UPC · Release
The Early Music Collection
Various Artists
747313329731
495 tracksReleased 2019-01-01Naxos
Last verified:
747313329731 is the Universal Product Code (UPC barcode) for the release “The Early Music Collection” by Various Artists, released 2019-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 495 tracks, each with its own ISRC. Tracks include HKI199421005, USB8U1611149, USB8U1611150.
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7Number system
47313Manufacturer
32973Product
1Check digit
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- Manufacturer:
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Credit Chain
UPCThe Early Music Collection
ISRC109 recordings
ISWC28 works
IPI2 songwriters
Track List (495)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Introitus: Adorate Deum | Alberto Turco, Nova Schola Gregoriana | — | |
| 2 | Introitus: Da pacem | Nova Schola Gregoriana, Alberto Turco | — | |
| 3 | Introitus: Dominus illuminatio mea | Nova Schola Gregoriana, Alberto Turco | — | |
| 4 | Introitus: Laetetur cor | Nova Schola Gregoriana, Alberto Turco | — | |
| 5 | Gradualia: Dirigatur | Nova Schola Gregoriana, Alberto Turco | — | |
| 6 | Gradualia: Domine, Dominus noster | Nova Schola Gregoriana, Alberto Turco | T-926.046.911-2 | |
| 7 | Gradualia: Iacta cogitatum tuum | Nova Schola Gregoriana, Alberto Turco | — | |
| 8 | Gradualia: Laetatus sum | Nova Schola Gregoriana, Alberto Turco | T-071.185.048-4 | |
| 9 | Versus Alleluiatici: Adorabo | Nova Schola Gregoriana, Alberto Turco | — | |
| 10 | Versus Alleluiatici: De profundis | Alberto Turco, Nova Schola Gregoriana | T-919.377.696-4 | |
| 11 | Versus Alleluiatici: Deus, iudex iustus | Nova Schola Gregoriana, Alberto Turco | — | |
| 12 | Versus Alleluiatici: Laudate Deum | Nova Schola Gregoriana, Alberto Turco | — | |
| 13 | Offertoria: De profundis | Nova Schola Gregoriana, Alberto Turco | T-919.377.696-4 | |
| 14 | Offertoria: Domine, convertere | Nova Schola Gregoriana, Alberto Turco | — | |
| 15 | Offertoria: Iubilate Deo universa terra | Nova Schola Gregoriana, Alberto Turco | — | |
| 16 | Offertoria: Iustitiae Domini | Nova Schola Gregoriana, Alberto Turco | — | |
| 17 | Communiones: Circuibo | — | ||
| 18 | Communiones: Dicit Dominus: Implete hydrias | — | ||
| 19 | Communiones: Dominus firmamentum meum | — | ||
| 20 | Communiones: Qui manducat | — | ||
| 21 | Communiones: Gustate et videte (Psalmus 33) | — | ||
| 2-1 | Symphonia armonie celestium revelationem: O Euchari in leta via | Oxford Camerata, Jeremy Summerly | T-306.748.272-4 | |
| 2-2 | Alleluia - O virga mediatrix | — | ||
| 2-3 | Ave generosa | — | ||
| 2-4 | Laus Trinitati | — | ||
| 2-5 | Kyrie | — | ||
| 2-6 | O presul vere | — | ||
| 2-7 | O ignis spiritus | — | ||
| 2-8 | Procession from ‘Ordo Virtutum’ | — | ||
| 2-9 | Symphonia armonie celestium revelationem: O pastor animarum | Oxford Camerata, Jeremy Summerly | — | |
| 2-10 | O viridissima virga | — | ||
| 2-11 | O virga ac diadema | — | ||
| 3-1 | Tant m'abelis | — | ||
| 3-2 | Domna, pos vps ay chausida | — | ||
| 3-3 | Non puesc sofrir / Contrafactum: Ar me puesc | — | ||
| 3-4 | Bujo (instrumental) | Peter Rabanser | — | |
| 3-5 | Bel 'es qu'ieu chant | — | ||
| 3-6 | Cantaben els osells | — | ||
| 3-7 | Ai tal domna | — | ||
| 3-8 | Reis glorios | — | ||
| 3-9 | Ara lausatz, lausat, lausat | — | ||
| 3-10 | Humils forfaitz | Maria Lafitte, Michael Posch, Ensemble Oni Wytars, Ensemble Unicorn | — | |
| 3-11 | Quan vei la lauzeta mover | — | ||
| 3-12 | Lanquan li jorn | — | ||
| 4-1 | cantilena ‘Der han’ (‘The cock’) | — | ||
| 4-2 | Mir ist ummaten leyde (I am grieved beyond all measure) | — | ||
| 4-3 | Summer unde winder (Summer and winter) | — | ||
| 4-4 | clausula | — | ||
| 4-5 | Sinc eyn gulden hoen (Sing, you golden hen) / stantipes ‘Der munich’ (‘The monk’) | — | ||
| 4-6 | Willekome eyn sommerweter suze (Welcome the sweet summer weather) | — | ||
| 4-7 | Guoten wib wol üch der eren (Gracious ladies, you deserve honour) | — | ||
| 4-8 | muteta ‘Non veul mari’ (‘I do not want a husband’) | — | ||
| 4-9 | Ich claghe de blomen (I mourn for the flowers) | — | ||
| 4-10 | stantipes ‘Der hedamerschol’ (‘The hedamerschol’) | — | ||
| 4-11 | Allez daz den sumer (Everything that all summer long) | — | ||
| 4-12 | Vil wol gelopter got (God, so highly extolled) | — | ||
| 4-13 | Je muir, je muir (I die, I die) | — | ||
| 5-1 | Bache, bene venies | Ensemble Unicorn | — | |
| 5-2 | Axe Phebus aureo | Ensemble Unicorn | T-800.639.771-4 | |
| 5-3 | Clauso Cronos | Ensemble Unicorn | T-800.639.771-4 | |
| 5-4 | Katerine collaudemus | Ensemble Unicorn | — | |
| 5-5 | Fas et nefas | Ensemble Unicorn | — | |
| 5-6 | Tempus transit gelidum | Ensemble Unicorn | — | |
| 5-7 | Ich was ein Chint so wolgetan | Ensemble Unicorn | T-031.641.450-2 | |
| 5-8 | Ecce torpet probitas | Ensemble Unicorn | — | |
| 5-9 | Exiit diluculo | Ensemble Unicorn | — | |
| 5-10 | Vite perdite | Ensemble Unicorn | T-800.618.887-1 | |
| 5-11 | Procurans odium | Ensemble Unicorn | T-001.141.411-1 | |
| 5-12 | Celum, non animum | Ensemble Unicorn | — | |
| 5-13 | Tempus est iocundum | Ensemble Unicorn | T-915.096.150-5 | |
| 6-1 | La Messe de Nostre Dame: Kyrie | — | ||
| 6-2 | La Messe de Nostre Dame: Gloria | — | ||
| 6-3 | La Messe de Nostre Dame: Credo | — | ||
| 6-4 | La Messe de Nostre Dame: Sanctus | Oxford Camerata, Jeremy Summerly | — | |
| 6-5 | La Messe de Nostre Dame: Agnus Dei | — | ||
| 6-6 | La Messe de Nostre Dame: Ite missa est | — | ||
| 6-7 | Songs from Le Voir Dit: Ballade 32: Plourez dames | — | ||
| 6-8 | Songs from Le Voir Dit: Ballade 33: Nes qu'on porroit | — | ||
| 6-9 | Songs from Le Voir Dit: Rondeau 4: Sans cuer dolens | — | ||
| 6-10 | Songs from Le Voir Dit: Lai 13: Le lay de bonne esperance | — | ||
| 6-11 | Songs from Le Voir Dit: Rondeau 18: Puis qu'en oubli | — | ||
| 6-12 | Songs from Le Voir Dit: Rondeau 17: Dis et sept cinq | — | ||
| 7-1 | Argentum et aurum | — | ||
| 7-2 | Vyol - Urlaub hab der wintter | — | ||
| 7-3 | Ich fragt ain wachter | — | ||
| 7-4 | Das kchúhorn - Untarnslaf | — | ||
| 7-5 | Skak - Frölich geschrai so well wir machen | — | ||
| 7-6 | Soyt tar tempre | — | ||
| 7-7 | Or sus vous dormes trop | — | ||
| 7-8 | Durch Barbarei, Arabia | — | ||
| 7-9 | Der sunnen glanst | — | ||
