UPC · Release
Les Ballets Russes
Stravinsky, Dukas, Ravel, Poulenc, Schmitt, Tchaikovsky, de Falla, Prokofiev, Strauss, Auric, Rimsky-Korsakov, Milhaud, Tommasini, Sauguet, SWR Sinfonieorchester Baden‐Baden und Freiburg, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
747313943180
182 tracksReleased 2022-01-01SWR Classic
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747313943180 is the Universal Product Code (UPC barcode) for the release “Les Ballets Russes” by Stravinsky, Dukas, Ravel, Poulenc, Schmitt, Tchaikovsky, de Falla, Prokofiev, Strauss, Auric, Rimsky-Korsakov, Milhaud, Tommasini, Sauguet, SWR Sinfonieorchester Baden‐Baden und Freiburg, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, released 2022-01-01 on SWR Classic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 182 tracks, each with its own ISRC.
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UPCLes Ballets Russes
IPI7 songwriters
Track List (182)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Introduction | — | ||
| 2 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Les Augures printaniers (Dances des adolescentes) | — | ||
| 3 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeu du rapt | — | ||
| 4 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Rondes pinrtanières | — | ||
| 5 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeux des cités rivales | — | ||
| 6 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Cortège du Sage | — | ||
| 7 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Le Sage | — | ||
| 8 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Danse de la terre | — | ||
| 9 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Introduction | — | ||
| 10 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Cercles mystérieux des adolescentes | — | ||
| 11 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Glorification de l'Élue | — | ||
| 12 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Évocation des ancétres | — | ||
| 13 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Action rituelle des ancétres | — | ||
| 14 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Danse sacrale (L'Élue) | — | ||
| 15 | Jeux - Poème dansè | — | ||
| 16 | Fanfare pour précéder La Péri | — | ||
| 17 | La Péri - Poéme dansé | — | ||
| 2-1 | Daphnis et Chloé, M. 57, Pt. 1: No. 1, Introduction et danse religieuse | — | ||
| 2-2 | Daphnis et Chloé, M. 57, Pt. 1: No. 2, Danse générale | — | ||
| 2-3 | Daphnis et Chloé, M. 57, Pt. 1: No. 3, Danse grotesque de Dorcon | — | ||
| 2-4 | Daphnis et Chloé, M. 57, Pt. 1: No. 4, Danse légère et gracieuse de Daphnis | — | ||
| 2-5 | Daphnis et Chloé, M. 57, Pt. 1: No. 5, Danse de Lycénion | — | ||
| 2-6 | Daphnis et Chloé, M. 57, Pt. 1: No. 6, Danse lente et mystérieuse des nymphes | — | ||
| 2-7 | Daphnis et Chloé, M. 57, Pt. 2: No. 7, Introduction | — | ||
| 2-8 | Daphnis et Chloé, M. 57, Pt. 2: No. 8, Danse guerrière | — | ||
| 2-9 | Daphnis et Chloé, M. 57, Pt. 2: No. 9, Danse suppliante de Chloé | — | ||
| 2-10 | Daphnis et Chloé, M. 57, Pt. 3: No. 10, Lever du jour | — | ||
| 2-11 | Daphnis et Chloé, M. 57, Pt. 3: No. 11, Pantomime | — | ||
| 2-12 | Daphnis et Chloé, M. 57, Pt. 3: No. 12, Danse générale | — | ||
| 2-13 | Les biches, FP 36: Rondeau. Très lent - Subito allegro molto | — | ||
| 2-14 | Les biches, FP 36: Adagietto | — | ||
| 2-15 | Les biches, FP 36: Rag-mazurka. Presto | — | ||
| 2-16 | Les biches, FP 36: Andantino | — | ||
| 2-17 | Les biches, FP 36: Final. Presto | — | ||
| 3-1 | Prélude à l'après-midi d'un faune | — | ||
| 3-2 | La Tragédie de Salomé, op. 50: I. Prélude | — | ||
| 3-3 | La Tragédie de Salomé, op. 50: II. Danse des Perles | — | ||
| 3-4 | La Tragédie de Salomé, op. 50: III. Les Enchantements sur la mer | — | ||
