cornets & Chamber Ensemble) | — | ||
| 21-13 | Modulatory Interlude | — | ||
| 21-14 | Pleasant Moments (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-15 | Interlude | — | ||
| 21-16 | Lake of Bays (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-17 | Josephine (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-18 | Southern Cross (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-19 | Hungarian Melodies (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 22-1 | Above & Beyond (Live) | — | ||
| 22-2 | Rudolf & Jeanette | — | ||
| 22-3 | Trio for Horn, Violin & Piano: I. | — | ||
| 22-4 | Trio for Horn, Violin & Piano: II. Recitative & Aria | — | ||
| 22-5 | Trio for Horn, Violin & Piano: III. Scherzo | — | ||
| 22-6 | Variations on Greensleeves | — | ||
| 22-7 | In Memoriam | — | ||
| 22-8 | Concerto for Brass Quintet & Orchestra (After Handel's Op. 6 No. 9, HWV 327): I. Allegro | — | ||
| 22-9 | Concerto for Brass Quintet & Orchestra (After Handel's Op. 6 No. 9, HWV 327): II. Larghetto | — | ||
| 22-10 | Concerto for Brass Quintet & Orchestra (After Handel's Op. 6 No. 9, HWV 327): III. Allegro | — | ||
| 22-11 | Silent Night, H. 145 (Arr. G. Schwarz for Orchestra) | — | ||
| 22-12 | We Three Kings of Orient Are / We Wish You a Merry Christmas (Arr. G. Schwarz for Orchestra) | — | ||
| 23-1 | Brandenburg Concerto No. 2 in F Major, BWV 1047: I. | — | ||
| 23-2 | Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | — | ||
| 23-3 | Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | — | ||
| 23-4 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: I. A tempo giusto | — | ||
| 23-5 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro | — | ||
| 23-6 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: III. Adagio | — | ||
| 23-7 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: IV. Allegro | — | ||
| 23-8 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: V. Allegro | — | ||
| 23-9 | Messiah, HWV 56: No. 18, Rejoice Greatly | — | ||
| 23-10 | Rinaldo, HWV 7: Lascia ch'io pianga | — | ||
| 23-11 | Alexander's Feast, HWV 75: The Prince, Unable to Conceal | — | ||
| 23-12 | 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | — | ||
| 23-13 | 3 Chorales, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | — | ||
| 23-14 | Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante | Seattle Symphony, Gerard Schwarz | — | |
| 23-15 | Passacaglia & Fugue in C Minor, P. 159 (After J.S. Bach's BWV 582) | — | ||
| 23-16 | Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | — | ||
| 23-17 | Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fugue | — | ||
| 24-1 | Symphony No. 41 in C Major, K. 551 ’Jupiter’: I. Allegro vivace | Los Angeles Chamber Orchestra, Gerard Schwarz | T-312.542.381-2 | |
| 24-2 | Symphony No. 41 in C Major, K. 551 ’Jupiter’: II. Andante cantabile | Los Angeles Chamber Orchestra, Gerard Schwarz | — | |
| 24-3 | Symphony No. 41 in C Major, K. 551 ’Jupiter’: III. Menuetto: Allegretto | Los Angeles Chamber Orchestra, Gerard Schwarz | T-902.774.400-9 | |
| 24-4 | Symphony No. 41 in C Major, K. 551 ’Jupiter’: IV. Molto Allegro | Los Angeles Chamber Orchestra, Gerard Schwarz | T-312.542.381-2 | |
| 24-5 | Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio | — | ||
| 24-6 | Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando | — | ||
| 24-7 | Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto | — | ||
| 24-8 | Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | — | ||
| 24-9 | Die Geschöpfe des Prometheus, Op. 43: Overture | — | ||
| 24-10 | Sinfonia "Al conventello" | — | ||
| 24-11 | Grand'overtura obbligata à contrabbasso | — | ||
| 25-1 | Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang" (Hymn of Praise): Ia. Sinfonia. Maestoso con moto | — | ||
| 25-2 | Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang" (Hymn of Praise): Ib. Sinfonia. Allegretto un poco agitato | — | ||
| 25-3 | Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang" (Hymn of Praise): Ic. Sinfonia. Adagio religioso | — | ||
| 25-4 | Overture, Scherzo & Finale, Op. 52: No. 1, Overture. Andante con moto - Allegro | — | ||
| 25-5 | Overture, Scherzo & Finale, Op. 52: No. 2, Scherzo. Vivo | — | ||
| 25-6 | Overture, Scherzo & Finale, Op. 52: No. 3, Finale. Allegro molto vivace | — | ||
