UPC · Release
The Choral Collection
Various Artists
747313329830
467 tracksReleased 2019-01-01Naxos
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747313329830 is the Universal Product Code (UPC barcode) for the release “The Choral Collection” by Various Artists, released 2019-01-01 on Naxos. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 467 tracks, each with its own ISRC. Tracks include HKI199400904, HKI199400903, HKI199400905.
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Credit Chain
UPCThe Choral Collection
ISRC115 recordings
ISWC45 works
IPI2 songwriters
Track List (467)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A la mignonne de fortune | — | ||
| 2 | Adieu m'amour I | — | ||
| 3 | Adieu m'amour II | — | ||
| 4 | Allez, regretz | — | ||
| 5 | Guarde vostre visage I | — | ||
| 6 | S'il vous plaist | — | ||
| 7 | Et qui la dira | — | ||
| 8 | De tous bien plaine I | Ensemble Unicorn, Michael Posch | — | |
| 9 | De tous bien plaine II | — | ||
| 10 | De tous bien plaine III | — | ||
| 11 | Soit loing ou pres | Ensemble Unicorn, Michael Posch | — | |
| 12 | Guarde vostre visage II | — | ||
| 13 | Ay je rien fet | Ensemble Unicorn, Michael Posch | — | |
| 14 | Sonnes muses melodieusement | — | ||
| 15 | Guarde vostre visage III | — | ||
| 16 | J'ay beau huer | — | ||
| 17 | Cecus non iudicat de coloribus | — | ||
| 18 | Fortuna desperata | — | ||
| 2-1 | Even When He Is Silent | — | ||
| 2-2 | Flight Song | — | ||
| 2-3 | O Sacrum Convivium | — | ||
| 2-4 | Child of Song | — | ||
| 2-5 | The gift I'll leave you | — | ||
| 2-6 | Dormi, Jesu | — | ||
| 2-7 | Making or Breaking | — | ||
| 2-8 | Cradle Hymn | — | ||
| 2-9 | The Lamb | — | ||
| 2-10 | Pie Jesu | — | ||
| 2-11 | Infinity | — | ||
| 2-12 | There We Shall Rest | — | ||
| 3-1 | Der glorreiche Augenblick, op. 136: Chorus: Europa steht! | City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — | |
| 3-2 | Der glorreiche Augenblick, op. 136: Recitative: O seht sie nah' und näher treten! | Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — | |
| 3-3 | Der glorreiche Augenblick, op. 136: Aria with Chorus: O Himmel, welch' Entzücken! | Claire Rutter, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — | |
| 3-4 | Der glorreiche Augenblick, op. 136: Recitative: Das Auge schaut | Matilde Wallevik, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — | |
| 3-5 | Der glorreiche Augenblick, op. 136: Recitative and Quartet: Der den Bund im Sturme fest gehalten | Claire Rutter, Matilde Wallevik, Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — | |
| 3-6 | Der glorreiche Augenblick, op. 136: Chorus: Es treten hervor | Westminster Boys' Choir, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — | |
| 3-7 | Fantasia in C minor for piano, chorus and orchestra, op. 80 | Leon McCawley, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton | — | |
| 4-1 | Ein deutsches Requiem: “Selig sind, die da Leid tragen” (“Blessed are they that mourn”) | — | ||
| 4-2 | Ein deutsches Requiem: “Denn alles Fleisch, es ist wie Gras” (“For all flesh is as grass”) | — | ||
| 4-3 | Ein deutsches Requiem: “Herr, lehre doch mich” (“Lord, make me to know mine end”) | — | ||
| 4-4 | Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (How amiable are thy tabernacles) | Anna Lucia Richter, Stephan Genz, MDR Rundfunkchor, MDR Sinfonieorchester, Marin Alsop | — | |
| 4-5 | Ein deutsches Requiem: “Ihr habt nun Traurigkeit” (“And ye now therefore have sorrow”) | — | ||
| 4-6 | Ein deutsches Requiem: “Denn wir haben hie keine bleibende Statt” (“For here have we no continuing city”) | — | ||
| 4-7 | Ein deutsches Requiem: “Selig sind die Toten” (“Blessed are the Dead”) | — | ||
| 5-1 | Marche funèbre | Orchestra della Svizzera italiana, Diego Fasolis | — | |
| 5-2 | Requiem for Chorus and Orchestra in C minor (1816): Introitus et Kyrie: Requiem aeternam | — | ||
| 5-3 | Requiem for Chorus and Orchestra in C minor (1816): Graduale: Requiem aeternam | — | ||
| 5-4 | Requiem for Chorus and Orchestra in C minor (1816): Dies irae | — | ||
| 5-5 | Requiem for Chorus and Orchestra in C minor (1816): Offertorium: Domine Jesu Christe | — | ||
| 5-6 | Requiem for Chorus and Orchestra in C minor (1816): Sanctus | — | ||
| 5-7 | Requiem for Chorus and Orchestra in C minor (1816): Pie Jesu | — | ||
| 5-8 | Requiem for Chorus and Orchestra in C minor (1816): Agnus Dei | — | ||
| 6-1 | Aristea: 1. Sinfonia | — | ||
| 6-2 | Aristea: 2. Introduzione: “Seconda i nostri voti” (Chorus, Corinna) | — | ||
| 6-3 | Aristea: 3. Recitativo: “Amar che giova” (Corinna, Cloe, Filinto) | — | ||
| 6-4 | Aristea: 4. Duetto: “La bell'alma che nel petto” (Filinto, Cloe) | — | ||
| 6-5 | Aristea: 5. Coro: “Qui tenera e fida” | — | ||
| 6-6 | Aristea: 6. Recitativo: “Signor, dopo tant'anni” (Filinto, Cloe) | — | ||
| 6-7 | Aristea: 7. Cavatina: “Soffro il destino irato” (Licisco) | — | ||
| 6-8 | Aristea: 8. Recitativo: “Misero prence!” (Comone, Corinna) | — | ||
| 6-9 | Aristea: 9. Recitativo: “Empia! T'arresta” (Comone, Cloe, Corinna, Filinto) | — | ||
| 6-10 | Aristea: 10a. Quartetto: “Taci iniquo; io non t'ascolto” (Comone, Filinto, Cloe, Licisco) | — | ||
| 6-11 | Aristea: 10b. Quartetto: “Misero cor, non, sai” (Cloe, Filinto, Licisco, Comone) | — | ||
| 6-12 | Aristea: 10c. Quartetto: “Lungi dagli occhi miel!” (Comone, Licisco, Filinto, Cloe) | — | ||
| 6-13 | Aristea: Recitativo: “Perché più dell'usato” (Corinna, Licisco, Comone, Filinto, Erasto, Cloe) | — | ||
| 6-14 | Aristea: Finale: “Fra così cari oggetti” (Cloe, Chorus, Comone, Filinto, Licisco) | — | ||
| 7-1 | Requiem, op. 89: Introitus: Requiem aeternam - Kyrie (Vocal Quartet, Chorus) | — | ||
| 7-2 | Requiem, op. 89: Graduale: Requiem aeternam (Soprano, Chorus) | — | ||
| 7-3 | Requiem, op. 89: Sequentia: Dies irae (Chorus) | — | ||
| 7-4 | Requiem, op. 89: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus) | — | ||
| 7-5 | Requiem, op. 89: Sequentia: Quid sum miser (Vocal Quartet, Chorus) | — | ||
| 7-6 | Requiem, op. 89: Sequentia: Recordare, Jesu pie (Vocal Quartet) | — | ||
| 7-7 | Requiem, op. 89: Sequentia: Confutatis maledictis (Chorus) | — | ||
| 7-8 | Requiem, op. 89: Sequentia: Lacrimosa (Vocal Quartet, Chorus) | — | ||
| 8-1 | Requiem, op. 89: Offertorium: Domine Jesu Christe (Vocal Quartet, Chorus) | — | ||
| 8-2 | Requiem, op. 89: Offertorium: Hostias (Vocal Quartet, Chorus) | — | ||
| 8-3 | Requiem, op. 89: Sanctus (Vocal Quartet, Chorus) | — | ||
| 8-4 | Requiem, op. 89: Pie Jesu (Vocal Quartet, Chorus) | — | ||
| 8-5 | Requiem, op. 89: Agnus Dei (Vocal Quartet, Chorus) | — | ||
| 9-1 | Requiem, op. 48: Introït et Kyrie | Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | — | |
| 9-2 | Requiem, op. 48: Offertoire | Nicholas Gedge, Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | — | |
| 9-3 | Requiem, op. 48: Sanctus | Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | T-003.012.217-8 | |
| 9-4 | Requiem, op. 48: Pie Jesu | Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | — | |
| 9-5 | Requiem, op. 48: Agnus Dei | Schola Cantorum of Oxford, Colm Carey, Oxford Camerata, Jeremy Summerly | T-926.356.677-4 | |
| 9-6 | Requiem, op. 48: Libera me | Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly | T-329.460.025-8 | |
| 9-7 | Requiem, op. 48: VII. In paradisum (from “Copycat”) | Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | T-924.489.944-3 | |
| 9-8 | Andantino | Colm Carey | T-003.014.144-6 | |
| 9-9 | Tantum ergo | Schola Cantorum of Oxford, Jeremy Summerly | T-031.626.461-5 | |
| 9-10 | Messe basse: Kyrie | Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly | — | |
| 9-11 | Messe basse: Sanctus | Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly | — | |
| 9-12 | Messe basse: Benedictus | Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly | — | |
| 9-13 | Messe basse: Agnus Dei | Schola Cantorum of Oxford, Colm Carey, Jeremy Summerly | — | |
| 9-14 | Cantique de Jean Racine, op. 11 | Oxford Camerata, Schola Cantorum of Oxford, Colm Carey, Jeremy Summerly | T-300.950.284-1 | |
| 10-1 | Madrigals, Book 4: “Luci serene e chiare” | — | ||
| 10-2 | Madrigals, Book 4: “Tal'hor sano desio” | — | ||
| 10-3 | Madrigals, Book 4: “Io tacerò, ma nel silenzio mio” (part 1) | — | ||
| 10-4 | Madrigals, Book 4: “Invan, dunque, o crudele” (part 2) | — | ||
| 10-5 | Madrigals, Book 4: “Che fai meco, mio cor” | — | ||
| 10-6 | Madrigals, Book 4: “Questa crudele e pia” | — | ||
| 10-7 | Madrigals, Book 4: “Hor che in gioia” (part 1) | — | ||
| 10-8 | Madrigals, Book 4: “O sempre crudo amore” (part 2) | — | ||
| 10-9 | Madrigals, Book 4: “Cor mio, deh, non piangete” (part 1) | — | ||
| 10-10 | Madrigals, Book 4: “Dunque non m'offendete” (part 2) | — | ||
| 10-11 | Madrigals, Book 4: Toccata del IV tono | — | ||
| 10-12 | Madrigals, Book 4: “Sparge la morte al mio Signor” | — | ||
| 10-13 | Madrigals, Book 4: “Moro, e mentre sospiro” (part 1) | — | ||
| 10-14 | Madrigals, Book 4: “Quando di lui la sospirata vita” (part 2) | — | ||
| 10-15 | Madrigals, Book 4: “Mentre gira costei” | — | ||
| 10-16 | Madrigals, Book 4: “A voi, mentre il mio core” | — | ||
| 10-17 | Madrigals, Book 4: “Ecco, morirò dunque” (part 1) | — | ||
| 10-18 | Madrigals, Book 4: “Ahi, già mi discoloro” (part 2) | — | ||
| 10-19 | Madrigals, Book 4: “Arde il mio cor” | — | ||
| 10-20 | Madrigals, Book 4: “Se chiudete nel core” | — | ||
| 10-21 | Madrigals, Book 4: “Il sol qual or più splende” (a sei voci - part 1) | — | ||
| 10-22 | Madrigals, Book 4: “Volgi mia luce” (a sei voci - part 2) | — | ||
| 11-1 | Messiah: Part I. Sinfonia | — | ||