| 3-5 | La Tragédie de Salomé, op. 50: IV. Danse des éclairs | — | ||
| 3-6 | La Tragédie de Salomé, op. 50: V. Danse de l'effroi | — | ||
| 3-7 | Pétrouchka: Fête populaire de la semaine grasse | — | ||
| 3-8 | Pétrouchka: Chez Pétrouchka | — | ||
| 3-9 | Pétrouchka: Chez le Maure | — | ||
| 3-10 | Pétrouchka: Fête populaire de la semaine grasse | — | ||
| 4-1 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 1. Scene | — | ||
| 4-2 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 2. Valse | — | ||
| 4-3 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 4. Pas de Trois | — | ||
| 4-4 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 8. Dance of the Goblets: Tempo Di Polacca | — | ||
| 4-5 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 9. Finale: Andante: The Flight of Swans | — | ||
| 4-6 | Swan Lake, Op. 20 : Act II, By a Lake: No. 13. Dances of the Swans: IV. Allegro Moderato | — | ||
| 4-7 | Swan Lake, Op. 20 : Act II, By a Lake: No. 13. Dances of the Swans: V. Andante - Allegro | — | ||
| 4-8 | Swan Lake, Op. 20 : Act III, In the Castle of Prince Siegfried: A Ball At the Castle: No. 22. Neapolitan Dance: Allegro Moderato - Andantino | — | ||
| 4-9 | Swan Lake, Op. 20 : Act IV, By the Lake: No. 28. Scene: Allegro Agitato | — | ||
| 4-10 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act II: Variation D'Aurore | — | ||
| 4-11 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act II: Entr'acte | — | ||
| 4-12 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act III: Bluebird Pas de Deux | — | ||
| 4-13 | Chant Du Rossignol (Song of the Nightingale): Introduction | — | ||
| 4-14 | Chant Du Rossignol (Song of the Nightingale): Marche Chinoise | — | ||
| 4-15 | Chant Du Rossignol (Song of the Nightingale): Le Chant Du Rossignol | — | ||
| 4-16 | Chant Du Rossignol (Song of the Nightingale): Le Jeu Du Rossignol Mecanique | — | ||
| 5-1 | El Sombrero de Tres Picos: Introducciòn | — | ||
| 5-2 | El Sombrero de Tres Picos, Pt. 1: La Tarde | — | ||
| 5-3 | El Sombrero de Tres Picos, Pt. 1: Danza de la Molinera | — | ||
| 5-4 | El Sombrero de Tres Picos, Pt. 1: Las Uvas | — | ||
| 5-5 | El Sombrero de Tres Picos, Pt. 2: Danza de los Vecinos | — | ||
| 5-6 | El Sombrero de Tres Picos, Pt. 2: Danza de la Molinero | — | ||
| 5-7 | El Sombrero de Tres Picos, Pt. 2: Danza del Corregidor | — | ||
| 5-8 | El Sombrero de Tres Picos, Pt. 2: Danza final | — | ||
| 5-9 | Chout Suite, Op. 21bis: I. The Buffoon and his Wife | — | ||
| 5-10 | Chout Suite, Op. 21bis: II. Dance of the Wives | — | ||
| 5-11 | Chout Suite, Op. 21bis: III. The Buffoons Kill Their Wives | — | ||
| 5-12 | Chout Suite, Op. 21bis: IV. The Buffoon as a Young Woman | — | ||
| 5-13 | Chout Suite, Op. 21bis: V. Third Entr'acte | — | ||
| 5-14 | Chout Suite, Op. 21bis: VI. Dance of the Buffoon's Daughters | — | ||
| 5-15 | Chout Suite, Op. 21bis: VII. Arrival of the Merchant, Dance of Greeting | — | ||
| 5-16 | Chout Suite, Op. 21bis: VIII. In the Merchant's Bedroom | — | ||
| 5-17 | Chout Suite, Op. 21bis: IX. The Young Woman Becomes a Goat | — | ||
| 5-18 | Chout Suite, Op. 21bis: X. Fifth Entr'acte and the Burial of the Goat | — | ||
| 5-19 | Chout Suite, Op. 21bis: XI. Quarell of the Buffoon and the Merchant | — | ||
| 5-20 | Chout Suite, Op. 21bis: XII. Final Dance | — | ||
| 6-1 | Pulcinella, K034: Overture. Allegro moderato | — | ||
| 6-2 | Pulcinella, K034: Serenata. Larghetto. "Mentre l'erbetta" | — | ||
| 6-3 | Pulcinella, K034: Scherzino. Allegro | — | ||
| 6-4 | Pulcinella, K034: Ancora poco meno. "Contento forse vivere" | — | ||
| 6-5 | Pulcinella, K034: Allegro assai | — | ||
| 6-6 | Pulcinella, K034: Allegro - Alla breve. "Con queste paroline" | — | ||
| 6-7 | Pulcinella, K034: Andante. "Sento dire no'ncè pace" | — | ||
| 6-8 | Pulcinella, K034: "Chi disse ca la femmena" | — | ||
