UPC · Release
Leonard Bernstein, Marin Alsop
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The UPC for “The Complete Naxos Recordings” by Leonard Bernstein, Marin Alsop is 747313801831. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Naxos. This release contains 130 tracks, each with its own ISRC. Tracks include HKI191618802, HKI191501414, HKI190503108.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 “Jeremiah”: I. Prophecy | — | |
| 2 | Symphony no. 1 “Jeremiah”: II. Profanation | Baltimore Symphony Orchestra, Marin Alsop | — |
| 3 | Symphony no. 1 “Jeremiah”: III. Lamentation | — | |
| 4 | Symphony no. 2 “The Age of Anxiety”: Part I: The Prologue: Lento moderato — | — | |
| 5 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation I: L'istesso tempo — | — | |
| 6 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation II: Poco più mosso — | — | |
| 7 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation III: Largamente, ma mosso — | — | |
| 8 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation IV: Più mosso — | — | |
| 9 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation V: — | — | |
| 10 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation VI: Poco meno mosso — | — | |
| 11 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation VII: L'istesso tempo — | — | |
| 12 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation VIII: Molto moderato, ma movendo — | — | |
| 13 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation IX: Più mosso [tempo di valse] — | — | |
| 14 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation X: Più mosso — | — | |
| 15 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XI: L'istesso tempo — | — | |
| 16 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XII: Poco più vivace — | — | |
| 17 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XIII: L'istesso tempo — | — | |
| 18 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XIV: L'istesso tempo [poco più vivace] — | — | |
| 19 | Symphony no. 2 “The Age of Anxiety”: Part II: The Dirge: Largo — | — | |
| 20 | Symphony no. 2 “The Age of Anxiety”: Part II: The Masque: Extremely fast — | — | |
| 21 | Symphony no. 2 “The Age of Anxiety”: Part II: The Epilogue: L'istesso tempo | — | |
| 2-1 | Missa Brevis: 1. Kyrie | — | |
| 2-2 | Missa Brevis: 2. Gloria | — | |
| 2-3 | Missa Brevis: 3. Sanctus | — | |
| 2-4 | Missa Brevis: 4. Benedictus | — | |
| 2-5 | Missa Brevis: 5. Agnus Dei | — | |
| 2-6 | Missa Brevis: 6. Dona nobis pacem | — | |
| 2-7 | Symphony no. 3 "Kaddish": Ia. Invocation | — | |
| 2-8 | Symphony no. 3 "Kaddish": Ib. Kaddish 1 | — | |
| 2-9 | Symphony no. 3 "Kaddish": IIa. Din Torah | — | |
| 2-10 | Symphony no. 3 "Kaddish": IIb. Kaddish 2 | — | |
| 2-11 | Symphony no. 3 "Kaddish": IIIa. Scherzo | — | |
| 2-12 | Symphony no. 3 "Kaddish": IIIb. Kaddish 3 | — | |
| 2-13 | Symphony no. 3 "Kaddish": IIIc. Finale | — | |
| 2-14 | Symphony no. 3 "Kaddish": IIId. Fugue | The Maryland State Boychoir, Kelley Nassief, The Washington Chorus, Baltimore Symphony Orchestra, Marin Alsop | — |
| 2-15 | The Lark | — | |
| 3-1 | Serenade: I. Phaedrus - Pausanias | — | |
| 3-2 | Serenade: II. Aristophanes | — | |
| 3-3 | Serenade: III. Eryximachus | — | |