| 11-2 | Messiah: Part I. Recitative: “Comfort ye my people ... Every valley shall be exalted” (Tenor) | — | ||
| 11-3 | Messiah: Part I. “And the glory of the Lord” (Chorus) | — | ||
| 11-4 | Messiah: Part I. Recitative: “Behold a virgin shall conceive ... O thou that tellest good tidings to Zion” (Alto) | — | ||
| 11-5 | The Messiah, Part 1 (Nos. 1-22): Chorus, For unto us a child is born | Scholars Baroque Ensemble | T-011.162.720-3 | |
| 11-6 | Messiah: Part I. Pifa | — | ||
| 11-7 | Messiah: Part I. Aria: “Rejoice greatly, O daughter of Zion” (Soprano) | — | ||
| 11-8 | Messiah: Part I. Recitative: “Then shall the eyes of the blind be open'd ... He shall feed His flock” (Alto) | — | ||
| 11-9 | Messiah: Part II. Aria: “He was despised and rejected of men” (Alto) | — | ||
| 11-10 | Messiah: Part II. Aria: “How beautiful are the feet of Him” (Soprano) | — | ||
| 11-11 | Messiah: Part II. Aria: “Why do the nations so furiously rage together?” (Bass) | — | ||
| 11-12 | Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | T-313.598.191-4 | |
| 11-13 | Messiah: Part III. Aria: “I know that my Redeemer liveth” (Soprano) | — | ||
| 11-14 | Messiah: Part III. Recitative: “Behold, I tell you a mystery ... The trumpet shall sound” (Bass) | — | ||
| 11-15 | Messiah, HWV 56: Part III: Worthy is the Lamb that was slain (Chorus) | Scholars Baroque Ensemble | — | |
| 12-1 | Missa brevis in F major, Hob. XXII:1 (1749): Kyrie | — | ||
| 12-2 | Missa brevis in F major, Hob. XXII:1 (1749): Gloria | — | ||
| 12-3 | Missa brevis in F major, Hob. XXII:1 (1749): Credo | — | ||
| 12-4 | Missa brevis in F major, Hob. XXII:1 (1749): Sanctus | — | ||
| 12-5 | Missa brevis in F major, Hob. XXII:1 (1749): Benedictus | — | ||
| 12-6 | Missa brevis in F major, Hob. XXII:1 (1749): Agnus Dei | — | ||
| 12-7 | Missa brevis in F major, Hob. XXII:1 (1749): Dona nobis pacem | — | ||
| 12-8 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Kyrie | — | ||
| 12-9 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Gloria | — | ||
| 12-10 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Gratias agimus tibi | — | ||
| 12-11 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Quoniam tu solus sanctus | — | ||
| 12-12 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Credo | — | ||
| 12-13 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Et incarnatusest | — | ||
| 12-14 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Et resurrexit | — | ||
| 12-15 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Et vitam venturi | — | ||
| 12-16 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Sanctus | — | ||
| 12-17 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Benedictus | — | ||
| 12-18 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Agnus Dei | — | ||
| 12-19 | Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Dona noblis pacem | — | ||
| 13-9 | Sinfonietta, JW VI/18: I. Allegretto | Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 13-10 | Sinfonietta, JW VI/18: II. Andante | Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 13-11 | Sinfonietta, JW VI/18: III. Moderato | Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 13-12 | Sinfonietta, JW VI/18: IV. Allegretto | Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | T-318.676.528-2 | |
| 13-13 | Sinfonietta, JW VI/18: V. Andante con moto | Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — | |
| 14-1 | Passio Domini nostri Jesu Christi secundum Mattheum: “Passio Domini nostri Jesu Christi” (Evangelist, Jesus, Priest) | — | ||
| 14-2 | Passio Domini nostri Jesu Christi secundum Mattheum: “Ut quid perditio haec” (Chorus, Evangelist, Jesus) | — | ||
| 14-3 | Passio Domini nostri Jesu Christi secundum Mattheum: “Quid vultis mihi dare et ego vobis eum tradam” (Judas, Evangelist) | — | ||
| 14-4 | Passio Domini nostri Jesu Christi secundum Mattheum: “Ubi vis paremus” (Chorus, Evangelist, Jesus) | — | ||
| 14-5 | Passio Domini nostri Jesu Christi secundum Mattheum: “Numquid ego sum, Domine” (Chorus, Evangelist, Jesus) | — | ||
| 14-6 | Passio Domini nostri Jesu Christi secundum Mattheum: “Numquid ego sum rabbi” (Judas, Evangelist, Jesus) | — | ||
| 14-7 | Passio Domini nostri Jesu Christi secundum Mattheum: “Expectans expectavi Dominum” (Chorus) | — | ||
| 14-8 | Passio Domini nostri Jesu Christi secundum Mattheum: “Et hymno dicto exierunt” (Evangelist, Jesus) | — | ||
| 14-9 | Passio Domini nostri Jesu Christi secundum Mattheum: “Et si omnes scandalizati fuerint in te” (Petrus, Evangelist, Jesus) | — | ||
| 14-10 | Passio Domini nostri Jesu Christi secundum Mattheum: “Etiam si oportuerit me mori tecum” (Petrus, Evangelist, Jesus) | — | ||
| 14-11 | Passio Domini nostri Jesu Christi secundum Mattheum: “Tristis est anima mea” (Chorus) | — | ||
| 14-12 | Passio Domini nostri Jesu Christi secundum Mattheum: “Et progressus pusillum procidit” (Evangelist, Jesus) | — | ||
| 14-13 | Passio Domini nostri Jesu Christi secundum Mattheum: “Qui vult venire post me” (Chorus) | — | ||
| 14-14 | Passio Domini nostri Jesu Christi secundum Mattheum: “Quemcumque osculatus fuero” (Judas, Evangelist) | — | ||
| 14-15 | Passio Domini nostri Jesu Christi secundum Mattheum: “Ave rabbi” (Judas, Evangelist, Jesus) | — | ||
| 14-16 | Passio Domini nostri Jesu Christi secundum Mattheum: “Animam meam dilectam tradidi” (Chorus) | — | ||
| 14-17 | Passio Domini nostri Jesu Christi secundum Mattheum: “At illi tenentes Iesum” (Evangelist) | — | ||
| 14-18 | Passio Domini nostri Jesu Christi secundum Mattheum: “Hic dixit possum destruere templum Dei” (Chorus, Evangelist) | — | ||
| 14-19 | Passio Domini nostri Jesu Christi secundum Mattheum: “Nihil respondes ad ea” (Priest, Evangelist) | — | ||
| 14-20 | Passio Domini nostri Jesu Christi secundum Mattheum: “Adiuro te per Deum vivum” (Priest, Evangelist, Jesus) | — | ||
| 14-21 | Passio Domini nostri Jesu Christi secundum Mattheum: “Blasphemavit quid adhuc egemus testibus” (Priest, Evangelist) | — | ||
| 14-22 | Passio Domini nostri Jesu Christi secundum Mattheum: “Reus est mortis” (Priest, Evangelist) | — | ||
| 14-23 | Passio Domini nostri Jesu Christi secundum Mattheum: “Prophetiza nobis Christe” (Priest, Evangelist) | — | ||
| 14-24 | Passio Domini nostri Jesu Christi secundum Mattheum: “Et tu cum Iesu Galilaeo eras” (Ancilla, Evangelist) | — | ||
| 14-25 | Passio Domini nostri Jesu Christi secundum Mattheum: “Nescio quid dicis” (Petrus, Evangelist) | — | ||
| 14-26 | Passio Domini nostri Jesu Christi secundum Mattheum: “Et hic erat cum Iesu Nazareno” (Ancilla, Evangelist) | — | ||
| 14-27 | Passio Domini nostri Jesu Christi secundum Mattheum: “Vere et tu ex illis” (Chorus, Evangelist) | — | ||
| 14-28 | Lagrime di San Pietro: No. 3 “Tre volte havev'a” | — | ||
| 14-29 | Passio Domini nostri Jesu Christi secundum Mattheum: “Mane autem facto” (Evangelist, Judas) | — | ||
| 14-30 | Passio Domini nostri Jesu Christi secundum Mattheum: “Quid ad nos tu videris” (Priest, Evangelist) | — | ||
| 14-31 | Passio Domini nostri Jesu Christi secundum Mattheum: “Non licet mittere eos in corbanan” (Priest, Evangelist) | — | ||
| 14-32 | Passio Domini nostri Jesu Christi secundum Mattheum: “Tu es rex Iudaeorum” (Pilatus, Evangelist, Jesus) | — | ||
| 14-33 | Passio Domini nostri Jesu Christi secundum Mattheum: “Non audis quanta adversum te dicant testimonia” (Pilatus, Evangelist) | — | ||
| 14-34 | Passio Domini nostri Jesu Christi secundum Mattheum: “Quem vultis dimittam vobis” (Pilatus, Evangelist) | — | ||
| 14-35 | Passio Domini nostri Jesu Christi secundum Mattheum: “Nihil tibi et iusto illi” (Pilate's wife, Evangelist) | — | ||
| 14-36 | Passio Domini nostri Jesu Christi secundum Mattheum: “Quem vultis vobis” (Pilatus, Evangelist) | — | ||
| 14-37 | Passio Domini nostri Jesu Christi secundum Mattheum: “Barabbam!” (Chorus, Evangelist) | — | ||
| 14-38 | Passio Domini nostri Jesu Christi secundum Mattheum: “Quid igitur faciam de Iesu” (Pilatus, Evangelist) | — | ||
| 14-39 | Passio Domini nostri Jesu Christi secundum Mattheum: “Crucifigatur!” (Chorus, Evangelist) | — | ||
| 14-40 | Passio Domini nostri Jesu Christi secundum Mattheum: “Quid enim mali fecit” (Pilatus, Evangelist) | — | ||
| 14-41 | Passio Domini nostri Jesu Christi secundum Mattheum: “Crucifigatur!” (Chorus, Evangelist) | — | ||
| 14-42 | Passio Domini nostri Jesu Christi secundum Mattheum: “Innocens ego sum” (Pilatus, Evangelist) | — | ||
| 14-43 | Passio Domini nostri Jesu Christi secundum Mattheum: “Sanguis eius super nos” (Chorus, Evangelist) | — | ||
| 14-44 | Passio Domini nostri Jesu Christi secundum Mattheum: “Ave rex Judaeorum” (Chorus, Evangelist) | — | ||
| 14-45 | Passio Domini nostri Jesu Christi secundum Mattheum: “Vah, qui destruit templum” (Chorus, Evangelist) | — | ||
| 14-46 | Passio Domini nostri Jesu Christi secundum Mattheum: “Alios salvos fecit Helias” (Priest, Evangelist, Jesus) | — | ||
| 14-47 | Passio Domini nostri Jesu Christi secundum Mattheum: “Heliam vocat iste” (Chorus, Evangelist) | — | ||
| 14-48 | Passio Domini nostri Jesu Christi secundum Mattheum: “Sine videamus an veniat Helias” (Chorus, Evangelist) | — | ||
| 14-49 | Passio Domini nostri Jesu Christi secundum Mattheum: “Agnus Dei” (Chorus) | — | ||
| 14-50 | Passio Domini nostri Jesu Christi secundum Mattheum: “Et ecce velum temple” (Evangelist) | — | ||
| 14-51 | Passio Domini nostri Jesu Christi secundum Mattheum: “Vere Dei Filius erat iste” (Chorus, Evangelist) | — | ||
| 14-52 | Passio Domini nostri Jesu Christi secundum Mattheum: “Mors tua, mors Christi” (Chorus) | — | ||
| 14-53 | Passio Domini nostri Jesu Christi secundum Mattheum: “Cum autem sero factum” (Evangelist) | — | ||