| 25-7 | Götterdämmerung, WWV 86D: Dawn - Siegfried's Rhine Journey - Siegfried's Funeral March - Finale | — | ||
| 26-1 | Symphony No. 6 in D Major, Op. 60, B. 112: I. Allegro non tanto | — | ||
| 26-2 | Symphony No. 6 in D Major, Op. 60, B. 112: II. Adagio | — | ||
| 26-3 | Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo. Presto | — | ||
| 26-4 | Symphony No. 6 in D Major, Op. 60, B. 112: IV. Finale. Allegro con spirito | — | ||
| 26-5 | Dances of Galánta | — | ||
| 27-1 | Der Rosenkavalier Suite (Arr. G. Schwarz for Orchestra) | — | ||
| 27-2 | Symphonic Fantasy on Die Frau ohne Schatten, TrV 234a | — | ||
| 27-3 | Symphony No. 10 in F-Sharp Minor: I. Adagio | — | ||
| 28-1 | Symphony No. 3 in A Minor (Unfinished) [Orch. A.K. Glazunov]: I. Moderato assai | — | ||
| 28-2 | Symphony No. 3 in A Minor (Unfinished) [Orch. A.K. Glazunov]: II. Scherzo. Vivo - Trio. Moderato | — | ||
| 28-3 | Suite from "The Snow Maiden": I. Introduction | Seattle Symphony, Gerard Schwarz | — | |
| 28-4 | Suite from "The Snow Maiden": II. Dance of the Birds | Seattle Symphony, Gerard Schwarz | — | |
| 28-5 | Suite from "The Snow Maiden": III. Cortège | Seattle Symphony, Gerard Schwarz | — | |
| 28-6 | Suite from "The Snow Maiden": IV. Dance of the Clowns | Seattle Symphony, Gerard Schwarz | — | |
| 28-7 | October, Symphonic Poem in C minor for Orchestra | Seattle Symphony, Gerard Schwarz | — | |
| 28-8 | Scherzo fantastique, Op. 3 | — | ||
| 28-9 | Chant du rossignol: Introduction | — | ||
| 28-10 | Chant du rossignol: Marche chinoise | — | ||
| 28-11 | Chant du rossignol: Le chant du rossignol | — | ||
| 28-12 | Chant du rossignol: Le jeu du rossignol mécanique | — | ||
| 29-1 | Symphony No. 1 in E Minor, Op. 21 "Nordic": I. Andante solenne - Allegro con forza | — | ||
| 29-2 | Symphony No. 1 in E Minor, Op. 21 "Nordic": II. Andante teneramente, con semplicità | — | ||
| 29-3 | Symphony No. 1 in E Minor, Op. 21 "Nordic": III. Finale. Allegro con fuoco | — | ||
| 29-4 | Concertato "Moby Dick" | — | ||
| 29-5 | Suite for Orchestra: I. Allegro | — | ||
| 29-6 | Suite for Orchestra: II. Andante | — | ||
| 29-7 | Suite for Orchestra: III. Allegro | — | ||
| 29-8 | Prelude & Quadruple Fugue, Op. 128 | — | ||
| 29-9 | Suite in E Major, Op. 63: I. Praeludium. Allegro comodo | — | ||
| 29-10 | Suite in E Major, Op. 63: II. Pizzicato & Adagietto. Capriccioso - Allegretto | — | ||
| 29-11 | Suite in E Major, Op. 63: III. Fugue. Allegro giusto | — | ||
| 30-1 | Symphony no. 4: I. Allegretto | Seattle Symphony, Gerard Schwarz | — | |
| 30-2 | Symphony No. 4: II. Adagio - Andante | — | ||
| 30-3 | Symphony No. 4: III. Allegro | — | ||
| 30-4 | Invocation & Dance, Op. 58 | — | ||
| 30-5 | Symphony No. 3: I. Passacaglia & Fugue | — | ||
| 30-6 | Symphony No. 3: II. Chorale & Toccata | — | ||
| 30-7 | The White Peacock | — | ||
| 30-8 | Rubies (After Thelonius Monk's Ruby, My Dear) | — | ||
| 30-9 | Tibetan Swing | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
747313329434 is a Universal Product Code (UPC) assigned to The Gerard Schwarz Collection by Gerard Schwarz. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 359 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Gerard Schwarz Collection” by Gerard Schwarz is 747313329434. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 359 tracks, each with its own ISRC. Tracks include HKI191202607, HKI191144506, HKI191144507.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Don Juan, Op. 20, TrV 156 | — | ||
| 2 | Tod und Verklärung, Op. 24, TrV 158 | — | ||
| 3 | Also sprach Zarathustra, Op. 30, TrV 176: I. Einleitung | — | ||
| 4 | Also sprach Zarathustra, Op. 30, TrV 176: II. Von den Hinterweltlern | — | ||
| 5 | Also sprach Zarathustra, Op. 30, TrV 176: III. Von der grossen Sehnsucht | — | ||
| 6 | Also sprach Zarathustra, Op. 30, TrV 176: IV. Von den Freuden- und Leidenschaften | — | ||
| 7 | Also sprach Zarathustra, Op. 30, TrV 176: V. Das Grablied | — | ||
| 8 | Also sprach Zarathustra, Op. 30, TrV 176: VI. Von der Wissenschaft | — | ||
| 9 | Also sprach Zarathustra, Op. 30, TrV 176: VII. Der Genesende | — | ||
| 10 | Also sprach Zarathustra, Op. 30, TrV 176: VIII. Das Tanzlied | — | ||
| 11 | Also sprach Zarathustra, Op. 30, TrV 176: IX. Nachtwandlerlied | — | ||
| 2-1 | Till Eulenspiegels lustige Streiche, Op. 28, TrV 171 | — | ||