| 3-4 | Serenade: IV. Agathon | — | |
| 3-5 | Serenade: V. Socrates - Alcibiades | — | |
| 3-6 | Facsimile | — | |
| 3-7 | Divertimento: I. Sennets & Tuckets. Allegro non troppo, ma con brio | — | |
| 3-8 | Divertimento for Orchestra: II. Waltz. Allegretto, con grazia | Bournemouth Symphony Orchestra, Marin Alsop | — |
| 3-9 | Divertimento: III. Mazurka. Mesto | — | |
| 3-10 | Divertimento: IV. Samba. Allegro giusto | — | |
| 3-11 | Divertimento: V. Turkey Trot. Allegretto, ben misurato | — | |
| 3-12 | Divertimento: VI. Sphinxes. Adagio lugubre | — | |
| 3-13 | Divertimento: VII. Blues. Slow blues tempo | — | |
| 3-14 | Divertimento: VIII. In Memoriam. March "The BSO Forever" | — | |
| 4-1 | Mass: Part I. Devotions before the Mass, I. Antiphon: Kyrie eleison | — | |
| 4-2 | Mass: Part I. Devotions before the Mass, II. Hymn and Psalm: "A Simple Song" | — | |
| 4-3 | Mass: Part I. Devotions before the Mass, III. Responsory: Alleluia | — | |
| 4-4 | Mass: Part II. First Introit (Rondo), I. Prefatory Prayers | — | |
| 4-5 | Mass: Part II. First Introit (Rondo), II. Thrice-Triple Canon: Dominus vobiscum | — | |
| 4-6 | Mass: Part III. Second Introit, I. In nomine Patris | — | |
| 4-7 | Mass: Part III. Second Introit, II. Prayer for the Congregation: "Almighty Father" | — | |
| 4-8 | Mass: Part III. Second Introit, III. Epiphany | — | |
| 4-9 | Mass: Part IV. Confession, I. Confiteor | — | |
| 4-10 | Mass: Part IV. Confession, II. Trope: "I don't know" | — | |
| 4-11 | Mass: Part IV. Confession, III. Trope: "Easy" | — | |
| 4-12 | Mass: Part V. Meditation No. 1 | — | |
| 4-13 | Mass: Part VI. Gloria, I. Gloria Tibi | — | |
| 4-14 | Mass: Part VI. Gloria, II. Gloria in Excelsis | — | |
| 4-15 | Mass: Part VI. Gloria, III. Trope: "Half of the People" | — | |
| 4-16 | Mass: Part VI. Gloria, IV. Trope: "Thank You" | — | |
| 4-17 | Mass: Part VII. Meditation No. 2 | — | |
| 4-18 | Mass: Part VIII. Epistle: "The Word of the Lord" | — | |
| 4-19 | Mass: Part IX. Gospel-Sermon: "God Said" | — | |
| 4-20 | Mass: Part X. Credo, I. Credo in unum Deum | — | |
| 4-21 | Mass: Part X. Credo, II. Trope: "Non Credo" | — | |
| 4-22 | Mass: Part X. Credo, III. Trope: "Hurry" | — | |
| 4-23 | Mass: Part X. Credo, IV. Trope: "World without End" | — | |
| 4-24 | Mass: Part X. Credo, V. Trope: "I believe in God" | — | |
| 4-25 | Mass: Part XI. Meditation No. 3 (De profundis, Part 1) | — | |
| 4-26 | Mass: Part XII. Offertory (De profundis, Part 2) | — | |
| 5-1 | Mass: Part XIII. The Lord's Prayer | — | |
| 5-2 | Mass: Part XIII. The Lord's Prayer, Trope: "I Go On" | — | |
| 5-3 | Mass: Part XIV. Sanctus | — | |
| 5-4 | Mass: Part XV. Agnus Dei | — | |
| 5-5 | Mass: Part XVI. Fraction: "Things Get Broken" | — | |
| 5-6 | Mass: Part XVII. Pax: Communion ("Secret Songs") | — | |
| 6-1 | On the Waterfront | Bournemouth Symphony Orchestra, Marin Alsop | — |
| 6-2 | Chichester Psalms: I. Psalm 108 vs. 2, Psalm 100 | Elizabeth Franklin-Kitchen, Maria Nayler, Jeremy Budd, Paul Charrier, Thomas Kelly, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | T-070.027.200-9 |
| 6-3 | Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 | Bournemouth Symphony Orchestra, Bournemouth Symphony Chorus, Marin Alsop | T-070.027.200-9 |
