UPC · Release
Stravinsky, Dukas, Ravel, Poulenc, Schmitt, Tchaikovsky, de Falla, Prokofiev, Strauss, Auric, Rimsky-Korsakov, Milhaud, Tommasini, Sauguet, SWR Sinfonieorchester Baden‐Baden und Freiburg, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern
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747313943180 is the Universal Product Code (UPC barcode) for the release “Les Ballets Russes” by Stravinsky, Dukas, Ravel, Poulenc, Schmitt, Tchaikovsky, de Falla, Prokofiev, Strauss, Auric, Rimsky-Korsakov, Milhaud, Tommasini, Sauguet, SWR Sinfonieorchester Baden‐Baden und Freiburg, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, released 2022-01-01 on SWR Classic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 182 tracks, each with its own ISRC.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Introduction | — | |
| 2 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Les Augures printaniers (Dances des adolescentes) | — | |
| 3 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeu du rapt | — | |
| 4 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Rondes pinrtanières | — | |
| 5 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeux des cités rivales | — | |
| 6 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Cortège du Sage | — | |
| 7 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Le Sage | — | |
| 8 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Danse de la terre | — | |
| 9 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Introduction | — | |
| 10 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Cercles mystérieux des adolescentes | — | |
| 11 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Glorification de l'Élue | — | |
| 12 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Évocation des ancétres | — | |
| 13 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Action rituelle des ancétres | — | |
| 14 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Danse sacrale (L'Élue) | — | |
| 15 | Jeux - Poème dansè | — | |
| 16 | Fanfare pour précéder La Péri | — | |
| 17 | La Péri - Poéme dansé | — | |
| 2-1 | Daphnis et Chloé, M. 57, Pt. 1: No. 1, Introduction et danse religieuse | — | |
| 2-2 | Daphnis et Chloé, M. 57, Pt. 1: No. 2, Danse générale | — | |
| 2-3 | Daphnis et Chloé, M. 57, Pt. 1: No. 3, Danse grotesque de Dorcon | — | |
| 2-4 | Daphnis et Chloé, M. 57, Pt. 1: No. 4, Danse légère et gracieuse de Daphnis | — | |
| 2-5 | Daphnis et Chloé, M. 57, Pt. 1: No. 5, Danse de Lycénion | — | |
| 2-6 | Daphnis et Chloé, M. 57, Pt. 1: No. 6, Danse lente et mystérieuse des nymphes | — | |
| 2-7 | Daphnis et Chloé, M. 57, Pt. 2: No. 7, Introduction | — | |
| 2-8 | Daphnis et Chloé, M. 57, Pt. 2: No. 8, Danse guerrière | — | |
| 2-9 | Daphnis et Chloé, M. 57, Pt. 2: No. 9, Danse suppliante de Chloé | — | |
| 2-10 | Daphnis et Chloé, M. 57, Pt. 3: No. 10, Lever du jour | — | |
| 2-11 | Daphnis et Chloé, M. 57, Pt. 3: No. 11, Pantomime | — | |
| 2-12 | Daphnis et Chloé, M. 57, Pt. 3: No. 12, Danse générale | — | |
| 2-13 | Les biches, FP 36: Rondeau. Très lent - Subito allegro molto | — | |
| 2-14 | Les biches, FP 36: Adagietto | — | |
| 2-15 | Les biches, FP 36: Rag-mazurka. Presto | — | |
| 2-16 | Les biches, FP 36: Andantino | — | |
| 2-17 | Les biches, FP 36: Final. Presto | — | |
| 3-1 | Prélude à l'après-midi d'un faune | — | |
| 3-2 | La Tragédie de Salomé, op. 50: I. Prélude | — | |
| 3-3 | La Tragédie de Salomé, op. 50: II. Danse des Perles | — | |