| 2-2 | Die Liebe der Danae, TrV 278a: Symphonic Fragment (Arr. C. Krauss for Orchestra) | — | ||
| 2-3 | Duett-Concertino, TrV 293: I. Allegro moderato | — | ||
| 2-4 | Duett-Concertino, TrV 293: II. Andante | — | ||
| 2-5 | Duett-Concertino, TrV 293: III. Rondo. Allegro ma non troppo | — | ||
| 2-6 | Divertimento, Op. 86 (After F. Couperin): I. La visionnaire | — | ||
| 2-7 | Divertimento, Op. 86 (After F. Couperin): IIa. Musette de Choisy | — | ||
| 2-8 | Divertimento, Op. 86 (After F. Couperin): IIb. La fine Madelon | — | ||
| 2-9 | Divertimento, Op. 86 (After F. Couperin): IIc. La douce Janneton | — | ||
| 2-10 | Divertimento, Op. 86 (After F. Couperin): IIe. La Sezile | — | ||
| 2-11 | Divertimento, Op. 86 (After F. Couperin): IId. Musette de Taverny | — | ||
| 2-12 | Divertimento, Op. 86 (After F. Couperin): III. Le tic-toc-choc - La Lutine | — | ||
| 2-13 | Divertimento, Op. 86 (After F. Couperin): IV. Les fauvettes plaintives | — | ||
| 2-14 | Divertimento, Op. 86 (After F. Couperin): Va. La trophée | — | ||
| 2-15 | Divertimento, Op. 86 (After F. Couperin): Vb. L'anguille | — | ||
| 2-16 | Divertimento, Op. 86 (After F. Couperin): Vc. Les jeunes seigneurs | — | ||
| 2-17 | Divertimento, Op. 86 (After F. Couperin): V. La linotte effrachochée | — | ||
| 2-18 | Divertimento, Op. 86 (After F. Couperin): VI. Les tours de passe-passe | — | ||
| 2-19 | Divertimento, Op. 86 (After F. Couperin): VII. Les ombres errantes | — | ||
| 2-20 | Divertimento, Op. 86 (After F. Couperin): VIIIa. Les brimborions | — | ||
| 2-21 | Divertimento, Op. 86 (After F. Couperin): VIIIb. La badine | — | ||
| 3-1 | Symphony No. 3 in F Major, Op. 90: I. Allegro con brio - Un poco sostenuto | — | ||
| 3-2 | Symphony No. 3 in F Major, Op. 90: II. Andante | — | ||
| 3-3 | Symphony No. 3 in F Major, Op. 90: III. Poco allegretto | — | ||
| 3-4 | Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto | — | ||
| 3-5 | Symphony No. 4 in E Minor, Op. 98: I. Allegro non troppo | — | ||
| 3-6 | Symphony No. 4 in E Minor, Op. 98: II. Andante moderato | — | ||
| 3-7 | Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto | — | ||
| 3-8 | Symphony No. 4 in E Minor, Op. 98: IV. Allegro energico e passionato - Più allegro | — | ||
| 4-1 | Symphony No. 1 in C Minor, Op. 68: I. Un poco sostenuto - Allegro | — | ||
| 4-2 | Symphony No. 1 in C Minor, Op. 68: II. Andante sostenuto | — | ||
| 4-3 | Symphony No. 1 in C Minor, Op. 68: III. Un poco allegretto e grazioso | — | ||
| 4-4 | Symphony No. 1 in C Minor, Op. 68: IV. Adagio - Più andante - Allegro non troppo ma con brio | — | ||
| 4-5 | 21 Hungarian Dances, WoO 1: No. 5 in F-Sharp Minor | Gerard Schwarz, Seattle Symphony Orchestra | T-909.573.827-5 | |
| 4-6 | 21 Hungarian Dances, WoO 1: No. 6 in D-Flat Major | — | ||
| 4-7 | 21 Hungarian Dances, WoO 1: No. 11 in D Minor | — | ||
| 4-8 | 21 Hungarian Dances, WoO 1: No. 16 in F Minor | — | ||
| 4-9 | Langsamer Satz (Arr. G. Schwarz for String Orchestra) | — | ||
| 5-1 | Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo | — | ||
| 5-2 | Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo - L'istesso tempo, ma grazioso | — | ||
| 5-3 | Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso quasi andantino - Presto ma non assai | — | ||
| 5-4 | Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito | — | ||
| 5-5 | Heimkehr aus der Fremde, Op. 89, MWV L6: Overture | — | ||
| 5-6 | Serenade in D Minor, Op. 44, B. 77: I. Moderato | — | ||
| 5-7 | Serenade in D Minor, Op. 44, B. 77: II. Minuetto | — | ||
| 5-8 | Serenade in D Minor, Op. 44, B. 77: III. Romance | — | ||
| 5-9 | Serenade in D Minor, Op. 44, B. 77: IV. Finale | — | ||
| 6-1 | Serenade No. 1 in D Major, Op. 11: I. Allegro molto | — | ||
| 6-2 | Serenade No. 1 in D Major, Op. 11: II. Scherzo. Allegro non troppo | — | ||
| 6-3 | Serenade No. 1 in D Major, Op. 11: III. Adagio non troppo | — | ||
| 6-4 | Serenade No. 1 in D Major, Op. 11: IV. Menuetti I & II | — | ||
| 6-5 | Serenade No. 1 in D Major, Op. 11: V. Scherzo. Allegro | — | ||
| 6-6 | Serenade No. 1 in D Major, Op. 11: VI. Rondo. Allegro | — | ||
| 6-7 | Czech Suite, Op. 39, B. 93: I. Preludium "Pastorale". Allegro moderato | — | ||
| 6-8 | Czech Suite, Op. 39, B. 93: II. Polka. Allegretto grazioso | — | ||
| 6-9 | Czech Suite, Op. 39, B. 93: III. Sousedská (Minuetto). Allegro giusto | — | ||
