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Shostakovich
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747313701636 is the Universal Product Code (UPC barcode) for the release “Music for Film” by Shostakovich. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 183 tracks, each with its own ISRC. Tracks include HKI190207701, HKI190207702, HKI190207703.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 1: General Sale. War - Death to the Prussians | — | ||
| 2 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 2: Head Over Heels. Paris | — | ||
| 3 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 3: The Siege of Paris | — | ||
| 4 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 4: 18th March 1871. On the morning of 18th March the workers still guarded their guns | — | ||
| 2-1 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 5: Versailles Against Paris. Paris has stood for centuries | — | ||
| 2-2 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 6: The Barricade. The 49th day of defence | — | ||
| 2-3 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 7: To the Firing Squad. There is peace and order in Paris | — | ||
| 2-4 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 8: Death. The trial | — | ||
| 2-5 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 8 (continued): Original Ending | — | ||
| 3-1 | Odna (Alone), op. 26: The Beginning (Overture) | — | ||
| 3-2 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Kuzmina wakes | — | ||
| 3-3 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Konchen, konchen tekhnikum | — | ||
| 3-4 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Morning Exercises | — | ||
| 3-5 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. March. "The Street" | — | ||
| 3-6 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Kuzmina waits Sobolevsky | — | ||
| 3-7 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Galop - Kakaya horoshaya budet zhizn'! (How Good Life will Be!) | — | ||
| 3-8 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. March | — | ||
| 3-9 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. (original) Introduction - The Cockery Sings: "Ostan'sya!" (Stay!) | — | ||
| 3-10 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. Office Typewriters | — | ||
| 3-11 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. A Young Girl Signs Up | — | ||
| 3-12 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. Music from the Loudspeakers During Telephone Box Scene [composed by Padre Martini, arr. F. Kreisler] | — | ||
| 3-13 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. Kuzmina Starts to Sign Up | — | ||
| 3-14 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. March | — | ||
| 3-15 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. Barrel-Organ | — | ||
| 3-16 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. The Old Janitor Flirts with Her | — | ||
| 3-17 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. Overtone Singer | — | ||
| 3-18 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. The Steppe of the Altai | — | ||
| 3-19 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. The Altai | — | ||
| 3-20 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. She Meets the Village Chairman and Some of the Locals | — | ||
| 3-21 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. Kuzmina in Her Peasant's Hut | — | ||
| 3-22 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. Kuzmina Takes Courage | — | ||
| 3-23 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children. Introduction | — | ||
| 3-24 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The School Class | — | ||
| 3-25 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The Bai Selects the Children to Tend the Sheep | — | ||
| 3-26 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: Kuzmina Is Struck as She Protests | — | ||
| 3-27 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The Village Children's Wife Sings a Lullaby to Her Baby | — | ||
| 3-28 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: Kuzmina Sees the Wife's Crockery and Reminisces | — | ||