| 3-4 | La Tragédie de Salomé, op. 50: III. Les Enchantements sur la mer | — | |
| 3-5 | La Tragédie de Salomé, op. 50: IV. Danse des éclairs | — | |
| 3-6 | La Tragédie de Salomé, op. 50: V. Danse de l'effroi | — | |
| 3-7 | Pétrouchka: Fête populaire de la semaine grasse | — | |
| 3-8 | Pétrouchka: Chez Pétrouchka | — | |
| 3-9 | Pétrouchka: Chez le Maure | — | |
| 3-10 | Pétrouchka: Fête populaire de la semaine grasse | — | |
| 4-1 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 1. Scene | — | |
| 4-2 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 2. Valse | — | |
| 4-3 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 4. Pas de Trois | — | |
| 4-4 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 8. Dance of the Goblets: Tempo Di Polacca | — | |
| 4-5 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 9. Finale: Andante: The Flight of Swans | — | |
| 4-6 | Swan Lake, Op. 20 : Act II, By a Lake: No. 13. Dances of the Swans: IV. Allegro Moderato | — | |
| 4-7 | Swan Lake, Op. 20 : Act II, By a Lake: No. 13. Dances of the Swans: V. Andante - Allegro | — | |
| 4-8 | Swan Lake, Op. 20 : Act III, In the Castle of Prince Siegfried: A Ball At the Castle: No. 22. Neapolitan Dance: Allegro Moderato - Andantino | — | |
| 4-9 | Swan Lake, Op. 20 : Act IV, By the Lake: No. 28. Scene: Allegro Agitato | — | |
| 4-10 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act II: Variation D'Aurore | — | |
| 4-11 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act II: Entr'acte | — | |
| 4-12 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act III: Bluebird Pas de Deux | — | |
| 4-13 | Chant Du Rossignol (Song of the Nightingale): Introduction | — | |
| 4-14 | Chant Du Rossignol (Song of the Nightingale): Marche Chinoise | — | |
| 4-15 | Chant Du Rossignol (Song of the Nightingale): Le Chant Du Rossignol | — | |
| 4-16 | Chant Du Rossignol (Song of the Nightingale): Le Jeu Du Rossignol Mecanique | — | |
| 5-1 | El Sombrero de Tres Picos: Introducciòn | — | |
| 5-2 | El Sombrero de Tres Picos, Pt. 1: La Tarde | — | |
| 5-3 | El Sombrero de Tres Picos, Pt. 1: Danza de la Molinera | — | |
| 5-4 | El Sombrero de Tres Picos, Pt. 1: Las Uvas | — | |
| 5-5 | El Sombrero de Tres Picos, Pt. 2: Danza de los Vecinos | — | |
| 5-6 | El Sombrero de Tres Picos, Pt. 2: Danza de la Molinero | — | |
| 5-7 | El Sombrero de Tres Picos, Pt. 2: Danza del Corregidor | — | |
| 5-8 | El Sombrero de Tres Picos, Pt. 2: Danza final | — | |
| 5-9 | Chout Suite, Op. 21bis: I. The Buffoon and his Wife | — | |
| 5-10 | Chout Suite, Op. 21bis: II. Dance of the Wives | — | |
| 5-11 | Chout Suite, Op. 21bis: III. The Buffoons Kill Their Wives | — | |
| 5-12 | Chout Suite, Op. 21bis: IV. The Buffoon as a Young Woman | — | |
| 5-13 | Chout Suite, Op. 21bis: V. Third Entr'acte | — | |
| 5-14 | Chout Suite, Op. 21bis: VI. Dance of the Buffoon's Daughters | — | |
| 5-15 | Chout Suite, Op. 21bis: VII. Arrival of the Merchant, Dance of Greeting | — | |
| 5-16 | Chout Suite, Op. 21bis: VIII. In the Merchant's Bedroom | — | |
| 5-17 | Chout Suite, Op. 21bis: IX. The Young Woman Becomes a Goat | — | |
| 5-18 | Chout Suite, Op. 21bis: X. Fifth Entr'acte and the Burial of the Goat | — | |
| 5-19 | Chout Suite, Op. 21bis: XI. Quarell of the Buffoon and the Merchant | — | |
| 5-20 | Chout Suite, Op. 21bis: XII. Final Dance | — | |
| 6-1 | Pulcinella, K034: Overture. Allegro moderato | — | |
| 6-2 | Pulcinella, K034: Serenata. Larghetto. "Mentre l'erbetta" | — | |