| 6-4 | Chichester Psalms: III. Psalm 131, Psalm 133 vs. 1 | Bournemouth Symphony Orchestra, Bournemouth Symphony Chorus, Marin Alsop | T-070.027.200-9 |
| 6-5 | Three Dance Episodes from "On the Town": I. The Great Lover | Bournemouth Symphony Orchestra, Marin Alsop | T-070.158.990-3 |
| 6-6 | Three Dance Episodes from "On the Town": II. Lonely Town: Pas De Deux | Bournemouth Symphony Orchestra, Marin Alsop | T-070.096.762-9 |
| 6-7 | Three Dance Episodes from "On the Town": III. Times Square: 1944 | Bournemouth Symphony Orchestra, Marin Alsop | — |
| 7-1 | Mambo from West Side Story (with concert ending) | São Paulo Symphony Orchestra, Marin Alsop | T-070.113.892-2 |
| 7-2 | Slava! A Political Overture | — | |
| 7-3 | Suite for Orchestra from 1600 Pennsylvania Avenue | — | |
| 7-4 | CBS Music: I. Fanfare & Titles | — | |
| 7-5 | CBS Music: II. Quiet Music | — | |
| 7-6 | CBS Music: III. Blues | — | |
| 7-7 | CBS Music: IV. Waltz | — | |
| 7-8 | CBS Music: V. Chorale | — | |
| 7-9 | Times Square Ballet (from On the Town) | — | |
| 7-10 | A Bernstein Birthday Bouquet: For Lenny (LB.AM.LB.M.W.D.IS.LB) | — | |
| 7-11 | A Bernstein Birthday Bouquet: N.Y. — Connotations — N.Y. | — | |
| 7-12 | A Bernstein Birthday Bouquet: Variations on Leonard Bernstein's New York, New York | — | |
| 7-13 | A Bernstein Birthday Bouquet: For Lenny | — | |
| 7-14 | A Bernstein Birthday Bouquet: For Lenny, With Love – and Candor... | — | |
| 7-15 | A Bernstein Birthday Bouquet: To Lenny! To Lenny! | São Paulo Symphony Orchestra, Marin Alsop | — |
| 7-16 | A Bernstein Birthday Bouquet: For Lenny's Birthday, Variations on a Theme by Bernstein | — | |
| 7-17 | A Bernstein Birthday Bouquet: Variations on Bernstein "Let's Hear It For Lenny!" | — | |
| 8-1 | Overture to Candide | — | |
| 8-2 | Fancy Free: I. Enter 3 Sailors | — | |
| 8-3 | Fancy Free: II. Scene at the Bar | — | |
| 8-4 | Fancy Free: III. Enter 2 Girls | — | |
| 8-5 | Fancy Free: IV. Pas de deux | — | |
| 8-6 | Fancy Free: V. Competition Scene | — | |
| 8-7 | Fancy Free: VIa. 3 Variations. Var. 1, Galop | — | |
| 8-8 | Fancy Free: VIb. 3 Variations. Var. 2, Waltz | — | |
| 8-9 | Fancy Free: VIc. 3 Variations. Var. 3, Danzon | São Paulo Symphony Orchestra, Marin Alsop | T-070.011.258-8 |
| 8-10 | Fancy Free: VII. Finale | — | |
| 8-11 | Anniversaries: I. For Helen Coates | — | |
| 8-12 | Anniversaries: II. For Paul Bowles | — | |
| 8-13 | Anniversaries: III. In Memoriam. William Kapell | — | |
| 8-14 | Anniversaries: IV. For Craig Urquhart | — | |
| 8-15 | Anniversaries: V. In Memoriam. Alfred Eisner | — | |
| 8-16 | Anniversaries: VI. For William Schuman | — | |
| 8-17 | Anniversaries: VII. For Stephen Sondheim | — | |
| 8-18 | Anniversaries: VIII. For My Daughter, Nina | — | |
| 8-19 | Anniversaries: IX. For Leo Smit | — | |
| 8-20 | Anniversaries: X. For Felicia Montealegre | — | |
| 8-21 | Anniversaries: XI. In Memoriam. Ellen Goetz | — | |
| 8-22 | Overture to Wonderful Town | São Paulo Symphony Orchestra, Marin Alsop | — |
| 9-1 | Leonard Bernstein - Larger Than Life (Documentary) | — | |
| 9-2 | Bonus Interviews: Marin Alsop, Gustavo Dudamel, Kent Nagano | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
747313801831 is a Universal Product Code (UPC) assigned to The Complete Naxos Recordings by Leonard Bernstein, Marin Alsop. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 130 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Complete Naxos Recordings” by Leonard Bernstein, Marin Alsop is 747313801831. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2018-01-01. Label: Naxos. This release contains 130 tracks, each with its own ISRC. Tracks include HKI191618802, HKI191501414, HKI190503108.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphony no. 1 “Jeremiah”: I. Prophecy | — | |
| 2 | Symphony no. 1 “Jeremiah”: II. Profanation | Baltimore Symphony Orchestra, Marin Alsop | — |
| 3 | Symphony no. 1 “Jeremiah”: III. Lamentation | — | |
| 4 | Symphony no. 2 “The Age of Anxiety”: Part I: The Prologue: Lento moderato — | — | |
| 5 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation I: L'istesso tempo — | — | |
| 6 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation II: Poco più mosso — | — | |
| 7 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation III: Largamente, ma mosso — | — | |
| 8 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation IV: Più mosso — | — | |
| 9 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation V: — | — | |
| 10 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation VI: Poco meno mosso — | — | |
| 11 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Ages: Variation VII: L'istesso tempo — | — | |
| 12 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation VIII: Molto moderato, ma movendo — | — | |
| 13 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation IX: Più mosso [tempo di valse] — | — | |
| 14 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation X: Più mosso — | — | |
| 15 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XI: L'istesso tempo — | — | |
| 16 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XII: Poco più vivace — | — | |
| 17 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XIII: L'istesso tempo — | — | |
| 18 | Symphony no. 2 “The Age of Anxiety”: Part I: The Seven Stages: Variation XIV: L'istesso tempo [poco più vivace] — | — | |
| 19 | Symphony no. 2 “The Age of Anxiety”: Part II: The Dirge: Largo — | — | |
| 20 | Symphony no. 2 “The Age of Anxiety”: Part II: The Masque: Extremely fast — | — | |
| 21 | Symphony no. 2 “The Age of Anxiety”: Part II: The Epilogue: L'istesso tempo | — | |
| 2-1 | Missa Brevis: 1. Kyrie | — | |
| 2-2 | Missa Brevis: 2. Gloria | — | |
| 2-3 | Missa Brevis: 3. Sanctus | — | |
| 2-4 | Missa Brevis: 4. Benedictus | — | |
| 2-5 | Missa Brevis: 5. Agnus Dei | — | |
| 2-6 | Missa Brevis: 6. Dona nobis pacem | — | |
| 2-7 | Symphony no. 3 "Kaddish": Ia. Invocation | — | |
| 2-8 | Symphony no. 3 "Kaddish": Ib. Kaddish 1 | — | |
| 2-9 | Symphony no. 3 "Kaddish": IIa. Din Torah | — | |
| 2-10 | Symphony no. 3 "Kaddish": IIb. Kaddish 2 | — | |
| 2-11 | Symphony no. 3 "Kaddish": IIIa. Scherzo | — | |
| 2-12 | Symphony no. 3 "Kaddish": IIIb. Kaddish 3 | — | |
| 2-13 | Symphony no. 3 "Kaddish": IIIc. Finale | — | |
| 2-14 | Symphony no. 3 "Kaddish": IIId. Fugue | The Maryland State Boychoir, Kelley Nassief, The Washington Chorus, Baltimore Symphony Orchestra, Marin Alsop | — |
| 2-15 | The Lark | — | |
| 3-1 | Serenade: I. Phaedrus - Pausanias | — | |
| 3-2 | Serenade: II. Aristophanes | — | |
| 3-3 | Serenade: III. Eryximachus | — | |
| 3-4 | Serenade: IV. Agathon | — | |
| 3-5 | Serenade: V. Socrates - Alcibiades | — | |
| 3-6 | Facsimile | — | |
| 3-7 | Divertimento: I. Sennets & Tuckets. Allegro non troppo, ma con brio | — | |
| 3-8 | Divertimento for Orchestra: II. Waltz. Allegretto, con grazia | Bournemouth Symphony Orchestra, Marin Alsop | — |
| 3-9 | Divertimento: III. Mazurka. Mesto | — | |
| 3-10 | Divertimento: IV. Samba. Allegro giusto | — | |
| 3-11 | Divertimento: V. Turkey Trot. Allegretto, ben misurato | — | |
| 3-12 | Divertimento: VI. Sphinxes. Adagio lugubre | — | |
| 3-13 | Divertimento: VII. Blues. Slow blues tempo | — | |
| 3-14 | Divertimento: VIII. In Memoriam. March "The BSO Forever" | — | |
| 4-1 | Mass: Part I. Devotions before the Mass, I. Antiphon: Kyrie eleison | — | |
| 4-2 | Mass: Part I. Devotions before the Mass, II. Hymn and Psalm: "A Simple Song" | — | |
| 4-3 | Mass: Part I. Devotions before the Mass, III. Responsory: Alleluia | — | |
| 4-4 | Mass: Part II. First Introit (Rondo), I. Prefatory Prayers | — | |
| 4-5 | Mass: Part II. First Introit (Rondo), II. Thrice-Triple Canon: Dominus vobiscum | — | |
| 4-6 | Mass: Part III. Second Introit, I. In nomine Patris | — | |
| 4-7 | Mass: Part III. Second Introit, II. Prayer for the Congregation: "Almighty Father" | — | |
| 4-8 | Mass: Part III. Second Introit, III. Epiphany | — | |
| 4-9 | Mass: Part IV. Confession, I. Confiteor | — | |
| 4-10 | Mass: Part IV. Confession, II. Trope: "I don't know" | — | |
| 4-11 | Mass: Part IV. Confession, III. Trope: "Easy" | — | |
| 4-12 | Mass: Part V. Meditation No. 1 | — | |
| 4-13 | Mass: Part VI. Gloria, I. Gloria Tibi | — | |
| 4-14 | Mass: Part VI. Gloria, II. Gloria in Excelsis | — | |
| 4-15 | Mass: Part VI. Gloria, III. Trope: "Half of the People" | — | |
| 4-16 | Mass: Part VI. Gloria, IV. Trope: "Thank You" | — | |
| 4-17 | Mass: Part VII. Meditation No. 2 | — | |
| 4-18 | Mass: Part VIII. Epistle: "The Word of the Lord" | — | |
| 4-19 | Mass: Part IX. Gospel-Sermon: "God Said" | — | |
| 4-20 | Mass: Part X. Credo, I. Credo in unum Deum | — | |
| 4-21 | Mass: Part X. Credo, II. Trope: "Non Credo" | — | |
| 4-22 | Mass: Part X. Credo, III. Trope: "Hurry" | — | |
| 4-23 | Mass: Part X. Credo, IV. Trope: "World without End" | — | |
| 4-24 | Mass: Part X. Credo, V. Trope: "I believe in God" | — | |
| 4-25 | Mass: Part XI. Meditation No. 3 (De profundis, Part 1) | — | |
| 4-26 | Mass: Part XII. Offertory (De profundis, Part 2) | — | |
| 5-1 | Mass: Part XIII. The Lord's Prayer | — | |
| 5-2 | Mass: Part XIII. The Lord's Prayer, Trope: "I Go On" | — | |
| 5-3 | Mass: Part XIV. Sanctus | — | |
| 5-4 | Mass: Part XV. Agnus Dei | — | |
| 5-5 | Mass: Part XVI. Fraction: "Things Get Broken" | — | |
| 5-6 | Mass: Part XVII. Pax: Communion ("Secret Songs") | — | |
| 6-1 | On the Waterfront | Bournemouth Symphony Orchestra, Marin Alsop | — |
| 6-2 | Chichester Psalms: I. Psalm 108 vs. 2, Psalm 100 | Elizabeth Franklin-Kitchen, Maria Nayler, Jeremy Budd, Paul Charrier, Thomas Kelly, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | T-070.027.200-9 |