| 6-9 | Pulcinella, K034: Allegro. "Ncè sta quaccuna po" | — | ||
| 6-10 | Pulcinella, K034: Presto. "Una te fallan zemprecce" | — | ||
| 6-11 | Pulcinella, K034: Allegro – Alla breve | — | ||
| 6-12 | Pulcinella, K034: Tarantella | — | ||
| 6-13 | Pulcinella, K034: Andantino. "Se tu m'ami" | — | ||
| 6-14 | Pulcinella, K034: Allegro | — | ||
| 6-15 | Pulcinella, K034: Gavotta con due variazioni | — | ||
| 6-16 | Pulcinella, K034: Vivo | — | ||
| 6-17 | Pulcinella, K034: Tempo di minuetto. "Pupillette, fiammette d'amore" | — | ||
| 6-18 | Pulcinella, K034: Finale. Allegro assai | — | ||
| 6-19 | Feu d'artifice, Op. 4, K007 | — | ||
| 6-20 | Till Eulenspiegel's Merry Pranks, Op. 28, TrV 171 | — | ||
| 6-21 | La valse, M. 72 | — | ||
| 7-1 | Les fâcheux | — | ||
| 7-2 | La Pastorale: Prélude | — | ||
| 7-3 | La Pastorale: Allegro commodo | — | ||
| 7-4 | La Pastorale: Andantino con moto | — | ||
| 7-5 | La Pastorale: Moderato (1) | — | ||
| 7-6 | La Pastorale: — (1) | — | ||
| 7-7 | La Pastorale: Presto | — | ||
| 7-8 | La Pastorale: Allegro con brio | — | ||
| 7-9 | La Pastorale: — (2) | — | ||
| 7-10 | La Pastorale: Lento ma non troppo | — | ||
| 7-11 | La Pastorale: Presto subito | — | ||
| 7-12 | La Pastorale: Tempo di walz, paisiblement | — | ||
| 7-13 | La Pastorale: Moderato (2) | — | ||
| 7-14 | La Pastorale: Moderato (3) | — | ||
| 8-1 | Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | — | ||
| 8-2 | Scheherazade, Op. 35: II. The Legend of the Kalendar Prince | — | ||
| 8-3 | Scheherazade, Op. 35: III. The Young Prince and The Young Princess | — | ||
| 8-4 | Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - Ship Breaks Upon a Cliff Surmounted by a Bronze Horseman | — | ||
| 8-5 | Scythian Suite for Large Orchestra, Op. 20: I. Adoration of Veless and Ala | — | ||
| 8-6 | Scythian Suite for Large Orchestra, Op. 20: II. The Enemy of God and the Dance of the Spirits | — | ||
| 8-7 | Scythian Suite for Large Orchestra, Op. 20: III. Night | — | ||
| 8-8 | Scythian Suite for Large Orchestra, Op. 20: IV. Lolly's Departure and the Sun's Procession | — | ||
| 9-1 | Le train bleu: Introduction | — | ||
| 9-2 | Le train bleu: Chœur des poules et des gigolos | — | ||
| 9-3 | Le train bleu: Entrée de Beau Gosse | — | ||
| 9-4 | Le train bleu: Entrée de Perlouse | — | ||
| 9-5 | Le train bleu: Rentrée de Beau Gosse | — | ||
| 9-6 | Le train bleu: Chœur des poules et des gigolos - Farce des cabines et scène de l’avion | — | ||
| 9-7 | Le train bleu: Entrée de la championne de tennis - Et couplet avec Beau Gosse | — | ||
| 9-8 | Le train bleu: Entrée du joueur de golf et valse avec Perlouse | — | ||
| 9-9 | Le train bleu: Introduction et duo de Beau Gosse et de Perlouse | — | ||
| 9-10 | Le train bleu: Chœur des poules et des gigolos - Fugue de l’engueulade | — | ||
| 9-11 | Le train bleu: Final du chapeau | — | ||
| 9-12 | The Good-Humoured Ladies Suite: I. Overture - II. Presto (Arr. V. Tommasini for Orchestra) | — | ||
| 9-13 | The Good-Humoured Ladies Suite: III. Allegro (Arr. V. Tommasini for Orchestra) | — | ||
| 9-14 | The Good-Humoured Ladies Suite: IV. Andante (Arr. V. Tommasini for Orchestra) | — | ||
| 9-15 | The Good-Humoured Ladies Suite: V. Non presto, in tempo di ballo (Arr. V. Tommasini for Orchestra) | — | ||
| 9-16 | The Good-Humoured Ladies Suite: VI. Presto (Arr. V. Tommasini for Orchestra) | — | ||
| 9-17 | La chatte: Ouverture | — | ||
| 9-18 | La chatte: Jeux des garçons - Allegro | — | ||
| 9-19 | La chatte: Invocation à Aphrodite - Andante ma non troppo | — | ||
| 9-20 | La chatte: La métamorphose | — | ||
| 9-21 | La chatte: Danse de la chatte | — | ||
| 9-22 | La chatte: Adagio | — | ||
| 9-23 | La chatte: Retour des garçons - Allegretto | — | ||
| 9-24 | La chatte: Scherzo - Vivace | — | ||