| 3-29 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The Village Soviet Chairman Waking Up | — | ||
| 3-30 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: Kuzmina Confronts the Village Chairman | — | ||
| 3-31 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The Village Chairman Drinks Tea with His Wife | — | ||
| 3-32 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. The Children Play and Dance with Her | — | ||
| 3-33 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. The Bai and the Sheep Trader, a Sheep Is Slaughtered | — | ||
| 3-34 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. Kuzmina Protests | — | ||
| 3-35 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. The Bai Shouts Back at Her | — | ||
| 3-36 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. The Locals Conspire to Murder Kuzmina | — | ||
| 3-37 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. Kuzmina on Her Way to the Next Town | — | ||
| 3-38 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. A Snowstorm Starts to Build | — | ||
| 3-39 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. Snowstorm | — | ||
| 3-40 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. Kuzmina Almost Freezes to Death (beginning) | — | ||
| 3-41 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. Kuzmina Almost Freezes to Death (conclusion) | — | ||
| 3-42 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Village Chairman Meets with the Locals | — | ||
| 3-43 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. Kuzmina Close to Death to Bed | — | ||
| 3-44 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Village Chairman and Meeting | — | ||
| 3-45 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Children Come to Comfort Kuzmina | — | ||
| 3-46 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Village Chairman Plans Her Funeral | — | ||
| 3-47 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Locals Express Themselves Violently | — | ||
| 3-48 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Aeroplane from Moscow Arrives to Rescue the Teacher | — | ||
| 4-1 | Podrugi (Girlfriends), op. 41a: Introduction (opening credits) | — | ||
| 4-2 | Podrugi (Girlfriends), op. 41a: The Year 1914. The workers' residential block and factory gates | — | ||
| 4-3 | Podrugi (Girlfriends), op. 41a: The families wait for the strikers to return | — | ||
| 4-4 | Podrugi (Girlfriends), op. 41a: The Inn of the Keys to Happiness | — | ||
| 4-5 | Podrugi (Girlfriends), op. 41a: The children attempt to sing their poppy song | — | ||
| 4-6 | Podrugi (Girlfriends), op. 41a: By the river. Revolutionary song Zamuchen tiazheloi nevolei (Tormented by a Lack of Freedom) | — | ||
| 4-7 | Podrugi (Girlfriends), op. 41a: Fanfare | — | ||
| 4-8 | Podrugi (Girlfriends), op. 41a: The story of Silych's son, Ivan | — | ||
| 4-9 | Podrugi (Girlfriends), op. 41a: Zamuchen tiazheloi nevolei (Tormented by a Lack of Freedom) | — | ||
| 4-10 | Podrugi (Girlfriends), op. 41a: The Year 1919, Russian Civil War - Fanfare and Organ Voluntary | — | ||
| 4-11 | Podrugi (Girlfriends), op. 41a: Internationale. The girls leave for war | — | ||
| 4-12 | Podrugi (Girlfriends), op. 41a: The girls attend to the wounded soldiers on the battlefield | — | ||
| 4-13 | Podrugi (Girlfriends), op. 41a: Alla Marcia. The town of Pushkin has been taken by the enemy | — | ||
| 4-14 | Podrugi (Girlfriends), op. 41a: Internationale. The girls and the wounded soldiers retreat by train | — | ||
| 4-15 | Podrugi (Girlfriends), op. 41a: Zoya in the snowy forest | — | ||
| 4-16 | Podrugi (Girlfriends), op. 41a: The Forester's Hut | — | ||
| 4-17 | Podrugi (Girlfriends), op. 41a: Fanfare. Andrei arrives with news from the front | — | ||
| 4-18 | Podrugi (Girlfriends), op. 41a: Fanfare | — | ||
| 4-19 | Podrugi (Girlfriends), op. 41a: The girls find a chicken | — | ||
| 4-20 | Podrugi (Girlfriends), op. 41a: Natasha and Zoya sing a nostalgic song, Gde eti tyoplie nochi (Where are those warm nights?) | — | ||
| 4-21 | Podrugi (Girlfriends), op. 41a: Natasha and Zoya are rescued | — | ||
| 4-22 | Podrugi (Girlfriends), op. 41a: Fanfare. Andrei and Senka arrive | — | ||