| 7-10 | Do man den gumpel gampel sank | — | ||
| 7-11 | Freu dich, du weltlich creatúr | — | ||
| 7-12 | Zergangen ist meins herzen maria | — | ||
| 7-13 | Gegrusset seistu maria | — | ||
| 7-14 | [instrumental] | — | ||
| 7-15 | Von osterreich - Sig, säid und heil | — | ||
| 7-16 | So stee ich hie auff diser erd | — | ||
| 7-17 | Alle dei filius | — | ||
| 7-18 | My ladi, my ladi, myn happ | — | ||
| 7-19 | Seigneur Leon | — | ||
| 7-20 | Gespile, liebe gespile gút | — | ||
| 7-21 | Es sassen höld in ainer stuben | — | ||
| 7-22 | Ich sachs ains mals | — | ||
| 7-23 | Heýa, heýa nun wie si grollen | — | ||
| 7-24 | La Martinella | — | ||
| 7-25 | Pavane | — | ||
| 7-26 | Mantúaner dantz | — | ||
| 7-27 | Gottes namen faren wir | — | ||
| 7-28 | Maria zart, von edler art | — | ||
| 8-1 | J'ay mis mon cuer | — | ||
| 8-2 | Par droit je puis bien complaindre | — | ||
| 8-3 | Quel fronte signorille / La dolce vista | — | ||
| 8-4 | Puisque vous estez campieur | — | ||
| 8-5 | Belle, que vous ay je mesfait | — | ||
| 8-6 | Vergene bella | — | ||
| 8-7 | Se la face ay pale | — | ||
| 8-8 | Donnes l'assault à la fortresse | — | ||
| 8-9 | Par le regard de vos beaux yeux | — | ||
| 8-10 | Resvelons nous | — | ||
| 8-11 | Ce jour d l'an | — | ||
| 8-12 | Mon chier amy | — | ||
| 8-13 | Pour l'amour de ma doulce amye | — | ||
| 8-14 | Helas mon dueil | Ensemble Unicorn | — | |
| 8-15 | Bon jour, bon mois | — | ||
| 8-16 | Resvelliés vous et faites chiere lye | — | ||
| 8-17 | Adieu ces bons vins de Lannoys | — | ||
| 9-1 | Intemerata Dei Mater | — | ||
| 9-2 | Requiem: Introitus | — | ||
| 9-3 | Requiem: Kyrie | — | ||
| 9-4 | Requiem: Graduale | — | ||
| 9-5 | Requiem: Tractus | — | ||
| 9-6 | Requiem: Offertorium | — | ||
| 9-7 | Missa prolationum: Kyrie | — | ||
| 9-8 | Missa prolationum: Gloria | — | ||
| 9-9 | Missa prolationum: Credo | — | ||
| 9-10 | Missa prolationum: Sanctus | — | ||
| 9-11 | Missa prolationum: Benedictus | — | ||
| 9-12 | Missa prolationum: Agnus Dei | — | ||
| 10-1 | Mesciens mater a 5 | — | ||
| 10-2 | Magnificat a 4 | — | ||
| 10-3 | Nesciens mater | — | ||
| 10-4 | St. Matthew Passion [27:11-56] a 4 | — | ||
| 10-5 | Stabat mater a 6 | — | ||
| 10-6 | Magnificat a 5 | — | ||
| 10-7 | Jesus autem transiens / Credo in Deum canon a 13 | — | ||
| 11-1 | O Antiphons: O Sapientia (with Magnificat) | — | ||
| 11-2 | O Antiphons: O Adonai | — | ||
| 11-3 | O Antiphons: O Radix lesse | — | ||
| 11-4 | O Antiphons: O Clavis David | — | ||
| 11-5 | O Antiphons: O Oriens | — | ||
| 11-6 | O Antiphons: O Rex Gentium | — | ||
| 11-7 | O Antiphons: O Emmanuel | — | ||
| 11-8 | Missa Conceptio lua: Kyrie | — | ||
| 11-9 | Missa Conceptio lua: Gloria | — | ||
| 11-10 | Missa Conceptio lua: Credo | — | ||
| 11-11 | Missa Conceptio lua: Sanctus | — | ||
| 11-12 | Missa Conceptio lua: Agnus Dei | — | ||
| 11-13 | Alma Redemptoris Mater | — | ||
| 11-14 | There is no rose of swych vertu | — | ||
| 11-15 | Hail Mary, full of grace | — | ||
| 11-16 | Nova, nova! | — | ||
| 12-1 | Missa Myn hert: Kyrie | Capilla Flamenca | — | |
| 12-2 | Celeste beneficium, Adiutorium nostrum | Capilla Flamenca | — | |
| 12-3 | Proch dolor, Pie Jhesu | Capilla Flamenca | — | |
| 12-4 | Mater floreat | Capilla Flamenca | — | |
| 12-5 | Missa super Benedicta es: Agnus Dei | Capilla Flamenca | — | |
| 12-6 | Salve Regina (on Myn Hert) | Capilla Flamenca | T-916.336.852-3 | |
| 12-7 | Maudit soyt | Capilla Flamenca | — | |
| 12-8 | Autant en emporte | Capilla Flamenca | T-031.647.882-6 | |
| 12-9 | Myn hert altyt heeft verlanghen I | Capilla Flamenca | — | |
| 12-10 | Celle que j'ay | Capilla Flamenca | — | |
| 12-11 | Myn hert altyt heeft verlanghen II | Capilla Flamenca | — | |
| 12-12 | Plus oultre | Capilla Flamenca | — | |
| 12-13 | Plaine de duel | Capilla Flamenca | — | |
| 12-14 | Soubz ce tumbel | Capilla Flamenca | — | |
| 12-15 | Dulces exuviae | Capilla Flamenca | — | |
| 12-16 | Jam sauche | Capilla Flamenca | — | |
| 12-17 | Tandernaken op den Rijn | Capilla Flamenca | — | |
| 13-1 | L'homme armé | — | ||
| 13-2 | Introitus: Salve Sancta Parens | — | ||
| 13-3 | Missa sine nomine: Kyrie eleison / Christe eleison / Kyrie eleison | — | ||
| 13-4 | Kyrie I | — | ||
| 13-5 | Missa sine nomine: Gloria in excelsis Deo | — | ||
| 13-6 | Graduale: Benedicta et venerabilis es | — | ||
| 13-7 | Reyna muy esclareçida | — | ||
| 13-8 | Missa sine nomine: Credo | — | ||
| 13-9 | Sancta mater istud agas | — | ||
| 13-10 | Offertorium: Ave maria, gratia plena | — | ||
| 13-11 | Ave Sanctissima Maria | — | ||
| 13-12 | Missa sine nomine: Sanctus / Benedictus | — | ||
| 13-13 | Hymn: Pange lingua | — | ||
| 13-14 | Virgo et Mater | — | ||
| 13-15 | Missa sine nomine: Agnus Dei | — | ||
| 13-16 | Communio: Beata viscera | — | ||
| 13-17 | Salve Regina (Antiphon) | — | ||
| 14-1 | La vida de Culin | — | ||
| 14-2 | L'amor, dona ch'io te porto | — | ||
| 14-3 | Vecchie letrose | — | ||
| 14-4 | Che faralla, che diralla | — | ||
| 14-5 | Occhi miei, al pianger nati | — | ||
| 14-6 | Poi che volse la mia stella | — | ||
| 14-7 | L'ultimo dì di maggio | — | ||
| 14-8 | Zephiro spira e 'l bel tempo rimena | — | ||
| 14-9 | Alle stamegne, donne | — | ||
| 14-10 | Su, su, leva, alza le ciglia | — | ||
| 14-11 | Ahimè sospiri | — | ||
| 14-12 | Per dolor me bagno el viso | — | ||
| 14-13 | Ricercar Ottavo | — | ||
| 14-14 | Un cavalier di Spagna | — | ||
| 14-15 | Virgine bella | — | ||
| 14-16 | Non è tempo d'aspettare | — | ||
| 14-17 | D'un bel matin d'amore | — | ||
| 14-18 | Lirum bililirum | — | ||
| 15-1 | Ave Maria gratia plena | Oxford Camerata, Jeremy Summerly | T-909.072.293-3 | |
| 15-2 | L'homme armé (Mode 6) | Oxford Camerata, Jeremy Summerly | — | |
| 15-3 | Missa L'homme armé sexti toni: Kyrie | Oxford Camerata, Jeremy Summerly | — | |
| 15-4 | Missa L'homme armé sexti toni: Gloria | Oxford Camerata, Jeremy Summerly | — | |
| 15-5 | Missa L'homme armé sexti toni: Credo | Oxford Camerata, Jeremy Summerly | T-030.223.287-6 | |
| 15-6 | Laeta Dies (Mode 6) | [anonymous] | — | |
| 15-7 | Missa L'homme armé sexti toni: Sanctus | Oxford Camerata, Jeremy Summerly | T-322.297.984-8 | |
| 15-8 | Missa L'homme armé sexti toni: Agnus Dei | Oxford Camerata, Jeremy Summerly | — | |
| 15-9 | Absalon, fili mi | Oxford Camerata, Jeremy Summerly | T-900.140.981-0 | |