| 9-25 | La chatte: Hymne Final | — | ||
| 10-1 | The Firebird, K010, Scene 1: Introduction | — | ||
| 10-2 | The Firebird, K010, Scene 1: Night. Kastchei's Enchanted Garden | — | ||
| 10-3 | The Firebird, K010, Scene 1: The Firebird Enters, Pursued by Ivan Tsarevich | — | ||
| 10-4 | The Firebird, K010, Scene 1: The Firebird's Dance | — | ||
| 10-5 | The Firebird, K010, Scene 1: Ivan Tsarevich Captures the Firebird | — | ||
| 10-6 | The Firebird, K010, Scene 1: The Firebird Begs to be Released | — | ||
| 10-7 | The Firebird, K010, Scene 1: Entrance of the 13 Enchanted Princesses | — | ||
| 10-8 | The Firebird, K010, Scene 1: The Princesses Play with the Golden Apples | — | ||
| 10-9 | The Firebird, K010, Scene 1: Ivan Tsarevich Appears | — | ||
| 10-10 | The Firebird, K010, Scene 1: The Princesses' Khorovod | — | ||
| 10-11 | The Firebird, K010, Scene 1: Daybreak | — | ||
| 10-12 | The Firebird, K010, Scene 1: Ivan Tsarevich, Entering Kastchei's Palace | — | ||
| 10-13 | The Firebird, K010, Scene 1: Magic Carillon - Appearance of Kastchei's Guardian Monsters - Capture of Ivan Tsarevich | — | ||
| 10-14 | The Firebird, K010, Scene 1: The Entrance of Kastchei the Immortal | — | ||
| 10-15 | The Firebird, K010, Scene 1: Dialogue Between Kastchei & Ivan Tsarevich | — | ||
| 10-16 | The Firebird, K010, Scene 1: The Princesses Plead for Mercy | — | ||
| 10-17 | The Firebird, K010, Scene 1: The Firebird Enters | — | ||
| 10-18 | The Firebird, K010, Scene 1: Dance of Kastchei's Retinue Under the Firebird's Magic Spell | — | ||
| 10-19 | The Firebird, K010, Scene 1: Infernal Dance of Kastchei & His Subjects Under the Firebird's Magic Spell | — | ||
| 10-20 | The Firebird, K010, Scene 1: The Firebird's Lullaby | — | ||
| 10-21 | The Firebird, K010, Scene 1: Kastchei Awakens | — | ||
| 10-22 | The Firebird, K010, Scene 1: Kastchei's Death | — | ||
| 10-23 | The Firebird, K010, Scene 1: Profound Darkness | — | ||
| 10-24 | The Firebird, K010, Scene 2: Collapse of Kashchei's Palace & Dissolution of All Enchantments - Reanimation of the Petrified Prisoners - General Rejoicing | — | ||
| 10-25 | Apollon musagète, K048, Scene 1: Prologue. The Birth of Apollo | — | ||
| 10-26 | Apollon musagète, K048, Scene 2: First Variation of Apollo | — | ||
| 10-27 | Apollon musagète, K048, Scene 2: Pas d'action (Apollo and the Three Muses) | — | ||
| 10-28 | Apollon musagète, K048, Scene 2: Variation of Calliope (The Alexandrine) | — | ||
| 10-29 | Apollon musagète, K048, Scene 2: Variation of Polyhymnia | — | ||
| 10-30 | Apollon musagète, K048, Scene 2: Variation of Terpsichore | — | ||
| 10-31 | Apollon musagète, K048, Scene 2: Second Variation of Apollo | — | ||
| 10-32 | Apollon musagète, K048, Scene 2: Pas de deux | — | ||
| 10-33 | Apollon musagète, K048, Scene 2: Coda | — | ||
| 10-34 | Apollon musagète, K048, Scene 2: Apotheosis | — |
Le Sacre du printemps: Première Partie. L'adoration de la terre. Introduction
—
Le Sacre du printemps: Première Partie. L'adoration de la terre. Les Augures printaniers (Dances des adolescentes)
—
Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeu du rapt
—
Le Sacre du printemps: Première Partie. L'adoration de la terre. Rondes pinrtanières
—
Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeux des cités rivales
—
Le Sacre du printemps: Première Partie. L'adoration de la terre. Cortège du Sage
—
Le Sacre du printemps: Première Partie. L'adoration de la terre. Le Sage
—
Le Sacre du printemps: Première Partie. L'adoration de la terre. Danse de la terre
—
Le Sacre du printemps: Seconde Partie. Le sacrifice. Introduction
—
Le Sacre du printemps: Seconde Partie. Le sacrifice. Cercles mystérieux des adolescentes
—
Le Sacre du printemps: Seconde Partie. Le sacrifice. Glorification de l'Élue
—
Le Sacre du printemps: Seconde Partie. Le sacrifice. Évocation des ancétres