| 4-23 | Podrugi (Girlfriends), op. 41a: Andrei's closing words | — | ||
| 4-24 | Love and Hate, op. 38: No. 1. Introduction | — | ||
| 4-25 | Love and Hate, op. 38: No. 2. Distribution of Arms | — | ||
| 4-26 | Love and Hate, op. 38: No. 3. Interlude no. 1 | — | ||
| 4-27 | Love and Hate, op. 38: No. 4. How Long Will My Heart Ache and Moan? | — | ||
| 4-28 | Love and Hate, op. 38: No. 5. Intermezzo | — | ||
| 4-29 | Love and Hate, op. 38: No. 6. Soldiers' March | — | ||
| 4-30 | Love and Hate, op. 38: No. 7. March. Scherzando | — | ||
| 4-31 | Love and Hate, op. 38: No. 8. How Long Will My Heart Ache and Moan? | — | ||
| 4-32 | Love and Hate, op. 38: No. 9. Waltz | — | ||
| 4-33 | Love and Hate, op. 38: No. 10. Interlude no. 2 | — | ||
| 4-34 | Love and Hate, op. 38: No. 11. Morning March | — | ||
| 4-35 | Love and Hate, op. 38: No. 12. Drunken Soldier | — | ||
| 4-36 | Love and Hate, op. 38: No. 13. Domestic Mayhem | — | ||
| 4-37 | Love and Hate, op. 38: No. 14. A Team of Women | — | ||
| 4-38 | Love and Hate, op. 38: No. 15. Soldier's Murder | — | ||
| 4-39 | Love and Hate, op. 38: No. 16. Women Go Down the Mine | — | ||
| 4-40 | Love and Hate, op. 38: No. 17. Death in the Mines | — | ||
| 4-41 | Love and Hate, op. 38: No. 18. The Funeral | — | ||
| 4-42 | Love and Hate, op. 38: No. 19. Dramatic Chords | — | ||
| 4-43 | Love and Hate, op. 38: No. 20. Passing the Time | — | ||
| 4-44 | Love and Hate, op. 38: No. 21. Greeting the Red Army Men | — | ||
| 4-45 | Love and Hate, op. 38: No. 22. Fanfare | — | ||
| 4-46 | Love and Hate, op. 38: No. 23. Finale | — | ||
| 5-1 | The Fall of Berlin, op. 82: Main Title, Part I | Moscow Symphony Orchestra, Adriano | — | |
| 5-2 | The Fall of Berlin, op. 82: Beautiful Day | Moscow Capella & Youth Chorus, Moscow Symphony Orchestra, Adriano | T-930.873.082-7 | |
| 5-3 | The Fall of Berlin, op. 82: Alyosha by the River | Moscow Symphony Orchestra, Adriano | — | |
| 5-4 | The Fall of Berlin, op. 82: Stalin's Garden | Moscow Capella & Youth Chorus, Moscow Symphony Orchestra, Adriano | — | |
| 5-5 | The Fall of Berlin, op. 82: Alyosha and Natalia in the Fields / Attack | Moscow Symphony Orchestra, Adriano | — | |
| 5-6 | The Fall of Berlin, op. 82: Hitler's Reception | Moscow Symphony Orchestra, Adriano | — | |
| 5-7 | The Fall of Berlin, op. 82: In the Devastated Village | Moscow Symphony Orchestra, Adriano | — | |
| 5-8 | The Fall of Berlin, op. 82: Forward! | Moscow Symphony Orchestra, Adriano | T-301.132.433-3 | |
| 5-9 | The Fall of Berlin, op. 82: Main Title, Part II | Moscow Symphony Orchestra, Adriano | — | |
| 5-10 | The Fall of Berlin, op. 82: The Roll Call / Attack at Night | Moscow Symphony Orchestra, Adriano | — | |
| 5-11 | The Fall of Berlin, op. 82: Storming Seelov Heights (Zielona Gora) | Moscow Symphony Orchestra, Adriano | — | |
| 5-12 | The Fall of Berlin, op. 82: The Flooding of the Underground Station | Moscow Symphony Orchestra, Adriano | — | |
| 5-13 | The Fall of Berlin, op. 82: The Final Battle for the Reichstag / Kostya's Death | Moscow Symphony Orchestra, Adriano | — | |
| 5-14 | The Fall of Berlin, op. 82: Yussuf's Death / The Red Banner | Moscow Symphony Orchestra, Adriano | — | |
| 5-15 | The Fall of Berlin, op. 82: Stalin at Berlin's Airport | Moscow Capella & Youth Chorus, Moscow Symphony Orchestra, Adriano | — | |
| 5-16 | The Fall of Berlin, op. 82: Finale: Stalin's Speech / Alyosha and Natasha Reunited | Moscow Capella & Youth Chorus, Moscow Symphony Orchestra, Adriano | — | |
| 5-17 | Suite From "The Unforgettable Year 1919", op. 89a: Introduction | Moscow Symphony Orchestra, Adriano | — | |
| 5-18 | Suite From "The Unforgettable Year 1919", op. 89a: Romance (Meeting of Shibayev with Katya) | Moscow Symphony Orchestra, Adriano | — | |
| 5-19 | Suite From "The Unforgettable Year 1919", op. 89a: Scene from the Sea Battle | Moscow Symphony Orchestra, Adriano | — | |
| 5-20 | Suite From "The Unforgettable Year 1919", op. 89a: Scherzo | Moscow Symphony Orchestra, Adriano | — | |
| 5-21 | Suite From "The Unforgettable Year 1919", op. 89a: The Assault on the Red Hill "Assault on Beautiful Gorky" | Ellena Alekseyeva, Moscow Symphony Orchestra, Adriano | — | |