| 6-10 | Czech Suite, Op. 39, B. 93: IV. Romance. Andante con moto | — | ||
| 6-11 | Czech Suite, Op. 39, B. 93: V. Finale "Furiant". Presto | — | ||
| 7-1 | Concerto for String Quartet & Orchestra (Arr. of Handel's Op. 6 No. 7, HWV 325): I. Largo - Allegro | — | ||
| 7-2 | Concerto for String Quartet & Orchestra (Arr. of Handel's Op. 6 No. 7, HWV 325): II. Largo - Gerard Schwarz | — | ||
| 7-3 | Concerto for String Quartet & Orchestra (Arr. of Handel's Op. 6 No. 7, HWV 325): III. Allegretto grazioso - Gerard Schwarz | — | ||
| 7-4 | Concerto for String Quartet & Orchestra (Arr. of Handel's Op. 6 No. 7, HWV 325): IV. Hornpipe. Moderato - Gerard Schwarz | — | ||
| 7-5 | Chamber Symphony No. 1, Op. 9 | — | ||
| 7-6 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 1, Vorgefühle | — | ||
| 7-7 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 2, Vergangenes | — | ||
| 7-8 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 3, Sommermorgen an einem See "Fabern" | — | ||
| 7-9 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 4, Peripetie | — | ||
| 7-10 | 5 Orchestral Pieces, Op. 16 (Arr. F. Greissle for Chamber Ensemble): No. 5, Das obligate Rezitativ | — | ||
| 8-1 | Piano Quartet No. 1 in G Minor, Op. 25 (Arr. A. Schoenberg for Orchestra) [Live]: I. Allegro | — | ||
| 8-2 | Piano Quartet No. 1 in G Minor, Op. 25 (Arr. A. Schoenberg for Orchestra) [Live]: II. Intermezzo | — | ||
| 8-3 | Piano Quartet No. 1 in G Minor, Op. 25 (Arr. A. Schoenberg for Orchestra) [Live]: III. Andante con moto | — | ||
| 8-4 | Piano Quartet No. 1 in G Minor, Op. 25 (Arr. A. Schoenberg for Orchestra) [Live]: IV. Rondo alla zingarese | — | ||
| 8-5 | Symphony No. 3 in D Major, D. 200: I. Adagio maestoso - Allegro con brio | — | ||
| 8-6 | Symphony No. 3 in D Major, D. 200: II. Allegretto | — | ||
| 8-7 | Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace | — | ||
| 8-8 | Symphony No. 3 in D Major, D. 200: IV. Presto vivace | — | ||
| 9-1 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Overture | — | ||
| 9-2 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Queen Pasiphae Prepares for a Tryst with the Sacred Bull | — | ||
| 9-3 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Entrance of the Bulls and the Sacred Bull | — | ||
| 9-4 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Dance of the Bulls and Pasiphae with the Sacred Bull | — | ||
| 9-5 | The Minotaur, Scene 1 "King Minos' Palace in Crete": Interlude. Pasiphae's Heartbeat Becomes the Pounding of Hammers Used in Build | — | ||
| 9-6 | The Minotaur, Scene 2 "Before the Labyrinth": Building the Labyrinth to Imprison the Minotaur Who Destroys Men | — | ||
| 9-7 | The Minotaur, Scene 2 "Before the Labyrinth": Entrance of King Minos | — | ||
| 9-8 | The Minotaur, Scene 2 "Before the Labyrinth": Selection of Greek Victims to Be Sent into the Labyrinth | — | ||
| 9-9 | The Minotaur, Scene 2 "Before the Labyrinth": Ariadne, Princess of Crete, Dances with Theseus, a Greek Victim | — | ||
| 9-10 | The Minotaur, Scene 2 "Before the Labyrinth": Greek Victims Are Driven into the Labyrinth | — | ||
| 9-11 | The Minotaur, Scene 2 "Before the Labyrinth": Theseus' Farewell to Ariadne as He Enters the Labyrinth | — | ||
| 9-12 | The Minotaur, Scene 2 "Before the Labyrinth": Ariadne Unwinds Her Thread as Theseus, Entering the Labyrinth, Pulls the Thread Afte | — | ||
| 9-13 | The Minotaur, Scene 2 "Before the Labyrinth": Theseus Fights and Kills the Minotaur | — | ||
| 9-14 | The Minotaur, Scene 2 "Before the Labyrinth": Ariadne Rewinds Her Thread to Lead Theseus out of the Labyrinth | — | ||
| 9-15 | The Minotaur, Scene 2 "Before the Labyrinth": The Thread Breaks. Ariadne Is Greatly Dismayed | — | ||
| 9-16 | The Minotaur, Scene 2 "Before the Labyrinth": Theseus and Some of the Greeks Emerge from the Labyrinth and Rejoice | — | ||
| 9-17 | The Minotaur, Scene 2 "Before the Labyrinth": The Greeks and Theseus, Forgetting Ariadne, Leave Crete | — | ||
| 9-18 | Notturno: I. Lento | — | ||
| 9-19 | Notturno: II. Animato | — | ||
| 9-20 | Notturno: III. Adagio | — | ||
| 9-21 | Serious Song | — | ||
| 9-25 | Elegy | — | ||
| 9-26 | Canon for 3 "In Memoriam Igor Stravinsky" (Performance on 3 Trumpets) | — | ||
| 9-27 | Canon for 3 "In Memoriam Igor Stravinsky" (Performance on Trumpet, Cornet & Flugelhorn) | — | ||
| 10-1 | Rounds for String Orchestra: I. Allegro, molto vivace | — | ||