| 6-3 | Pulcinella, K034: Scherzino. Allegro | — | |
| 6-4 | Pulcinella, K034: Ancora poco meno. "Contento forse vivere" | — | |
| 6-5 | Pulcinella, K034: Allegro assai | — | |
| 6-6 | Pulcinella, K034: Allegro - Alla breve. "Con queste paroline" | — | |
| 6-7 | Pulcinella, K034: Andante. "Sento dire no'ncè pace" | — | |
| 6-8 | Pulcinella, K034: "Chi disse ca la femmena" | — | |
| 6-9 | Pulcinella, K034: Allegro. "Ncè sta quaccuna po" | — | |
| 6-10 | Pulcinella, K034: Presto. "Una te fallan zemprecce" | — | |
| 6-11 | Pulcinella, K034: Allegro – Alla breve | — | |
| 6-12 | Pulcinella, K034: Tarantella | — | |
| 6-13 | Pulcinella, K034: Andantino. "Se tu m'ami" | — | |
| 6-14 | Pulcinella, K034: Allegro | — | |
| 6-15 | Pulcinella, K034: Gavotta con due variazioni | — | |
| 6-16 | Pulcinella, K034: Vivo | — | |
| 6-17 | Pulcinella, K034: Tempo di minuetto. "Pupillette, fiammette d'amore" | — | |
| 6-18 | Pulcinella, K034: Finale. Allegro assai | — | |
| 6-19 | Feu d'artifice, Op. 4, K007 | — | |
| 6-20 | Till Eulenspiegel's Merry Pranks, Op. 28, TrV 171 | — | |
| 6-21 | La valse, M. 72 | — | |
| 7-1 | Les fâcheux | — | |
| 7-2 | La Pastorale: Prélude | — | |
| 7-3 | La Pastorale: Allegro commodo | — | |
| 7-4 | La Pastorale: Andantino con moto | — | |
| 7-5 | La Pastorale: Moderato (1) | — | |
| 7-6 | La Pastorale: — (1) | — | |
| 7-7 | La Pastorale: Presto | — | |
| 7-8 | La Pastorale: Allegro con brio | — | |
| 7-9 | La Pastorale: — (2) | — | |
| 7-10 | La Pastorale: Lento ma non troppo | — | |
| 7-11 | La Pastorale: Presto subito | — | |
| 7-12 | La Pastorale: Tempo di walz, paisiblement | — | |
| 7-13 | La Pastorale: Moderato (2) | — | |
| 7-14 | La Pastorale: Moderato (3) | — | |
| 8-1 | Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | — | |
| 8-2 | Scheherazade, Op. 35: II. The Legend of the Kalendar Prince | — | |
| 8-3 | Scheherazade, Op. 35: III. The Young Prince and The Young Princess | — | |
| 8-4 | Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - Ship Breaks Upon a Cliff Surmounted by a Bronze Horseman | — | |
| 8-5 | Scythian Suite for Large Orchestra, Op. 20: I. Adoration of Veless and Ala | — | |
| 8-6 | Scythian Suite for Large Orchestra, Op. 20: II. The Enemy of God and the Dance of the Spirits | — | |
| 8-7 | Scythian Suite for Large Orchestra, Op. 20: III. Night | — | |
| 8-8 | Scythian Suite for Large Orchestra, Op. 20: IV. Lolly's Departure and the Sun's Procession | — | |
| 9-1 | Le train bleu: Introduction | — | |
| 9-2 | Le train bleu: Chœur des poules et des gigolos | — | |
| 9-3 | Le train bleu: Entrée de Beau Gosse | — | |
| 9-4 | Le train bleu: Entrée de Perlouse | — | |
| 9-5 | Le train bleu: Rentrée de Beau Gosse | — | |
| 9-6 | Le train bleu: Chœur des poules et des gigolos - Farce des cabines et scène de l’avion | — | |
| 9-7 | Le train bleu: Entrée de la championne de tennis - Et couplet avec Beau Gosse | — | |
| 9-8 | Le train bleu: Entrée du joueur de golf et valse avec Perlouse | — | |
| 9-9 | Le train bleu: Introduction et duo de Beau Gosse et de Perlouse | — | |
| 9-10 | Le train bleu: Chœur des poules et des gigolos - Fugue de l’engueulade | — | |
| 9-11 | Le train bleu: Final du chapeau | — | |
| 9-12 | The Good-Humoured Ladies Suite: I. Overture - II. Presto (Arr. V. Tommasini for Orchestra) | — | |
| 9-13 | The Good-Humoured Ladies Suite: III. Allegro (Arr. V. Tommasini for Orchestra) | — | |
| 9-14 | The Good-Humoured Ladies Suite: IV. Andante (Arr. V. Tommasini for Orchestra) | — | |
| 9-15 | The Good-Humoured Ladies Suite: V. Non presto, in tempo di ballo (Arr. V. Tommasini for Orchestra) | — | |
| 9-16 | The Good-Humoured Ladies Suite: VI. Presto (Arr. V. Tommasini for Orchestra) | — | |
| 9-17 | La chatte: Ouverture | — | |
| 9-18 | La chatte: Jeux des garçons - Allegro | — | |
| 9-19 | La chatte: Invocation à Aphrodite - Andante ma non troppo | — | |
| 9-20 | La chatte: La métamorphose | — | |
| 9-21 | La chatte: Danse de la chatte | — | |
| 9-22 | La chatte: Adagio | — | |
| 9-23 | La chatte: Retour des garçons - Allegretto | — | |
| 9-24 | La chatte: Scherzo - Vivace | — | |
| 9-25 | La chatte: Hymne Final | — | |
| 10-1 | The Firebird, K010, Scene 1: Introduction | — | |
| 10-2 | The Firebird, K010, Scene 1: Night. Kastchei's Enchanted Garden | — | |
| 10-3 | The Firebird, K010, Scene 1: The Firebird Enters, Pursued by Ivan Tsarevich | — | |
| 10-4 | The Firebird, K010, Scene 1: The Firebird's Dance | — | |
| 10-5 | The Firebird, K010, Scene 1: Ivan Tsarevich Captures the Firebird | — | |
| 10-6 | The Firebird, K010, Scene 1: The Firebird Begs to be Released | — | |
| 10-7 | The Firebird, K010, Scene 1: Entrance of the 13 Enchanted Princesses | — | |
| 10-8 | The Firebird, K010, Scene 1: The Princesses Play with the Golden Apples | — | |
| 10-9 | The Firebird, K010, Scene 1: Ivan Tsarevich Appears | — | |
| 10-10 | The Firebird, K010, Scene 1: The Princesses' Khorovod | — | |
| 10-11 | The Firebird, K010, Scene 1: Daybreak | — | |
| 10-12 | The Firebird, K010, Scene 1: Ivan Tsarevich, Entering Kastchei's Palace | — | |
| 10-13 | The Firebird, K010, Scene 1: Magic Carillon - Appearance of Kastchei's Guardian Monsters - Capture of Ivan Tsarevich | — | |
| 10-14 | The Firebird, K010, Scene 1: The Entrance of Kastchei the Immortal | — | |
| 10-15 | The Firebird, K010, Scene 1: Dialogue Between Kastchei & Ivan Tsarevich | — | |
| 10-16 | The Firebird, K010, Scene 1: The Princesses Plead for Mercy | — | |
| 10-17 | The Firebird, K010, Scene 1: The Firebird Enters | — | |
| 10-18 | The Firebird, K010, Scene 1: Dance of Kastchei's Retinue Under the Firebird's Magic Spell | — | |
| 10-19 | The Firebird, K010, Scene 1: Infernal Dance of Kastchei & His Subjects Under the Firebird's Magic Spell | — | |
| 10-20 | The Firebird, K010, Scene 1: The Firebird's Lullaby | — | |
| 10-21 | The Firebird, K010, Scene 1: Kastchei Awakens | — | |
| 10-22 | The Firebird, K010, Scene 1: Kastchei's Death | — | |
| 10-23 | The Firebird, K010, Scene 1: Profound Darkness | — | |
| 10-24 | The Firebird, K010, Scene 2: Collapse of Kashchei's Palace & Dissolution of All Enchantments - Reanimation of the Petrified Prisoners - General Rejoicing | — | |
| 10-25 | Apollon musagète, K048, Scene 1: Prologue. The Birth of Apollo | — | |
| 10-26 | Apollon musagète, K048, Scene 2: First Variation of Apollo | — | |
| 10-27 | Apollon musagète, K048, Scene 2: Pas d'action (Apollo and the Three Muses) | — | |
| 10-28 | Apollon musagète, K048, Scene 2: Variation of Calliope (The Alexandrine) | — | |
| 10-29 | Apollon musagète, K048, Scene 2: Variation of Polyhymnia | — | |
| 10-30 | Apollon musagète, K048, Scene 2: Variation of Terpsichore | — | |
| 10-31 | Apollon musagète, K048, Scene 2: Second Variation of Apollo | — | |
| 10-32 | Apollon musagète, K048, Scene 2: Pas de deux | — | |
| 10-33 | Apollon musagète, K048, Scene 2: Coda | — | |
| 10-34 | Apollon musagète, K048, Scene 2: Apotheosis | — |
Songwriters/Publishers (IPI)
Credits Graph