| 14-54 | Passio Domini nostri Jesu Christi secundum Mattheum: “Agnus Dei” (Chorus) | — | ||
| 15-1 | Beata viscera (monophonic conductus) | Tonus Peregrinus, Antony Pitts | T-001.620.875-5 | |
| 15-2 | Viderunt omnes (plainchant) | [anonymous] | — | |
| 15-3 | Viderunt omnes (I): Viderunt omnes... (2-part organum) | Tonus Peregrinus, Antony Pitts | — | |
| 15-4 | Viderunt omnes (I): ... fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Léonin | — | |
| 15-5 | Viderunt omnes (I): Notum fecit... (2-part organum) | Léonin | — | |
| 15-6 | Viderunt omnes (I):... Dominus... | Léonin | — | |
| 15-7 | Viderunt omnes (I):... salutare suum ante conspectum gentium revelavit... | Léonin | — | |
| 15-8 | Viderunt omnes (I):... justitiam suam (plainchant) | Léonin | — | |
| 15-9 | Viderunt omnes (II): Viderunt omnes... (2-part organum) | Léonin | — | |
| 15-10 | Viderunt omnes (II): ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Léonin | — | |
| 15-11 | Viderunt omnes (II): Notum fecit... (2-part organum) | Léonin | — | |
| 15-12 | Viderunt omnes (II): ...Dominus... | Léonin | — | |
| 15-13 | Viderunt omnes (II): ...salutare suum ante conspectum gentium revelavit... | Léonin | — | |
| 15-14 | Viderunt omnes (II): ...justitiam suam (plainchant) | Léonin | — | |
| 15-15 | Viderunt omnes (III): Viderunt omnes... (2-part organum) | Léonin | — | |
| 15-16 | Viderunt omnes (III): ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Léonin | — | |
| 15-17 | 2-part clausula (I): ...Dominus... | [anonymous] | — | |
| 15-18 | 2-part clausula (II): ...Dominus... | [anonymous] | — | |
| 15-19 | 2-part clausula (III): ...Dominus... | [anonymous] | — | |
| 15-20 | 2-part clausula (IV): ...Dominus... | [anonymous] | — | |
| 15-21 | 2-part clausula (V): ...Dominus... | [anonymous] | — | |
| 15-22 | Factum est salutare ...Dominus... (2-part motet) | [anonymous] | T-031.630.971-3 | |
| 15-23 | Viderunt omnes: Viderunt omnes... (4-part organum) | Pérotin | — | |
| 15-24 | Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | Pérotin | — | |
| 15-25 | Viderunt omnes: Notum fecit... (4-part organum) | Pérotin | — | |
| 15-26 | Viderunt omnes: ...Dominus... | Pérotin | — | |
| 15-27 | Viderunt omnes: ...salutare suum ante conspectum gentium revelavit... | Pérotin | — | |
| 15-28 | Viderunt omnes: ...justitiam suam (plainchant) | Pérotin | — | |
| 15-29 | Viderunt omnes fines terre salutare dei nostri jubilate deo omnis terra (plainchant) | [anonymous] | — | |
| 15-30 | Psalm 115/113b Non nobis Domine (organum examples after 9th-century Scolica enchiriadis) | [anonymous] | — | |
| 15-31 | Sederunt principes (4-part organum plainchant) | Tonus Peregrinus | T-916.409.617-7 | |
| 15-32 | Vetus abit littera (4-part conductus) | [anonymous] | — | |
| 16-1 | Missa solemnis in C major, K. Anh. C1.20: Kyrie | — | ||
| 16-2 | Missa solemnis in C major, K. Anh. C1.20: Gloria: “Gloria in excelsis” | — | ||
| 16-3 | Missa solemnis in C major, K. Anh. C1.20: Gloria: “Gratias agimus tibi” | — | ||
| 16-4 | Missa solemnis in C major, K. Anh. C1.20: Gloria: “Qui tollis peccata mundi” | — | ||
| 16-5 | Missa solemnis in C major, K. Anh. C1.20: Gloria: “Quoniam tu solus Sanctus” | — | ||
| 16-6 | Missa solemnis in C major, K. Anh. C1.20: Gloria: “Cum Sancto Spiritu” | — | ||
| 16-7 | Missa solemnis in C major, K. Anh. C1.20: Gloria: “In gloria Dei Patris” | — | ||
| 16-8 | Missa solemnis in C major, K. Anh. C1.20: Credo: “Credo in unum Deum” | — | ||
| 16-9 | Missa solemnis in C major, K. Anh. C1.20: Credo: “Et incarnatus est” | — | ||
| 16-10 | Missa solemnis in C major, K. Anh. C1.20: Credo: “Et resurrexit” | — | ||
| 16-11 | Missa solemnis in C major, K. Anh. C1.20: Sanctus: “Sanctus” | — | ||
| 16-12 | Missa solemnis in C major, K. Anh. C1.20: Sanctus: “Pleni sunt caeli” | — | ||
| 16-13 | Missa solemnis in C major, K. Anh. C1.20: Benedictus: “Benedictus” | — | ||
| 16-14 | Missa solemnis in C major, K. Anh. C1.20: Benedictus: “Hosanna in excelsis” | — | ||
| 16-15 | Missa solemnis in C major, K. Anh. C1.20: Agnus Dei: “Agnus Dei” | — | ||
| 16-16 | Missa solemnis in C major, K. Anh. C1.20: Agnus Dei: “Dona nobis pacem” | — | ||
| 16-17 | Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Te Deum laudamus” | — | ||
| 16-18 | Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Sanctus” | — | ||
| 16-19 | Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Pleni sunt caeli” | — | ||
| 16-20 | Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Te gloriosus” | — | ||
| 16-21 | Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Te ergo quaesumus” | — | ||
| 16-22 | Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Per singulos dies” | — | ||
| 16-23 | Te Deum in D major for Soloists, Chorus and Orchestra (1805): “In te Domine speravi” | — | ||
| 17-1 | Inter natos mulierum, K. 72 | — | ||
| 17-2 | Misericodias Domini, K. 222 | — | ||
| 17-3 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): I. Introitus: “Requiem aeternam” | — | ||
| 17-4 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): II. “Kyrie eleison” | — | ||
| 17-5 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Dies irae” | — | ||
| 17-6 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Tuba mirum” | — | ||
| 17-7 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Rex tremendae majestatis” | — | ||
| 17-8 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Recordare, Jesu pie” | — | ||
| 17-9 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Confutatis maledictis” | — | ||
| 17-10 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Lacrimosa does illa” | — | ||
| 17-11 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): IV. Offertorium: “Domine Jesu Christe” | — | ||
| 17-12 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): IV. Offertorium: “Hostias et preces” | — | ||
| 17-13 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): V. “Sanctus” | — | ||
| 17-14 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): VI. “Benedictus” | — | ||
| 17-15 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): VII. “Agnus Dei” | — | ||
| 17-16 | Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): VIII. Communio: “Lux aeterna” | — | ||
| 18-1 | Motet: “Peccantem me quotidie” | — | ||
| 18-2 | Missa sine nomine (for 6 voices): Kyrie | — | ||
| 18-3 | Missa sine nomine (for 6 voices): Gloria | — | ||
| 18-4 | Missa sine nomine (for 6 voices): Credo | — | ||
| 18-5 | Missa sine nomine (for 6 voices): Sanctus | — | ||
| 18-6 | Missa sine nomine (for 6 voices): Agnus Dei I | — | ||
| 18-7 | Missa sine nomine (for 6 voices): Agnus Dei II | — | ||
| 18-8 | Motet: “Sicut cervus” | — | ||
| 18-9 | Missa L'homme armé (for 4 voices): Kyrie | — | ||
| 18-10 | Missa L'homme armé (for 4 voices): Gloria | — | ||
| 18-11 | Missa L'homme armé (for 4 voices): Credo | — | ||
| 18-12 | Missa L'homme armé (for 4 voices): Sanctus | — | ||
| 18-13 | Missa L'homme armé (for 4 voices): Agnus Dei I | — | ||
| 18-14 | Missa L'homme armé (for 4 voices): Agnus Dei II | — | ||
| 18-15 | Motet: “Super flumina Babylonis” | — | ||
| 19-1 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Betrayed and Arrested in Gethsemane | Tonus Peregrinus, Antony Pitts | — | |
| 19-2 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Interrogated by the High Priest and Denied by Peter | Tonus Peregrinus, Antony Pitts | — | |
| 19-3 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Judged by Pilate and Reviled by the People | Tonus Peregrinus, Antony Pitts | — | |
| 19-4 | Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Crucified at Golgotha | Tonus Peregrinus, Antony Pitts | — | |
| 20-1 | Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). I. Troparion (incipit: “Blaniy s dresnyem s dreva prechistoye...”) | — | ||
| 20-2 | Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). II. Pieśni pochwalne (“Songs of Praise”) (incipit: “Blagosloven yesi Hospodi...”) | — | ||
| 20-3 | Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). III. Irmos (incipit: “Bogoyavleniya Tvoyego, Hristye...”) | — | ||
| 20-4 | Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). IV. Kanon Wielkiej Soboty, Pieśń 9 (“Canon of Holy Saturday, Song 9”) (incipit: “Slava otsu i Sinu i Svyatomu...”) | — | ||
| 20-5 | Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). V. Irmologion (“Stichira”) (incipit: “Tyebye odyeyushchagosya...”) | — | ||
| 20-6 | Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). I. Ewangelia (“The Gospel”) | — | ||
| 20-7 | Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). II. Stichira | — | ||
| 20-8 | Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). III. Psalm z Troparionem (“Psalm with Troparion”) | — | ||
| 20-9 | Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). IV. Kanon Paschy, Pieśni 1, 3 (“Passover Canon, Songs 1 and 3”) | — | ||
| 20-10 | Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). V. Kanon Paschy, Pieśń 8 (“Passover Canon, Song 8”) | — | ||
| 20-11 | Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). VI. Kontakion | — | ||
| 20-12 | Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). VII. Ikos | — | ||
| 20-13 | Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). VIII. Kanon Paschy, Fragmenty (“Passover Canon, Fragments”) | — | ||
| 21-1 | Morning Service in D major, Z. 232: Te Deum | — | ||
| 21-2 | The Noise of Foreign Wars (premiere recording) | — | ||
| 21-3 | Raise, Raise the Voice, Z. 334 | — | ||
| 21-4 | Trumpet Sonata no. 1 in D major, Z. 850: I. Allegro | — | ||
| 21-5 | Trumpet Sonata no. 1 in D major, Z. 850: II. Adagio | — | ||
| 21-6 | Trumpet Sonata no. 1 in D major, Z. 850: III. Allegro | — | ||