—
Le Sacre du printemps: Seconde Partie. Le sacrifice. Action rituelle des ancétres
—
Le Sacre du printemps: Seconde Partie. Le sacrifice. Danse sacrale (L'Élue)
—
Jeux - Poème dansè
—
Fanfare pour précéder La Péri
—
La Péri - Poéme dansé
—
Daphnis et Chloé, M. 57, Pt. 1: No. 1, Introduction et danse religieuse
—
Daphnis et Chloé, M. 57, Pt. 1: No. 2, Danse générale
—
Daphnis et Chloé, M. 57, Pt. 1: No. 3, Danse grotesque de Dorcon
—
Daphnis et Chloé, M. 57, Pt. 1: No. 4, Danse légère et gracieuse de Daphnis
—
Daphnis et Chloé, M. 57, Pt. 1: No. 5, Danse de Lycénion
—
Daphnis et Chloé, M. 57, Pt. 1: No. 6, Danse lente et mystérieuse des nymphes
—
Daphnis et Chloé, M. 57, Pt. 2: No. 7, Introduction
—
Daphnis et Chloé, M. 57, Pt. 2: No. 8, Danse guerrière
—
Daphnis et Chloé, M. 57, Pt. 2: No. 9, Danse suppliante de Chloé
—
Daphnis et Chloé, M. 57, Pt. 3: No. 10, Lever du jour
—
Daphnis et Chloé, M. 57, Pt. 3: No. 11, Pantomime
—
Daphnis et Chloé, M. 57, Pt. 3: No. 12, Danse générale
—
Les biches, FP 36: Rondeau. Très lent - Subito allegro molto
—
Les biches, FP 36: Adagietto
—
Les biches, FP 36: Rag-mazurka. Presto
—
Les biches, FP 36: Andantino
—
Les biches, FP 36: Final. Presto
—
Prélude à l'après-midi d'un faune
—
La Tragédie de Salomé, op. 50: I. Prélude
—
La Tragédie de Salomé, op. 50: II. Danse des Perles
—
La Tragédie de Salomé, op. 50: III. Les Enchantements sur la mer
—
La Tragédie de Salomé, op. 50: IV. Danse des éclairs
—
La Tragédie de Salomé, op. 50: V. Danse de l'effroi
—
Pétrouchka: Fête populaire de la semaine grasse
—
Pétrouchka: Chez Pétrouchka
—
Pétrouchka: Chez le Maure
—
Pétrouchka: Fête populaire de la semaine grasse
—
Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 1. Scene
—
Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 2. Valse
—
Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 4. Pas de Trois
—
Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 8. Dance of the Goblets: Tempo Di Polacca
—
Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 9. Finale: Andante: The Flight of Swans
—
Swan Lake, Op. 20 : Act II, By a Lake: No. 13. Dances of the Swans: IV. Allegro Moderato
—
Swan Lake, Op. 20 : Act II, By a Lake: No. 13. Dances of the Swans: V. Andante - Allegro
—
Swan Lake, Op. 20 : Act III, In the Castle of Prince Siegfried: A Ball At the Castle: No. 22. Neapolitan Dance: Allegro Moderato - Andantino
—
Swan Lake, Op. 20 : Act IV, By the Lake: No. 28. Scene: Allegro Agitato
—
The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act II: Variation D'Aurore
—
The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act II: Entr'acte
—
The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act III: Bluebird Pas de Deux
—
Chant Du Rossignol (Song of the Nightingale): Introduction
—
Chant Du Rossignol (Song of the Nightingale): Marche Chinoise
—
Chant Du Rossignol (Song of the Nightingale): Le Chant Du Rossignol
—
Chant Du Rossignol (Song of the Nightingale): Le Jeu Du Rossignol Mecanique
—
El Sombrero de Tres Picos: Introducciòn
—
El Sombrero de Tres Picos, Pt. 1: La Tarde
—
El Sombrero de Tres Picos, Pt. 1: Danza de la Molinera
—
El Sombrero de Tres Picos, Pt. 1: Las Uvas
—
El Sombrero de Tres Picos, Pt. 2: Danza de los Vecinos
—
El Sombrero de Tres Picos, Pt. 2: Danza de la Molinero
—
El Sombrero de Tres Picos, Pt. 2: Danza del Corregidor
—
El Sombrero de Tres Picos, Pt. 2: Danza final
—
Chout Suite, Op. 21bis: I. The Buffoon and his Wife
—
Chout Suite, Op. 21bis: II. Dance of the Wives
—
Chout Suite, Op. 21bis: III. The Buffoons Kill Their Wives
—
Chout Suite, Op. 21bis: IV. The Buffoon as a Young Woman
—
Chout Suite, Op. 21bis: V. Third Entr'acte
—
Chout Suite, Op. 21bis: VI. Dance of the Buffoon's Daughters
—
Chout Suite, Op. 21bis: VII. Arrival of the Merchant, Dance of Greeting