| 10-2 | Rounds for String Orchestra: II. Adagio | — | ||
| 10-3 | Rounds for String Orchestra: III. Allegro vigoroso | — | ||
| 10-4 | Flower of the Mountain | — | ||
| 10-5 | Serenade No. 3: I. Allegro | — | ||
| 10-6 | Serenade No. 3: II. Burlesco | — | ||
| 10-7 | Serenade No. 3: III. Elegy (In Memory of George Balanchine) | — | ||
| 10-8 | Serenade No. 3: IV. Perpetuum mobile | — | ||
| 10-9 | Serenade No. 3: V. Finale | — | ||
| 10-10 | Piano Concertino | — | ||
| 10-11 | Space Is a Diamond | — | ||
| 10-12 | Polyphony | — | ||
| 10-13 | Solo Piece for Trumpet | — | ||
| 11-1 | Suite for Cello & Orchestra, Op. 3: I. Allegro moderato | — | ||
| 11-2 | Suite for Cello & Orchestra, Op. 3: II. Andante | — | ||
| 11-3 | Suite for Cello & Orchestra, Op. 3: III. Scherzo. Vivace | — | ||
| 11-4 | 3 Compositions for String Orchestra: No. 1, Air de ballet | — | ||
| 11-5 | 3 Compositions for String Orchestra: No. 3, Sunset | — | ||
| 11-6 | 3 Compositions for String Orchestra: No. 2, Forget‐me‐not | — | ||
| 11-7 | Serenade, Op. 12: I. Aufzug | — | ||
| 11-8 | Serenade, Op. 12: II. Polonaise | — | ||
| 11-9 | Serenade, Op. 12: III. Liebes‐Scene | — | ||
| 11-10 | Serenade, Op. 12: IV. Canzonetta | — | ||
| 11-11 | Serenade, Op. 12: V. Finale | — | ||
| 11-12 | Tuba Concerto: I. Andante con moto | — | ||
| 11-13 | Tuba Concerto: II. Andante mosso - Adagietto | — | ||
| 11-14 | Tuba Concerto: III. Largo - Allegro molto | — | ||
| 12-1 | Symphony No. 10 | — | ||
| 12-2 | Autumn Music | — | ||
| 12-3 | Heroic Overture | — | ||
| 12-4 | Sinfonia sacra “Symphony No. 3”: I. Vision I. Maestoso | — | ||
| 12-5 | Sinfonia sacra “Symphony No. 3”: II. Vision II. Larghetto | — | ||
| 12-6 | Sinfonia sacra “Symphony No. 3”: III. Vision III. Allegro assai - Agitato | — | ||
| 12-7 | Sinfonia sacra “Symphony No. 3”: IV. Hymn. Andante sostenuto - Maestoso | — | ||
| 13-1 | Kammersymphonie | — | ||
| 13-2 | Kammermusik No. 1, Op. 24 No. 1: I. Sehr schnell und wild | — | ||
| 13-3 | Kammermusik No. 1, Op. 24 No. 1: II. Mäßig schnell Halbe. Sehr streng in Rhythms | — | ||
| 13-4 | Kammermusik No. 1, Op. 24 No. 1: III. Quartett. Sehr langsam und mit Ausdruck | — | ||
| 13-5 | Kammermusik No. 1, Op. 24 No. 1: IV. Finale. 1921, Lebhaft | — | ||
| 13-6 | Clarinet Concertino, Op. 48 | — | ||
| 13-7 | Concerto da camera: I. Allegretto amabile | — | ||
| 13-8 | Concerto da camera: II. Andante | — | ||
| 13-9 | Concerto da camera: III. Vivace | — | ||
| 15-1 | Symphony No. 3 “Kaddish”: Ia. Invocation | — | ||
| 15-2 | Symphony No. 3 “Kaddish”: Ib. Kaddish 1 | — | ||
| 15-3 | Symphony No. 3 “Kaddish”: IIa. Din Torah | — | ||
| 15-4 | Symphony No. 3 “Kaddish”: IIb. Kaddish 2 | — | ||
| 15-5 | Symphony No. 3 “Kaddish”: IIIa. Scherzo | — | ||
| 15-6 | Symphony No. 3 “Kaddish”: IIIb. Kaddish 3 | — | ||
| 15-7 | Symphony No. 3 “Kaddish”: IIIc. Finale | — | ||
| 15-8 | Peter Ibbetson, Op. 20 (Highlights) [Live]: En revenant d’Auvergne | — | ||
| 15-9 | Peter Ibbetson, Op. 20 (Highlights) [Live]: She Does Not Hear! | — | ||
| 15-10 | Peter Ibbetson, Op. 20 (Highlights) [Live]: How Is He Tonight? | — | ||
| 15-11 | Peter Ibbetson, Op. 20 (Highlights) [Live]: Beloved. Mimsey! Mimsey! | — | ||
| 16-1 | Carmen Suite “The Carmen Ballet”: I. Introduction & Dance | — | ||
| 16-2 | Carmen Suite “The Carmen Ballet”: II. Intermezzo No. 1 | — | ||
| 16-3 | Carmen Suite “The Carmen Ballet”: III. Changing the Guard | — | ||
| 16-4 | Carmen Suite “The Carmen Ballet”: IV. Carmen’s Entrance & Habanera | — | ||
| 16-5 | Carmen Suite “The Carmen Ballet”: V. Scene | — | ||
| 16-6 | Carmen Suite “The Carmen Ballet”: VI. Intermezzo No. 2 | — | ||
| 16-7 | Carmen Suite “The Carmen Ballet”: VII. Bolero | — | ||
| 16-8 | Carmen Suite “The Carmen Ballet”: VIII. Torero | — | ||
| 16-9 | Carmen Suite “The Carmen Ballet”: IX. Torero & Carmen | — | ||
| 16-10 | Carmen Suite “The Carmen Ballet”: X. Adagio | — | ||
| 16-11 | Carmen Suite “The Carmen Ballet”: XI. Fortune Telling | — | ||
| 16-12 | Carmen Suite “The Carmen Ballet”: XII. Finale | — | ||
| 16-13 | Symphony in D Major: I. Largo - Allegro | — | ||
| 16-14 | Symphony in D Major: II. Larghetto cantabile | — | ||
| 16-15 | Symphony in D Major: III. Minuet. Allegro non tanto | — | ||
| 16-16 | Symphony in D Major: IV. Allegro assai | — | ||
| 17-1 | Symphony No. 10 in E Minor, Op. 93: I. Moderato | — | ||
| 17-2 | Symphony No. 10 in E Minor, Op. 93: II. Allegro | — | ||
| 17-3 | Symphony No. 10 in E Minor, Op. 93: III. Allegretto | — | ||
| 17-4 | Symphony No. 10 in E Minor, Op. 93: IV. Andante - Allegro | — | ||
| 17-5 | Suite from "Mlada": I. Introduction | Seattle Symphony, Gerard Schwarz | — | |
| 17-6 | Suite from "Mlada": II. Redowa | Seattle Symphony, Gerard Schwarz | — | |
| 17-7 | Suite from "Mlada": III. Lithuanian Dance | Seattle Symphony, Gerard Schwarz | — | |
| 17-8 | Suite from "Mlada": IV. Indian Dance | Seattle Symphony, Gerard Schwarz | — | |
| 17-9 | Suite from "Mlada": V. Cortège | Seattle Symphony, Gerard Schwarz | — | |
| 18-1 | Su le sponde del Tebro: Su le sponde del Tebro - Contentatevi, o fidi pensieri | — | ||
| 18-2 | Su le sponde del Tebro: Mesto, stanco e spirante - Infelici miei lumi | — | ||
| 18-3 | Su le sponde del Tebro: Dite almeno | — | ||
| 18-4 | Su le sponde del Tebro: All'aura, al cielo - Tralascia pur di piangere | — | ||
| 18-5 | Endimione e Cintia: Se geloso e il mio core | — | ||
| 18-6 | Ode for the Birthday of Queen Anne, HWV 74 "Eternal Source of Light Divine" | — | ||
| 18-7 | Samson, HWV 57: Let the Bright Seraphim in Burning Row | — | ||
| 18-8 | Wassermusik Suite No. 2 in D Major, HWV 349: I. Overture | — | ||
| 18-9 | Wassermusik Suite No. 2 in D Major, HWV 349: IV. March (Bourrée) | — | ||
| 18-10 | Wassermusik Suite No. 2 in D Major, HWV 349: III. Air (Menuetto) | — | ||
| 18-11 | Wassermusik Suite No. 2 in D Major, HWV 349: II. Gigue | — | ||
| 18-12 | Quartet in D Major, TWV 43:D7: I. Largo | — | ||
| 18-13 | Quartet in D Major, TWV 43:D7: II. Vivace | — | ||
| 18-14 | Quartet in D Major, TWV 43:D7: III. Siciliano | — | ||
| 18-15 | Quartet in D Major, TWV 43:D7: IV. Vivace | — | ||
| 18-16 | Concerto à 5 in D Major: I. Allegro | — | ||
| 18-17 | Concerto à 5 in D Major: II. Cantabile | — | ||
| 18-18 | Concerto à 5 in D Major: III. Plaisanterie - Duetto | — | ||
| 18-19 | Concerto à 5 in D Major: IV. Menuet | — | ||
| 18-20 | Concerto for Trumpet, 3 Oboes & Bassoon in C Major: I. Allegro moderato | — | ||
| 18-21 | Concerto for Trumpet, 3 Oboes & Bassoon in C Major: II. Affettuoso | — | ||
| 18-22 | Concerto for Trumpet, 3 Oboes & Bassoon in C Major: III. Presto | — | ||
| 19-1 | Canzona prima | — | ||
| 19-2 | Canzona seconda | — | ||
| 19-3 | Canzona terza | — | ||
| 19-4 | Canzona quarta | — | ||
| 19-5 | Canzona quinta | — | ||
| 19-6 | 18 Sonatas in 1, 2 & 3 Parts: No. 1 in C Major | — | ||
| 19-7 | 18 Sonatas in 1, 2 & 3 Parts: No. 2 in D Major | — | ||
| 19-8 | 18 Sonatas in 1, 2 & 3 Parts: No. 3 in C Major | — | ||
| 19-9 | 18 Sonatas in 1, 2 & 3 Parts: No. 4 in G Major | — | ||
| 19-10 | 18 Sonatas in 1, 2 & 3 Parts: No. 5 in C Major | — | ||
| 19-11 | 18 Sonatas in 1, 2 & 3 Parts: No. 6 in G Major | — | ||
| 19-12 | Sonate à 2 istromenti, Op. 55 No. 1 "La Pellicana" (Arr. for Trumpet, Bassoon & Harpsichord): I. Largo, e vivace | — | ||
| 19-13 | Sonate à 2 istromenti, Op. 55 No. 1 "La Pellicana" (Arr. for Trumpet, Bassoon & Harpsichord): II. Grave | — | ||
| 19-14 | Sonate à 2 istromenti, Op. 55 No. 1 "La Pellicana" (Arr. for Trumpet, Bassoon & Harpsichord): III. Presto | — | ||
| 19-15 | Sonate à 2 istromenti, Op. 55 No. 1 "La Pellicana" (Arr. for Trumpet, Bassoon & Harpsichord): IV. Prestissimo | — | ||
| 19-16 | Balletto e pass'e mezzo | — | ||
| 19-17 | Sonata à 2 in D Minor | — | ||
| 19-18 | Arie, madrigali et corenti, Op. 3: Romanesca | — | ||
| 19-19 | Air de trompette, TWV 41:C1 | — | ||
| 20-1 | Sonata à 7 in C Major | — | ||
| 20-2 | Sonatina no. 61 | — | ||
| 20-3 | Sonatina no. 65 | — | ||
| 20-4 | Sonata for 4 Trumpets, Strings, Timpani & Continuo: I. Un poco allegro | — | ||
| 20-5 | Sonata for 4 Trumpets, Strings, Timpani & Continuo: II. Adagio | — | ||
| 20-6 | Sonata for 4 Trumpets, Strings, Timpani & Continuo: III. Presto | — | ||
| 20-7 | Canzoni et sonate (1615): Sonata no. 21 | — | ||
| 20-8 | Ludi musici, Pt. 1: no. 18, Canzon à 4, SSWV 56 “Cornetto” | — | ||
| 20-9 | Concerto for 2 Trumpets in E‐Flat Major, op. 6 no. 15: I. Allegro | — | ||
| 20-10 | Concerto for 2 Trumpets in E‐Flat Major, op. 6 no. 15: II. Adagio | — | ||
| 20-11 | Concerto for 2 Trumpets in E‐Flat Major, op. 6 no. 15: III. Allegro | — | ||
| 20-12 | Sonatina no. 62 | — | ||
| 20-13 | Sonatina no. 66 | — | ||
| 20-14 | Sinfonia in C Major for 4 Trumpets: I. Allegro | — | ||
| 20-15 | Sinfonia in C Major for 4 Trumpets: II. Minuet | — | ||
| 20-16 | Sinfonia in C Major for 4 Trumpets: III. Allegro | — | ||
| 20-17 | Sinfonia in C Major for 4 Trumpets: IV. Allegro | — | ||
| 20-18 | Sinfonia in C Major for 4 Trumpets: V. Allegro | — | ||
| 20-19 | Sonata for 2 Choirs | — | ||
| 20-20 | Trumpet Sonata: I. Allegro moderato | — | ||
| 20-21 | Trumpet Sonata: II. Lento | — | ||
| 20-22 | Trumpet Sonata: III. Allegro vivo | — | ||
| 21-1 | Stars in a Velvety Sky (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-2 | Interlude (Woodwinds, Horns & Cello) | — | ||
| 21-3 | Three Kings (Arr. G. Schuller for 3 Cornets & Chamber Ensemble) | — | ||
| 21-4 | Interlude (incl. Tuba Cadenza) | — | ||
| 21-5 | Mephisto Masque (Arr. G. Schuller for Chamber Ensemble) | — | ||
| 21-6 | Lullaby (Arr. G. Schuller for Trombone & Chamber Ensemble) | — | ||
| 21-7 | Violin Interlude | — | ||
| 21-8 | Variations on Norma by Bellini (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-9 | Neptune’s Court (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-10 | Modulation (Trumpet Imitating a Banjo) | — | ||
| 21-11 | Side Partners (Arr. G. Schuller for Cornet, Trombone & Chamber Ensemble) | — | ||
| 21-12 | Three Aces (Arr. G. Schuller for 3 Cornets & Chamber Ensemble) | — | ||
| 21-13 | Modulatory Interlude | — | ||
| 21-14 | Pleasant Moments (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-15 | Interlude | — | ||
| 21-16 | Lake of Bays (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-17 | Josephine (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-18 | Southern Cross (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 21-19 | Hungarian Melodies (Arr. G. Schuller for Cornet & Chamber Ensemble) | — | ||
| 22-1 | Above & Beyond (Live) | — | ||
| 22-2 | Rudolf & Jeanette | — | ||
| 22-3 | Trio for Horn, Violin & Piano: I. | — | ||
| 22-4 | Trio for Horn, Violin & Piano: II. Recitative & Aria | — | ||
| 22-5 | Trio for Horn, Violin & Piano: III. Scherzo | — | ||
| 22-6 | Variations on Greensleeves | — | ||
| 22-7 | In Memoriam | — | ||
| 22-8 | Concerto for Brass Quintet & Orchestra (After Handel's Op. 6 No. 9, HWV 327): I. Allegro | — | ||
| 22-9 | Concerto for Brass Quintet & Orchestra (After Handel's Op. 6 No. 9, HWV 327): II. Larghetto | — | ||
| 22-10 | Concerto for Brass Quintet & Orchestra (After Handel's Op. 6 No. 9, HWV 327): III. Allegro | — | ||
| 22-11 | Silent Night, H. 145 (Arr. G. Schwarz for Orchestra) | — | ||
| 22-12 | We Three Kings of Orient Are / We Wish You a Merry Christmas (Arr. G. Schwarz for Orchestra) | — | ||
| 23-1 | Brandenburg Concerto No. 2 in F Major, BWV 1047: I. | — | ||
| 23-2 | Brandenburg Concerto No. 2 in F Major, BWV 1047: II. Andante | — | ||
| 23-3 | Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai | — | ||
| 23-4 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: I. A tempo giusto | — | ||
| 23-5 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: II. Allegro | — | ||
| 23-6 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: III. Adagio | — | ||
| 23-7 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: IV. Allegro | — | ||
| 23-8 | Concerto grosso in G Major, Op. 6 No. 1, HWV 319: V. Allegro | — | ||
| 23-9 | Messiah, HWV 56: No. 18, Rejoice Greatly | — | ||
| 23-10 | Rinaldo, HWV 7: Lascia ch'io pianga | — | ||
| 23-11 | Alexander's Feast, HWV 75: The Prince, Unable to Conceal | — | ||
| 23-12 | 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | — | ||
| 23-13 | 3 Chorales, P. 167: No. 2, Andante con moto e scherzando (After J.S. Bach's BWV 648) | — | ||
| 23-14 | Tre Corali: III. Wachet auf ruft uns die Stimme, BWV 645: Andante | Seattle Symphony, Gerard Schwarz | — | |
| 23-15 | Passacaglia & Fugue in C Minor, P. 159 (After J.S. Bach's BWV 582) | — | ||
| 23-16 | Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | — | ||
| 23-17 | Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fugue | — | ||
| 24-1 | Symphony No. 41 in C Major, K. 551 ’Jupiter’: I. Allegro vivace | Los Angeles Chamber Orchestra, Gerard Schwarz | T-312.542.381-2 | |
| 24-2 | Symphony No. 41 in C Major, K. 551 ’Jupiter’: II. Andante cantabile | Los Angeles Chamber Orchestra, Gerard Schwarz | — | |