| 21-7 | Welcome to all the pleasures, “Ode on St. Cecilia's Day”, Z. 339 | — | ||
| 21-8 | Morning Service in D major, Z. 232: Jubilate Deo | — | ||
| 22-1 | All-Night Vigil, op. 37: Come, Let Us Worship | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-2 | All-Night Vigil, op. 37: Bless the Lord, O My Soul | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-3 | All-Night Vigil, op. 37: Blessed Is the Man | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-4 | All-Night Vigil, op. 37: Gladsome Light | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-5 | All-Night Vigil, op. 37: Canticle of Simeon | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-6 | All-Night Vigil, op. 37: Troparion for the Virgin Mary | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-7 | All-Night Vigil, op. 37: Intonation to the Hexapsalm | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-8 | All-Night Vigil, op. 37: Polyeleopsalm | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-9 | All-Night Vigil, op. 37: Troparia of the Resurrection | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-10 | All-Night Vigil, op. 37: Having Beheld the Resurrection | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-11 | All-Night Vigil, op. 37: Hymn of Thanksgiving to the Mother of God | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-12 | All-Night Vigil, op. 37: The Great Doxology | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-13 | All-Night Vigil, op. 37: Troparion of the Resurrection I | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-14 | All-Night Vigil, op. 37: Troparion of the Resurrection II | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 22-15 | All-Night Vigil, op. 37: Kontakion for the Annunciation of the Virgin Mary | Suomen Kansallisoopperan kuoro, Eric-Olof Söderström | — | |
| 23-1 | Stabat Mater (1831/32 original version): I. Introduction: “Stabat Mater dolorosa” (Soloists, Chorus) | — | ||
| 23-2 | Stabat Mater (1831/32 original version): II. Aria: “Cujus animam gementem” (Tenor) | — | ||
| 23-3 | Stabat Mater (1831/32 original version): III. Duettino: “O quam tristis et afflicta” (Soprano, Mezzo-soprano) | — | ||
| 23-4 | Stabat Mater (1831/32 original version): IV. Aria: “Quae moerebat et dolebat” (Bass) | — | ||
| 23-5 | Stabat Mater (1831/32 original version): V. Terzetto: “Quis est homo qui non fleret” (Soprano, Tenor, Bass) | — | ||
| 23-6 | Stabat Mater (1831/32 original version): VI. Aria: “Vidit suum dulcem natum” (Soprano) | — | ||
| 23-7 | Stabat Mater (1831/32 original version): VII. Duettino: “Eia, Mater, fons amoris” (Tenor, Bass) | — | ||
| 23-8 | Stabat Mater (1831/32 original version): VIII. Chorus and Recitative: “Fac ut ardeat cor meum” (Bass, Chorus) | — | ||
| 23-9 | Stabat Mater (1831/32 original version): IX. Quartetto: “Santa Mater, istud agas” (Soloists) | — | ||
| 23-10 | Stabat Mater (1831/32 original version): X. Cavatina: “Fac ut portem Christi mortem” (Mezzo-soprano) | — | ||
| 23-11 | Stabat Mater (1831/32 original version): XI. Aria with Chorus: “Infl ammatus et accensus” (Soprano, Chorus) | — | ||
| 23-12 | Stabat Mater (1831/32 original version): XII. Quartetto (a cappella): “Quando corpus morietur” (Soloists a cappella) | — | ||
| 23-13 | Stabat Mater (1831/32 original version): XIII. Chorus: “Amen” (Chorus) | — | ||
| 23-14 | Giovanna d'Arco, Solo cantata (1832) with piano accompaniment: I. Recitativo: “È notte, e tutto addormentato è il mondo” | — | ||
| 23-15 | Giovanna d'Arco, Solo cantata (1832) with piano accompaniment: II. Aria: “O mia madre, e tu frattanto la tua figlia cercherai” | — | ||
| 23-16 | Giovanna d'Arco, Solo cantata (1832) with piano accompaniment: III. Recitativo: “Eppur piange. Ah! repente qual luce balenò” | — | ||
| 23-17 | Giovanna d'Arco, Solo cantata (1832) with piano accompaniment: IV. Aria: “Ah, la fiamma che t'esce dal guardo già m'ha tocca” | — | ||
| 24-1 | Requiem: I. Requiem Aeternam [excerpt] | Choir of Clare College, Cambridge, Timothy Brown | — | |
| 24-2 | Requiem: II. Out of the Deep | Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Susan Dorey, Timothy Brown | — | |
| 24-3 | Requiem: III. Pie Jesu | Choir of Clare College, Cambridge, Elin Manahan Thomas, Members of the City of London Sinfonia, Timothy Brown | T-010.065.879-4 | |
| 24-4 | Requiem: IV. Sanctus | Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Timothy Brown | — | |
| 24-5 | Requiem: V. Agnus Dei | Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Timothy Brown | T-000.609.750-2 | |
| 24-6 | Requiem: VI. The Lord Is My Shepherd | Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Christopher Hooker, Timothy Brown | — | |
| 24-7 | Requiem: VII. Lux Aeterna | Choir of Clare College, Cambridge, Elin Manahan Thomas, Members of the City of London Sinfonia, Timothy Brown | T-910.952.061-8 | |
| 24-8 | Advent Anthem for Choir and Organ: Arise, Shine | Choir of Clare College, Cambridge, Nicholas Rimmer, Timothy Brown | T-900.156.925-1 | |
| 24-9 | Anthem for Double Choir: Come Down, O Love Divine | Choir of Clare College, Cambridge, Timothy Brown | — | |
| 24-10 | Anthem for Choir and Flute: Musica Dei Donum | Choir of Clare College, Cambridge, Karen Jones, Timothy Brown | — | |
| 24-11 | Two Blessings for Choir and Organ: A Clare Benediction | Choir of Clare College, Cambridge, Nicholas Rimmer, Timothy Brown | T-010.293.086-8 | |
| 24-12 | Two Blessings for Choir and Organ: Go Forth into the World in Peace | Choir of Clare College, Cambridge, Nicholas Rimmer, Timothy Brown | T-011.355.732-6 | |
| 24-13 | Two Organ Pieces: Toccata in 7 | Nicholas Rimmer | T-010.468.452-7 | |
| 24-14 | Two Organ Pieces: Variations on an Easter Theme | Nicholas Collon, Nicholas Rimmer | T-011.327.439-7 | |
| 25-1 | Romanzen und Balladen I, op. 67: No. 1. Der König von Thule | — | ||
| 25-2 | Romanzen und Balladen I, op. 67: No. 2. Schön-Rohtraut | — | ||
| 25-3 | Romanzen und Balladen I, op. 67: No. 3. Heidenröslein | — | ||
| 25-4 | Romanzen und Balladen I, op. 67: No. 4. Ungewitter | — | ||
| 25-5 | Romanzen und Balladen I, op. 67: No. 5. John Anderson | — | ||
| 25-6 | Romanzen und Balladen II, op. 75: No. 1. Schnitter Tod | — | ||
| 25-7 | Romanzen und Balladen II, op. 75: No. 2. Im Walde | — | ||
| 25-8 | Romanzen und Balladen II, op. 75: No. 3. Der traurige Jäger | — | ||
| 25-9 | Romanzen und Balladen II, op. 75: No. 4. Der Rekrut | — | ||
| 25-10 | Romanzen und Balladen II, op. 75: No. 5. Vom verwundeten Knaben | — | ||
| 25-11 | Romanzen I, op. 69: No. 1. Tamburinschlägerin | — | ||
| 25-12 | Romanzen I, op. 69: No. 2. Waldmädchen | — | ||
| 25-13 | Romanzen I, op. 69: No. 3. Klosterfräulein | — | ||
| 25-14 | Romanzen I, op. 69: No. 4. Soldatenbraut | — | ||
| 25-15 | Romanzen I, op. 69: No. 5. Meerfey | — | ||
| 25-16 | Romanzen I, op. 69: No. 6. Die Kapelle | — | ||
| 25-17 | Romanzen und Balladen III, op. 145: No. 1. Der Schmid | — | ||
| 25-18 | Romanzen und Balladen III, op. 145: No. 2. Die Nonne | — | ||
| 25-19 | Romanzen und Balladen III, op. 145: No. 3. Der Sänger | — | ||
| 25-20 | Romanzen und Balladen III, op. 145: No. 4. John Anderson | — | ||
| 25-21 | Romanzen und Balladen III, op. 145: No. 5. Romanze com Gänsebuben | — | ||
| 25-22 | Romanzen und Balladen IV, op. 146: No. 1. Brautgesang | — | ||
| 25-23 | Romanzen und Balladen IV, op. 146: No. 2. Der Bänkelsänger Willie | — | ||
| 25-24 | Romanzen und Balladen IV, op. 146: No. 3. Der Traum | — | ||
| 25-25 | Romanzen und Balladen IV, op. 146: No. 4. Sommerlied | — | ||
| 25-26 | Romanzen und Balladen IV, op. 146: No. 5. Das Schifflein | — | ||
| 25-27 | Romanzen II, op. 91: No. 1. Rosmarien | — | ||
| 25-28 | Romanzen II, op. 91: No. 2. Jäger Wohlgemut | — | ||
| 25-29 | Romanzen II, op. 91: No. 3. Der Wasserman | — | ||
| 25-30 | Romanzen II, op. 91: No. 4. Das verlassene Mägdlein | — | ||
| 25-31 | Romanzen II, op. 91: No. 5. Der Bleicherin Nachtlied | — | ||
| 25-32 | Romanzen II, op. 91: No. 6. In Meeres Mitten | — | ||
| 26-1 | Missa pastoralis in G major, Weinmann XIX:G4: Kyrie | — | ||
| 26-2 | Missa pastoralis in G major, Weinmann XIX:G4: Gloria | — | ||
| 26-3 | Missa pastoralis in G major, Weinmann XIX:G4: Credo | — | ||
| 26-4 | Missa pastoralis in G major, Weinmann XIX:G4: Sanctus | — | ||
| 26-5 | Missa pastoralis in G major, Weinmann XIX:G4: Benedictus | — | ||
| 26-6 | Missa pastoralis in G major, Weinmann XIX:G4: Agnus Dei | — | ||
| 26-7 | Missa solemnis in C major, Weinmann XIX:C7: Kyrie | — | ||
| 26-8 | Missa solemnis in C major, Weinmann XIX:C7: Gloria | — | ||
| 26-9 | Missa solemnis in C major, Weinmann XIX:C7: Credo | — | ||
| 26-10 | Missa solemnis in C major, Weinmann XIX:C7: Sanctus | — | ||
| 26-11 | Missa solemnis in C major, Weinmann XIX:C7: Benedictus | — | ||
| 26-12 | Missa solemnis in C major, Weinmann XIX:C7: Agnus Dei | — | ||
| 27-1 | Gloria in D major, RV589: I. Gloria in excelsis Deo | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | T-905.452.179-8 | |
| 27-2 | Gloria in D, RV 589: Et in terra pax | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-3 | Gloria in D, RV 589: Laudamus te | Anna Crookes, Jayne Whitaker, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-4 | Gloria in D, RV 589: Gratius agimus tibi | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-5 | Gloria in D, RV 589: Domine Deus, Rex caelestis | Anna Crookes, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-6 | Gloria in D, RV 589: Domine Fili unigenite | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-7 | Gloria in D, RV 589: Domine Deus, Agnus Dei | Caroline Trevor, Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-8 | Gloria in D, RV 589: Qui tollis peccata mundi | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-9 | Gloria in D, RV 589: Qui sedes ad dexteram Patris | Caroline Trevor, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-10 | Gloria in D, RV 589: Quoniam tu solus Sanctus | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-11 | Gloria in D, RV 589: Cum Sancto Spiritu | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — | |
| 27-12 | Magnificat: Magnificat | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | T-900.103.151-2 | |
| 27-13 | Magnificat in D major, BWV 243: “Et exsultavit” | — | ||
| 27-14 | Magnificat in D major, BWV 243: “Quia respexit” | — | ||
| 27-15 | Magnificat in D major, BWV 243: “Omnes generationes” | — | ||
| 27-16 | Magnificat in D major, BWV 243: “Quia fecit mihi magna” | — | ||
| 27-17 | Magnificat in D major, BWV 243: “Et misericordia” | — | ||
| 27-18 | Magnificat in D major, BWV 243: “Fecit potentum” | — | ||
| 27-19 | Magnificat in D major, BWV 243: “Deposuit potentes” | — | ||
| 27-20 | Magnificat in D major, BWV 243: “Esurientes” | — | ||
| 27-21 | Magnificat in D major, BWV 243: “Suscepit Israel” | — | ||
| 27-22 | Magnificat in D major, BWV 243: “Sicut locutus est” | — | ||
| 27-23 | Magnificat in D major, BWV 243: “Gloria Patri” | — | ||
| 28-1 | “O cohors militiae floris” | — | ||
| 28-2 | “O successores fortissimi leonis” | — | ||
| 28-3 | “O vos imitatores excelse” | — | ||
| 28-4 | “O dulcis electe” | — | ||
| 28-5 | “O victoriosissimi triumphatores” | — | ||
| 28-6 | “O cruor sanguinis” | — | ||
| 28-7 | “O vis aeternitatis” | — | ||
| 28-8 | “O splendidissima gemma” | — | ||
| 29-1 | Her Sacred Spirit Soars | — | ||
| 29-2 | A Boy and a Girl | — | ||
| 29-3 | Water Night | — | ||
| 29-4 | This Marriage | — | ||
| 29-5 | Lux aurumque (Light of Gold) | — | ||
| 29-6 | little tree | — | ||
| 29-7 | When David Heard | — | ||
| 29-8 | Leonardo Dreams of His Flying Machine | — | ||
| 29-9 | i thank you God for most this amazing day | — | ||
| 29-10 | Sleep | — | ||
| 29-11 | Little Birds | — | ||
| 30-1 | Pastime with good company | Oxford Camerata, Jeremy Summerly | T-900.141.244-8 | |
| 30-2 | Blow thy horn, hunter | — | ||
| 30-3 | Ah Robin, gentle Robin | — | ||
| 30-4 | Hey trolly lolly lo | — | ||
| 30-5 | Draw on, sweet night | — | ||
| 30-6 | Thule, the period of cosmography | — | ||
| 30-7 | Weep, weep mine eyes | — | ||
| 30-8 | As vesta was, from Latmos hill descending | Oxford Camerata, Jeremy Summerly | — | |
| 30-9 | Sound saddest notes | — | ||
| 30-10 | Fair Phyllis | — | ||
| 30-11 | Sleep, fleshly birth | — | ||
| 30-12 | Mother, I will have a husband | — | ||
| 30-13 | Lay a Garland | Oxford Camerata, Jeremy Summerly | — | |
| 30-14 | Brigg Fair | — | ||
| 30-15 | The trees they do grow high | — | ||
| 30-16 | 8 Partsongs, op. 119 no. 3: The blue bird | Carys Lane, Oxford Camerata, Jeremy Summerly | — |
A la mignonne de fortune
—
Adieu m'amour I
—
Adieu m'amour II
—
Allez, regretz
—
Guarde vostre visage I
—
S'il vous plaist
—
Et qui la dira
—
De tous bien plaine I
Ensemble Unicorn, Michael Posch
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De tous bien plaine II
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De tous bien plaine III
—
Soit loing ou pres
Ensemble Unicorn, Michael Posch
—
Guarde vostre visage II
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Ay je rien fet
Ensemble Unicorn, Michael Posch
—
Sonnes muses melodieusement
—
Guarde vostre visage III
—
J'ay beau huer
—
Cecus non iudicat de coloribus
—
Fortuna desperata
—
Even When He Is Silent
—
Flight Song
—
O Sacrum Convivium
—
Child of Song
—
The gift I'll leave you
—
Dormi, Jesu
—
Making or Breaking
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Cradle Hymn
—
The Lamb
—
Pie Jesu
—
Infinity
—
There We Shall Rest
—
Der glorreiche Augenblick, op. 136: Chorus: Europa steht!
City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
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Der glorreiche Augenblick, op. 136: Recitative: O seht sie nah' und näher treten!
Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
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Der glorreiche Augenblick, op. 136: Aria with Chorus: O Himmel, welch' Entzücken!
Claire Rutter, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
—
Der glorreiche Augenblick, op. 136: Recitative: Das Auge schaut
Matilde Wallevik, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
—
Der glorreiche Augenblick, op. 136: Recitative and Quartet: Der den Bund im Sturme fest gehalten
Claire Rutter, Matilde Wallevik, Peter Hoare, Stephen Gadd, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
—
Der glorreiche Augenblick, op. 136: Chorus: Es treten hervor
Westminster Boys' Choir, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
—
Fantasia in C minor for piano, chorus and orchestra, op. 80
Leon McCawley, City of London Choir, Royal Philharmonic Orchestra, Hilary Davan Wetton
—
Ein deutsches Requiem: “Selig sind, die da Leid tragen” (“Blessed are they that mourn”)
—
Ein deutsches Requiem: “Denn alles Fleisch, es ist wie Gras” (“For all flesh is as grass”)
—
Ein deutsches Requiem: “Herr, lehre doch mich” (“Lord, make me to know mine end”)
—
Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind deine Wohnungen (How amiable are thy tabernacles)
Anna Lucia Richter, Stephan Genz, MDR Rundfunkchor, MDR Sinfonieorchester, Marin Alsop
—
Ein deutsches Requiem: “Ihr habt nun Traurigkeit” (“And ye now therefore have sorrow”)
—
Ein deutsches Requiem: “Denn wir haben hie keine bleibende Statt” (“For here have we no continuing city”)
—
Ein deutsches Requiem: “Selig sind die Toten” (“Blessed are the Dead”)
—
Marche funèbre
Orchestra della Svizzera italiana, Diego Fasolis
—
Requiem for Chorus and Orchestra in C minor (1816): Introitus et Kyrie: Requiem aeternam
—
Requiem for Chorus and Orchestra in C minor (1816): Graduale: Requiem aeternam
—
Requiem for Chorus and Orchestra in C minor (1816): Dies irae
—
Requiem for Chorus and Orchestra in C minor (1816): Offertorium: Domine Jesu Christe
—
Requiem for Chorus and Orchestra in C minor (1816): Sanctus
—
Requiem for Chorus and Orchestra in C minor (1816): Pie Jesu
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Requiem for Chorus and Orchestra in C minor (1816): Agnus Dei
—
Aristea: 1. Sinfonia
—
Aristea: 2. Introduzione: “Seconda i nostri voti” (Chorus, Corinna)
—
Aristea: 3. Recitativo: “Amar che giova” (Corinna, Cloe, Filinto)
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Aristea: 4. Duetto: “La bell'alma che nel petto” (Filinto, Cloe)
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Aristea: 5. Coro: “Qui tenera e fida”
—
Aristea: 6. Recitativo: “Signor, dopo tant'anni” (Filinto, Cloe)
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Aristea: 7. Cavatina: “Soffro il destino irato” (Licisco)
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Aristea: 8. Recitativo: “Misero prence!” (Comone, Corinna)
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Aristea: 9. Recitativo: “Empia! T'arresta” (Comone, Cloe, Corinna, Filinto)
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Aristea: 10a. Quartetto: “Taci iniquo; io non t'ascolto” (Comone, Filinto, Cloe, Licisco)
—
Aristea: 10b. Quartetto: “Misero cor, non, sai” (Cloe, Filinto, Licisco, Comone)
—
Aristea: 10c. Quartetto: “Lungi dagli occhi miel!” (Comone, Licisco, Filinto, Cloe)
—
Aristea: Recitativo: “Perché più dell'usato” (Corinna, Licisco, Comone, Filinto, Erasto, Cloe)
—
Aristea: Finale: “Fra così cari oggetti” (Cloe, Chorus, Comone, Filinto, Licisco)
—
Requiem, op. 89: Introitus: Requiem aeternam - Kyrie (Vocal Quartet, Chorus)
—
Requiem, op. 89: Graduale: Requiem aeternam (Soprano, Chorus)
—
Requiem, op. 89: Sequentia: Dies irae (Chorus)
—
Requiem, op. 89: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus)
—
Requiem, op. 89: Sequentia: Quid sum miser (Vocal Quartet, Chorus)
—
Requiem, op. 89: Sequentia: Recordare, Jesu pie (Vocal Quartet)
—
Requiem, op. 89: Sequentia: Confutatis maledictis (Chorus)
—
Requiem, op. 89: Sequentia: Lacrimosa (Vocal Quartet, Chorus)
—
Requiem, op. 89: Offertorium: Domine Jesu Christe (Vocal Quartet, Chorus)
—
Requiem, op. 89: Offertorium: Hostias (Vocal Quartet, Chorus)
—
Requiem, op. 89: Sanctus (Vocal Quartet, Chorus)
—
Requiem, op. 89: Pie Jesu (Vocal Quartet, Chorus)
—
Requiem, op. 89: Agnus Dei (Vocal Quartet, Chorus)
—
Requiem, op. 48: Introït et Kyrie
Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
—
Requiem, op. 48: Offertoire
Nicholas Gedge, Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
—
Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
Requiem, op. 48: Pie Jesu
Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
—
Schola Cantorum of Oxford, Colm Carey, Oxford Camerata, Jeremy Summerly
Colm Carey, Schola Cantorum of Oxford, Oxford Camerata, Jeremy Summerly
Lisa Beckley, Colm Carey, Nicholas Gedge, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
Messe basse: Kyrie
Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly
—
Messe basse: Sanctus
Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly
—
Messe basse: Benedictus
Colm Carey, Schola Cantorum of Oxford, Jeremy Summerly
—
Messe basse: Agnus Dei
Schola Cantorum of Oxford, Colm Carey, Jeremy Summerly
—
Oxford Camerata, Schola Cantorum of Oxford, Colm Carey, Jeremy Summerly
Madrigals, Book 4: “Luci serene e chiare”
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Madrigals, Book 4: “Tal'hor sano desio”
—
Madrigals, Book 4: “Io tacerò, ma nel silenzio mio” (part 1)
—
Madrigals, Book 4: “Invan, dunque, o crudele” (part 2)
—
Madrigals, Book 4: “Che fai meco, mio cor”