| 5-22 | Suite From "The Unforgettable Year 1919", op. 89a: Intermezzo | Moscow Symphony Orchestra, Adriano | — | |
| 5-23 | Suite From "The Unforgettable Year 1919", op. 89a: Finale | Moscow Symphony Orchestra, Adriano | — | |
| 6-1 | Ovod (The Gadfly), op. 97: Overture | — | ||
| 6-2 | Ovod (The Gadfly), op. 97: The Cliffs | — | ||
| 6-3 | Ovod (The Gadfly), op. 97: The Austrians | — | ||
| 6-4 | Ovod (The Gadfly), op. 97: Youth | — | ||
| 6-5 | Ovod (The Gadfly), op. 97: Political Meeting | — | ||
| 6-6 | Ovod (The Gadfly), op. 97: Divine Service at the Cathedral | — | ||
| 6-7 | Ovod (The Gadfly), op. 97: Arrest | — | ||
| 6-8 | Ovod (The Gadfly), op. 97: A Slap in the Face | — | ||
| 6-9 | Ovod (The Gadfly), op. 97: Laughter | — | ||
| 6-10 | Ovod (The Gadfly), op. 97: The River | — | ||
| 6-11 | Ovod (The Gadfly), op. 97: March: The Church Supports the Austrians | — | ||
| 6-12 | Ovod (The Gadfly), op. 97: Folk Dance: Tarantella | — | ||
| 6-13 | Ovod (The Gadfly), op. 97: Barrel Organ | — | ||
| 6-14 | Ovod (The Gadfly), op. 97: Divine Service | — | ||
| 6-15 | Ovod (The Gadfly), op. 97: Mass in B minor, BWV 232: Dona nobis pacem | — | ||
| 6-16 | Ovod (The Gadfly), op. 97: Exit from the Cathedral | — | ||
| 6-17 | Ovod (The Gadfly), op. 97: Gemma's Room | — | ||
| 6-18 | Ovod (The Gadfly), op. 97: Guitars | — | ||
| 6-19 | Ovod (The Gadfly), op. 97: Contredanse | — | ||
| 6-20 | Ovod (The Gadfly), op. 97: Galop | — | ||
| 6-21 | Ovod (The Gadfly), op. 97: Fanfares | — | ||
| 6-22 | Ovod (The Gadfly), op. 97: Bazar | — | ||
| 6-23 | Ovod (The Gadfly), op. 97: Rout | — | ||
| 6-24 | Ovod (The Gadfly), op. 97: Prison | — | ||
| 6-25 | Ovod (The Gadfly), op. 97: Youth (reprise) | — | ||
| 6-26 | Ovod (The Gadfly), op. 97: Montanelli Leaves the Prisoner's Cell | — | ||
| 6-27 | Ovod (The Gadfly), op. 97: Letter | — | ||
| 6-28 | Ovod (The Gadfly), op. 97: The River (reprise) | — | ||
| 6-29 | Ovod (The Gadfly), op. 97: Finale | — | ||
| 6-30 | Ovod (The Gadfly), op. 97: Confession (excluded from the soundtrack) | — | ||
| 6-31 | Ovod (The Gadfly), op. 97: Ave Maria (excluded from the soundtrack) | — | ||
| 6-32 | The Counterplan, op. 33 (excerpts): Presto | — | ||
| 6-33 | The Counterplan, op. 33 (excerpts): Andante | — | ||
| 6-34 | The Counterplan, op. 33 (excerpts): Andante - Allegro, "The Song of the Counterplan" | — | ||
| 7-1 | Hamlet Suite, op. 116a: Overture (Suite, no. 1) | — | ||
| 7-2 | Hamlet Suite, op. 116a: Military Music | — | ||
| 7-3 | Hamlet Suite, op. 116a: Fanfares | — | ||
| 7-4 | Hamlet Suite, op. 116a: The Palace Ball (Suite, no. 2) | — | ||
| 7-5 | Hamlet Suite, op. 116a: Story of Horatio and the Ghost | Russian Philharmonic, Dmitry Yablonsky | — | |
| 7-6 | Hamlet Suite, op. 116a: The Ball | — | ||
| 7-7 | Hamlet Suite, op. 116a: The Ghost (Suite, no. 3) | Russian Philharmonic, Dmitry Yablonsky | — | |
| 7-8 | Hamlet Suite, op. 116a: Hamlet's Parting from Ophelia | — | ||
| 7-9 | Hamlet Suite, op. 116a: Palace Music | — | ||
| 7-10 | Hamlet Suite, op. 116a: Arrival of the Players (Suite, no. 6) | — | ||
| 7-11 | Hamlet Suite, op. 116a: Monologue (What a rogue and peasant slave) | — | ||
| 7-12 | Hamlet Suite, op. 116a: Hamlet's Monologue (to be or not to be) | — | ||
| 7-13 | Hamlet Suite, op. 116a: Royal Fanfare | — | ||
| 7-14 | Hamlet Suite, op. 116a: In the Garden (Suite, no. 4) | — | ||
| 7-15 | Hamlet Suite, op. 116a: Booth Fanfare | — | ||
| 7-16 | Hamlet Suite, op. 116a, Poisoning Scene (Suite, no. 5) | — | ||
| 7-17 | Hamlet Suite, op. 116a: The Flutes Play | — | ||
| 7-18 | Hamlet Suite, op. 116a: Ophelia's Descent into Madness (Song of Ophelia) | — | ||
| 7-19 | Hamlet Suite, op. 116a: Ophelia's Insanity | — | ||
| 7-20 | Hamlet Suite, op. 116a: Death of Ophelia (Suite, no. 7) | — | ||
| 7-21 | Hamlet Suite, op. 116a: Hamlet at Ophelia's Grave | — | ||
| 7-22 | Hamlet Suite, op. 116a: The Cemetery | — | ||
| 7-23 | Hamlet Suite, op. 116a: The Duel - The Death of Hamlet - Hamlet's Funeral (Suite, no. 8) | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
