UPC · Release
Michael Gielen Edition, Vol. 4 (1968–2014)
Berlioz, Dvořák, Liszt, Mendelssohn, Rachmaninov, Schumann, Smetana, Strauß Jr., Suk, Tschaikowsky, Wagner, Weber, Michael Gielen, SWR Sinfonieorchester Baden‐Baden und Freiburg, Rundfunk‐Sinfonieorchester Saarbrücken, Radio‐Sinfonieorchester Stuttgart des SWR, Heinrich Schiff, Josef Suk, Ludwig Hoffmann
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747313902880 is the Universal Product Code (UPC barcode) for the release “Michael Gielen Edition, Vol. 4 (1968–2014)” by Berlioz, Dvořák, Liszt, Mendelssohn, Rachmaninov, Schumann, Smetana, Strauß Jr., Suk, Tschaikowsky, Wagner, Weber, Michael Gielen, SWR Sinfonieorchester Baden‐Baden und Freiburg, Rundfunk‐Sinfonieorchester Saarbrücken, Radio‐Sinfonieorchester Stuttgart des SWR, Heinrich Schiff, Josef Suk, Ludwig Hoffmann, released 2017-01-01 on SWR Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 73 tracks, each with its own ISRC.
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Track List (73)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | A Midsummer Night's Dream Overture, op. 21, MWV P 3 | — | ||
| 2 | The Bartered Bride, JB 1:100: Overture | — | ||
| 3 | 2 Episoden aus Lenau's Faust, S. 110: No. 2, Der Tanz in der Dorfschenke (Mephisto Waltz no. 1) | — | ||
| 4 | Lohengrin, WWV 75: Prelude to Act I | — | ||
| 5 | Lohengrin, WWV 75: Prelude to Act III | — | ||
| 6 | Die Meistersinger von Nürnberg, WWV 96: Prelude | — | ||
| 7 | Le Carnaval romain, op. 9, H. 95 | — | ||
| 8 | Der Freischütz, op. 77, J. 277: Overture (Live) | — | ||
| 9 | Kaiser-Walzer, op. 437 (Excerpt) [Live] | — | ||
| 2-1 | Szenen aus Goethes Faust, WoO 3: Ouvertüre (Live) | — | ||
| 2-2 | Szenen aus Goethes Faust, WoO 3, Pt. 1: I. Szene im Garten (Live) | — | ||
| 2-3 | Szenen aus Goethes Faust, WoO 3, Pt. 1: II. Gretchen vor dem Bild der Mater Dolorosa (Live) | — | ||
| 2-4 | Szenen aus Goethes Faust, WoO 3, Pt. 1: III. Szene im Dom (Live) | — | ||
| 2-5 | Szenen aus Goethes Faust, WoO 3, Pt. 2: IV. Sonnenaufgang (Live) | — | ||
| 2-6 | Szenen aus Goethes Faust, WoO 3, Pt. 2: V. Mitternacht (Live) | — | ||
| 2-7 | Szenen aus Goethes Faust, WoO 3, Pt. 2: VI. Fausts Tod (Live) | — | ||
| 2-8 | Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklärung": VII. Waldung, sie schwankt heran (Live) | — | ||
| 2-9 | Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklärung": VII. Ewiger Wonnebrand (Live) | — | ||
| 2-10 | Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklärung": VII. Wie Felsenabgrund mir zu Füßen (Live) | — | ||
| 3-1 | Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklärung": VII. Gerettet ist das edle Glied (Live) | — | ||
| 3-2 | Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklärung": VII. Hier ist die Aussicht frei (Live) | — | ||
| 3-3 | Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklärung": VII. Dir, der Unberührbaren (Live) | — | ||
| 3-4 | Szenen aus Goethes Faust, WoO 3, Pt. 3 "Fausts Verklärung": VII. Alles Vergängliche ist nur ein Gleichnis (Live) | — | ||
| 3-5 | Manfred, Op. 115: Overture | — | ||
| 3-6 | Die Braut von Messina, Op. 100 (Live) | — | ||
| 3-7 | Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Ed. G. Mahler): I. Andante un poco maestoso - Allegro molto vivace [Live] | — | ||
| 3-8 | Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Ed. G. Mahler): II. Larghetto [Live] | — | ||
| 3-9 | Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Ed. G. Mahler): III. Scherzo. Molto vivace [Live] | — | ||
| 3-10 | Symphony No. 1 in B-Flat Major, Op. 38 "Spring" (Ed. G. Mahler): IV. Allegro animato e grazioso [Live] | — | ||
| 4-1 | Piano Concerto no. 2 in E‐flat major, op. 32, J. 155: I. Allegro maestoso | — | ||
| 4-2 | Piano Concerto no. 2 in E‐flat major, op. 32, J. 155: II. Adagio | — | ||
| 4-3 | Piano Concerto no. 2 in E‐flat major, op. 32, J. 155: III. Rondo. Presto | — | ||
| 4-4 | Symphonie fantastique, op. 14, H. 48: I. Rêveries – Passions (Live) | — | ||
| 4-5 | Symphonie fantastique, op. 14, H. 48: II. Un bal (Valse) [Live] | — | ||