—
Madrigals, Book 4: “Questa crudele e pia”
—
Madrigals, Book 4: “Hor che in gioia” (part 1)
—
Madrigals, Book 4: “O sempre crudo amore” (part 2)
—
Madrigals, Book 4: “Cor mio, deh, non piangete” (part 1)
—
Madrigals, Book 4: “Dunque non m'offendete” (part 2)
—
Madrigals, Book 4: Toccata del IV tono
—
Madrigals, Book 4: “Sparge la morte al mio Signor”
—
Madrigals, Book 4: “Moro, e mentre sospiro” (part 1)
—
Madrigals, Book 4: “Quando di lui la sospirata vita” (part 2)
—
Madrigals, Book 4: “Mentre gira costei”
—
Madrigals, Book 4: “A voi, mentre il mio core”
—
Madrigals, Book 4: “Ecco, morirò dunque” (part 1)
—
Madrigals, Book 4: “Ahi, già mi discoloro” (part 2)
—
Madrigals, Book 4: “Arde il mio cor”
—
Madrigals, Book 4: “Se chiudete nel core”
—
Madrigals, Book 4: “Il sol qual or più splende” (a sei voci - part 1)
—
Madrigals, Book 4: “Volgi mia luce” (a sei voci - part 2)
—
Messiah: Part I. Sinfonia
—
Messiah: Part I. Recitative: “Comfort ye my people ... Every valley shall be exalted” (Tenor)
—
Messiah: Part I. “And the glory of the Lord” (Chorus)
—
Messiah: Part I. Recitative: “Behold a virgin shall conceive ... O thou that tellest good tidings to Zion” (Alto)
—
Scholars Baroque Ensemble
Messiah: Part I. Pifa
—
Messiah: Part I. Aria: “Rejoice greatly, O daughter of Zion” (Soprano)
—
Messiah: Part I. Recitative: “Then shall the eyes of the blind be open'd ... He shall feed His flock” (Alto)
—
Messiah: Part II. Aria: “He was despised and rejected of men” (Alto)
—
Messiah: Part II. Aria: “How beautiful are the feet of Him” (Soprano)
—
Messiah: Part II. Aria: “Why do the nations so furiously rage together?” (Bass)
—
Messiah: Part III. Aria: “I know that my Redeemer liveth” (Soprano)
—
Messiah: Part III. Recitative: “Behold, I tell you a mystery ... The trumpet shall sound” (Bass)
—
Messiah, HWV 56: Part III: Worthy is the Lamb that was slain (Chorus)
Scholars Baroque Ensemble
—
Missa brevis in F major, Hob. XXII:1 (1749): Kyrie
—
Missa brevis in F major, Hob. XXII:1 (1749): Gloria
—
Missa brevis in F major, Hob. XXII:1 (1749): Credo
—
Missa brevis in F major, Hob. XXII:1 (1749): Sanctus
—
Missa brevis in F major, Hob. XXII:1 (1749): Benedictus
—
Missa brevis in F major, Hob. XXII:1 (1749): Agnus Dei
—
Missa brevis in F major, Hob. XXII:1 (1749): Dona nobis pacem
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Kyrie
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Gloria
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Gratias agimus tibi
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Quoniam tu solus sanctus
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Credo
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Et incarnatusest
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Et resurrexit
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Et vitam venturi
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Sanctus
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Benedictus
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Agnus Dei
—
Missa “Harmoniemesse” in B-flat major, Hob. XXII:14 (1802): Dona noblis pacem
—
Sinfonietta, JW VI/18: I. Allegretto
Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
—
Sinfonietta, JW VI/18: II. Andante
Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
—
Sinfonietta, JW VI/18: III. Moderato
Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
—
Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
Sinfonietta, JW VI/18: V. Andante con moto
Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Passio Domini nostri Jesu Christi” (Evangelist, Jesus, Priest)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Ut quid perditio haec” (Chorus, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Quid vultis mihi dare et ego vobis eum tradam” (Judas, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Ubi vis paremus” (Chorus, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Numquid ego sum, Domine” (Chorus, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Numquid ego sum rabbi” (Judas, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Expectans expectavi Dominum” (Chorus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Et hymno dicto exierunt” (Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Et si omnes scandalizati fuerint in te” (Petrus, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Etiam si oportuerit me mori tecum” (Petrus, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Tristis est anima mea” (Chorus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Et progressus pusillum procidit” (Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Qui vult venire post me” (Chorus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Quemcumque osculatus fuero” (Judas, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Ave rabbi” (Judas, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Animam meam dilectam tradidi” (Chorus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “At illi tenentes Iesum” (Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Hic dixit possum destruere templum Dei” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Nihil respondes ad ea” (Priest, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Adiuro te per Deum vivum” (Priest, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Blasphemavit quid adhuc egemus testibus” (Priest, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Reus est mortis” (Priest, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Prophetiza nobis Christe” (Priest, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Et tu cum Iesu Galilaeo eras” (Ancilla, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Nescio quid dicis” (Petrus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Et hic erat cum Iesu Nazareno” (Ancilla, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Vere et tu ex illis” (Chorus, Evangelist)
—
Lagrime di San Pietro: No. 3 “Tre volte havev'a”
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Mane autem facto” (Evangelist, Judas)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Quid ad nos tu videris” (Priest, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Non licet mittere eos in corbanan” (Priest, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Tu es rex Iudaeorum” (Pilatus, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Non audis quanta adversum te dicant testimonia” (Pilatus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Quem vultis dimittam vobis” (Pilatus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Nihil tibi et iusto illi” (Pilate's wife, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Quem vultis vobis” (Pilatus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Barabbam!” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Quid igitur faciam de Iesu” (Pilatus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Crucifigatur!” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Quid enim mali fecit” (Pilatus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Crucifigatur!” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Innocens ego sum” (Pilatus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Sanguis eius super nos” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Ave rex Judaeorum” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Vah, qui destruit templum” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Alios salvos fecit Helias” (Priest, Evangelist, Jesus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Heliam vocat iste” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Sine videamus an veniat Helias” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Agnus Dei” (Chorus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Et ecce velum temple” (Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Vere Dei Filius erat iste” (Chorus, Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Mors tua, mors Christi” (Chorus)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Cum autem sero factum” (Evangelist)
—
Passio Domini nostri Jesu Christi secundum Mattheum: “Agnus Dei” (Chorus)
—
Viderunt omnes (plainchant)
[anonymous]
—
Viderunt omnes (I): Viderunt omnes... (2-part organum)
Tonus Peregrinus, Antony Pitts
—
Viderunt omnes (I): ... fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
Léonin
—
Viderunt omnes (I): Notum fecit... (2-part organum)
Léonin
—
Viderunt omnes (I):... Dominus...
Léonin
—
Viderunt omnes (I):... salutare suum ante conspectum gentium revelavit...
Léonin
—
Viderunt omnes (I):... justitiam suam (plainchant)
Léonin
—
Viderunt omnes (II): Viderunt omnes... (2-part organum)
Léonin
—
Viderunt omnes (II): ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
Léonin
—
Viderunt omnes (II): Notum fecit... (2-part organum)
Léonin
—
Viderunt omnes (II): ...Dominus...
Léonin
—
Viderunt omnes (II): ...salutare suum ante conspectum gentium revelavit...
Léonin
—
Viderunt omnes (II): ...justitiam suam (plainchant)
Léonin
—
Viderunt omnes (III): Viderunt omnes... (2-part organum)
Léonin
—
Viderunt omnes (III): ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
Léonin
—
2-part clausula (I): ...Dominus...
[anonymous]
—
2-part clausula (II): ...Dominus...
[anonymous]
—
2-part clausula (III): ...Dominus...
[anonymous]
—
2-part clausula (IV): ...Dominus...
[anonymous]
—
2-part clausula (V): ...Dominus...
[anonymous]
—
Viderunt omnes: Viderunt omnes... (4-part organum)
Pérotin
—
Viderunt omnes: ...fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
Pérotin
—
Viderunt omnes: Notum fecit... (4-part organum)
Pérotin
—
Viderunt omnes: ...Dominus...
Pérotin
—
Viderunt omnes: ...salutare suum ante conspectum gentium revelavit...