747313701636 is a Universal Product Code (UPC) assigned to Music for Film by Shostakovich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 183 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
747313701636 is the Universal Product Code (UPC barcode) for the release “Music for Film” by Shostakovich. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 183 tracks, each with its own ISRC. Tracks include HKI190207701, HKI190207702, HKI190207703.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 1: General Sale. War - Death to the Prussians | — | ||
| 2 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 2: Head Over Heels. Paris | — | ||
| 3 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 3: The Siege of Paris | — | ||
| 4 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 4: 18th March 1871. On the morning of 18th March the workers still guarded their guns | — | ||
| 2-1 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 5: Versailles Against Paris. Paris has stood for centuries | — | ||
| 2-2 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 6: The Barricade. The 49th day of defence | — | ||
| 2-3 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 7: To the Firing Squad. There is peace and order in Paris | — | ||
| 2-4 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 8: Death. The trial | — | ||
| 2-5 | Noviy Vavilon (New Babylon), op. 18 (original manuscript version), Reel 8 (continued): Original Ending | — | ||
| 3-1 | Odna (Alone), op. 26: The Beginning (Overture) | — | ||
| 3-2 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Kuzmina wakes | — | ||
| 3-3 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Konchen, konchen tekhnikum | — | ||
| 3-4 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Morning Exercises | — | ||
| 3-5 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. March. "The Street" | — | ||
| 3-6 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Kuzmina waits Sobolevsky | — | ||
| 3-7 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. Galop - Kakaya horoshaya budet zhizn'! (How Good Life will Be!) | — | ||
| 3-8 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. March | — | ||
| 3-9 | Odna (Alone), op. 26, Reel 1: Kuzmina in Leningrad. (original) Introduction - The Cockery Sings: "Ostan'sya!" (Stay!) | — | ||
| 3-10 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. Office Typewriters | — | ||
| 3-11 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. A Young Girl Signs Up | — | ||
| 3-12 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. Music from the Loudspeakers During Telephone Box Scene [composed by Padre Martini, arr. F. Kreisler] | — | ||
| 3-13 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. Kuzmina Starts to Sign Up | — | ||
| 3-14 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. March | — | ||
| 3-15 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. Barrel-Organ | — | ||
| 3-16 | Odna (Alone), op. 26, Reel 2: Kuzmina Enlists as a Teacher. The Old Janitor Flirts with Her | — | ||
| 3-17 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. Overtone Singer | — | ||
| 3-18 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. The Steppe of the Altai | — | ||
| 3-19 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. The Altai | — | ||
| 3-20 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. She Meets the Village Chairman and Some of the Locals | — | ||
| 3-21 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. Kuzmina in Her Peasant's Hut | — | ||
| 3-22 | Odna (Alone), op. 26, Reel 3: Kuzmina Arrives Alone in the Altai Steppes. Kuzmina Takes Courage | — | ||
| 3-23 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children. Introduction | — | ||
| 3-24 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The School Class | — | ||
| 3-25 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The Bai Selects the Children to Tend the Sheep | — | ||
| 3-26 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: Kuzmina Is Struck as She Protests | — | ||
| 3-27 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The Village Children's Wife Sings a Lullaby to Her Baby | — | ||
| 3-28 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: Kuzmina Sees the Wife's Crockery and Reminisces | — | ||