—
Chout Suite, Op. 21bis: VIII. In the Merchant's Bedroom
—
Chout Suite, Op. 21bis: IX. The Young Woman Becomes a Goat
—
Chout Suite, Op. 21bis: X. Fifth Entr'acte and the Burial of the Goat
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Chout Suite, Op. 21bis: XI. Quarell of the Buffoon and the Merchant
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Chout Suite, Op. 21bis: XII. Final Dance
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Pulcinella, K034: Overture. Allegro moderato
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Pulcinella, K034: Serenata. Larghetto. "Mentre l'erbetta"
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Pulcinella, K034: Scherzino. Allegro
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Pulcinella, K034: Ancora poco meno. "Contento forse vivere"
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Pulcinella, K034: Allegro assai
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Pulcinella, K034: Allegro - Alla breve. "Con queste paroline"
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Pulcinella, K034: Andante. "Sento dire no'ncè pace"
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Pulcinella, K034: "Chi disse ca la femmena"
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Pulcinella, K034: Allegro. "Ncè sta quaccuna po"
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Pulcinella, K034: Presto. "Una te fallan zemprecce"
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Pulcinella, K034: Allegro – Alla breve
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Pulcinella, K034: Tarantella
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Pulcinella, K034: Andantino. "Se tu m'ami"
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Pulcinella, K034: Allegro
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Pulcinella, K034: Gavotta con due variazioni
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Pulcinella, K034: Vivo
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Pulcinella, K034: Tempo di minuetto. "Pupillette, fiammette d'amore"
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Pulcinella, K034: Finale. Allegro assai
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Feu d'artifice, Op. 4, K007
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Till Eulenspiegel's Merry Pranks, Op. 28, TrV 171
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La valse, M. 72
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Les fâcheux
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La Pastorale: Prélude
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La Pastorale: Allegro commodo
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La Pastorale: Andantino con moto
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La Pastorale: Moderato (1)
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La Pastorale: — (1)
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La Pastorale: Presto
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La Pastorale: Allegro con brio
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La Pastorale: — (2)
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La Pastorale: Lento ma non troppo
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La Pastorale: Presto subito
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La Pastorale: Tempo di walz, paisiblement
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La Pastorale: Moderato (2)
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La Pastorale: Moderato (3)
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Scheherazade, Op. 35: I. The Sea and Sinbad's Ship
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Scheherazade, Op. 35: II. The Legend of the Kalendar Prince