| 15-10 | O mors inevitabilis (Lament on the death of Josquin des Pres) | Oxford Camerata, Jeremy Summerly | — | |
| 16-1 | Libro de música de vihuela de mano intitulado El maestro: Fantasia X | — | ||
| 16-2 | Libro de música de vihuela de mano intitulado El maestro: Fantasia III | — | ||
| 16-3 | Libro de música de vihuela de mano intitulado El maestro: Fantasia V | — | ||
| 16-4 | Libro de música de vihuela de mano intitulado El maestro: Fantasia XVIII | — | ||
| 16-5 | Libro de música de vihuela de mano intitulado El maestro: Fantasia VII | — | ||
| 16-6 | Libro de música de vihuela de mano intitulado El maestro: Fantasia XXVI | — | ||
| 16-7 | Libro de música de vihuela de mano intitulado El maestro: Fantasia XXXV | — | ||
| 16-8 | Libro de música de vihuela de mano intitulado El maestro: Fantasia XXI | — | ||
| 16-9 | Libro de música de vihuela de mano intitulado El maestro: Pavana V | — | ||
| 16-10 | Libro de música de vihuela de mano intitulado El maestro: Tiento I | — | ||
| 16-11 | Music for Vihuela: Fantasia del quinto tono | — | ||
| 16-12 | Music for Vihuela: Fantasia del tercer tono | — | ||
| 16-13 | Music for Vihuela: Fantasia del segundo tono | — | ||
| 16-14 | Music for Vihuela: Fantasia del quinto tono | — | ||
| 16-15 | Music for Vihuela: Cum sancto spiritu | — | ||
| 16-16 | Music for Vihuela: Ya se asienta el Ramiro | — | ||
| 16-17 | Music for Vihuela: Paseavase el rey Moro | — | ||
| 16-18 | Music for Vihuela: Fantasia del primer tono | — | ||
| 16-19 | Music for Vihuela: O gloriosa domina | — | ||
| 16-20 | Music for Vihuela: Conde Claros | — | ||
| 17-1 | Spem in alium (40‐Voice Motet) | Oxford Camerata, Jeremy Summerly | T-906.288.103-2 | |
| 17-2 | Salve intemerata virgo | Oxford Camerata, Jeremy Summerly | — | |
| 17-3 | Missa Salve intemerata: Gloria | Oxford Camerata, Jeremy Summerly | T-905.034.867-9 | |
| 17-4 | Missa Salve intemerata: Credo | Oxford Camerata, Jeremy Summerly | T-002.632.480-0 | |
| 17-5 | Missa Salve intemerata: Sanctus | Oxford Camerata, Jeremy Summerly | T-060.951.046-4 | |
| 17-6 | Mass, "Salve intemerata" (excerpts): Agnus Dei | Oxford Camerata, Jeremy Summerly | T-910.379.859-0 | |
| 17-7 | With all our heart | Oxford Camerata, Jeremy Summerly | T-070.200.502-4 | |
| 17-8 | Discomfort them, O Lord | Oxford Camerata, Jeremy Summerly | — | |
| 17-9 | I call and cry to thee, O Lord | Oxford Camerata, Jeremy Summerly | — | |
| 18-1 | Missa Papae Marcelli: I. Kyrie | Oxford Camerata, Jeremy Summerly | T-011.724.735-4 | |
| 18-2 | Missa Papae Marcelli: II. Gloria | Oxford Camerata, Jeremy Summerly | — | |
| 18-3 | Missa Papae Marcelli: III. Credo | Oxford Camerata, Jeremy Summerly | T-030.223.287-6 | |
| 18-4 | Missa Papae Marcelli: IV. Sanctus | Oxford Camerata, Jeremy Summerly | T-060.951.046-4 | |
| 18-5 | Missa Papae Marcelli: V. Agnus Dei | Oxford Camerata, Jeremy Summerly | — | |
| 18-6 | Missa Aeterna Christi Munera: I. Kyrie | Oxford Camerata, Jeremy Summerly | T-011.724.735-4 | |
| 18-7 | Missa Aeterna Christi Munera: II. Gloria | Oxford Camerata, Jeremy Summerly | T-930.828.166-5 | |
| 18-8 | Missa Aeterna Christi Munera: III. Credo | Oxford Camerata, Jeremy Summerly | — | |
| 18-9 | Missa Aeterna Christi Munera: IV. Sanctus | Oxford Camerata, Jeremy Summerly | — | |
| 18-10 | Missa Aeterna Christi Munera: V. Agnus Dei | Oxford Camerata, Jeremy Summerly | — | |
| 19-1 | Lagrime di San Pietro: Il magnanimo Pietro | — | ||
| 19-2 | Lagrime di San Pietro: Ma gli archi | — | ||
| 19-3 | Lagrime di San Pietro: Tre volte haveva à l'importuna e audace | — | ||
| 19-4 | Lagrime di San Pietro: Qual' à l'incontro di quegli occhi santi | — | ||
| 19-5 | Lagrime di San Pietro: Giovane donna il suo bel volto in specchio | — | ||
| 19-6 | Lagrime di San Pietro: Così tal'hor | — | ||
| 19-7 | Lagrime di San Pietro: Ogni occhio del Signor lingua veloce | — | ||
| 19-8 | Lagrime di San Pietro: Nessun fedel trovai, nessun cortese | — | ||
| 19-9 | Lagrime di San Pietro: Chi ad una ad una raccontar potesse | — | ||
| 19-10 | Lagrime di San Pietro: Come falda di neve | — | ||
| 19-11 | Lagrime di San Pietro: E non fu il pianto suo rivo ó Torrente | — | ||
| 19-12 | Lagrime di San Pietro: Quel volto | — | ||
| 19-13 | Lagrime di San Pietro: Veduto il miser quanto differente | — | ||
| 19-14 | Lagrime di San Pietro: E vago d'incontrar chi giusta pena | — | ||
| 19-15 | Lagrime di San Pietro: Vattene vitav và | — | ||
| 19-16 | Lagrime di San Pietro: O vita troppo rea | — | ||
| 19-17 | Lagrime di San Pietro: À quanti già felici in giovinezza | — | ||
| 19-18 | Lagrime di San Pietro: Non trovava mia fe sì duro intoppo | — | ||
| 19-19 | Lagrime di San Pietro: Queste opre e piu | — | ||
| 19-20 | Lagrime di San Pietro: Negando il mio Signor | — | ||
| 19-21 | Lagrime di San Pietro: Vide homo | — | ||
| 20-1 | Fitzwilliam Virginal Book, no. 117: Praeludium | — | ||
| 20-2 | Musica Britannica, vol. 28, no. 62 / The Fitzwilliam Virginal Book, no. 261: Fantasia in G major, no. 2 | — | ||
| 20-3 | Musica Britannica, vol. 27, no. 12 / The Fitzwilliam Virginal Book, no. 100: Praeludium to the Fancie in A minor | — | ||
| 20-4 | Musica Britannica, vol. 27, no. 13 / The Fitzwilliam Virginal Book, no. 52: Fantasiain A minor | — | ||
| 20-5 | Musica Britannica, vol. 27, no. 24 / The Fitzwilliam Virginal Book, no. 24 / Parthenia, no. 4: Praeludium in C major | — | ||
| 20-6 | Musica Britannica, vol. 27, no. 25 / The Fitzwilliam Virginal Book, no. 103 / My Ladye Nevells Book, 36: Fantasia in C major | — | ||
| 20-7 | Musica Britannica, vol. 55, no. 55: Fantasia in G minor | — | ||
| 20-8 | Musica Britannica, vol. 28, no. 64 / The Fitzwilliam Virginal Book, no. 101 / My Ladye Nevells Book, 9: Ut, re, mi, fa, sol, la in G major | — | ||
| 20-9 | Musica Britannica, vol. 28, no. 65 / The Fitzwilliam Virginal Book, no. 102: Ut, mi, re | — | ||
| 20-10 | Musica Britannica, vol. 14, no. 59: Prelude: Doric Music | — | ||
| 20-11 | Musica Britannica, vol. 28, no. 46 / My Ladye Nevells Book, 41: Fantasia in D minor | — | ||
| 20-12 | Musica Britannica, vol. 55, no. 3: Praeludium | — | ||
| 20-13 | Musica Britannica, vol. 28, no. 58: Ut, re, mi, fa, sol, la in F major | — | ||
| 20-14 | Musica Britannica, vol. 27, no. 1 / Parthenia, no. 1: Praeludium in G minor | — | ||
| 20-15 | Musica Britannica, vol. 28, no. 63 / The Fitzwilliam Virginal Book, no. 8: Fantasia in G major | — | ||