| 24-3 | Symphony No. 41 in C Major, K. 551 ’Jupiter’: III. Menuetto: Allegretto | Los Angeles Chamber Orchestra, Gerard Schwarz | T-902.774.400-9 | |
| 24-4 | Symphony No. 41 in C Major, K. 551 ’Jupiter’: IV. Molto Allegro | Los Angeles Chamber Orchestra, Gerard Schwarz | T-312.542.381-2 | |
| 24-5 | Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio | — | ||
| 24-6 | Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando | — | ||
| 24-7 | Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto | — | ||
| 24-8 | Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace | — | ||
| 24-9 | Die Geschöpfe des Prometheus, Op. 43: Overture | — | ||
| 24-10 | Sinfonia "Al conventello" | — | ||
| 24-11 | Grand'overtura obbligata à contrabbasso | — | ||
| 25-1 | Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang" (Hymn of Praise): Ia. Sinfonia. Maestoso con moto | — | ||
| 25-2 | Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang" (Hymn of Praise): Ib. Sinfonia. Allegretto un poco agitato | — | ||
| 25-3 | Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 "Lobgesang" (Hymn of Praise): Ic. Sinfonia. Adagio religioso | — | ||
| 25-4 | Overture, Scherzo & Finale, Op. 52: No. 1, Overture. Andante con moto - Allegro | — | ||
| 25-5 | Overture, Scherzo & Finale, Op. 52: No. 2, Scherzo. Vivo | — | ||
| 25-6 | Overture, Scherzo & Finale, Op. 52: No. 3, Finale. Allegro molto vivace | — | ||
| 25-7 | Götterdämmerung, WWV 86D: Dawn - Siegfried's Rhine Journey - Siegfried's Funeral March - Finale | — | ||
| 26-1 | Symphony No. 6 in D Major, Op. 60, B. 112: I. Allegro non tanto | — | ||
| 26-2 | Symphony No. 6 in D Major, Op. 60, B. 112: II. Adagio | — | ||
| 26-3 | Symphony No. 6 in D Major, Op. 60, B. 112: III. Scherzo. Presto | — | ||
| 26-4 | Symphony No. 6 in D Major, Op. 60, B. 112: IV. Finale. Allegro con spirito | — | ||
| 26-5 | Dances of Galánta | — | ||
| 27-1 | Der Rosenkavalier Suite (Arr. G. Schwarz for Orchestra) | — | ||
| 27-2 | Symphonic Fantasy on Die Frau ohne Schatten, TrV 234a | — | ||
| 27-3 | Symphony No. 10 in F-Sharp Minor: I. Adagio | — | ||
| 28-1 | Symphony No. 3 in A Minor (Unfinished) [Orch. A.K. Glazunov]: I. Moderato assai | — | ||
| 28-2 | Symphony No. 3 in A Minor (Unfinished) [Orch. A.K. Glazunov]: II. Scherzo. Vivo - Trio. Moderato | — | ||
| 28-3 | Suite from "The Snow Maiden": I. Introduction | Seattle Symphony, Gerard Schwarz | — | |
| 28-4 | Suite from "The Snow Maiden": II. Dance of the Birds | Seattle Symphony, Gerard Schwarz | — | |
| 28-5 | Suite from "The Snow Maiden": III. Cortège | Seattle Symphony, Gerard Schwarz | — | |
| 28-6 | Suite from "The Snow Maiden": IV. Dance of the Clowns | Seattle Symphony, Gerard Schwarz | — | |
| 28-7 | October, Symphonic Poem in C minor for Orchestra | Seattle Symphony, Gerard Schwarz | — | |
| 28-8 | Scherzo fantastique, Op. 3 | — | ||
| 28-9 | Chant du rossignol: Introduction | — | ||
| 28-10 | Chant du rossignol: Marche chinoise | — | ||
| 28-11 | Chant du rossignol: Le chant du rossignol | — | ||
| 28-12 | Chant du rossignol: Le jeu du rossignol mécanique | — | ||
| 29-1 | Symphony No. 1 in E Minor, Op. 21 "Nordic": I. Andante solenne - Allegro con forza | — | ||
| 29-2 | Symphony No. 1 in E Minor, Op. 21 "Nordic": II. Andante teneramente, con semplicità | — | ||
| 29-3 | Symphony No. 1 in E Minor, Op. 21 "Nordic": III. Finale. Allegro con fuoco | — | ||
| 29-4 | Concertato "Moby Dick" | — | ||
| 29-5 | Suite for Orchestra: I. Allegro | — | ||
| 29-6 | Suite for Orchestra: II. Andante | — | ||
| 29-7 | Suite for Orchestra: III. Allegro | — | ||
| 29-8 | Prelude & Quadruple Fugue, Op. 128 | — | ||
| 29-9 | Suite in E Major, Op. 63: I. Praeludium. Allegro comodo | — | ||
| 29-10 | Suite in E Major, Op. 63: II. Pizzicato & Adagietto. Capriccioso - Allegretto | — | ||
| 29-11 | Suite in E Major, Op. 63: III. Fugue. Allegro giusto | — | ||
| 30-1 | Symphony no. 4: I. Allegretto | Seattle Symphony, Gerard Schwarz | — | |
| 30-2 | Symphony No. 4: II. Adagio - Andante | — | ||
| 30-3 | Symphony No. 4: III. Allegro | — | ||
| 30-4 | Invocation & Dance, Op. 58 | — | ||
| 30-5 | Symphony No. 3: I. Passacaglia & Fugue | — | ||
| 30-6 | Symphony No. 3: II. Chorale & Toccata | — | ||
| 30-7 | The White Peacock | — | ||
| 30-8 | Rubies (After Thelonius Monk's Ruby, My Dear) | — | ||
| 30-9 | Tibetan Swing | — |