Pérotin
—
Viderunt omnes: ...justitiam suam (plainchant)
Pérotin
—
Viderunt omnes fines terre salutare dei nostri jubilate deo omnis terra (plainchant)
[anonymous]
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Psalm 115/113b Non nobis Domine (organum examples after 9th-century Scolica enchiriadis)
[anonymous]
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Vetus abit littera (4-part conductus)
[anonymous]
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Missa solemnis in C major, K. Anh. C1.20: Kyrie
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Missa solemnis in C major, K. Anh. C1.20: Gloria: “Gloria in excelsis”
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Missa solemnis in C major, K. Anh. C1.20: Gloria: “Gratias agimus tibi”
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Missa solemnis in C major, K. Anh. C1.20: Gloria: “Qui tollis peccata mundi”
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Missa solemnis in C major, K. Anh. C1.20: Gloria: “Quoniam tu solus Sanctus”
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Missa solemnis in C major, K. Anh. C1.20: Gloria: “Cum Sancto Spiritu”
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Missa solemnis in C major, K. Anh. C1.20: Gloria: “In gloria Dei Patris”
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Missa solemnis in C major, K. Anh. C1.20: Credo: “Credo in unum Deum”
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Missa solemnis in C major, K. Anh. C1.20: Credo: “Et incarnatus est”
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Missa solemnis in C major, K. Anh. C1.20: Credo: “Et resurrexit”
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Missa solemnis in C major, K. Anh. C1.20: Sanctus: “Sanctus”
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Missa solemnis in C major, K. Anh. C1.20: Sanctus: “Pleni sunt caeli”
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Missa solemnis in C major, K. Anh. C1.20: Benedictus: “Benedictus”
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Missa solemnis in C major, K. Anh. C1.20: Benedictus: “Hosanna in excelsis”
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Missa solemnis in C major, K. Anh. C1.20: Agnus Dei: “Agnus Dei”
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Missa solemnis in C major, K. Anh. C1.20: Agnus Dei: “Dona nobis pacem”
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Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Te Deum laudamus”
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Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Sanctus”
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Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Pleni sunt caeli”
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Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Te gloriosus”
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Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Te ergo quaesumus”
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Te Deum in D major for Soloists, Chorus and Orchestra (1805): “Per singulos dies”
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Te Deum in D major for Soloists, Chorus and Orchestra (1805): “In te Domine speravi”
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Inter natos mulierum, K. 72
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Misericodias Domini, K. 222
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): I. Introitus: “Requiem aeternam”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): II. “Kyrie eleison”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Dies irae”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Tuba mirum”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Rex tremendae majestatis”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Recordare, Jesu pie”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Confutatis maledictis”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): III. Sequentia: “Lacrimosa does illa”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): IV. Offertorium: “Domine Jesu Christe”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): IV. Offertorium: “Hostias et preces”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): V. “Sanctus”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): VI. “Benedictus”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): VII. “Agnus Dei”
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Requiem in D minor, K. 626 (completed by Franz Xaver Süssmayr): VIII. Communio: “Lux aeterna”
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Motet: “Peccantem me quotidie”
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Missa sine nomine (for 6 voices): Kyrie
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Missa sine nomine (for 6 voices): Gloria
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Missa sine nomine (for 6 voices): Credo
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Missa sine nomine (for 6 voices): Sanctus
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Missa sine nomine (for 6 voices): Agnus Dei I
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Missa sine nomine (for 6 voices): Agnus Dei II
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Motet: “Sicut cervus”
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Missa L'homme armé (for 4 voices): Kyrie
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Missa L'homme armé (for 4 voices): Gloria
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Missa L'homme armé (for 4 voices): Credo
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Missa L'homme armé (for 4 voices): Sanctus
—
Missa L'homme armé (for 4 voices): Agnus Dei I
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Missa L'homme armé (for 4 voices): Agnus Dei II
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Motet: “Super flumina Babylonis”
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Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Betrayed and Arrested in Gethsemane
Tonus Peregrinus, Antony Pitts
—
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Interrogated by the High Priest and Denied by Peter
Tonus Peregrinus, Antony Pitts
—
Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Judged by Pilate and Reviled by the People
Tonus Peregrinus, Antony Pitts
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Passio Domini Nostri Jesu Christi secundum Joannem: Jesus is Crucified at Golgotha
Tonus Peregrinus, Antony Pitts
—
Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). I. Troparion (incipit: “Blaniy s dresnyem s dreva prechistoye...”)
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Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). II. Pieśni pochwalne (“Songs of Praise”) (incipit: “Blagosloven yesi Hospodi...”)
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Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). III. Irmos (incipit: “Bogoyavleniya Tvoyego, Hristye...”)
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Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). IV. Kanon Wielkiej Soboty, Pieśń 9 (“Canon of Holy Saturday, Song 9”) (incipit: “Slava otsu i Sinu i Svyatomu...”)
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Utrenja: Part I: Zloźenie Chrystusa do grobu (“The Entombment of Christ”). V. Irmologion (“Stichira”) (incipit: “Tyebye odyeyushchagosya...”)
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Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). I. Ewangelia (“The Gospel”)
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Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). II. Stichira
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Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). III. Psalm z Troparionem (“Psalm with Troparion”)
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Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). IV. Kanon Paschy, Pieśni 1, 3 (“Passover Canon, Songs 1 and 3”)
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Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). V. Kanon Paschy, Pieśń 8 (“Passover Canon, Song 8”)
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Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). VI. Kontakion
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Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). VII. Ikos
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Utrenja: Part II: Zmartwychwstanie Pańskie (“The Resurrection of Christ”). VIII. Kanon Paschy, Fragmenty (“Passover Canon, Fragments”)
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Morning Service in D major, Z. 232: Te Deum
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The Noise of Foreign Wars (premiere recording)
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Raise, Raise the Voice, Z. 334
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Trumpet Sonata no. 1 in D major, Z. 850: I. Allegro
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Trumpet Sonata no. 1 in D major, Z. 850: II. Adagio
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Trumpet Sonata no. 1 in D major, Z. 850: III. Allegro
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Welcome to all the pleasures, “Ode on St. Cecilia's Day”, Z. 339
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Morning Service in D major, Z. 232: Jubilate Deo
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All-Night Vigil, op. 37: Come, Let Us Worship
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
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All-Night Vigil, op. 37: Bless the Lord, O My Soul
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
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All-Night Vigil, op. 37: Blessed Is the Man
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
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All-Night Vigil, op. 37: Gladsome Light
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
—
All-Night Vigil, op. 37: Canticle of Simeon
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
—
All-Night Vigil, op. 37: Troparion for the Virgin Mary
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
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All-Night Vigil, op. 37: Intonation to the Hexapsalm
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
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All-Night Vigil, op. 37: Polyeleopsalm
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
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All-Night Vigil, op. 37: Troparia of the Resurrection
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
—
All-Night Vigil, op. 37: Having Beheld the Resurrection
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
—
All-Night Vigil, op. 37: Hymn of Thanksgiving to the Mother of God
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
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All-Night Vigil, op. 37: The Great Doxology
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
—
All-Night Vigil, op. 37: Troparion of the Resurrection I
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
—
All-Night Vigil, op. 37: Troparion of the Resurrection II
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
—
All-Night Vigil, op. 37: Kontakion for the Annunciation of the Virgin Mary
Suomen Kansallisoopperan kuoro, Eric-Olof Söderström
—
Stabat Mater (1831/32 original version): I. Introduction: “Stabat Mater dolorosa” (Soloists, Chorus)
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Stabat Mater (1831/32 original version): II. Aria: “Cujus animam gementem” (Tenor)
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Stabat Mater (1831/32 original version): III. Duettino: “O quam tristis et afflicta” (Soprano, Mezzo-soprano)
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Stabat Mater (1831/32 original version): IV. Aria: “Quae moerebat et dolebat” (Bass)
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Stabat Mater (1831/32 original version): V. Terzetto: “Quis est homo qui non fleret” (Soprano, Tenor, Bass)
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Stabat Mater (1831/32 original version): VI. Aria: “Vidit suum dulcem natum” (Soprano)
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Stabat Mater (1831/32 original version): VII. Duettino: “Eia, Mater, fons amoris” (Tenor, Bass)
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Stabat Mater (1831/32 original version): VIII. Chorus and Recitative: “Fac ut ardeat cor meum” (Bass, Chorus)
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Stabat Mater (1831/32 original version): IX. Quartetto: “Santa Mater, istud agas” (Soloists)
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Stabat Mater (1831/32 original version): X. Cavatina: “Fac ut portem Christi mortem” (Mezzo-soprano)
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Stabat Mater (1831/32 original version): XI. Aria with Chorus: “Infl ammatus et accensus” (Soprano, Chorus)
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Stabat Mater (1831/32 original version): XII. Quartetto (a cappella): “Quando corpus morietur” (Soloists a cappella)
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Stabat Mater (1831/32 original version): XIII. Chorus: “Amen” (Chorus)
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Giovanna d'Arco, Solo cantata (1832) with piano accompaniment: I. Recitativo: “È notte, e tutto addormentato è il mondo”
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Giovanna d'Arco, Solo cantata (1832) with piano accompaniment: II. Aria: “O mia madre, e tu frattanto la tua figlia cercherai”
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Giovanna d'Arco, Solo cantata (1832) with piano accompaniment: III. Recitativo: “Eppur piange. Ah! repente qual luce balenò”
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Giovanna d'Arco, Solo cantata (1832) with piano accompaniment: IV. Aria: “Ah, la fiamma che t'esce dal guardo già m'ha tocca”
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Requiem: I. Requiem Aeternam [excerpt]
Choir of Clare College, Cambridge, Timothy Brown
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Requiem: II. Out of the Deep
Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Susan Dorey, Timothy Brown
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Choir of Clare College, Cambridge, Elin Manahan Thomas, Members of the City of London Sinfonia, Timothy Brown
Requiem: IV. Sanctus
Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Timothy Brown