| 4-6 | Symphonie fantastique, op. 14, H. 48: III. Scène aux champs (Live) | — | ||
| 4-7 | Symphonie fantastique, op. 14, H. 48: IV. Marche au supplice (Live) | — | ||
| 4-8 | Symphonie fantastique, op. 14, H. 48: V. Songe d’une nuit du sabbat (Live) | — | ||
| 5-1 | Violin Concerto in A Minor, Op. 53, B. 108: I. Allegro ma non troppo (Live) | — | ||
| 5-2 | Violin Concerto in A Minor, Op. 53, B. 108: II. Adagio ma non troppo (Live) | — | ||
| 5-3 | Violin Concerto in A Minor, Op. 53, B. 108: III. Finale. Allegro giocoso, ma non troppo (Live) | — | ||
| 5-4 | Symphony No. 7 in D Minor, Op. 70, B. 141: I. Allegro maestoso (Live) | — | ||
| 5-5 | Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio (Live) | — | ||
| 5-6 | Symphony No. 7 in D Minor, Op. 70, B. 141: III. Scherzo. Vivace - Poco meno mosso (Live) | — | ||
| 5-7 | Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro (Live) | — | ||
| 6-1 | Cello Concerto in B Minor, Op. 104, B. 191: I. Allegro | — | ||
| 6-2 | Cello Concerto in B Minor, Op. 104, B. 191: II. Adagio ma non troppo | — | ||
| 6-3 | Cello Concerto in B Minor, Op. 104, B. 191: III. Finale. Allegro moderato | — | ||
| 6-4 | Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": I. Adagio - Allegro non troppo | — | ||
| 6-5 | Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": II. Allegro con grazia | — | ||
| 6-6 | Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": III. Allegro molto vivace | — | ||
| 6-7 | Symphony No. 6 in B Minor, Op. 74, TH 30 "Pathétique": IV. Finale. Adagio lamentoso | — | ||
| 7-1 | Symphony No. 4 in F Minor, Op. 36, TH 27: I. Andante sostenuto - Moderato con anima (Live) | — | ||
| 7-2 | Symphony No. 4 in F Minor, Op. 36, TH 27: II. Andantino in modo di canzona (Live) | — | ||
| 7-3 | Symphony No. 4 in F Minor, Op. 36, TH 27: III. Scherzo. Pizzicato ostinato (Live) | — | ||
| 7-4 | Symphony No. 4 in F Minor, Op. 36, TH 27: IV. Finale. Allegro con fuoco (Live) | — | ||
| 7-5 | Tristan und Isolde, WWV 90: Prelude | — | ||
| 7-6 | Tristan und Isolde, WWV 90: Isoldes Liebestod (Arr. for Orchestra) | — | ||
| 8-1 | Grande messe des morts, op. 5, H. 75 (Requiem): I. Requiem et Kyrie (live) | — | ||
| 8-2 | Grande messe des morts, op. 5, H. 75 (Requiem): II. Dies irae – Tuba mirum (live) | — | ||
| 8-3 | Grande messe des morts, op. 5, H. 75 (Requiem): III. Quid sum miser (live) | — | ||
| 8-4 | Grande messe des morts, op. 5, H. 75 (Requiem): IV. Rex tremendae (live) | — | ||
| 8-5 | Grande messe des morts, op. 5, H. 75 (Requiem): V. Quaerens me (live) | — | ||
| 8-6 | Grande messe des morts, op. 5, H. 75 (Requiem): VI. Lacrymosa (live) | — | ||
| 8-7 | Grande messe des morts, op. 5, H. 75 (Requiem): VII. Offertorium (live) | — | ||
| 8-8 | Grande messe des morts, op. 5, H. 75 (Requiem): VIII. Hostias (live) | — | ||
| 8-9 | Grande messe des morts, op. 5, H. 75 (Requiem): IX. Sanctus (live) | — | ||
| 8-10 | Grande messe des morts, op. 5, H. 75 (Requiem): X. Agnus Dei (live) | — | ||
| 9-1 | Isle of the Dead, Op. 29 | — | ||
| 9-2 | A Summer's Tale, Op. 29: I. Voices of Life & Consolation | — | ||
| 9-3 | A Summer's Tale, Op. 29: II. Midday | — | ||
| 9-4 | A Summer's Tale, Op. 29: III. Intermezzo. Blind Musicians | — | ||
| 9-5 | A Summer's Tale, Op. 29: IV. in the Power of Phantoms | — | ||
| 9-6 | A Summer's Tale, Op. 29: V. Night | — |
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What is UPC 747313902880?
747313902880 is a Universal Product Code (UPC) assigned to Michael Gielen Edition, Vol. 4 (1968–2014) by Berlioz, Dvořák, Liszt, Mendelssohn, Rachmaninov, Schumann, Smetana, Strauß Jr., Suk, Tschaikowsky, Wagner, Weber, Michael Gielen, SWR Sinfonieorchester Baden‐Baden und Freiburg, Rundfunk‐Sinfonieorchester Saarbrücken, Radio‐Sinfonieorchester Stuttgart des SWR, Heinrich Schiff, Josef Suk, Ludwig Hoffmann. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 73 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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