747313943180 is a Universal Product Code (UPC) assigned to Les Ballets Russes by Stravinsky, Dukas, Ravel, Poulenc, Schmitt, Tchaikovsky, de Falla, Prokofiev, Strauss, Auric, Rimsky-Korsakov, Milhaud, Tommasini, Sauguet, SWR Sinfonieorchester Baden‐Baden und Freiburg, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 182 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
747313943180 is the Universal Product Code (UPC barcode) for the release “Les Ballets Russes” by Stravinsky, Dukas, Ravel, Poulenc, Schmitt, Tchaikovsky, de Falla, Prokofiev, Strauss, Auric, Rimsky-Korsakov, Milhaud, Tommasini, Sauguet, SWR Sinfonieorchester Baden‐Baden und Freiburg, Deutsche Radio Philharmonie Saarbrücken Kaiserslautern, released 2022-01-01 on SWR Classic. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 182 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Introduction | — | |
| 2 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Les Augures printaniers (Dances des adolescentes) | — | |
| 3 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeu du rapt | — | |
| 4 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Rondes pinrtanières | — | |
| 5 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Jeux des cités rivales | — | |
| 6 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Cortège du Sage | — | |
| 7 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Le Sage | — | |
| 8 | Le Sacre du printemps: Première Partie. L'adoration de la terre. Danse de la terre | — | |
| 9 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Introduction | — | |
| 10 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Cercles mystérieux des adolescentes | — | |
| 11 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Glorification de l'Élue | — | |
| 12 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Évocation des ancétres | — | |
| 13 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Action rituelle des ancétres | — | |
| 14 | Le Sacre du printemps: Seconde Partie. Le sacrifice. Danse sacrale (L'Élue) | — | |
| 15 | Jeux - Poème dansè | — | |
| 16 | Fanfare pour précéder La Péri | — | |
| 17 | La Péri - Poéme dansé | — | |
| 2-1 | Daphnis et Chloé, M. 57, Pt. 1: No. 1, Introduction et danse religieuse | — | |
| 2-2 | Daphnis et Chloé, M. 57, Pt. 1: No. 2, Danse générale | — | |
| 2-3 | Daphnis et Chloé, M. 57, Pt. 1: No. 3, Danse grotesque de Dorcon | — | |
| 2-4 | Daphnis et Chloé, M. 57, Pt. 1: No. 4, Danse légère et gracieuse de Daphnis | — | |
| 2-5 | Daphnis et Chloé, M. 57, Pt. 1: No. 5, Danse de Lycénion | — | |
| 2-6 | Daphnis et Chloé, M. 57, Pt. 1: No. 6, Danse lente et mystérieuse des nymphes | — | |
| 2-7 | Daphnis et Chloé, M. 57, Pt. 2: No. 7, Introduction | — | |
| 2-8 | Daphnis et Chloé, M. 57, Pt. 2: No. 8, Danse guerrière | — | |
| 2-9 | Daphnis et Chloé, M. 57, Pt. 2: No. 9, Danse suppliante de Chloé | — | |
| 2-10 | Daphnis et Chloé, M. 57, Pt. 3: No. 10, Lever du jour | — | |
| 2-11 | Daphnis et Chloé, M. 57, Pt. 3: No. 11, Pantomime | — | |
| 2-12 | Daphnis et Chloé, M. 57, Pt. 3: No. 12, Danse générale | — | |
| 2-13 | Les biches, FP 36: Rondeau. Très lent - Subito allegro molto | — | |
| 2-14 | Les biches, FP 36: Adagietto | — | |
| 2-15 | Les biches, FP 36: Rag-mazurka. Presto | — | |
| 2-16 | Les biches, FP 36: Andantino | — | |
| 2-17 | Les biches, FP 36: Final. Presto | — | |
| 3-1 | Prélude à l'après-midi d'un faune | — | |
| 3-2 | La Tragédie de Salomé, op. 50: I. Prélude | — | |
| 3-3 | La Tragédie de Salomé, op. 50: II. Danse des Perles | — | |
| 3-4 | La Tragédie de Salomé, op. 50: III. Les Enchantements sur la mer | — | |
| 3-5 | La Tragédie de Salomé, op. 50: IV. Danse des éclairs | — | |
| 3-6 | La Tragédie de Salomé, op. 50: V. Danse de l'effroi | — | |
| 3-7 | Pétrouchka: Fête populaire de la semaine grasse | — | |
| 3-8 | Pétrouchka: Chez Pétrouchka | — | |
| 3-9 | Pétrouchka: Chez le Maure | — | |
| 3-10 | Pétrouchka: Fête populaire de la semaine grasse | — | |
| 4-1 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 1. Scene | — | |
| 4-2 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 2. Valse | — | |
| 4-3 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 4. Pas de Trois | — | |
| 4-4 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 8. Dance of the Goblets: Tempo Di Polacca | — | |
| 4-5 | Swan Lake, Op. 20 : Act I, the Terrace In Front of the Palace of Prince Siegfried: No. 9. Finale: Andante: The Flight of Swans | — | |
| 4-6 | Swan Lake, Op. 20 : Act II, By a Lake: No. 13. Dances of the Swans: IV. Allegro Moderato | — | |
| 4-7 | Swan Lake, Op. 20 : Act II, By a Lake: No. 13. Dances of the Swans: V. Andante - Allegro | — | |
| 4-8 | Swan Lake, Op. 20 : Act III, In the Castle of Prince Siegfried: A Ball At the Castle: No. 22. Neapolitan Dance: Allegro Moderato - Andantino | — | |
| 4-9 | Swan Lake, Op. 20 : Act IV, By the Lake: No. 28. Scene: Allegro Agitato | — | |
| 4-10 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act II: Variation D'Aurore | — | |
| 4-11 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act II: Entr'acte | — | |
| 4-12 | The Sleeping Beauty, Op. 66 (arr. I. Stravinsky) : Act III: Bluebird Pas de Deux | — | |
| 4-13 | Chant Du Rossignol (Song of the Nightingale): Introduction | — | |
| 4-14 | Chant Du Rossignol (Song of the Nightingale): Marche Chinoise | — | |
| 4-15 | Chant Du Rossignol (Song of the Nightingale): Le Chant Du Rossignol | — | |
| 4-16 | Chant Du Rossignol (Song of the Nightingale): Le Jeu Du Rossignol Mecanique | — | |
| 5-1 | El Sombrero de Tres Picos: Introducciòn | — | |
| 5-2 | El Sombrero de Tres Picos, Pt. 1: La Tarde | — | |
| 5-3 | El Sombrero de Tres Picos, Pt. 1: Danza de la Molinera | — | |
| 5-4 | El Sombrero de Tres Picos, Pt. 1: Las Uvas | — | |
| 5-5 | El Sombrero de Tres Picos, Pt. 2: Danza de los Vecinos | — | |
| 5-6 | El Sombrero de Tres Picos, Pt. 2: Danza de la Molinero | — | |
| 5-7 | El Sombrero de Tres Picos, Pt. 2: Danza del Corregidor | — | |
| 5-8 | El Sombrero de Tres Picos, Pt. 2: Danza final | — | |
| 5-9 | Chout Suite, Op. 21bis: I. The Buffoon and his Wife | — | |
| 5-10 | Chout Suite, Op. 21bis: II. Dance of the Wives | — | |
| 5-11 | Chout Suite, Op. 21bis: III. The Buffoons Kill Their Wives | — | |
| 5-12 | Chout Suite, Op. 21bis: IV. The Buffoon as a Young Woman | — | |
| 5-13 | Chout Suite, Op. 21bis: V. Third Entr'acte | — | |
| 5-14 | Chout Suite, Op. 21bis: VI. Dance of the Buffoon's Daughters | — | |
| 5-15 | Chout Suite, Op. 21bis: VII. Arrival of the Merchant, Dance of Greeting | — | |
| 5-16 | Chout Suite, Op. 21bis: VIII. In the Merchant's Bedroom | — | |
| 5-17 | Chout Suite, Op. 21bis: IX. The Young Woman Becomes a Goat | — | |
| 5-18 | Chout Suite, Op. 21bis: X. Fifth Entr'acte and the Burial of the Goat | — | |
| 5-19 | Chout Suite, Op. 21bis: XI. Quarell of the Buffoon and the Merchant | — | |
| 5-20 | Chout Suite, Op. 21bis: XII. Final Dance | — | |
| 6-1 | Pulcinella, K034: Overture. Allegro moderato | — | |
| 6-2 | Pulcinella, K034: Serenata. Larghetto. "Mentre l'erbetta" | — | |
| 6-3 | Pulcinella, K034: Scherzino. Allegro | — | |
| 6-4 | Pulcinella, K034: Ancora poco meno. "Contento forse vivere" | — | |
| 6-5 | Pulcinella, K034: Allegro assai | — | |
| 6-6 | Pulcinella, K034: Allegro - Alla breve. "Con queste paroline" | — | |
| 6-7 | Pulcinella, K034: Andante. "Sento dire no'ncè pace" | — | |
| 6-8 | Pulcinella, K034: "Chi disse ca la femmena" | — | |
| 6-9 | Pulcinella, K034: Allegro. "Ncè sta quaccuna po" | — | |
| 6-10 | Pulcinella, K034: Presto. "Una te fallan zemprecce" | — | |
| 6-11 | Pulcinella, K034: Allegro – Alla breve | — | |
| 6-12 | Pulcinella, K034: Tarantella | — | |
| 6-13 | Pulcinella, K034: Andantino. "Se tu m'ami" | — | |
| 6-14 | Pulcinella, K034: Allegro | — | |
| 6-15 | Pulcinella, K034: Gavotta con due variazioni | — | |
| 6-16 | Pulcinella, K034: Vivo | — | |
| 6-17 | Pulcinella, K034: Tempo di minuetto. "Pupillette, fiammette d'amore" | — | |
| 6-18 | Pulcinella, K034: Finale. Allegro assai | — | |
| 6-19 | Feu d'artifice, Op. 4, K007 | — | |
| 6-20 | Till Eulenspiegel's Merry Pranks, Op. 28, TrV 171 | — | |
| 6-21 | La valse, M. 72 | — | |
| 7-1 | Les fâcheux | — | |
| 7-2 | La Pastorale: Prélude | — | |
| 7-3 | La Pastorale: Allegro commodo | — | |
| 7-4 | La Pastorale: Andantino con moto | — | |
| 7-5 | La Pastorale: Moderato (1) | — | |
| 7-6 | La Pastorale: — (1) | — | |
| 7-7 | La Pastorale: Presto | — | |
| 7-8 | La Pastorale: Allegro con brio | — | |
| 7-9 | La Pastorale: — (2) | — | |
| 7-10 | La Pastorale: Lento ma non troppo | — | |
| 7-11 | La Pastorale: Presto subito | — | |
| 7-12 | La Pastorale: Tempo di walz, paisiblement | — | |
| 7-13 | La Pastorale: Moderato (2) | — | |
| 7-14 | La Pastorale: Moderato (3) | — | |
| 8-1 | Scheherazade, Op. 35: I. The Sea and Sinbad's Ship | — | |
| 8-2 | Scheherazade, Op. 35: II. The Legend of the Kalendar Prince | — | |
| 8-3 | Scheherazade, Op. 35: III. The Young Prince and The Young Princess | — | |
| 8-4 | Scheherazade, Op. 35: IV. Festival at Baghdad - The Sea - Ship Breaks Upon a Cliff Surmounted by a Bronze Horseman | — | |
| 8-5 | Scythian Suite for Large Orchestra, Op. 20: I. Adoration of Veless and Ala | — | |
| 8-6 | Scythian Suite for Large Orchestra, Op. 20: II. The Enemy of God and the Dance of the Spirits | — | |
| 8-7 | Scythian Suite for Large Orchestra, Op. 20: III. Night | — | |
| 8-8 | Scythian Suite for Large Orchestra, Op. 20: IV. Lolly's Departure and the Sun's Procession | — | |
| 9-1 | Le train bleu: Introduction | — | |
| 9-2 | Le train bleu: Chœur des poules et des gigolos | — | |
| 9-3 | Le train bleu: Entrée de Beau Gosse | — | |
| 9-4 | Le train bleu: Entrée de Perlouse | — | |
| 9-5 | Le train bleu: Rentrée de Beau Gosse | — | |
| 9-6 | Le train bleu: Chœur des poules et des gigolos - Farce des cabines et scène de l’avion | — | |
| 9-7 | Le train bleu: Entrée de la championne de tennis - Et couplet avec Beau Gosse | — | |
| 9-8 | Le train bleu: Entrée du joueur de golf et valse avec Perlouse | — | |
| 9-9 | Le train bleu: Introduction et duo de Beau Gosse et de Perlouse | — | |
| 9-10 | Le train bleu: Chœur des poules et des gigolos - Fugue de l’engueulade | — | |
| 9-11 | Le train bleu: Final du chapeau | — | |
| 9-12 | The Good-Humoured Ladies Suite: I. Overture - II. Presto (Arr. V. Tommasini for Orchestra) | — | |
| 9-13 | The Good-Humoured Ladies Suite: III. Allegro (Arr. V. Tommasini for Orchestra) | — | |