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Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Timothy Brown
Requiem: VI. The Lord Is My Shepherd
Choir of Clare College, Cambridge, Members of the City of London Sinfonia, Christopher Hooker, Timothy Brown
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Choir of Clare College, Cambridge, Elin Manahan Thomas, Members of the City of London Sinfonia, Timothy Brown
Choir of Clare College, Cambridge, Nicholas Rimmer, Timothy Brown
Anthem for Double Choir: Come Down, O Love Divine
Choir of Clare College, Cambridge, Timothy Brown
—
Anthem for Choir and Flute: Musica Dei Donum
Choir of Clare College, Cambridge, Karen Jones, Timothy Brown
—
Choir of Clare College, Cambridge, Nicholas Rimmer, Timothy Brown
Choir of Clare College, Cambridge, Nicholas Rimmer, Timothy Brown
Romanzen und Balladen I, op. 67: No. 1. Der König von Thule
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Romanzen und Balladen I, op. 67: No. 2. Schön-Rohtraut
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Romanzen und Balladen I, op. 67: No. 3. Heidenröslein
—
Romanzen und Balladen I, op. 67: No. 4. Ungewitter
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Romanzen und Balladen I, op. 67: No. 5. John Anderson
—
Romanzen und Balladen II, op. 75: No. 1. Schnitter Tod
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Romanzen und Balladen II, op. 75: No. 2. Im Walde
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Romanzen und Balladen II, op. 75: No. 3. Der traurige Jäger
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Romanzen und Balladen II, op. 75: No. 4. Der Rekrut
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Romanzen und Balladen II, op. 75: No. 5. Vom verwundeten Knaben
—
Romanzen I, op. 69: No. 1. Tamburinschlägerin
—
Romanzen I, op. 69: No. 2. Waldmädchen
—
Romanzen I, op. 69: No. 3. Klosterfräulein
—
Romanzen I, op. 69: No. 4. Soldatenbraut
—
Romanzen I, op. 69: No. 5. Meerfey
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Romanzen I, op. 69: No. 6. Die Kapelle
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Romanzen und Balladen III, op. 145: No. 1. Der Schmid
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Romanzen und Balladen III, op. 145: No. 2. Die Nonne
—
Romanzen und Balladen III, op. 145: No. 3. Der Sänger
—
Romanzen und Balladen III, op. 145: No. 4. John Anderson
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Romanzen und Balladen III, op. 145: No. 5. Romanze com Gänsebuben
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Romanzen und Balladen IV, op. 146: No. 1. Brautgesang
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Romanzen und Balladen IV, op. 146: No. 2. Der Bänkelsänger Willie
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Romanzen und Balladen IV, op. 146: No. 3. Der Traum
—
Romanzen und Balladen IV, op. 146: No. 4. Sommerlied
—
Romanzen und Balladen IV, op. 146: No. 5. Das Schifflein
—
Romanzen II, op. 91: No. 1. Rosmarien
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Romanzen II, op. 91: No. 2. Jäger Wohlgemut
—
Romanzen II, op. 91: No. 3. Der Wasserman
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Romanzen II, op. 91: No. 4. Das verlassene Mägdlein
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Romanzen II, op. 91: No. 5. Der Bleicherin Nachtlied
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Romanzen II, op. 91: No. 6. In Meeres Mitten
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Missa pastoralis in G major, Weinmann XIX:G4: Kyrie
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Missa pastoralis in G major, Weinmann XIX:G4: Gloria
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Missa pastoralis in G major, Weinmann XIX:G4: Credo
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Missa pastoralis in G major, Weinmann XIX:G4: Sanctus
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Missa pastoralis in G major, Weinmann XIX:G4: Benedictus
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Missa pastoralis in G major, Weinmann XIX:G4: Agnus Dei
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Missa solemnis in C major, Weinmann XIX:C7: Kyrie
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Missa solemnis in C major, Weinmann XIX:C7: Gloria
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Missa solemnis in C major, Weinmann XIX:C7: Credo
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Missa solemnis in C major, Weinmann XIX:C7: Sanctus
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Missa solemnis in C major, Weinmann XIX:C7: Benedictus
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Missa solemnis in C major, Weinmann XIX:C7: Agnus Dei
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Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
Gloria in D, RV 589: Et in terra pax
Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
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Gloria in D, RV 589: Laudamus te
Anna Crookes, Jayne Whitaker, Northern Chamber Orchestra, Nicholas Ward
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Gloria in D, RV 589: Gratius agimus tibi
Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
—
Gloria in D, RV 589: Domine Deus, Rex caelestis
Anna Crookes, Northern Chamber Orchestra, Nicholas Ward
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Gloria in D, RV 589: Domine Fili unigenite
Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
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Gloria in D, RV 589: Domine Deus, Agnus Dei
Caroline Trevor, Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
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Gloria in D, RV 589: Qui tollis peccata mundi
Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
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Gloria in D, RV 589: Qui sedes ad dexteram Patris
Caroline Trevor, Northern Chamber Orchestra, Nicholas Ward
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Gloria in D, RV 589: Quoniam tu solus Sanctus
Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
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Gloria in D, RV 589: Cum Sancto Spiritu
Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
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Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
Magnificat in D major, BWV 243: “Et exsultavit”
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Magnificat in D major, BWV 243: “Quia respexit”
—
Magnificat in D major, BWV 243: “Omnes generationes”
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Magnificat in D major, BWV 243: “Quia fecit mihi magna”
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Magnificat in D major, BWV 243: “Et misericordia”
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Magnificat in D major, BWV 243: “Fecit potentum”
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Magnificat in D major, BWV 243: “Deposuit potentes”
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Magnificat in D major, BWV 243: “Esurientes”
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Magnificat in D major, BWV 243: “Suscepit Israel”
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Magnificat in D major, BWV 243: “Sicut locutus est”
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Magnificat in D major, BWV 243: “Gloria Patri”
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“O cohors militiae floris”
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“O successores fortissimi leonis”
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“O vos imitatores excelse”
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“O dulcis electe”
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“O victoriosissimi triumphatores”
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“O cruor sanguinis”
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“O vis aeternitatis”
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“O splendidissima gemma”
—
Her Sacred Spirit Soars
—
A Boy and a Girl
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Water Night
—
This Marriage
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Lux aurumque (Light of Gold)
—
little tree
—
When David Heard
—
Leonardo Dreams of His Flying Machine
—
i thank you God for most this amazing day
—
Sleep
—
Little Birds
—
Blow thy horn, hunter
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Ah Robin, gentle Robin
—
Hey trolly lolly lo
—
Draw on, sweet night
—
Thule, the period of cosmography
—
Weep, weep mine eyes
—
As vesta was, from Latmos hill descending
Oxford Camerata, Jeremy Summerly
—
Sound saddest notes
—
Fair Phyllis
—
Sleep, fleshly birth
—
Mother, I will have a husband
—
Lay a Garland
Oxford Camerata, Jeremy Summerly
—
Brigg Fair
—
The trees they do grow high
—
8 Partsongs, op. 119 no. 3: The blue bird
Carys Lane, Oxford Camerata, Jeremy Summerly
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Additional database matches (16)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Mša glagolskaja, JW III/9: I. Úvod | Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | T-315.011.947-0 |
| Mša glagolskaja, JW III/9: II. Gospodi pomiluj | Christiane Libor, Chór Filharmonii Narodowej, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | — |
| Mša glagolskaja: Slava (soprano, tenor, chorus) | Christiane Libor, Ewa Marciniec, Timothy Bentch, Wojciech Gierlach, Jarosław Malanowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit | T-314.918.753-7 |
| Mša glagolskaja, JW III/9: IV. Věruju | Timothy Bentch, Wojciech Gierlach, Chór Filharmonii Narodowej, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | T-312.542.697-9 |
| Mša glagolskaja, JW III/9: V. Svet | Christiane Libor, Ewa Marciniec, Timothy Bentch, Wojciech Gierlach, Chór Filharmonii Narodowej, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | T-312.692.424-7 |
| Mša glagolskaja, JW III/9: VI. Agneče Božij | Christiane Libor, Ewa Marciniec, Timothy Bentch, Wojciech Gierlach, Chór Filharmonii Narodowej, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | T-312.642.049-9 |
| Mša glagolskaja, JW III/9: VII. Varhany sólo (Postludium) | Jarosław Malanowicz | T-312.956.124-2 |
| Mša glagolskaja, JW III/9: VIII. Intrada | Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit | T-323.984.111-9 |
| Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | — |
| Messiah, HWV 56: Hallelujah! | Scholars Baroque Ensemble | T-301.511.780-9 |
| Requiem, op. 48: Pie Jesu | Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | T-900.175.670-3 |
| Hallelujah Chorus | Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon | — |
| Requiem, op. 48: Pie Jesu | Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | — |
| 8 Partsongs, op. 119 no. 3: The blue bird | Carys Lane, Oxford Camerata, Jeremy Summerly | — |
| Gloria in D major, RV589: I. Gloria in excelsis Deo | Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward | — |
| Requiem, op. 48: Pie Jesu | Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly | — |
Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
Mša glagolskaja, JW III/9: II. Gospodi pomiluj
Christiane Libor, Chór Filharmonii Narodowej, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
—
Christiane Libor, Ewa Marciniec, Timothy Bentch, Wojciech Gierlach, Jarosław Malanowicz, Warsaw Philharmonic Choir, Warsaw Philharmonic Orchestra, Antoni Wit
Timothy Bentch, Wojciech Gierlach, Chór Filharmonii Narodowej, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
Christiane Libor, Ewa Marciniec, Timothy Bentch, Wojciech Gierlach, Chór Filharmonii Narodowej, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
Christiane Libor, Ewa Marciniec, Timothy Bentch, Wojciech Gierlach, Chór Filharmonii Narodowej, Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
Jarosław Malanowicz
Orkiestra Symfoniczna Filharmonii Narodowej, Antoni Wit
Hallelujah Chorus
Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon
—
Scholars Baroque Ensemble
Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
Hallelujah Chorus
Tallis Chamber Choir, Scholars Baroque Ensemble, Kevin Mallon
—
Requiem, op. 48: Pie Jesu
Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
—
8 Partsongs, op. 119 no. 3: The blue bird
Carys Lane, Oxford Camerata, Jeremy Summerly
—
Gloria in D major, RV589: I. Gloria in excelsis Deo
Schola Cantorum of Oxford, Jeremy Summerly, Northern Chamber Orchestra, Nicholas Ward
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Requiem, op. 48: Pie Jesu
Lisa Beckley, Colm Carey, Oxford Camerata, Schola Cantorum of Oxford, Jeremy Summerly
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What other identifiers does this connect to?
Musical Works (ISWC)
T-003.012.217-8T-003.012.217-8T-010.293.086-8T-010.468.452-7T-010.293.086-8T-010.468.452-7T-011.327.439-7T-011.355.732-6T-011.327.439-7T-011.355.732-6
+35 more
T-070.913.572-7T-071.066.130-5T-071.713.054-5T-072.643.231-0T-900.156.925-1T-900.156.925-1T-902.751.816-7T-902.845.464-0T-924.489.944-3T-924.489.944-3T-926.356.677-4T-926.356.677-4T-000.609.750-2T-003.014.144-6T-010.065.879-4T-011.162.720-3T-031.626.461-5T-031.630.971-3T-300.950.284-1T-312.542.697-9T-312.642.049-9T-312.692.424-7T-312.956.124-2T-313.598.191-4T-314.918.753-7T-315.011.947-0T-318.676.528-2T-323.984.111-9T-329.460.025-8T-900.103.151-2T-900.141.244-8T-900.175.670-3T-905.452.179-8T-910.952.061-8T-916.409.617-7
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000043561079000000004756220400000000518307770000000055140407000000005517281200000000551955120000000055254252000000005551694500000000555414970000000061581209
+40 more
000000007100632000000000711656550000000073443081000000007839022200000000784107130000000078814048000000008082420200000000808941390000000081307311000000008159211600000000818812410000000081888507000000008196046800000000835692350000000083911213000000008398483400000001036709560000000104788892000000010653206500000001065501080000000106651507000000010675107300000001072106150000000107296228000000010907840000000001094316810000000109433660000000010944807X000000011011001700000001101541320000000110177537000000011034017000000001104050340000000110417289000000011089903800000001143208980000000114372743000000011442262400000001144297030000000114505147
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What is UPC 747313329830?
747313329830 is a Universal Product Code (UPC) assigned to The Choral Collection by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 467 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm