UPC · Release
Bartók, Strawinsky, Michael Gielen, SWR Sinfonieorchester Baden‐Baden und Freiburg, Radio-Sinfonieorchester Stuttgart des SWR, SWR Vokalensemble Stuttgart
Last verified:
The UPC for “Michael Gielen Edition, Vol. 5 1967-2014” by Bartók, Strawinsky, Michael Gielen, SWR Sinfonieorchester Baden‐Baden und Freiburg, Radio-Sinfonieorchester Stuttgart des SWR, SWR Vokalensemble Stuttgart is 747313902385. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: SWR Music. This release contains 121 tracks, each with its own ISRC. Tracks include HKI191525102, HKI191525103.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite From The Ballet "The Wooden Prince", Op. 13: I. Vorspiel. Molto Moderato | — | ||
| 2 | Suite From The Ballet "The Wooden Prince", Op. 13: II. Die Prinzessin. Allegretto Scherzando | — | ||
| 3 | Suite From The Ballet "The Wooden Prince", Op. 13: III. Der Wald. Assai Moderato | — | ||
| 4 | Suite From The Ballet "The Wooden Prince", Op. 13: IV. Arbeitslied Des Prinzen. Allegro | — | ||
| 5 | Suite From The Ballet "The Wooden Prince", Op. 13: V. Der Bach. Andante | — | ||
| 6 | Suite From The Ballet "The Wooden Prince", Op. 13: VI. Tanz Des Holzgeschnizten Prinzen. Allegro | — | ||
| 7 | Suite From The Ballet "The Wooden Prince", Op. 13: VII. Nachspiel. Moderato | — | ||
| 8 | Concerto For Orchestra: I. Introduzione. Andante Non Troppo - Allegro Vivace | — | ||
| 9 | Concerto For Orchestra: II. Giuoco Delle Coppie. Allegretto Scherzando | — | ||
| 10 | Concerto For Orchestra: III. Elegia. Andante Non Troppo | — | ||
| 11 | Concerto For Orchestra: IV. Intermezzo Interrotto. Allegretto | — | ||
| 12 | Concerto For Orchestra: V. Finale. Presto | — | ||
| 2-1 | Four Pieces for Orchestra, op. 12: 1. Preludio. Moderato | — | ||
| 2-2 | Four Pieces for Orchestra, op. 12: 2. Scherzo. Allegro | — | ||
| 2-3 | Four Pieces for Orchestra, op. 12: 3. Intermezzo. Moderato | — | ||
| 2-4 | Four Pieces for Orchestra, op. 12: 4. Marcia funebre. Maestoso | — | ||
| 2-5 | Concerto for Violin and Orchestra no. 1: 1. Andante sostenuto | — | ||
| 2-6 | Concerto for Violin and Orchestra no. 1: 2. Allegro giocoso | — | ||
| 2-7 | Music for Strings, Percussions and Celesta: 1. Andante tranquillo | — | ||
| 2-8 | Music for Strings, Percussions and Celesta: 2. Allegro | — | ||
| 2-9 | Music for Strings, Percussions and Celesta: 3. Adagio | — | ||
| 2-10 | Music for Strings, Percussions and Celesta: 4. Allegro molto | — | ||
| 3-1 | Dance Suite, Sz. 77: I. Moderato | — | ||
| 3-2 | DANCE SUITE, SZ. 77: II. ALLEGRO MOLTO | — | ||
| 3-3 | DANCE SUITE, SZ. 77: III. ALLEGRO VIVACE | RUNDFUNK-SINFONIEORCHESTER SAARBRÜCKEN | — | |
| 3-4 | DANCE SUITE, SZ. 77: IV. MOLTO TRANQUILLO | — | ||
| 3-5 | DANCE SUITE, SZ. 77: V. COMMODO | — | ||
| 3-6 | DANCE SUITE, SZ. 77: VI. FINALE | — | ||
| 3-7 | Piano Concerto No. 2, Sz. 95: I. Allegro | — | ||
| 3-8 | Piano Concerto No. 2, Sz. 95: II. Adagio - Più adagio - Presto | — | ||
| 3-9 | Piano Concerto No. 2, Sz. 95: III. Allegro molto | — | ||
| 3-10 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 1, Beginning (Live) | — | ||
| 3-11 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 2, First Seduction Game. The Shabby Old Rake (Live) | — | ||
| 3-12 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 3, Second Seduction Game. The Young Student (Live) | — | ||
| 3-13 | THE MIRACULOUS MANDARIN, OP. 19, SZ. 73: NO. 4, THIRD SEDUCTION GAME (LIVE) | — | ||
| 3-14 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 5, The Mandarin Enters and Remains Immobile in the Doorway (Live) | — | ||
| 3-15 | THE MIRACULOUS MANDARIN, OP. 19, SZ. 73: NO. 6, THE GIRL COLLAPSES IN THE MANDARIN'S LAP (LIVE) | — | ||
| 3-16 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 7, A Wild Chase Begins (Live) | — | ||
| 3-17 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 8, At Last the Three Tramps... (Live) | — | ||
| 3-18 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 9, Suddenly the Mandarin's Head Appears Between the Pillows and He Looks Longingly at the Girl (Live) | — | ||
| 3-19 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 10, The Terrified Tramps Discuss How They Are to Get Rid of the Mandarin (Live) | — | ||
| 3-20 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 11, The Body of the Mandarin Begins to Glow with a Greenish Blue Light (Live) | — | ||
| 3-21 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 12, She Resists No Longer. They Embrace (Live) | — | ||
| 3-22 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 13, His Longing Stilled, the Mandarin's Wounds Begin to Bleed, He Becomes Weaker and Dies (Live) | — | ||
| 4-1 | Symphony In Three Movements: I. Viertel = 160 | — | ||
| 4-2 | Symphony In Three Movements: II. Andante. Interlude Attaca | — | ||
| 4-3 | Symphony In Three Movements: III. Con Moto | — | ||
| 4-4 | Symphony In C: I. Moderato Alla Breve | — | ||
| 4-5 | Symphony In C: II. Larghetto Concertante | — | ||
| 4-6 | Symphony In C: III. Allegretto | — | ||
| 4-7 | Symphony In C: IV. Largo - Tempo Giusto, Alla Breve | — | ||
| 4-8 | Symphony Of Psalms: I. Exaudi Orationem Meam, Dmine (Psalm 39, 12-13) | — | ||
| 4-9 | Symphony Of Psalms: II. Expectans Expectavi Dominum (Psalm 40, 1-3) | — | ||
| 4-10 | Symphony Of Psalms: III. Alleluia. Laudate Dominum (Psalm 150) | — | ||
| 5-1 | LE ROI DES ÉTOILES (LIVE) | — | ||
| 5-2 | Canticum Sacrum: Dedicatio | — | ||
| 5-3 | Canticum Sacrum: Euntes in mundum | — | ||
| 5-4 | Canticum Sacrum: Surge, aquilo | — | ||
| 5-5 | Canticum Sacrum: Ad Tres Virtutes Hortationes: Caritas - | — | ||
| 5-6 | Canticum Sacrum: Ad Tres Virtutes Hortationes: Spes - | — | ||
| 5-7 | Canticum Sacrum: Ad Tres Virtutes Hortationes: Fides - | — | ||
| 5-8 | Canticum Sacrum: Brevis Motus Cantilenae | — | ||
| 5-9 | Canticum Sacrum: Illi autem profecti | — | ||
| 5-10 | AGON: PAS DE QUATRE | — | ||
| 5-11 | Agon: Double Pas de quatre | — | ||
| 5-12 | Agon: Triple Pas de quatre | — | ||
| 5-13 | Agon: Prelude | — | ||
| 5-14 | Agon: First Pas de trois: Saraband-Step | — | ||
| 5-15 | Agon: Gaillarde | — | ||
| 5-16 | Agon: Coda | — | ||
| 5-17 | AGON: INTERLUDE | — | ||
| 5-18 | Agon: Second Pas de trois: Bransle Simple | — | ||
| 5-19 | Agon: Bransle Gay | — | ||
| 5-20 | Agon: Bransle Double (Bransle de Poitou) | — | ||
| 5-21 | AGON: INTERLUDE | — | ||
| 5-22 | Agon: Pas de deux | — | ||
| 5-23 | Agon: Coda | — | ||
| 5-24 | Agon: 4 Duos | — | ||
| 5-25 | Agon: 4 Trios | — | ||
| 5-26 | REQUIEM CANTICLES: PRELUDE | — | ||
| 5-27 | REQUIEM CANTICLES: EXAUDI | — | ||
| 5-28 | Requiem Canticles: Dies irae - | — | ||
| 5-29 | Requiem Canticles: Tuba mirum | — | ||
| 5-30 | Requiem Canticles: Interlude | — | ||
| 5-31 | Requiem Canticles: Rex tremendae | — | ||
| 5-32 | Requiem Canticles: Lacrimosa | — | ||
| 5-33 | Requiem Canticles: Libera me | — | ||
| 5-34 | Requiem Canticles: Postlude | — | ||
| 5-35 | Michael Gielen Talks about Variations | — | ||
| 5-36 | Variations (Aldous Huxley in Memoriam) | — | ||
| 6-1 | Pulcinella: No. 1, Ouverture (Live) | — | ||
| 6-2 | Pulcinella: No. 2, Serenata. Larghetto. Mentre l'erbetta (Live) | — | ||
| 6-3 | Pulcinella: No. 3, Scherzino (Live) | — | ||
| 6-4 | Pulcinella: No. 4, Allegro (Live) | — | ||
| 6-5 | Pulcinella: No. 5, Andantino (Live) | — | ||
| 6-6 | Pulcinella: No. 6, Allegro (Live) | — | ||
| 6-7 | Pulcinella: No. 7, Ancora poco meno. Contento forse vivere (Live) | — | ||
| 6-8 | Pulcinella: No. 8, Allegro assai (Live) | — | ||
| 6-9 | Pulcinella: No. 9, Allegro. Con queste paroline (Live) | — | ||
| 6-10 | Pulcinella: No. 10, Andante. Sento dire no'nce pace (Live) | — | ||
| 6-11 | Pulcinella: No. 11, Presto. Una te fallan zemprecce (Live) | — | ||
| 6-12 | Pulcinella: No. 12, Larghetto (Live) | — | ||
| 6-13 | Pulcinella: No. 13, Allegro (Live) | — | ||
| 6-14 | Pulcinella: No. 14, Tarantella (Live) | — | ||
| 6-15 | Pulcinella: No. 15, Andantino. Se tu m'ami (Live) | — | ||
| 6-16 | Pulcinella: No. 16, Allegro (Live) | — | ||
| 6-17 | Pulcinella: No. 17, Gavotta con due variazioni (Live) | — | ||
| 6-18 | Pulcinella: No. 18, Vivo (Live) | — | ||
| 6-19 | Pulcinella: No. 19, Tempo di minuetto. Pupilette fiammette d'amore (Live) | — | ||
| 6-20 | Pulcinella: No. 20, Finale. Allegro assai (Live) | — | ||
| 6-21 | Apollon musagète, Tableau I: Prologue. The Birth of Apollo | — | ||
| 6-22 | Apollon musagète, Tableau II: Apollo's Variation | — | ||
| 6-23 | Apollon musagète, Tableau II: Pas d'action. Apollo and the Muses | — | ||
| 6-24 | Apollon musagète, Tableau II: Variation of Calliope | — | ||
| 6-25 | Apollon musagète, Tableau II: Variation of Polymnia | — | ||
| 6-26 | Apollon musagète, Tableau II: Variation of Terpsichore | — | ||
| 6-27 | Apollon musagète, Tableau II: Variation of Apollo | — | ||
| 6-28 | Apollon musagète, Tableau II: Pas de deux. Apollo and Terpsichore | — | ||
| 6-29 | Apollon musagète, Tableau II: Coda. Apollo and the Muses | — | ||
| 6-30 | Apollon musagète, Tableau II: Apotheosis. Apollo and the Muses | — | ||
| 6-31 | SCHERZO A LA RUSSE | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| CONCERTO FOR ORCHESTRA, SZ. 116: I. INTRODUZIONE: ANDANTE NON TROPPO - ALLEGRO VIVACE | — | |
| Unknown | — | |
| CONCERTO FOR ORCHESTRA, SZ. 116: III. ELEGIA: ANDANTE NON TROPPO | — | |
| CONCERTO FOR ORCHESTRA, SZ. 116: IV. INTERMEZZO INTERROTTO: ALLEGRETTO | — | |
| V. FINALE: PRESTO | T-916.326.000-2 | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| I. ANDANTE SOSTENUTO | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| MUSIC FOR STRINGS, PERCUSSION AND CELESTA, BB 114 : III. ADAGIO | — | |
| Unknown | — | |
| DANCE SUITE SZ 77 I MODERATO | — | |
| I. ALLEGRO | — | |
| Unknown | — | |
| III. ALLEGRO MOLTO | — | |
| BEGINNING | — | |
| FIRST SEDUCTION GAME: THE SHABBY OLD RAKE | — | |
| SECOND SEDUCTION GAME: THE YOUNG STUDENT | — | |
| THE MANDARIN ENTERS AND REMAINS IMMOBILE IN THE DOORWAY | — | |
| A WILD CHASE BEGINS | — | |
| AT LAST THE THREE TRAMPS (ALLEGRO MOLTO) | — | |
| SUDDENLY THE MANDARIN'S HEAD APPEARS BETWEEN THE PILLOWS AND HE LOOKS LONGINGLY AT THE GIRL | — | |
| THE TERRIFIED TRAMPS DISCUSS HOW THEY ARE TO GET RID OF THE MANDARIN | — | |
| THE BODY OF THE MANDARIN BEGINS TO GLOW WITH A GREENISH BLUE LIGHT | — | |
| THE MIRACULOUS MANDARIN, OP. 19, SZ. 73: SHE RESISTS NO LONGER – THEY EMBRACE | — | |
| Unknown | — | |
| I. (ALLEGRO) | — | |
| SYMPHONY IN 3 MOVEMENTS: II. ANDANTE | — | |
| III. CON MOTO | MICHAEL GIELEN, SOUTH WEST GERMAN RADIO SYMPHONY ORCHESTRA, BADEN-BADEN, IGOR STRAVINSKY, SOUTH WEST GERMAN RADIO SYMPHONY ORCHESTRA BADEN-BADEN MICHAEL GIELEN, SWR SINFONIEORCHESTER DES SÜDWESTRUNDFUNKS, SWR SINFONIEORCHESTER DES SÜDWESTRUNDFUNKS, MICHAEL GIELEN | — |
| SYMPHONY IN C - 1.MODERATO ALLA BREVE | T-070.275.805-1 | |
| II. LARGHETTO CONCERTANTE - DOPPIO MOVIMENTO - DOPPIO VALORE | — | |
| III. ALLEGRETTO | — | |
| IV. LARGO - TEMPO GIUSTO, ALLA BREVE | — | |
| I. EXAUDI ORATIONEM MEAM, DOMINE | — | |
| II. EXPECTANS EXPECTAVI, DOMINUM | — | |
| III. ALLELUIA. LAUDATE DOMINUM | — | |
| CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS: DEDICATIO | — | |
| CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS: EUNTES IN MUNDUM | — | |
| CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS: II. SURGE, AQUILO | — | |
| AD TRES VIRTUTES HORTATIONES: CARITAS - | — | |
| AD TRES VIRTUTES HORTATIONES: SPES - | — | |
| AD TRES VIRTUTES HORTATIONES: FIDES - | — | |
| BREVIS MOTUS CANTILENAE | — | |
| CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS: ILLI AUTEM PROFECTI | — | |
| Unknown | — | |
| Unknown | — | |
| AGON - 4.PRELUDE | — | |
| Unknown | — | |
| GAILLARDE | — | |
| CODA | — | |
| Unknown | — | |
| AGON - BALLET (1957) | — | |
| AGON - BALLET FOR TWELVE DANCERS: XI. BRANSLE DE POITOU | — | |
| PAS DE DEUX | — | |
| CODA | WDR SINFONIEORCHESTER KÖLN; MICHAEL GIELEN | — |
| Unknown | — | |
| AGON - BALLET FOR TWELVE DANCERS: XVI. FOUR TRIOS | — | |
| DIES IRAE - | — | |
| REQUIEM CANTICLES FOR CONTRALTO, BASS, CHORUS, AND ORCHESTRA: IV. TUBA MIRUM | — | |
| INTERLUDE | IGOR STRAVINSKY, STELLA DOUFEXIS, RUDOLF ROSEN, STUTTGART SOUTHWEST RADIO VOCAL ENSEMBLE, SOUTH WEST GERMAN RADIO SYMPHONY ORCHESTRA, MICHAEL GIELEN, STELLA DOUFEXIS, STUTTGART VOCAL ENSEMBLE STELLA DOUFEXIS SOUTH WEST GERMAN RADIO SYMPHONY ORCHESTRA RUDOLF ROSEN MICHAEL GIELEN, WDR SINFONIEORCHESTER KÖLN | T-010.150.643-7 |
| REQUIEM CANTICLES FOR CONTRALTO, BASS, CHORUS, AND ORCHESTRA: VI. REX TREMENDAE | — | |
| LACRIMOSA | — | |
| LIBERA ME | T-932.014.793-1 | |
| POSTLUDE | — | |
| Unknown | — | |
| "VARIATIONS, ""ALDOUS HUXLEY IN MEMORIAM""" | — | |
| OUVERTURE | T-003.143.988-9 | |
| Unknown | — | |
| PULCINELLA: SCHERZINO | T-918.612.201-0 | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| PULCINELLA: ALLEGRO ASSAI | RADIO-SINFONIEORCHESTER STUTTGART DES SWR | T-306.395.786-4 |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| PULCINELLA: TARANTELLA | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| PULCINELLA: VIVO | — | |
| Unknown | — | |
| Unknown | — | |
| TABLEAU I: PROLOGUE: THE BIRTH OF APOLLO | — | |
| TABLEAU II: APOLLO'S VARIATION | — | |
| TABLEAU II: PAS D'ACTION: APOLLO AND THE MUSES | — | |
| TABLEAU II: VARIATION OF CALLIOPE | — | |
| Unknown | — | |
| Unknown | — | |
| TABLEAU II: VARIATION OF APOLLO | — | |
| TABLEAU II: PAS DE DEUX: APOLLO AND TERPSICHORE | — | |
| TABLEAU II: CODA: APOLLO AND THE MUSES | — | |
| TABLEAU II: APOTHEOSIS: APOLLO AND THE MUSES | — |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
Identifier Graph
747313902385 is a Universal Product Code (UPC) assigned to Michael Gielen Edition, Vol. 5 1967-2014 by Bartók, Strawinsky, Michael Gielen, SWR Sinfonieorchester Baden‐Baden und Freiburg, Radio-Sinfonieorchester Stuttgart des SWR, SWR Vokalensemble Stuttgart. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 121 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Michael Gielen Edition, Vol. 5 1967-2014” by Bartók, Strawinsky, Michael Gielen, SWR Sinfonieorchester Baden‐Baden und Freiburg, Radio-Sinfonieorchester Stuttgart des SWR, SWR Vokalensemble Stuttgart is 747313902385. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2017-01-01. Label: SWR Music. This release contains 121 tracks, each with its own ISRC. Tracks include HKI191525102, HKI191525103, HKI191525104.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Suite From The Ballet "The Wooden Prince", Op. 13: I. Vorspiel. Molto Moderato | — | ||
| 2 | Suite From The Ballet "The Wooden Prince", Op. 13: II. Die Prinzessin. Allegretto Scherzando | — | ||
| 3 | Suite From The Ballet "The Wooden Prince", Op. 13: III. Der Wald. Assai Moderato | — | ||
| 4 | Suite From The Ballet "The Wooden Prince", Op. 13: IV. Arbeitslied Des Prinzen. Allegro | — | ||
| 5 | Suite From The Ballet "The Wooden Prince", Op. 13: V. Der Bach. Andante | — | ||
| 6 | Suite From The Ballet "The Wooden Prince", Op. 13: VI. Tanz Des Holzgeschnizten Prinzen. Allegro | — | ||
| 7 | Suite From The Ballet "The Wooden Prince", Op. 13: VII. Nachspiel. Moderato | — | ||
| 8 | Concerto For Orchestra: I. Introduzione. Andante Non Troppo - Allegro Vivace | — | ||
| 9 | Concerto For Orchestra: II. Giuoco Delle Coppie. Allegretto Scherzando | — | ||
| 10 | Concerto For Orchestra: III. Elegia. Andante Non Troppo | — | ||
| 11 | Concerto For Orchestra: IV. Intermezzo Interrotto. Allegretto | — | ||
| 12 | Concerto For Orchestra: V. Finale. Presto | — | ||
| 2-1 | Four Pieces for Orchestra, op. 12: 1. Preludio. Moderato | — | ||
| 2-2 | Four Pieces for Orchestra, op. 12: 2. Scherzo. Allegro | — | ||
| 2-3 | Four Pieces for Orchestra, op. 12: 3. Intermezzo. Moderato | — | ||
| 2-4 | Four Pieces for Orchestra, op. 12: 4. Marcia funebre. Maestoso | — | ||
| 2-5 | Concerto for Violin and Orchestra no. 1: 1. Andante sostenuto | — | ||
| 2-6 | Concerto for Violin and Orchestra no. 1: 2. Allegro giocoso | — | ||
| 2-7 | Music for Strings, Percussions and Celesta: 1. Andante tranquillo | — | ||
| 2-8 | Music for Strings, Percussions and Celesta: 2. Allegro | — | ||
| 2-9 | Music for Strings, Percussions and Celesta: 3. Adagio | — | ||
| 2-10 | Music for Strings, Percussions and Celesta: 4. Allegro molto | — | ||
| 3-1 | Dance Suite, Sz. 77: I. Moderato | — | ||
| 3-2 | DANCE SUITE, SZ. 77: II. ALLEGRO MOLTO | — | ||
| 3-3 | DANCE SUITE, SZ. 77: III. ALLEGRO VIVACE | RUNDFUNK-SINFONIEORCHESTER SAARBRÜCKEN | — | |
| 3-4 | DANCE SUITE, SZ. 77: IV. MOLTO TRANQUILLO | — | ||
| 3-5 | DANCE SUITE, SZ. 77: V. COMMODO | — | ||
| 3-6 | DANCE SUITE, SZ. 77: VI. FINALE | — | ||
| 3-7 | Piano Concerto No. 2, Sz. 95: I. Allegro | — | ||
| 3-8 | Piano Concerto No. 2, Sz. 95: II. Adagio - Più adagio - Presto | — | ||
| 3-9 | Piano Concerto No. 2, Sz. 95: III. Allegro molto | — | ||
| 3-10 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 1, Beginning (Live) | — | ||
| 3-11 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 2, First Seduction Game. The Shabby Old Rake (Live) | — | ||
| 3-12 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 3, Second Seduction Game. The Young Student (Live) | — | ||
| 3-13 | THE MIRACULOUS MANDARIN, OP. 19, SZ. 73: NO. 4, THIRD SEDUCTION GAME (LIVE) | — | ||
| 3-14 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 5, The Mandarin Enters and Remains Immobile in the Doorway (Live) | — | ||
| 3-15 | THE MIRACULOUS MANDARIN, OP. 19, SZ. 73: NO. 6, THE GIRL COLLAPSES IN THE MANDARIN'S LAP (LIVE) | — | ||
| 3-16 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 7, A Wild Chase Begins (Live) | — | ||
| 3-17 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 8, At Last the Three Tramps... (Live) | — | ||
| 3-18 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 9, Suddenly the Mandarin's Head Appears Between the Pillows and He Looks Longingly at the Girl (Live) | — | ||
| 3-19 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 10, The Terrified Tramps Discuss How They Are to Get Rid of the Mandarin (Live) | — | ||
| 3-20 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 11, The Body of the Mandarin Begins to Glow with a Greenish Blue Light (Live) | — | ||
| 3-21 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 12, She Resists No Longer. They Embrace (Live) | — | ||
| 3-22 | The Miraculous Mandarin, Op. 19, Sz. 73: No. 13, His Longing Stilled, the Mandarin's Wounds Begin to Bleed, He Becomes Weaker and Dies (Live) | — | ||
| 4-1 | Symphony In Three Movements: I. Viertel = 160 | — | ||
| 4-2 | Symphony In Three Movements: II. Andante. Interlude Attaca | — | ||
| 4-3 | Symphony In Three Movements: III. Con Moto | — | ||
| 4-4 | Symphony In C: I. Moderato Alla Breve | — | ||
| 4-5 | Symphony In C: II. Larghetto Concertante | — | ||
| 4-6 | Symphony In C: III. Allegretto | — | ||
| 4-7 | Symphony In C: IV. Largo - Tempo Giusto, Alla Breve | — | ||
| 4-8 | Symphony Of Psalms: I. Exaudi Orationem Meam, Dmine (Psalm 39, 12-13) | — | ||
| 4-9 | Symphony Of Psalms: II. Expectans Expectavi Dominum (Psalm 40, 1-3) | — | ||
| 4-10 | Symphony Of Psalms: III. Alleluia. Laudate Dominum (Psalm 150) | — | ||
| 5-1 | LE ROI DES ÉTOILES (LIVE) | — | ||
| 5-2 | Canticum Sacrum: Dedicatio | — | ||
| 5-3 | Canticum Sacrum: Euntes in mundum | — | ||
| 5-4 | Canticum Sacrum: Surge, aquilo | — | ||
| 5-5 | Canticum Sacrum: Ad Tres Virtutes Hortationes: Caritas - | — | ||
| 5-6 | Canticum Sacrum: Ad Tres Virtutes Hortationes: Spes - | — | ||
| 5-7 | Canticum Sacrum: Ad Tres Virtutes Hortationes: Fides - | — | ||
| 5-8 | Canticum Sacrum: Brevis Motus Cantilenae | — | ||
| 5-9 | Canticum Sacrum: Illi autem profecti | — | ||
| 5-10 | AGON: PAS DE QUATRE | — | ||
| 5-11 | Agon: Double Pas de quatre | — | ||
| 5-12 | Agon: Triple Pas de quatre | — | ||
| 5-13 | Agon: Prelude | — | ||
| 5-14 | Agon: First Pas de trois: Saraband-Step | — | ||
| 5-15 | Agon: Gaillarde | — | ||
| 5-16 | Agon: Coda | — | ||
| 5-17 | AGON: INTERLUDE | — | ||
| 5-18 | Agon: Second Pas de trois: Bransle Simple | — | ||
| 5-19 | Agon: Bransle Gay | — | ||
| 5-20 | Agon: Bransle Double (Bransle de Poitou) | — | ||
| 5-21 | AGON: INTERLUDE | — | ||
| 5-22 | Agon: Pas de deux | — | ||
| 5-23 | Agon: Coda | — | ||
| 5-24 | Agon: 4 Duos | — | ||
| 5-25 | Agon: 4 Trios | — | ||
| 5-26 | REQUIEM CANTICLES: PRELUDE | — | ||
| 5-27 | REQUIEM CANTICLES: EXAUDI | — | ||
| 5-28 | Requiem Canticles: Dies irae - | — | ||
| 5-29 | Requiem Canticles: Tuba mirum | — | ||
| 5-30 | Requiem Canticles: Interlude | — | ||
| 5-31 | Requiem Canticles: Rex tremendae | — | ||
| 5-32 | Requiem Canticles: Lacrimosa | — | ||
| 5-33 | Requiem Canticles: Libera me | — | ||
| 5-34 | Requiem Canticles: Postlude | — | ||
| 5-35 | Michael Gielen Talks about Variations | — | ||
| 5-36 | Variations (Aldous Huxley in Memoriam) | — | ||
| 6-1 | Pulcinella: No. 1, Ouverture (Live) | — | ||
| 6-2 | Pulcinella: No. 2, Serenata. Larghetto. Mentre l'erbetta (Live) | — | ||
| 6-3 | Pulcinella: No. 3, Scherzino (Live) | — | ||
| 6-4 | Pulcinella: No. 4, Allegro (Live) | — | ||
| 6-5 | Pulcinella: No. 5, Andantino (Live) | — | ||
| 6-6 | Pulcinella: No. 6, Allegro (Live) | — | ||
| 6-7 | Pulcinella: No. 7, Ancora poco meno. Contento forse vivere (Live) | — | ||
| 6-8 | Pulcinella: No. 8, Allegro assai (Live) | — | ||
| 6-9 | Pulcinella: No. 9, Allegro. Con queste paroline (Live) | — | ||
| 6-10 | Pulcinella: No. 10, Andante. Sento dire no'nce pace (Live) | — | ||
| 6-11 | Pulcinella: No. 11, Presto. Una te fallan zemprecce (Live) | — | ||
| 6-12 | Pulcinella: No. 12, Larghetto (Live) | — | ||
| 6-13 | Pulcinella: No. 13, Allegro (Live) | — | ||
| 6-14 | Pulcinella: No. 14, Tarantella (Live) | — | ||
| 6-15 | Pulcinella: No. 15, Andantino. Se tu m'ami (Live) | — | ||
| 6-16 | Pulcinella: No. 16, Allegro (Live) | — | ||
| 6-17 | Pulcinella: No. 17, Gavotta con due variazioni (Live) | — | ||
| 6-18 | Pulcinella: No. 18, Vivo (Live) | — | ||
| 6-19 | Pulcinella: No. 19, Tempo di minuetto. Pupilette fiammette d'amore (Live) | — | ||
| 6-20 | Pulcinella: No. 20, Finale. Allegro assai (Live) | — | ||
| 6-21 | Apollon musagète, Tableau I: Prologue. The Birth of Apollo | — | ||
| 6-22 | Apollon musagète, Tableau II: Apollo's Variation | — | ||
| 6-23 | Apollon musagète, Tableau II: Pas d'action. Apollo and the Muses | — | ||
| 6-24 | Apollon musagète, Tableau II: Variation of Calliope | — | ||
| 6-25 | Apollon musagète, Tableau II: Variation of Polymnia | — | ||
| 6-26 | Apollon musagète, Tableau II: Variation of Terpsichore | — | ||
| 6-27 | Apollon musagète, Tableau II: Variation of Apollo | — | ||
| 6-28 | Apollon musagète, Tableau II: Pas de deux. Apollo and Terpsichore | — | ||
| 6-29 | Apollon musagète, Tableau II: Coda. Apollo and the Muses | — | ||
| 6-30 | Apollon musagète, Tableau II: Apotheosis. Apollo and the Muses | — | ||
| 6-31 | SCHERZO A LA RUSSE | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| CONCERTO FOR ORCHESTRA, SZ. 116: I. INTRODUZIONE: ANDANTE NON TROPPO - ALLEGRO VIVACE | — | |
| Unknown | — | |
| CONCERTO FOR ORCHESTRA, SZ. 116: III. ELEGIA: ANDANTE NON TROPPO | — | |
| CONCERTO FOR ORCHESTRA, SZ. 116: IV. INTERMEZZO INTERROTTO: ALLEGRETTO | — | |
| V. FINALE: PRESTO | T-916.326.000-2 | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| I. ANDANTE SOSTENUTO | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| MUSIC FOR STRINGS, PERCUSSION AND CELESTA, BB 114 : III. ADAGIO | — | |
| Unknown | — | |
| DANCE SUITE SZ 77 I MODERATO | — | |
| I. ALLEGRO | — | |
| Unknown | — | |
| III. ALLEGRO MOLTO | — | |
| BEGINNING | — | |
| FIRST SEDUCTION GAME: THE SHABBY OLD RAKE | — | |
| SECOND SEDUCTION GAME: THE YOUNG STUDENT | — | |
| THE MANDARIN ENTERS AND REMAINS IMMOBILE IN THE DOORWAY | — | |
| A WILD CHASE BEGINS | — | |
| AT LAST THE THREE TRAMPS (ALLEGRO MOLTO) | — | |
| SUDDENLY THE MANDARIN'S HEAD APPEARS BETWEEN THE PILLOWS AND HE LOOKS LONGINGLY AT THE GIRL | — | |
| THE TERRIFIED TRAMPS DISCUSS HOW THEY ARE TO GET RID OF THE MANDARIN | — | |
| THE BODY OF THE MANDARIN BEGINS TO GLOW WITH A GREENISH BLUE LIGHT | — | |
| THE MIRACULOUS MANDARIN, OP. 19, SZ. 73: SHE RESISTS NO LONGER – THEY EMBRACE | — | |
| Unknown | — | |
| I. (ALLEGRO) | — | |
| SYMPHONY IN 3 MOVEMENTS: II. ANDANTE | — | |
| III. CON MOTO | MICHAEL GIELEN, SOUTH WEST GERMAN RADIO SYMPHONY ORCHESTRA, BADEN-BADEN, IGOR STRAVINSKY, SOUTH WEST GERMAN RADIO SYMPHONY ORCHESTRA BADEN-BADEN MICHAEL GIELEN, SWR SINFONIEORCHESTER DES SÜDWESTRUNDFUNKS, SWR SINFONIEORCHESTER DES SÜDWESTRUNDFUNKS, MICHAEL GIELEN | — |
| SYMPHONY IN C - 1.MODERATO ALLA BREVE | T-070.275.805-1 | |
| II. LARGHETTO CONCERTANTE - DOPPIO MOVIMENTO - DOPPIO VALORE | — | |
| III. ALLEGRETTO | — | |
| IV. LARGO - TEMPO GIUSTO, ALLA BREVE | — | |
| I. EXAUDI ORATIONEM MEAM, DOMINE | — | |
| II. EXPECTANS EXPECTAVI, DOMINUM | — | |
| III. ALLELUIA. LAUDATE DOMINUM | — | |
| CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS: DEDICATIO | — | |
| CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS: EUNTES IN MUNDUM | — | |
| CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS: II. SURGE, AQUILO | — | |
| AD TRES VIRTUTES HORTATIONES: CARITAS - | — | |
| AD TRES VIRTUTES HORTATIONES: SPES - | — | |
| AD TRES VIRTUTES HORTATIONES: FIDES - | — | |
| BREVIS MOTUS CANTILENAE | — | |
| CANTICUM SACRUM AD HONOREM SANCTI MARCI NOMINIS: ILLI AUTEM PROFECTI | — | |
| Unknown | — | |
| Unknown | — | |
| AGON - 4.PRELUDE | — | |
| Unknown | — | |
| GAILLARDE | — | |
| CODA | — | |
| Unknown | — | |
| AGON - BALLET (1957) | — | |
| AGON - BALLET FOR TWELVE DANCERS: XI. BRANSLE DE POITOU | — | |
| PAS DE DEUX | — | |
| CODA | WDR SINFONIEORCHESTER KÖLN; MICHAEL GIELEN | — |
| Unknown | — | |
| AGON - BALLET FOR TWELVE DANCERS: XVI. FOUR TRIOS | — | |
| DIES IRAE - | — | |
| REQUIEM CANTICLES FOR CONTRALTO, BASS, CHORUS, AND ORCHESTRA: IV. TUBA MIRUM | — | |
| INTERLUDE | IGOR STRAVINSKY, STELLA DOUFEXIS, RUDOLF ROSEN, STUTTGART SOUTHWEST RADIO VOCAL ENSEMBLE, SOUTH WEST GERMAN RADIO SYMPHONY ORCHESTRA, MICHAEL GIELEN, STELLA DOUFEXIS, STUTTGART VOCAL ENSEMBLE STELLA DOUFEXIS SOUTH WEST GERMAN RADIO SYMPHONY ORCHESTRA RUDOLF ROSEN MICHAEL GIELEN, WDR SINFONIEORCHESTER KÖLN | T-010.150.643-7 |
| REQUIEM CANTICLES FOR CONTRALTO, BASS, CHORUS, AND ORCHESTRA: VI. REX TREMENDAE | — | |
| LACRIMOSA | — | |
| LIBERA ME | T-932.014.793-1 | |
| POSTLUDE | — | |
| Unknown | — | |
| "VARIATIONS, ""ALDOUS HUXLEY IN MEMORIAM""" | — | |
| OUVERTURE | T-003.143.988-9 | |
| Unknown | — | |
| PULCINELLA: SCHERZINO | T-918.612.201-0 | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| PULCINELLA: ALLEGRO ASSAI | RADIO-SINFONIEORCHESTER STUTTGART DES SWR | T-306.395.786-4 |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| PULCINELLA: TARANTELLA | — | |
| Unknown | — | |
| Unknown | — | |
| Unknown | — | |
| PULCINELLA: VIVO | — | |
| Unknown | — | |
| Unknown | — | |
| TABLEAU I: PROLOGUE: THE BIRTH OF APOLLO | — | |
| TABLEAU II: APOLLO'S VARIATION | — | |
| TABLEAU II: PAS D'ACTION: APOLLO AND THE MUSES | — | |
| TABLEAU II: VARIATION OF CALLIOPE | — | |
| Unknown | — | |
| Unknown | — | |
| TABLEAU II: VARIATION OF APOLLO | — | |
| TABLEAU II: PAS DE DEUX: APOLLO AND TERPSICHORE | — | |
| TABLEAU II: CODA: APOLLO AND THE MUSES | — | |
| TABLEAU II: APOTHEOSIS: APOLLO AND THE MUSES | — |