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Scheherazade, Op. 35: III. The Young Prince and The Young Princess
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Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - Ship Breaks Upon a Cliff Surmounted by a Bronze Horseman
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Scythian Suite for Large Orchestra, Op. 20: I. Adoration of Veless and Ala
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Scythian Suite for Large Orchestra, Op. 20: II. The Enemy of God and the Dance of the Spirits
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Scythian Suite for Large Orchestra, Op. 20: III. Night
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Scythian Suite for Large Orchestra, Op. 20: IV. Lolly's Departure and the Sun's Procession
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Le train bleu: Introduction
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Le train bleu: Chœur des poules et des gigolos
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Le train bleu: Entrée de Beau Gosse
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Le train bleu: Entrée de Perlouse
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Le train bleu: Rentrée de Beau Gosse
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Le train bleu: Chœur des poules et des gigolos - Farce des cabines et scène de l’avion
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Le train bleu: Entrée de la championne de tennis - Et couplet avec Beau Gosse
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Le train bleu: Entrée du joueur de golf et valse avec Perlouse
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Le train bleu: Introduction et duo de Beau Gosse et de Perlouse
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Le train bleu: Chœur des poules et des gigolos - Fugue de l’engueulade
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Le train bleu: Final du chapeau
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The Good-Humoured Ladies Suite: I. Overture - II. Presto (Arr. V. Tommasini for Orchestra)
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The Good-Humoured Ladies Suite: III. Allegro (Arr. V. Tommasini for Orchestra)
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The Good-Humoured Ladies Suite: IV. Andante (Arr. V. Tommasini for Orchestra)
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The Good-Humoured Ladies Suite: V. Non presto, in tempo di ballo (Arr. V. Tommasini for Orchestra)
—
The Good-Humoured Ladies Suite: VI. Presto (Arr. V. Tommasini for Orchestra)
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La chatte: Ouverture
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La chatte: Jeux des garçons - Allegro
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La chatte: Invocation à Aphrodite - Andante ma non troppo
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La chatte: La métamorphose
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La chatte: Danse de la chatte
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La chatte: Adagio
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La chatte: Retour des garçons - Allegretto
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La chatte: Scherzo - Vivace
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La chatte: Hymne Final
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The Firebird, K010, Scene 1: Introduction
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The Firebird, K010, Scene 1: Night. Kastchei's Enchanted Garden
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The Firebird, K010, Scene 1: The Firebird Enters, Pursued by Ivan Tsarevich
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The Firebird, K010, Scene 1: The Firebird's Dance