| 20-16 | Musica Britannica, vol. 27, no. 26 / My Ladye Nevells Book, 29: Fantasia in C major, no. 1 | — | ||
| 21-1 | Canzon à 12 (Kassel Library) | — | ||
| 21-2 | Canzon V (1615) | — | ||
| 21-3 | Sonata XVIII (1615) | — | ||
| 21-4 | Canzon Seconda à 4 (1608) | — | ||
| 21-5 | Canzon Primi Toni à 8 (1597) | — | ||
| 21-6 | Sonata XIX (1615) | — | ||
| 21-7 | Canzon II (1615) | — | ||
| 21-8 | Sonata Octavi Toni à 12 (1597) | — | ||
| 21-9 | Canzon Terza à 4 (1608) | — | ||
| 21-10 | Canzon XII (1615) | — | ||
| 21-11 | Canzon III (1615) | — | ||
| 21-12 | Canzon VI (1615) | — | ||
| 21-13 | Canzon ‘La Spiritata’ à 4 (1608) | — | ||
| 21-14 | Canzon XVI à 12 (1615) | — | ||
| 22-1 | Fantasia | — | ||
| 22-2 | Ah, alas you salt sea gods | — | ||
| 22-3 | A Song of Mr. Robert Parsons | — | ||
| 22-4 | The Song called Trumpets | — | ||
| 22-5 | O Death, rock me asleep | — | ||
| 22-6 | In Nomine | — | ||
| 22-7 | In Nomine | — | ||
| 22-8 | Pour down, you pow'rs divine | — | ||
| 22-9 | Ut re mi | — | ||
| 22-10 | Quis me statim | — | ||
| 22-11 | In Nomine no. 14, ‘Reporte’ | — | ||
| 22-12 | Penelope that longed | — | ||
| 22-13 | In Nomine no. 20, ‘Crye’ | — | ||
| 22-14 | Send forth thy sighs | — | ||
| 22-15 | Climb not too high | — | ||
| 22-16 | De la court | — | ||
| 22-17 | Eliza, her name gives honour | — | ||
| 22-18 | Pavin of Albarti | — | ||
| 22-19 | Gallyard | — | ||
| 22-20 | O Jove, from stately throne | — | ||
| 22-21 | A Solfing Song | — | ||
| 22-22 | Ah, silly poor Joas | — | ||
| 22-23 | In Nomine | — | ||
| 22-24 | Ye sacred Muses | — | ||
| 23-1 | Toccata in C | — | ||
| 23-2 | Ballo del granduca | — | ||
| 23-3 | Ricercar | — | ||
| 23-4 | Malle Sijmen | — | ||
| 23-5 | Mein junges Leben hat ein End' | — | ||
| 23-6 | Echo Fantasia in A minor | — | ||
| 23-7 | Onder een linde groen | — | ||
| 23-8 | Toccata in A minor | — | ||
| 23-9 | Erbarm dich mein, o Herre Gott | — | ||
| 23-10 | Poolsche Dans | — | ||
| 24-1 | Pavan ‘Solus cum sola’ | — | ||
| 24-2 | Melancholy Galliard | — | ||
| 24-3 | Sir John Smith, his Almain | — | ||
| 24-4 | The Lady Russell's Pavan | — | ||
| 24-5 | Lady Rich, her Galliard | — | ||
| 24-6 | The Lady Laiton's Almain | — | ||
| 24-7 | Pavan ‘Solus sine sola’ | — | ||
| 24-8 | Mr Knight's Galliard | — | ||
| 24-9 | Mrs Clifton's Almain | — | ||
| 24-10 | Dr Case's Pavan | — | ||
| 24-11 | Sir Robert Sidney, his Galliard | — | ||
| 24-12 | Sir Henry Guilforde, his Almain | — | ||
| 24-13 | ‘Pavana Doulant’ (pub. Mylius, Frankfurt 1622) | — | ||
| 24-14 | The Earl of Derby, his Galliard | — | ||
| 24-15 | Almain, P. 51 | — | ||
| 24-16 | Pavan ‘La mia Barbara’ | — | ||
| 24-17 | The Battle Galliard | — | ||
| 24-18 | Almain, P. 49 | — | ||
| 24-19 | ‘Pavana Johan Douland’ (Schele ms.) | — | ||
| 24-20 | Galliard on a Galliard of Bachelar | — | ||
| 24-21 | Almain (Margaret Board Lute ms.) | — | ||
| 25-1 | Baci soavi e cari (part 1) | — | ||
| 25-2 | Quanto ha di dolce amore (part 2) | — | ||
| 25-3 | Madonna, io ben vorrei | — | ||
| 25-4 | Come esser può ch'io viva? | — | ||
| 25-5 | Gelo ha madonna il seno | — | ||
| 25-6 | Mentre madonna (part 1) | — | ||
| 25-7 | Ahi, troppo saggia (part 2) | — | ||
| 25-8 | Se da si nobil mano | — | ||
| 25-9 | Amor, pace non chero | — | ||
| 25-10 | Sì gioioso mi fanno i dolor miel | — | ||
| 25-11 | O dolce mio martire | — | ||
| 25-12 | Tirsi morir volea (part 1) | — | ||
| 25-13 | Frenò Tirsi il desio (part 2) | — | ||
| 25-14 | Mentre, mia stella, miri | — | ||
| 25-15 | Non mirar, non mirare | — | ||
| 25-16 | Questi leggiadri odorosetti fiori | — | ||
| 25-17 | Felice primavera! (part 1) | — | ||
| 25-18 | Danzan le ninfe (part 2) | — | ||
| 25-19 | Son sì belle le rose | — | ||
| 25-20 | Bella angioletta | — | ||
| 26-1 | Come Let Us Sound with Melodie the Praises | Steven Rickards, Dorothy Linell | — | |
| 26-2 | Tune Thy Musicke to Thy Hart | Steven Rickards, Dorothy Linell | — | |
| 26-3 | Come You Pretty False-Ey'd Wanton | Steven Rickards, Dorothy Linell | — | |
| 26-4 | There Is None, O None but You | Steven Rickards, Dorothy Linell | — | |
| 26-5 | Sweet Exclude Me Not nor Be Divided | Steven Rickards, Dorothy Linell | — | |
| 26-6 | I Care Not for These Ladies | Steven Rickards, Dorothy Linell | T-900.011.453-4 | |
| 26-7 | Though You Are Yoong and I Am Olde | Steven Rickards, Dorothy Linell | — | |
| 26-8 | Fire, Fire, Fire, Fire Loe Here I Burne | Steven Rickards, Dorothy Linell | — | |
| 26-9 | What Then Is Love but Mourning? | Philip Rosseter | T-106.584.358-3 | |
| 26-10 | Shall I Come Sweet Love to Thee? | Steven Rickards, Dorothy Linell | — | |
| 26-11 | Beauty Since You So Much Desire | Steven Rickards, Dorothy Linell | — | |
| 26-12 | What Is It That All Men Possesse, Among Themselves Conversing? | Steven Rickards, Dorothy Linell | — | |
| 26-13 | The Sypres Curten of the Night Is Spread | Steven Rickards, Dorothy Linell | — | |
| 26-14 | Jacke and Jone They Thinke No Ill | Steven Rickards, Dorothy Linell | — | |
| 26-15 | It Fell on a Sommers Daie | Steven Rickards, Dorothy Linell | — | |
| 26-16 | When to Her Lute Corrina Sings | Steven Rickards, Dorothy Linell | — | |
| 26-17 | My Sweetest Lesbia, Let Us Live and Love | Thomas Campion | — | |
| 26-18 | Her Rosie Cheekes, Her Ever Smiling Eyes | Steven Rickards, Dorothy Linell | — | |
| 26-19 | Faire If You Expect Admiring | Steven Rickards, Dorothy Linell | — | |
| 26-20 | There Is a Garden in Her Face | Steven Rickards, Dorothy Linell | — | |
| 26-21 | Author of Light, Revive My Dying Spright | Steven Rickards, Dorothy Linell | — | |
| 26-22 | Never Weather-Beaten Saile More Willing Bent to Shore | Steven Rickards, Dorothy Linell | T-011.720.712-1 | |
| 26-23 | Most Sweet and Pleasing Are Thy Wayes O God | Steven Rickards, Dorothy Linell | — | |
| 26-24 | To Musicke Bent Is My Retyred Minde | Steven Rickards, Dorothy Linell | — | |
| 26-25 | Thou Joy'st Fond Boy, to Be by Many Loved | Steven Rickards, Dorothy Linell | — | |
| 26-26 | Turne All Thy Thoughts to Eyes | Steven Rickards, Dorothy Linell | — | |
| 26-27 | Vayle Love Mine Eyes, O Hide from Me | Steven Rickards, Dorothy Linell | — | |
| 26-28 | Miserere My Maker | Steven Rickards, Dorothy Linell | — | |
| 27-1 | Il Quinto Libro de' Madrigali, 1605: Cruda Amarilli | — | ||