| 3-29 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The Village Soviet Chairman Waking Up | — | ||
| 3-30 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: Kuzmina Confronts the Village Chairman | — | ||
| 3-31 | Odna (Alone), op. 26, Reel 4: Kuzmina Starts Teaching the Local Children: The Village Chairman Drinks Tea with His Wife | — | ||
| 3-32 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. The Children Play and Dance with Her | — | ||
| 3-33 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. The Bai and the Sheep Trader, a Sheep Is Slaughtered | — | ||
| 3-34 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. Kuzmina Protests | — | ||
| 3-35 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. The Bai Shouts Back at Her | — | ||
| 3-36 | Odna (Alone), op. 26, Reel 5: Kuzmina Teaches in the Open Air. The Locals Conspire to Murder Kuzmina | — | ||
| 3-37 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. Kuzmina on Her Way to the Next Town | — | ||
| 3-38 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. A Snowstorm Starts to Build | — | ||
| 3-39 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. Snowstorm | — | ||
| 3-40 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. Kuzmina Almost Freezes to Death (beginning) | — | ||
| 3-41 | Odna (Alone), op. 26, Reel 6: Attempted Murder of Kuzmina. Kuzmina Almost Freezes to Death (conclusion) | — | ||
| 3-42 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Village Chairman Meets with the Locals | — | ||
| 3-43 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. Kuzmina Close to Death to Bed | — | ||
| 3-44 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Village Chairman and Meeting | — | ||
| 3-45 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Children Come to Comfort Kuzmina | — | ||
| 3-46 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Village Chairman Plans Her Funeral | — | ||
| 3-47 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Locals Express Themselves Violently | — | ||
| 3-48 | Odna (Alone), op. 26, Reel 7: Kuzmina's Rescue by Aeroplane. The Aeroplane from Moscow Arrives to Rescue the Teacher | — | ||
| 4-1 | Podrugi (Girlfriends), op. 41a: Introduction (opening credits) | — | ||
| 4-2 | Podrugi (Girlfriends), op. 41a: The Year 1914. The workers' residential block and factory gates | — | ||
| 4-3 | Podrugi (Girlfriends), op. 41a: The families wait for the strikers to return | — | ||
| 4-4 | Podrugi (Girlfriends), op. 41a: The Inn of the Keys to Happiness | — | ||
| 4-5 | Podrugi (Girlfriends), op. 41a: The children attempt to sing their poppy song | — | ||
| 4-6 | Podrugi (Girlfriends), op. 41a: By the river. Revolutionary song Zamuchen tiazheloi nevolei (Tormented by a Lack of Freedom) | — | ||
| 4-7 | Podrugi (Girlfriends), op. 41a: Fanfare | — | ||
| 4-8 | Podrugi (Girlfriends), op. 41a: The story of Silych's son, Ivan | — | ||
| 4-9 | Podrugi (Girlfriends), op. 41a: Zamuchen tiazheloi nevolei (Tormented by a Lack of Freedom) | — | ||
| 4-10 | Podrugi (Girlfriends), op. 41a: The Year 1919, Russian Civil War - Fanfare and Organ Voluntary | — | ||
| 4-11 | Podrugi (Girlfriends), op. 41a: Internationale. The girls leave for war | — | ||
| 4-12 | Podrugi (Girlfriends), op. 41a: The girls attend to the wounded soldiers on the battlefield | — | ||
| 4-13 | Podrugi (Girlfriends), op. 41a: Alla Marcia. The town of Pushkin has been taken by the enemy | — | ||
| 4-14 | Podrugi (Girlfriends), op. 41a: Internationale. The girls and the wounded soldiers retreat by train | — | ||
| 4-15 | Podrugi (Girlfriends), op. 41a: Zoya in the snowy forest | — | ||
| 4-16 | Podrugi (Girlfriends), op. 41a: The Forester's Hut | — | ||
| 4-17 | Podrugi (Girlfriends), op. 41a: Fanfare. Andrei arrives with news from the front | — | ||
| 4-18 | Podrugi (Girlfriends), op. 41a: Fanfare | — | ||
| 4-19 | Podrugi (Girlfriends), op. 41a: The girls find a chicken | — | ||
| 4-20 | Podrugi (Girlfriends), op. 41a: Natasha and Zoya sing a nostalgic song, Gde eti tyoplie nochi (Where are those warm nights?) | — | ||