| 9-14 | The Good-Humoured Ladies Suite: IV. Andante (Arr. V. Tommasini for Orchestra) | — | |
| 9-15 | The Good-Humoured Ladies Suite: V. Non presto, in tempo di ballo (Arr. V. Tommasini for Orchestra) | — | |
| 9-16 | The Good-Humoured Ladies Suite: VI. Presto (Arr. V. Tommasini for Orchestra) | — | |
| 9-17 | La chatte: Ouverture | — | |
| 9-18 | La chatte: Jeux des garçons - Allegro | — | |
| 9-19 | La chatte: Invocation à Aphrodite - Andante ma non troppo | — | |
| 9-20 | La chatte: La métamorphose | — | |
| 9-21 | La chatte: Danse de la chatte | — | |
| 9-22 | La chatte: Adagio | — | |
| 9-23 | La chatte: Retour des garçons - Allegretto | — | |
| 9-24 | La chatte: Scherzo - Vivace | — | |
| 9-25 | La chatte: Hymne Final | — | |
| 10-1 | The Firebird, K010, Scene 1: Introduction | — | |
| 10-2 | The Firebird, K010, Scene 1: Night. Kastchei's Enchanted Garden | — | |
| 10-3 | The Firebird, K010, Scene 1: The Firebird Enters, Pursued by Ivan Tsarevich | — | |
| 10-4 | The Firebird, K010, Scene 1: The Firebird's Dance | — | |
| 10-5 | The Firebird, K010, Scene 1: Ivan Tsarevich Captures the Firebird | — | |
| 10-6 | The Firebird, K010, Scene 1: The Firebird Begs to be Released | — | |
| 10-7 | The Firebird, K010, Scene 1: Entrance of the 13 Enchanted Princesses | — | |
| 10-8 | The Firebird, K010, Scene 1: The Princesses Play with the Golden Apples | — | |
| 10-9 | The Firebird, K010, Scene 1: Ivan Tsarevich Appears | — | |
| 10-10 | The Firebird, K010, Scene 1: The Princesses' Khorovod | — | |
| 10-11 | The Firebird, K010, Scene 1: Daybreak | — | |
| 10-12 | The Firebird, K010, Scene 1: Ivan Tsarevich, Entering Kastchei's Palace | — | |
| 10-13 | The Firebird, K010, Scene 1: Magic Carillon - Appearance of Kastchei's Guardian Monsters - Capture of Ivan Tsarevich | — | |
| 10-14 | The Firebird, K010, Scene 1: The Entrance of Kastchei the Immortal | — | |
| 10-15 | The Firebird, K010, Scene 1: Dialogue Between Kastchei & Ivan Tsarevich | — | |
| 10-16 | The Firebird, K010, Scene 1: The Princesses Plead for Mercy | — | |
| 10-17 | The Firebird, K010, Scene 1: The Firebird Enters | — | |
| 10-18 | The Firebird, K010, Scene 1: Dance of Kastchei's Retinue Under the Firebird's Magic Spell | — | |
| 10-19 | The Firebird, K010, Scene 1: Infernal Dance of Kastchei & His Subjects Under the Firebird's Magic Spell | — | |
| 10-20 | The Firebird, K010, Scene 1: The Firebird's Lullaby | — | |
| 10-21 | The Firebird, K010, Scene 1: Kastchei Awakens | — | |
| 10-22 | The Firebird, K010, Scene 1: Kastchei's Death | — | |
| 10-23 | The Firebird, K010, Scene 1: Profound Darkness | — | |
| 10-24 | The Firebird, K010, Scene 2: Collapse of Kashchei's Palace & Dissolution of All Enchantments - Reanimation of the Petrified Prisoners - General Rejoicing | — | |
| 10-25 | Apollon musagète, K048, Scene 1: Prologue. The Birth of Apollo | — | |
| 10-26 | Apollon musagète, K048, Scene 2: First Variation of Apollo | — | |
| 10-27 | Apollon musagète, K048, Scene 2: Pas d'action (Apollo and the Three Muses) | — | |
| 10-28 | Apollon musagète, K048, Scene 2: Variation of Calliope (The Alexandrine) | — | |
| 10-29 | Apollon musagète, K048, Scene 2: Variation of Polyhymnia | — | |
| 10-30 | Apollon musagète, K048, Scene 2: Variation of Terpsichore | — | |
| 10-31 | Apollon musagète, K048, Scene 2: Second Variation of Apollo | — | |
| 10-32 | Apollon musagète, K048, Scene 2: Pas de deux | — | |
| 10-33 | Apollon musagète, K048, Scene 2: Coda | — | |
| 10-34 | Apollon musagète, K048, Scene 2: Apotheosis | — |