| 27-2 | Il Quinto Libro de' Madrigali, 1605: O Mirtillo | — | ||
| 27-3 | Il Quinto Libro de' Madrigali, 1605: Era l'anima mia | — | ||
| 27-4 | Il Quinto Libro de' Madrigali, 1605: Ecco, Silvio, colei | — | ||
| 27-5 | Il Quinto Libro de' Madrigali, 1605: Ma, se, con la pietà | — | ||
| 27-6 | Il Quinto Libro de' Madrigali, 1605: Dorinda, ah, dirò mia | — | ||
| 27-7 | Il Quinto Libro de' Madrigali, 1605: Ecco, piegando le genocchie | — | ||
| 27-8 | Il Quinto Libro de' Madrigali, 1605: Ferir quel petto, Silvio? | — | ||
| 27-9 | Il Quinto Libro de' Madrigali, 1605: Ch'io t'ami | — | ||
| 27-10 | Il Quinto Libro de' Madrigali, 1605: Deh, bella e cara | — | ||
| 27-11 | Il Quinto Libro de' Madrigali, 1605: Ma tu, più che mai dura | — | ||
| 27-12 | Il Quinto Libro de' Madrigali, 1605: Che dar più vi poss'io? | — | ||
| 27-13 | Il Quinto Libro de' Madrigali, 1605: M'è più dolce il penar | — | ||
| 27-14 | Il Quinto Libro de' Madrigali, 1605: Ahi, come a un vago sol | — | ||
| 27-15 | Il Quinto Libro de' Madrigali, 1605: Troppo ben può | — | ||
| 27-16 | Il Quinto Libro de' Madrigali, 1605: Amor, se giusto sei | — | ||
| 27-17 | Il Quinto Libro de' Madrigali, 1605: T'amo, mia vita | — | ||
| 27-18 | Il Quinto Libro de' Madrigali, 1605: E così, a poco a poco | — | ||
| 27-19 | Il Quinto Libro de' Madrigali, 1605: Questi vaghi concenti | — | ||
| 28-1 | Pavan in F minor (4 viols) | — | ||
| 28-2 | Almain in F major (4 viols) | — | ||
| 28-3 | In Nomine (Organ) | — | ||
| 28-4 | Above the stars (Verse Anthem: 5 viols, 6 voices) | — | ||
| 28-5 | Fantasia XIV (3 viols) | — | ||
| 28-6 | Fantasia I (3 viols) | — | ||
| 28-7 | A Fancy: For two to play (Harpsichord) | — | ||
| 28-8 | Ut re mi (Hexachord Fantasia: 4 viols) | — | ||
| 28-9 | O Lord, let me know mind end (Verse Anthem: 5 viols, 5 voices) | — | ||
| 28-10 | Fantasia XII (3 viols) | — | ||
| 28-11 | In Nomine II (3 viols) | — | ||
| 28-12 | Paven and galliard: Earl Strafford (Harpsichord) | — | ||
| 28-13 | Fantasia (6 viols) | — | ||
| 28-14 | Miserere (Organ) | — | ||
| 28-15 | Voluntary (Organ) | — | ||
| 28-16 | Pavan in A minor (5 viols, Organ) | — | ||
| 28-17 | Galliard (Thomas Simpson: 5 viols, Organ) | — | ||
| 28-18 | Thou art my King, O God (Verse Anthem: 5 viols, 5 voices) | — | ||
| 29-1 | Guerra Manuscript: Introduction (solo harp) | — | ||
| 29-2 | Guerra Manuscript: Oyeme, escuchame | — | ||
| 29-3 | Guerra Manuscript: ¿Quien es amor? | — | ||
| 29-4 | Guerra Manuscript: Mayor es mi dolor | — | ||
| 29-5 | Guerra Manuscript: Que corriendo y volando | — | ||
| 29-6 | Guerra Manuscript: Que obstinarse en las sombras | — | ||
| 29-7 | Guerra Manuscript: No parezca rigor el desden | — | ||
| 29-8 | Guerra Manuscript: Cansada imaginación | — | ||
| 29-9 | Guerra Manuscript: Cuidado, descuido | — | ||
| 29-10 | Guerra Manuscript: Peces, fiera, aves | — | ||
| 29-11 | Guerra Manuscript: Si la gloria de adorar | — | ||
| 29-12 | Guerra Manuscript: ¿Quien son aquellos? | — | ||
| 29-13 | Guerra Manuscript: Rompe amor las flechas | — | ||
| 29-14 | Guerra Manuscript: Credito es de mi decoro | — | ||
| 29-15 | Guerra Manuscript: Que pues muero y me matas | — | ||
| 30-1 | Set a 4 in G minor (for 2 Theorbos): Paven | — | ||
| 30-2 | Set a 4 in G minor (for 2 Theorbos): Aire | — | ||
| 30-3 | Set a 4 in G minor (for 2 Theorbos): Aire | — | ||
| 30-4 | Consort Set a 5 in C major: Fantazy | — | ||
| 30-5 | Consort Set a 5 in C major: Paven | — | ||
| 30-6 | Consort Set a 5 in C major: Aire | — | ||
| 30-7 | Royal Consort in D minor (for 2 Theorbos): Fantazy | — | ||
| 30-8 | Royal Consort in D minor (for 2 Theorbos): Aire | — | ||
| 30-9 | Royal Consort in D minor (for 2 Theorbos): Alman | — | ||
| 30-10 | Royal Consort in D minor (for 2 Theorbos): Corant I | — | ||
| 30-11 | Royal Consort in D minor (for 2 Theorbos): Corant II | — | ||
| 30-12 | Royal Consort in D minor (for 2 Theorbos): Saraband | — | ||
| 30-13 | Royal Consort in D minor (for 2 Theorbos): Ecco | — | ||
| 30-14 | Pieces for Two Lutes: Alman | — | ||
| 30-15 | Pieces for Two Lutes: Corant | — | ||
| 30-16 | Pieces for Two Lutes: Corant | — | ||
| 30-17 | Divisions on a Pavan in G minor | — | ||
| 30-18 | Consort Set a 5 in A minor: Fantazy | — | ||
| 30-19 | Consort Set a 5 in A minor: Fantazy | — | ||
| 30-20 | Consort Set a 5 in A minor: Aire | — | ||
| 30-21 | Royal Consort in D major (for 2 Theorbos): Fantazy | — | ||
| 30-22 | Royal Consort in D major (for 2 Theorbos): Aire | — | ||
| 30-23 | Royal Consort in D major (for 2 Theorbos): Corant | — | ||
| 30-24 | Royal Consort in D major (for 2 Theorbos): Alman | — | ||
| 30-25 | Royal Consort in D major (for 2 Theorbos): Ecco | — | ||
| 30-26 | Royal Consort in D major (for 2 Theorbos): Aire - Morris | — |
Introitus: Adorate Deum
Alberto Turco, Nova Schola Gregoriana
—
Introitus: Da pacem
Nova Schola Gregoriana, Alberto Turco
—
Introitus: Dominus illuminatio mea
Nova Schola Gregoriana, Alberto Turco
—
Introitus: Laetetur cor
Nova Schola Gregoriana, Alberto Turco
—
Gradualia: Dirigatur
Nova Schola Gregoriana, Alberto Turco
—
Gradualia: Iacta cogitatum tuum
Nova Schola Gregoriana, Alberto Turco
—
Versus Alleluiatici: Adorabo
Nova Schola Gregoriana, Alberto Turco
—
Versus Alleluiatici: Deus, iudex iustus
Nova Schola Gregoriana, Alberto Turco
—
Versus Alleluiatici: Laudate Deum
Nova Schola Gregoriana, Alberto Turco
—
Offertoria: Domine, convertere
Nova Schola Gregoriana, Alberto Turco
—
Offertoria: Iubilate Deo universa terra
Nova Schola Gregoriana, Alberto Turco
—
Offertoria: Iustitiae Domini
Nova Schola Gregoriana, Alberto Turco
—
Communiones: Circuibo
—
Communiones: Dicit Dominus: Implete hydrias
—
Communiones: Dominus firmamentum meum
—
Communiones: Qui manducat
—
Communiones: Gustate et videte (Psalmus 33)
—
Oxford Camerata, Jeremy Summerly
Alleluia - O virga mediatrix
—
Ave generosa
—
Laus Trinitati
—
Kyrie
—
O presul vere
—
O ignis spiritus
—
Procession from ‘Ordo Virtutum’
—
Symphonia armonie celestium revelationem: O pastor animarum
Oxford Camerata, Jeremy Summerly
—
O viridissima virga
—
O virga ac diadema
—
Tant m'abelis
—
Domna, pos vps ay chausida
—
Non puesc sofrir / Contrafactum: Ar me puesc
—
Bujo (instrumental)
Peter Rabanser
—
Bel 'es qu'ieu chant
—
Cantaben els osells
—
Ai tal domna
—
Reis glorios
—
Ara lausatz, lausat, lausat
—
Humils forfaitz
Maria Lafitte, Michael Posch, Ensemble Oni Wytars, Ensemble Unicorn
—
Quan vei la lauzeta mover
—
Lanquan li jorn
—
cantilena ‘Der han’ (‘The cock’)
—
Mir ist ummaten leyde (I am grieved beyond all measure)
—
Summer unde winder (Summer and winter)
—
clausula
—
Sinc eyn gulden hoen (Sing, you golden hen) / stantipes ‘Der munich’ (‘The monk’)
—
Willekome eyn sommerweter suze (Welcome the sweet summer weather)
—
Guoten wib wol üch der eren (Gracious ladies, you deserve honour)
—
muteta ‘Non veul mari’ (‘I do not want a husband’)
—
Ich claghe de blomen (I mourn for the flowers)
—
stantipes ‘Der hedamerschol’ (‘The hedamerschol’)
—
Allez daz den sumer (Everything that all summer long)
—
Vil wol gelopter got (God, so highly extolled)
—
Je muir, je muir (I die, I die)
—
Bache, bene venies
Ensemble Unicorn
—
Katerine collaudemus
Ensemble Unicorn
—
Fas et nefas
Ensemble Unicorn
—
Tempus transit gelidum
Ensemble Unicorn
—
Ecce torpet probitas
Ensemble Unicorn
—
Exiit diluculo
Ensemble Unicorn
—
Celum, non animum
Ensemble Unicorn
—
La Messe de Nostre Dame: Kyrie
—
La Messe de Nostre Dame: Gloria
—
La Messe de Nostre Dame: Credo
—
La Messe de Nostre Dame: Sanctus
Oxford Camerata, Jeremy Summerly
—
La Messe de Nostre Dame: Agnus Dei
—
La Messe de Nostre Dame: Ite missa est
—
Songs from Le Voir Dit: Ballade 32: Plourez dames
—
Songs from Le Voir Dit: Ballade 33: Nes qu'on porroit
—
Songs from Le Voir Dit: Rondeau 4: Sans cuer dolens
—
Songs from Le Voir Dit: Lai 13: Le lay de bonne esperance
—
Songs from Le Voir Dit: Rondeau 18: Puis qu'en oubli
—
Songs from Le Voir Dit: Rondeau 17: Dis et sept cinq
—
Argentum et aurum
—
Vyol - Urlaub hab der wintter
—
Ich fragt ain wachter
—
Das kchúhorn - Untarnslaf
—
Skak - Frölich geschrai so well wir machen
—
Soyt tar tempre
—
Or sus vous dormes trop
—
Durch Barbarei, Arabia
—
Der sunnen glanst
—
Do man den gumpel gampel sank
—
Freu dich, du weltlich creatúr
—
Zergangen ist meins herzen maria
—
Gegrusset seistu maria
—
[instrumental]
—
Von osterreich - Sig, säid und heil
—
So stee ich hie auff diser erd
—
Alle dei filius
—
My ladi, my ladi, myn happ
—
Seigneur Leon
—
Gespile, liebe gespile gút
—
Es sassen höld in ainer stuben
—
Ich sachs ains mals
—
Heýa, heýa nun wie si grollen
—
La Martinella
—
Pavane
—
Mantúaner dantz
—
Gottes namen faren wir
—
Maria zart, von edler art
—
J'ay mis mon cuer
—
Par droit je puis bien complaindre
—
Quel fronte signorille / La dolce vista
—
Puisque vous estez campieur
—
Belle, que vous ay je mesfait
—
Vergene bella
—
Se la face ay pale
—
Donnes l'assault à la fortresse
—
Par le regard de vos beaux yeux
—
Resvelons nous
—
Ce jour d l'an
—
Mon chier amy
—
Pour l'amour de ma doulce amye
—
Helas mon dueil
Ensemble Unicorn
—
Bon jour, bon mois
—
Resvelliés vous et faites chiere lye
—
Adieu ces bons vins de Lannoys
—
Intemerata Dei Mater
—
Requiem: Introitus
—
Requiem: Kyrie
—
Requiem: Graduale
—
Requiem: Tractus
—
Requiem: Offertorium
—
Missa prolationum: Kyrie
—
Missa prolationum: Gloria
—
Missa prolationum: Credo
—
Missa prolationum: Sanctus
—
Missa prolationum: Benedictus
—
Missa prolationum: Agnus Dei
—
Mesciens mater a 5
—
Magnificat a 4
—
Nesciens mater
—
St. Matthew Passion [27:11-56] a 4
—
Stabat mater a 6
—
Magnificat a 5
—
Jesus autem transiens / Credo in Deum canon a 13
—
O Antiphons: O Sapientia (with Magnificat)
—
O Antiphons: O Adonai
—
O Antiphons: O Radix lesse
—
O Antiphons: O Clavis David
—
O Antiphons: O Oriens
—
O Antiphons: O Rex Gentium
—
O Antiphons: O Emmanuel
—
Missa Conceptio lua: Kyrie
—
Missa Conceptio lua: Gloria
—
Missa Conceptio lua: Credo
—
Missa Conceptio lua: Sanctus
—
Missa Conceptio lua: Agnus Dei
—
Alma Redemptoris Mater
—
There is no rose of swych vertu
—
Hail Mary, full of grace
—
Nova, nova!
—
Missa Myn hert: Kyrie
Capilla Flamenca
—
Celeste beneficium, Adiutorium nostrum
Capilla Flamenca
—
Proch dolor, Pie Jhesu
Capilla Flamenca
—
Mater floreat
Capilla Flamenca
—
Missa super Benedicta es: Agnus Dei
Capilla Flamenca
—
Maudit soyt
Capilla Flamenca
—
Myn hert altyt heeft verlanghen I
Capilla Flamenca
—
Celle que j'ay
Capilla Flamenca
—
Myn hert altyt heeft verlanghen II
Capilla Flamenca
—
Plus oultre
Capilla Flamenca
—
Plaine de duel
Capilla Flamenca
—
Soubz ce tumbel
Capilla Flamenca
—
Dulces exuviae
Capilla Flamenca
—
Jam sauche
Capilla Flamenca
—
Tandernaken op den Rijn
Capilla Flamenca
—
L'homme armé
—
Introitus: Salve Sancta Parens
—
Missa sine nomine: Kyrie eleison / Christe eleison / Kyrie eleison
—
Kyrie I
—
Missa sine nomine: Gloria in excelsis Deo
—
Graduale: Benedicta et venerabilis es
—
Reyna muy esclareçida
—
Missa sine nomine: Credo
—
Sancta mater istud agas
—
Offertorium: Ave maria, gratia plena
—
Ave Sanctissima Maria
—
Missa sine nomine: Sanctus / Benedictus
—
Hymn: Pange lingua
—
Virgo et Mater
—
Missa sine nomine: Agnus Dei
—
Communio: Beata viscera
—
Salve Regina (Antiphon)
—
La vida de Culin
—
L'amor, dona ch'io te porto
—
Vecchie letrose
—
Che faralla, che diralla
—
Occhi miei, al pianger nati
—
Poi che volse la mia stella
—
L'ultimo dì di maggio
—
Zephiro spira e 'l bel tempo rimena
—
Alle stamegne, donne
—
Su, su, leva, alza le ciglia
—
Ahimè sospiri
—
Per dolor me bagno el viso
—
Ricercar Ottavo
—
Un cavalier di Spagna
—
Virgine bella
—
Non è tempo d'aspettare
—
D'un bel matin d'amore
—
Lirum bililirum
—
L'homme armé (Mode 6)
Oxford Camerata, Jeremy Summerly
—
Missa L'homme armé sexti toni: Kyrie
Oxford Camerata, Jeremy Summerly
—
Missa L'homme armé sexti toni: Gloria
Oxford Camerata, Jeremy Summerly
—
Laeta Dies (Mode 6)
[anonymous]
—
Missa L'homme armé sexti toni: Agnus Dei
Oxford Camerata, Jeremy Summerly
—
O mors inevitabilis (Lament on the death of Josquin des Pres)
Oxford Camerata, Jeremy Summerly
—
Libro de música de vihuela de mano intitulado El maestro: Fantasia X
—
Libro de música de vihuela de mano intitulado El maestro: Fantasia III
—
Libro de música de vihuela de mano intitulado El maestro: Fantasia V
—
Libro de música de vihuela de mano intitulado El maestro: Fantasia XVIII
—
Libro de música de vihuela de mano intitulado El maestro: Fantasia VII
—
Libro de música de vihuela de mano intitulado El maestro: Fantasia XXVI
—
Libro de música de vihuela de mano intitulado El maestro: Fantasia XXXV
—
Libro de música de vihuela de mano intitulado El maestro: Fantasia XXI
—
Libro de música de vihuela de mano intitulado El maestro: Pavana V
—
Libro de música de vihuela de mano intitulado El maestro: Tiento I
—
Music for Vihuela: Fantasia del quinto tono
—
Music for Vihuela: Fantasia del tercer tono
—
Music for Vihuela: Fantasia del segundo tono
—
Music for Vihuela: Fantasia del quinto tono
—
Music for Vihuela: Cum sancto spiritu
—
Music for Vihuela: Ya se asienta el Ramiro
—
Music for Vihuela: Paseavase el rey Moro
—
Music for Vihuela: Fantasia del primer tono
—
Music for Vihuela: O gloriosa domina
—
Music for Vihuela: Conde Claros
—
Salve intemerata virgo
Oxford Camerata, Jeremy Summerly
—
Discomfort them, O Lord
Oxford Camerata, Jeremy Summerly
—
I call and cry to thee, O Lord
Oxford Camerata, Jeremy Summerly
—
Missa Papae Marcelli: II. Gloria
Oxford Camerata, Jeremy Summerly
—
Missa Papae Marcelli: V. Agnus Dei
Oxford Camerata, Jeremy Summerly
—
Missa Aeterna Christi Munera: III. Credo
Oxford Camerata, Jeremy Summerly
—
Missa Aeterna Christi Munera: IV. Sanctus
Oxford Camerata, Jeremy Summerly
—
Missa Aeterna Christi Munera: V. Agnus Dei
Oxford Camerata, Jeremy Summerly
—
Lagrime di San Pietro: Il magnanimo Pietro
—
Lagrime di San Pietro: Ma gli archi
—
Lagrime di San Pietro: Tre volte haveva à l'importuna e audace
—
Lagrime di San Pietro: Qual' à l'incontro di quegli occhi santi
—
Lagrime di San Pietro: Giovane donna il suo bel volto in specchio
—
Lagrime di San Pietro: Così tal'hor
—
Lagrime di San Pietro: Ogni occhio del Signor lingua veloce
—
Lagrime di San Pietro: Nessun fedel trovai, nessun cortese
—
Lagrime di San Pietro: Chi ad una ad una raccontar potesse
—
Lagrime di San Pietro: Come falda di neve
—
Lagrime di San Pietro: E non fu il pianto suo rivo ó Torrente
—
Lagrime di San Pietro: Quel volto
—
Lagrime di San Pietro: Veduto il miser quanto differente
—
Lagrime di San Pietro: E vago d'incontrar chi giusta pena
—
Lagrime di San Pietro: Vattene vitav và
—
Lagrime di San Pietro: O vita troppo rea
—
Lagrime di San Pietro: À quanti già felici in giovinezza
—
Lagrime di San Pietro: Non trovava mia fe sì duro intoppo
—
Lagrime di San Pietro: Queste opre e piu
—
Lagrime di San Pietro: Negando il mio Signor
—
Lagrime di San Pietro: Vide homo
—
Fitzwilliam Virginal Book, no. 117: Praeludium
—
Musica Britannica, vol. 28, no. 62 / The Fitzwilliam Virginal Book, no. 261: Fantasia in G major, no. 2
—
Musica Britannica, vol. 27, no. 12 / The Fitzwilliam Virginal Book, no. 100: Praeludium to the Fancie in A minor
—
Musica Britannica, vol. 27, no. 13 / The Fitzwilliam Virginal Book, no. 52: Fantasiain A minor
—
Musica Britannica, vol. 27, no. 24 / The Fitzwilliam Virginal Book, no. 24 / Parthenia, no. 4: Praeludium in C major
—
Musica Britannica, vol. 27, no. 25 / The Fitzwilliam Virginal Book, no. 103 / My Ladye Nevells Book, 36: Fantasia in C major
—
Musica Britannica, vol. 55, no. 55: Fantasia in G minor
—
Musica Britannica, vol. 28, no. 64 / The Fitzwilliam Virginal Book, no. 101 / My Ladye Nevells Book, 9: Ut, re, mi, fa, sol, la in G major
—
Musica Britannica, vol. 28, no. 65 / The Fitzwilliam Virginal Book, no. 102: Ut, mi, re
—
Musica Britannica, vol. 14, no. 59: Prelude: Doric Music
—
Musica Britannica, vol. 28, no. 46 / My Ladye Nevells Book, 41: Fantasia in D minor
—
Musica Britannica, vol. 55, no. 3: Praeludium
—
Musica Britannica, vol. 28, no. 58: Ut, re, mi, fa, sol, la in F major
—
Musica Britannica, vol. 27, no. 1 / Parthenia, no. 1: Praeludium in G minor
—
Musica Britannica, vol. 28, no. 63 / The Fitzwilliam Virginal Book, no. 8: Fantasia in G major
—
Musica Britannica, vol. 27, no. 26 / My Ladye Nevells Book, 29: Fantasia in C major, no. 1
—
Canzon à 12 (Kassel Library)
—
Canzon V (1615)
—
Sonata XVIII (1615)
—
Canzon Seconda à 4 (1608)
—
Canzon Primi Toni à 8 (1597)
—
Sonata XIX (1615)
—
Canzon II (1615)
—
Sonata Octavi Toni à 12 (1597)
—
Canzon Terza à 4 (1608)
—
Canzon XII (1615)
—
Canzon III (1615)
—
Canzon VI (1615)
—
Canzon ‘La Spiritata’ à 4 (1608)
—
Canzon XVI à 12 (1615)
—
Fantasia
—
Ah, alas you salt sea gods
—
A Song of Mr. Robert Parsons
—
The Song called Trumpets
—
O Death, rock me asleep
—
In Nomine
—
In Nomine
—
Pour down, you pow'rs divine
—
Ut re mi
—
Quis me statim
—
In Nomine no. 14, ‘Reporte’
—
Penelope that longed
—
In Nomine no. 20, ‘Crye’
—
Send forth thy sighs
—
Climb not too high
—
De la court
—
Eliza, her name gives honour
—
Pavin of Albarti
—
Gallyard
—
O Jove, from stately throne
—
A Solfing Song
—
Ah, silly poor Joas
—
In Nomine
—
Ye sacred Muses
—
Toccata in C
—
Ballo del granduca
—
Ricercar
—
Malle Sijmen
—
Mein junges Leben hat ein End'
—
Echo Fantasia in A minor
—
Onder een linde groen
—
Toccata in A minor
—
Erbarm dich mein, o Herre Gott
—
Poolsche Dans
—
Pavan ‘Solus cum sola’
—
Melancholy Galliard
—
Sir John Smith, his Almain
—
The Lady Russell's Pavan
—
Lady Rich, her Galliard
—
The Lady Laiton's Almain
—
Pavan ‘Solus sine sola’
—
Mr Knight's Galliard
—
Mrs Clifton's Almain
—
Dr Case's Pavan
—
Sir Robert Sidney, his Galliard
—
Sir Henry Guilforde, his Almain
—
‘Pavana Doulant’ (pub. Mylius, Frankfurt 1622)
—
The Earl of Derby, his Galliard
—
Almain, P. 51
—
Pavan ‘La mia Barbara’
—
The Battle Galliard
—
Almain, P. 49
—
‘Pavana Johan Douland’ (Schele ms.)
—
Galliard on a Galliard of Bachelar
—
Almain (Margaret Board Lute ms.)
—
Baci soavi e cari (part 1)
—
Quanto ha di dolce amore (part 2)
—
Madonna, io ben vorrei
—
Come esser può ch'io viva?
—
Gelo ha madonna il seno
—
Mentre madonna (part 1)
—
Ahi, troppo saggia (part 2)
—
Se da si nobil mano
—
Amor, pace non chero
—
Sì gioioso mi fanno i dolor miel
—
O dolce mio martire
—
Tirsi morir volea (part 1)
—
Frenò Tirsi il desio (part 2)
—
Mentre, mia stella, miri
—
Non mirar, non mirare
—
Questi leggiadri odorosetti fiori
—
Felice primavera! (part 1)
—
Danzan le ninfe (part 2)
—
Son sì belle le rose
—
Bella angioletta
—
Come Let Us Sound with Melodie the Praises
Steven Rickards, Dorothy Linell
—
Tune Thy Musicke to Thy Hart
Steven Rickards, Dorothy Linell
—
Come You Pretty False-Ey'd Wanton
Steven Rickards, Dorothy Linell
—
There Is None, O None but You
Steven Rickards, Dorothy Linell
—
Sweet Exclude Me Not nor Be Divided
Steven Rickards, Dorothy Linell
—
Though You Are Yoong and I Am Olde
Steven Rickards, Dorothy Linell
—
Fire, Fire, Fire, Fire Loe Here I Burne
Steven Rickards, Dorothy Linell
—
Shall I Come Sweet Love to Thee?
Steven Rickards, Dorothy Linell
—
Beauty Since You So Much Desire
Steven Rickards, Dorothy Linell
—
What Is It That All Men Possesse, Among Themselves Conversing?
Steven Rickards, Dorothy Linell
—
The Sypres Curten of the Night Is Spread
Steven Rickards, Dorothy Linell
—
Jacke and Jone They Thinke No Ill
Steven Rickards, Dorothy Linell
—
It Fell on a Sommers Daie
Steven Rickards, Dorothy Linell
—
When to Her Lute Corrina Sings
Steven Rickards, Dorothy Linell
—
My Sweetest Lesbia, Let Us Live and Love
Thomas Campion
—
Her Rosie Cheekes, Her Ever Smiling Eyes
Steven Rickards, Dorothy Linell
—
Faire If You Expect Admiring
Steven Rickards, Dorothy Linell
—
There Is a Garden in Her Face
Steven Rickards, Dorothy Linell
—
Author of Light, Revive My Dying Spright
Steven Rickards, Dorothy Linell
—
Most Sweet and Pleasing Are Thy Wayes O God
Steven Rickards, Dorothy Linell
—
To Musicke Bent Is My Retyred Minde
Steven Rickards, Dorothy Linell
—
Thou Joy'st Fond Boy, to Be by Many Loved
Steven Rickards, Dorothy Linell
—
Turne All Thy Thoughts to Eyes
Steven Rickards, Dorothy Linell
—
Vayle Love Mine Eyes, O Hide from Me
Steven Rickards, Dorothy Linell
—
Miserere My Maker
Steven Rickards, Dorothy Linell
—
Il Quinto Libro de' Madrigali, 1605: Cruda Amarilli
—
Il Quinto Libro de' Madrigali, 1605: O Mirtillo
—
Il Quinto Libro de' Madrigali, 1605: Era l'anima mia
—
Il Quinto Libro de' Madrigali, 1605: Ecco, Silvio, colei
—
Il Quinto Libro de' Madrigali, 1605: Ma, se, con la pietà
—
Il Quinto Libro de' Madrigali, 1605: Dorinda, ah, dirò mia
—
Il Quinto Libro de' Madrigali, 1605: Ecco, piegando le genocchie
—
Il Quinto Libro de' Madrigali, 1605: Ferir quel petto, Silvio?
—
Il Quinto Libro de' Madrigali, 1605: Ch'io t'ami
—
Il Quinto Libro de' Madrigali, 1605: Deh, bella e cara
—
Il Quinto Libro de' Madrigali, 1605: Ma tu, più che mai dura
—
Il Quinto Libro de' Madrigali, 1605: Che dar più vi poss'io?
—
Il Quinto Libro de' Madrigali, 1605: M'è più dolce il penar
—
Il Quinto Libro de' Madrigali, 1605: Ahi, come a un vago sol
—
Il Quinto Libro de' Madrigali, 1605: Troppo ben può
—
Il Quinto Libro de' Madrigali, 1605: Amor, se giusto sei
—
Il Quinto Libro de' Madrigali, 1605: T'amo, mia vita
—
Il Quinto Libro de' Madrigali, 1605: E così, a poco a poco
—
Il Quinto Libro de' Madrigali, 1605: Questi vaghi concenti
—
Pavan in F minor (4 viols)
—
Almain in F major (4 viols)
—
In Nomine (Organ)
—
Above the stars (Verse Anthem: 5 viols, 6 voices)
—
Fantasia XIV (3 viols)
—
Fantasia I (3 viols)
—
A Fancy: For two to play (Harpsichord)
—
Ut re mi (Hexachord Fantasia: 4 viols)
—
O Lord, let me know mind end (Verse Anthem: 5 viols, 5 voices)
—
Fantasia XII (3 viols)
—
In Nomine II (3 viols)
—
Paven and galliard: Earl Strafford (Harpsichord)
—
Fantasia (6 viols)
—
Miserere (Organ)
—
Voluntary (Organ)
—
Pavan in A minor (5 viols, Organ)
—
Galliard (Thomas Simpson: 5 viols, Organ)
—
Thou art my King, O God (Verse Anthem: 5 viols, 5 voices)
—
Guerra Manuscript: Introduction (solo harp)
—
Guerra Manuscript: Oyeme, escuchame
—
Guerra Manuscript: ¿Quien es amor?
—
Guerra Manuscript: Mayor es mi dolor
—
Guerra Manuscript: Que corriendo y volando
—
Guerra Manuscript: Que obstinarse en las sombras
—
Guerra Manuscript: No parezca rigor el desden
—
Guerra Manuscript: Cansada imaginación
—
Guerra Manuscript: Cuidado, descuido
—
Guerra Manuscript: Peces, fiera, aves
—
Guerra Manuscript: Si la gloria de adorar
—
Guerra Manuscript: ¿Quien son aquellos?
—
Guerra Manuscript: Rompe amor las flechas
—
Guerra Manuscript: Credito es de mi decoro
—
Guerra Manuscript: Que pues muero y me matas
—
Set a 4 in G minor (for 2 Theorbos): Paven
—
Set a 4 in G minor (for 2 Theorbos): Aire
—
Set a 4 in G minor (for 2 Theorbos): Aire
—
Consort Set a 5 in C major: Fantazy
—
Consort Set a 5 in C major: Paven
—
Consort Set a 5 in C major: Aire
—
Royal Consort in D minor (for 2 Theorbos): Fantazy
—
Royal Consort in D minor (for 2 Theorbos): Aire
—
Royal Consort in D minor (for 2 Theorbos): Alman
—
Royal Consort in D minor (for 2 Theorbos): Corant I
—
Royal Consort in D minor (for 2 Theorbos): Corant II
—
Royal Consort in D minor (for 2 Theorbos): Saraband
—
Royal Consort in D minor (for 2 Theorbos): Ecco
—
Pieces for Two Lutes: Alman
—
Pieces for Two Lutes: Corant
—
Pieces for Two Lutes: Corant
—
Divisions on a Pavan in G minor
—
Consort Set a 5 in A minor: Fantazy
—
Consort Set a 5 in A minor: Fantazy
—
Consort Set a 5 in A minor: Aire
—
Royal Consort in D major (for 2 Theorbos): Fantazy
—
Royal Consort in D major (for 2 Theorbos): Aire
—
Royal Consort in D major (for 2 Theorbos): Corant
—
Royal Consort in D major (for 2 Theorbos): Alman
—
Royal Consort in D major (for 2 Theorbos): Ecco
—
Royal Consort in D major (for 2 Theorbos): Aire - Morris
—
Additional database matches (8)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Missa Papae Marcelli: II. Gloria | Oxford Camerata, Jeremy Summerly | T-010.475.500-1 |
| L'homme armé (Mode 6) | Oxford Camerata, Jeremy Summerly | — |
| Missa L'homme armé sexti toni: Kyrie | Oxford Camerata, Jeremy Summerly | — |
| Missa L'homme armé sexti toni: Agnus Dei | Oxford Camerata, Jeremy Summerly | — |
| Introitus: Adorate Deum | Alberto Turco, Nova Schola Gregoriana | — |
| Versus Alleluiatici: Laudate Deum | Nova Schola Gregoriana, Alberto Turco | — |
| Bache, bene venies | Ensemble Unicorn | — |
| Tempus est iocundum | Ensemble Unicorn | — |
Oxford Camerata, Jeremy Summerly
L'homme armé (Mode 6)
Oxford Camerata, Jeremy Summerly
—
Missa L'homme armé sexti toni: Kyrie
Oxford Camerata, Jeremy Summerly
—
Missa L'homme armé sexti toni: Agnus Dei
Oxford Camerata, Jeremy Summerly
—
Introitus: Adorate Deum
Alberto Turco, Nova Schola Gregoriana
—
Versus Alleluiatici: Laudate Deum
Nova Schola Gregoriana, Alberto Turco
—
Bache, bene venies
Ensemble Unicorn
—
Tempus est iocundum
Ensemble Unicorn
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000038080131000000004006212700000000551679840000000055173946000000005664684800000000736531260000000076888078000000007840824200000000788140480000000080824202
+27 more
000000008391121300000000840503980000000104128958000000010658163300000001087167810000000109078400000000010922384X000000011011001700000001101541320000000110255478000000011026788200000001107982530000000114320898000000011442970300000001155469280000000115768133000000011580790500000001203368610000000121876384000000012191646200000003563319790000000364700703000000036945162X000000038491627X000000039202969700000003948338060000000503323515
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What is UPC 747313329731?
747313329731 is a Universal Product Code (UPC) assigned to The Early Music Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 495 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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