| 4-21 | Podrugi (Girlfriends), op. 41a: Natasha and Zoya are rescued | — | ||
| 4-22 | Podrugi (Girlfriends), op. 41a: Fanfare. Andrei and Senka arrive | — | ||
| 4-23 | Podrugi (Girlfriends), op. 41a: Andrei's closing words | — | ||
| 4-24 | Love and Hate, op. 38: No. 1. Introduction | — | ||
| 4-25 | Love and Hate, op. 38: No. 2. Distribution of Arms | — | ||
| 4-26 | Love and Hate, op. 38: No. 3. Interlude no. 1 | — | ||
| 4-27 | Love and Hate, op. 38: No. 4. How Long Will My Heart Ache and Moan? | — | ||
| 4-28 | Love and Hate, op. 38: No. 5. Intermezzo | — | ||
| 4-29 | Love and Hate, op. 38: No. 6. Soldiers' March | — | ||
| 4-30 | Love and Hate, op. 38: No. 7. March. Scherzando | — | ||
| 4-31 | Love and Hate, op. 38: No. 8. How Long Will My Heart Ache and Moan? | — | ||
| 4-32 | Love and Hate, op. 38: No. 9. Waltz | — | ||
| 4-33 | Love and Hate, op. 38: No. 10. Interlude no. 2 | — | ||
| 4-34 | Love and Hate, op. 38: No. 11. Morning March | — | ||
| 4-35 | Love and Hate, op. 38: No. 12. Drunken Soldier | — | ||
| 4-36 | Love and Hate, op. 38: No. 13. Domestic Mayhem | — | ||
| 4-37 | Love and Hate, op. 38: No. 14. A Team of Women | — | ||
| 4-38 | Love and Hate, op. 38: No. 15. Soldier's Murder | — | ||
| 4-39 | Love and Hate, op. 38: No. 16. Women Go Down the Mine | — | ||
| 4-40 | Love and Hate, op. 38: No. 17. Death in the Mines | — | ||
| 4-41 | Love and Hate, op. 38: No. 18. The Funeral | — | ||
| 4-42 | Love and Hate, op. 38: No. 19. Dramatic Chords | — | ||
| 4-43 | Love and Hate, op. 38: No. 20. Passing the Time | — | ||
| 4-44 | Love and Hate, op. 38: No. 21. Greeting the Red Army Men | — | ||
| 4-45 | Love and Hate, op. 38: No. 22. Fanfare | — | ||
| 4-46 | Love and Hate, op. 38: No. 23. Finale | — | ||
| 5-1 | The Fall of Berlin, op. 82: Main Title, Part I | Moscow Symphony Orchestra, Adriano | — | |
| 5-2 | The Fall of Berlin, op. 82: Beautiful Day | Moscow Capella & Youth Chorus, Moscow Symphony Orchestra, Adriano | T-930.873.082-7 | |
| 5-3 | The Fall of Berlin, op. 82: Alyosha by the River | Moscow Symphony Orchestra, Adriano | — | |
| 5-4 | The Fall of Berlin, op. 82: Stalin's Garden | Moscow Capella & Youth Chorus, Moscow Symphony Orchestra, Adriano | — | |
| 5-5 | The Fall of Berlin, op. 82: Alyosha and Natalia in the Fields / Attack | Moscow Symphony Orchestra, Adriano | — | |
| 5-6 | The Fall of Berlin, op. 82: Hitler's Reception | Moscow Symphony Orchestra, Adriano | — | |
| 5-7 | The Fall of Berlin, op. 82: In the Devastated Village | Moscow Symphony Orchestra, Adriano | — | |
| 5-8 | The Fall of Berlin, op. 82: Forward! | Moscow Symphony Orchestra, Adriano | T-301.132.433-3 | |
| 5-9 | The Fall of Berlin, op. 82: Main Title, Part II | Moscow Symphony Orchestra, Adriano | — | |
| 5-10 | The Fall of Berlin, op. 82: The Roll Call / Attack at Night | Moscow Symphony Orchestra, Adriano | — | |
| 5-11 | The Fall of Berlin, op. 82: Storming Seelov Heights (Zielona Gora) | Moscow Symphony Orchestra, Adriano | — | |
| 5-12 | The Fall of Berlin, op. 82: The Flooding of the Underground Station | Moscow Symphony Orchestra, Adriano | — | |
| 5-13 | The Fall of Berlin, op. 82: The Final Battle for the Reichstag / Kostya's Death | Moscow Symphony Orchestra, Adriano | — | |
| 5-14 | The Fall of Berlin, op. 82: Yussuf's Death / The Red Banner | Moscow Symphony Orchestra, Adriano | — | |
| 5-15 | The Fall of Berlin, op. 82: Stalin at Berlin's Airport | Moscow Capella & Youth Chorus, Moscow Symphony Orchestra, Adriano | — | |
| 5-16 | The Fall of Berlin, op. 82: Finale: Stalin's Speech / Alyosha and Natasha Reunited | Moscow Capella & Youth Chorus, Moscow Symphony Orchestra, Adriano | — | |
| 5-17 | Suite From "The Unforgettable Year 1919", op. 89a: Introduction | Moscow Symphony Orchestra, Adriano | — | |
| 5-18 | Suite From "The Unforgettable Year 1919", op. 89a: Romance (Meeting of Shibayev with Katya) | Moscow Symphony Orchestra, Adriano | — | |
| 5-19 | Suite From "The Unforgettable Year 1919", op. 89a: Scene from the Sea Battle | Moscow Symphony Orchestra, Adriano | — | |
| 5-20 | Suite From "The Unforgettable Year 1919", op. 89a: Scherzo | Moscow Symphony Orchestra, Adriano | — | |