| 6-3 | Chichester Psalms: II. Psalm 23, Psalm 2 vs. 1-4 | Bournemouth Symphony Orchestra, Bournemouth Symphony Chorus, Marin Alsop | T-070.027.200-9 |
| 6-4 | Chichester Psalms: III. Psalm 131, Psalm 133 vs. 1 | Bournemouth Symphony Orchestra, Bournemouth Symphony Chorus, Marin Alsop | T-070.027.200-9 |
| 6-5 | Three Dance Episodes from "On the Town": I. The Great Lover | Bournemouth Symphony Orchestra, Marin Alsop | T-070.158.990-3 |
| 6-6 | Three Dance Episodes from "On the Town": II. Lonely Town: Pas De Deux | Bournemouth Symphony Orchestra, Marin Alsop | T-070.096.762-9 |
| 6-7 | Three Dance Episodes from "On the Town": III. Times Square: 1944 | Bournemouth Symphony Orchestra, Marin Alsop | — |
| 7-1 | Mambo from West Side Story (with concert ending) | São Paulo Symphony Orchestra, Marin Alsop | T-070.113.892-2 |
| 7-2 | Slava! A Political Overture | — | |
| 7-3 | Suite for Orchestra from 1600 Pennsylvania Avenue | — | |
| 7-4 | CBS Music: I. Fanfare & Titles | — | |
| 7-5 | CBS Music: II. Quiet Music | — | |
| 7-6 | CBS Music: III. Blues | — | |
| 7-7 | CBS Music: IV. Waltz | — | |
| 7-8 | CBS Music: V. Chorale | — | |
| 7-9 | Times Square Ballet (from On the Town) | — | |
| 7-10 | A Bernstein Birthday Bouquet: For Lenny (LB.AM.LB.M.W.D.IS.LB) | — | |
| 7-11 | A Bernstein Birthday Bouquet: N.Y. — Connotations — N.Y. | — | |
| 7-12 | A Bernstein Birthday Bouquet: Variations on Leonard Bernstein's New York, New York | — | |
| 7-13 | A Bernstein Birthday Bouquet: For Lenny | — | |
| 7-14 | A Bernstein Birthday Bouquet: For Lenny, With Love – and Candor... | — | |
| 7-15 | A Bernstein Birthday Bouquet: To Lenny! To Lenny! | São Paulo Symphony Orchestra, Marin Alsop | — |
| 7-16 | A Bernstein Birthday Bouquet: For Lenny's Birthday, Variations on a Theme by Bernstein | — | |
| 7-17 | A Bernstein Birthday Bouquet: Variations on Bernstein "Let's Hear It For Lenny!" | — | |
| 8-1 | Overture to Candide | — | |
| 8-2 | Fancy Free: I. Enter 3 Sailors | — | |
| 8-3 | Fancy Free: II. Scene at the Bar | — | |
| 8-4 | Fancy Free: III. Enter 2 Girls | — | |
| 8-5 | Fancy Free: IV. Pas de deux | — | |
| 8-6 | Fancy Free: V. Competition Scene | — | |
| 8-7 | Fancy Free: VIa. 3 Variations. Var. 1, Galop | — | |
| 8-8 | Fancy Free: VIb. 3 Variations. Var. 2, Waltz | — | |
| 8-9 | Fancy Free: VIc. 3 Variations. Var. 3, Danzon | São Paulo Symphony Orchestra, Marin Alsop | T-070.011.258-8 |
| 8-10 | Fancy Free: VII. Finale | — | |
| 8-11 | Anniversaries: I. For Helen Coates | — | |
| 8-12 | Anniversaries: II. For Paul Bowles | — | |
| 8-13 | Anniversaries: III. In Memoriam. William Kapell | — | |
| 8-14 | Anniversaries: IV. For Craig Urquhart | — | |
| 8-15 | Anniversaries: V. In Memoriam. Alfred Eisner | — | |
| 8-16 | Anniversaries: VI. For William Schuman | — | |
| 8-17 | Anniversaries: VII. For Stephen Sondheim | — | |
| 8-18 | Anniversaries: VIII. For My Daughter, Nina | — | |
| 8-19 | Anniversaries: IX. For Leo Smit | — | |
| 8-20 | Anniversaries: X. For Felicia Montealegre | — | |
| 8-21 | Anniversaries: XI. In Memoriam. Ellen Goetz | — | |
| 8-22 | Overture to Wonderful Town | São Paulo Symphony Orchestra, Marin Alsop | — |
| 9-1 | Leonard Bernstein - Larger Than Life (Documentary) | — | |
| 9-2 | Bonus Interviews: Marin Alsop, Gustavo Dudamel, Kent Nagano | — |