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The Firebird, K010, Scene 1: Ivan Tsarevich Captures the Firebird
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The Firebird, K010, Scene 1: The Firebird Begs to be Released
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The Firebird, K010, Scene 1: Entrance of the 13 Enchanted Princesses
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The Firebird, K010, Scene 1: The Princesses Play with the Golden Apples
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The Firebird, K010, Scene 1: Ivan Tsarevich Appears
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The Firebird, K010, Scene 1: The Princesses' Khorovod
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The Firebird, K010, Scene 1: Daybreak
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The Firebird, K010, Scene 1: Ivan Tsarevich, Entering Kastchei's Palace
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The Firebird, K010, Scene 1: Magic Carillon - Appearance of Kastchei's Guardian Monsters - Capture of Ivan Tsarevich
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The Firebird, K010, Scene 1: The Entrance of Kastchei the Immortal
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The Firebird, K010, Scene 1: Dialogue Between Kastchei & Ivan Tsarevich
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The Firebird, K010, Scene 1: The Princesses Plead for Mercy
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The Firebird, K010, Scene 1: The Firebird Enters
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The Firebird, K010, Scene 1: Dance of Kastchei's Retinue Under the Firebird's Magic Spell
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The Firebird, K010, Scene 1: Infernal Dance of Kastchei & His Subjects Under the Firebird's Magic Spell
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The Firebird, K010, Scene 1: The Firebird's Lullaby
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The Firebird, K010, Scene 1: Kastchei Awakens
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The Firebird, K010, Scene 1: Kastchei's Death
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The Firebird, K010, Scene 1: Profound Darkness
—
The Firebird, K010, Scene 2: Collapse of Kashchei's Palace & Dissolution of All Enchantments - Reanimation of the Petrified Prisoners - General Rejoicing
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Apollon musagète, K048, Scene 1: Prologue. The Birth of Apollo
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Apollon musagète, K048, Scene 2: First Variation of Apollo
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Apollon musagète, K048, Scene 2: Pas d'action (Apollo and the Three Muses)
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Apollon musagète, K048, Scene 2: Variation of Calliope (The Alexandrine)
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Apollon musagète, K048, Scene 2: Variation of Polyhymnia
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Apollon musagète, K048, Scene 2: Variation of Terpsichore
—
Apollon musagète, K048, Scene 2: Second Variation of Apollo
—
Apollon musagète, K048, Scene 2: Pas de deux
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Apollon musagète, K048, Scene 2: Coda
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Apollon musagète, K048, Scene 2: Apotheosis
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What is UPC 747313943180?
747313943180 is a Universal Product Code (UPC) assigned to Les Ballets Russes by Stravinsky, Dukas, Ravel, Poulenc, Schmitt, Tchaikovsky, de Falla, Prokofiev, Strauss, Auric, Rimsky-Korsakov, Milhaud, Tommasini, Sauguet, SWR Sinfonieorchester Baden‐Baden und Freiburg, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
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