| 5-21 | Suite From "The Unforgettable Year 1919", op. 89a: The Assault on the Red Hill "Assault on Beautiful Gorky" | Ellena Alekseyeva, Moscow Symphony Orchestra, Adriano | — | |
| 5-22 | Suite From "The Unforgettable Year 1919", op. 89a: Intermezzo | Moscow Symphony Orchestra, Adriano | — | |
| 5-23 | Suite From "The Unforgettable Year 1919", op. 89a: Finale | Moscow Symphony Orchestra, Adriano | — | |
| 6-1 | Ovod (The Gadfly), op. 97: Overture | — | ||
| 6-2 | Ovod (The Gadfly), op. 97: The Cliffs | — | ||
| 6-3 | Ovod (The Gadfly), op. 97: The Austrians | — | ||
| 6-4 | Ovod (The Gadfly), op. 97: Youth | — | ||
| 6-5 | Ovod (The Gadfly), op. 97: Political Meeting | — | ||
| 6-6 | Ovod (The Gadfly), op. 97: Divine Service at the Cathedral | — | ||
| 6-7 | Ovod (The Gadfly), op. 97: Arrest | — | ||
| 6-8 | Ovod (The Gadfly), op. 97: A Slap in the Face | — | ||
| 6-9 | Ovod (The Gadfly), op. 97: Laughter | — | ||
| 6-10 | Ovod (The Gadfly), op. 97: The River | — | ||
| 6-11 | Ovod (The Gadfly), op. 97: March: The Church Supports the Austrians | — | ||
| 6-12 | Ovod (The Gadfly), op. 97: Folk Dance: Tarantella | — | ||
| 6-13 | Ovod (The Gadfly), op. 97: Barrel Organ | — | ||
| 6-14 | Ovod (The Gadfly), op. 97: Divine Service | — | ||
| 6-15 | Ovod (The Gadfly), op. 97: Mass in B minor, BWV 232: Dona nobis pacem | — | ||
| 6-16 | Ovod (The Gadfly), op. 97: Exit from the Cathedral | — | ||
| 6-17 | Ovod (The Gadfly), op. 97: Gemma's Room | — | ||
| 6-18 | Ovod (The Gadfly), op. 97: Guitars | — | ||
| 6-19 | Ovod (The Gadfly), op. 97: Contredanse | — | ||
| 6-20 | Ovod (The Gadfly), op. 97: Galop | — | ||
| 6-21 | Ovod (The Gadfly), op. 97: Fanfares | — | ||
| 6-22 | Ovod (The Gadfly), op. 97: Bazar | — | ||
| 6-23 | Ovod (The Gadfly), op. 97: Rout | — | ||
| 6-24 | Ovod (The Gadfly), op. 97: Prison | — | ||
| 6-25 | Ovod (The Gadfly), op. 97: Youth (reprise) | — | ||
| 6-26 | Ovod (The Gadfly), op. 97: Montanelli Leaves the Prisoner's Cell | — | ||
| 6-27 | Ovod (The Gadfly), op. 97: Letter | — | ||
| 6-28 | Ovod (The Gadfly), op. 97: The River (reprise) | — | ||
| 6-29 | Ovod (The Gadfly), op. 97: Finale | — | ||
| 6-30 | Ovod (The Gadfly), op. 97: Confession (excluded from the soundtrack) | — | ||
| 6-31 | Ovod (The Gadfly), op. 97: Ave Maria (excluded from the soundtrack) | — | ||
| 6-32 | The Counterplan, op. 33 (excerpts): Presto | — | ||
| 6-33 | The Counterplan, op. 33 (excerpts): Andante | — | ||
| 6-34 | The Counterplan, op. 33 (excerpts): Andante - Allegro, "The Song of the Counterplan" | — | ||
| 7-1 | Hamlet Suite, op. 116a: Overture (Suite, no. 1) | — | ||
| 7-2 | Hamlet Suite, op. 116a: Military Music | — | ||
| 7-3 | Hamlet Suite, op. 116a: Fanfares | — | ||
| 7-4 | Hamlet Suite, op. 116a: The Palace Ball (Suite, no. 2) | — | ||
| 7-5 | Hamlet Suite, op. 116a: Story of Horatio and the Ghost | Russian Philharmonic, Dmitry Yablonsky | — | |
| 7-6 | Hamlet Suite, op. 116a: The Ball | — | ||
| 7-7 | Hamlet Suite, op. 116a: The Ghost (Suite, no. 3) | Russian Philharmonic, Dmitry Yablonsky | — | |
| 7-8 | Hamlet Suite, op. 116a: Hamlet's Parting from Ophelia | — | ||
| 7-9 | Hamlet Suite, op. 116a: Palace Music | — | ||
| 7-10 | Hamlet Suite, op. 116a: Arrival of the Players (Suite, no. 6) | — | ||
| 7-11 | Hamlet Suite, op. 116a: Monologue (What a rogue and peasant slave) | — | ||
| 7-12 | Hamlet Suite, op. 116a: Hamlet's Monologue (to be or not to be) | — | ||
| 7-13 | Hamlet Suite, op. 116a: Royal Fanfare | — | ||
| 7-14 | Hamlet Suite, op. 116a: In the Garden (Suite, no. 4) | — | ||
| 7-15 | Hamlet Suite, op. 116a: Booth Fanfare | — | ||
| 7-16 | Hamlet Suite, op. 116a, Poisoning Scene (Suite, no. 5) | — | ||
| 7-17 | Hamlet Suite, op. 116a: The Flutes Play | — | ||
| 7-18 | Hamlet Suite, op. 116a: Ophelia's Descent into Madness (Song of Ophelia) | — | ||
| 7-19 | Hamlet Suite, op. 116a: Ophelia's Insanity | — | ||
| 7-20 | Hamlet Suite, op. 116a: Death of Ophelia (Suite, no. 7) | — | ||
| 7-21 | Hamlet Suite, op. 116a: Hamlet at Ophelia's Grave | — | ||
| 7-22 | Hamlet Suite, op. 116a: The Cemetery | — | ||
| 7-23 | Hamlet Suite, op. 116a: The Duel - The Death of Hamlet - Hamlet's Funeral (Suite, no. 8) | — |
