UPC · Release
From Jewish Life
Jascha Nemtsov, Wolfgang Meyer, Tabea Zimmermann, Ingolf Turban, David Geringas, Helene Schneidermann
747313943487
108 tracksReleased 2023-01-01SWR Music
Last verified:
747313943487 is the Universal Product Code (UPC barcode) for the release “From Jewish Life” by Jascha Nemtsov, Wolfgang Meyer, Tabea Zimmermann, Ingolf Turban, David Geringas, Helene Schneidermann, released 2023-01-01 on SWR Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 108 tracks, each with its own ISRC.
Format
7Number system
47313Manufacturer
94348Product
7Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (108)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | 4 Songs Without Words, op. 23: I. Lento | — | ||
| 2 | 4 Songs Without Words, op. 23: II. Grave | — | ||
| 3 | 4 Songs Without Words, op. 23: III. Lento | — | ||
| 4 | 4 Songs Without Words, op. 23: IV. Moderato con moto | — | ||
| 5 | Variations on a Popular Theme: Andante - 5 Variations | — | ||
| 6 | 4 Hebrew Melodies In the Form of a Suite: Ia. To the Wedding: I: Kale-Besezen | — | ||
| 7 | 4 Hebrew Melodies In the Form of a Suite: Ib. To the Wedding: II: Procession | — | ||
| 8 | 4 Hebrew Melodies In the Form of a Suite: II. Canzonetta (Grandmother's Tale) | — | ||
| 9 | 4 Hebrew Melodies In the Form of a Suite: III. Hebrew Dance, Op. 68 | — | ||
| 10 | 4 Hebrew Melodies In the Form of a Suite: IV. Children's Round | — | ||
| 11 | 3 Hebrew Songs Without Words: I. Pas Trop Lent, Alla Breve | — | ||
| 12 | 3 Hebrew Songs Without Words: II. Assez Modere | — | ||
| 13 | 3 Hebrew Songs Without Words: III. Moderement, Mais Avec Mouvement | — | ||
| 14 | 3 Songs Without Words, op. 38: I. A Morning In the Mountains | — | ||
| 15 | 3 Songs Without Words, op. 38: II. Mourner | — | ||
| 16 | 3 Songs Without Words, op. 38: III. Story | — | ||
| 17 | Berceuse funebre, op. 8 no. 1 | — | ||
| 18 | Rhapsody | — | ||
| 2-1 | Rhapsody, op. 11: I. Recitando - Allegro | — | ||
| 2-2 | Rhapsody, op. 11: II. Lento, recitando | — | ||
| 2-3 | Rhapsody, op. 11: III. Non troppo vivace | — | ||
| 2-4 | Ornaments, op. 42: I. | — | ||
| 2-5 | Ornaments, op. 42: II. | — | ||
| 2-6 | Ornaments, op. 42: III. | — | ||
| 2-7 | Minstrel's Song, op. 34 | — | ||
| 2-8 | Jewish Songs, op. 37: No. 2. Song of Mariamne | — | ||
| 2-9 | Songs of the Dead, op. 4: I. Mäßig bewegt | — | ||
| 2-10 | Songs of the Dead, op. 4: II. Ziemlich langsam | — | ||
| 2-11 | Songs of the Dead, op. 4: III. Entschlossen | — | ||
| 2-12 | Songs of the Dead, op. 4: IV. Ziemlich lebhaft | — | ||
| 2-13 | Songs of the Dead, op. 4: V. Mäßiges Zeitmaß | — | ||
| 2-14 | Kaddisch, op. 6 | — | ||
| 2-15 | Song of Songs, op. 5: I. No. 1 | — | ||
| 2-16 | Song of Songs, op. 5: II. No. 2 | — | ||
| 2-17 | Chant rigoureux, op. 9 | — | ||
| 2-18 | Suite for Viola and Piano: I. Lento - Allegro | — | ||
| 2-19 | Suite for Viola and Piano: II. Allegro ironico | — | ||
| 2-20 | Suite for Viola and Piano: III. Lento | — | ||
| 2-21 | Suite for Viola and Piano: IV. Molto vivo | — | ||
| 3-1 | Hebrew Melody, op. 33 | — | ||
| 3-2 | A Dance Improvisation on a Hebrew Folk Song, op. 37 | — | ||
| 3-3 | Hebrew Lullaby, op. 35 no. 2 | — | ||
| 3-4 | Suite, Op. 7: I. Comoditto, abbandono | — | ||
| 3-5 | Suite, op. 7: II. Barocco, al rigore di tempo | — | ||
| 3-6 | Suite, op. 7: III. Capriccioso, ma placido | — | ||
| 3-7 | Freilechs, op. 20 no. 2 | — | ||
| 3-8 | Hebrew Rhapsody, op. 3 no. 2 | — | ||
| 3-9 | Aria, op. 41 | — | ||
| 3-10 | Caprice hébraïque, op. 24 | — | ||
| 3-11 | Second Aria | — | ||
| 3-12 | Fairy-Tale, op. 46 | — | ||
| 3-13 | Scher, op. 42 | — | ||
| 3-14 | Canzonetta, op. 52 No. 2 | — | ||
| 3-15 | Suite from the Music for Scholom Aleichem's Play 'Stempenyu The Fiddler': I. Stempenyu Plays | — | ||
| 3-16 | Suite from the Music for Scholom Aleichem's Play 'Stempenyu The Fiddler': II. Scher (Dance) | — | ||
| 3-17 | Suite from the Music for Scholom Aleichem's Play 'Stempenyu The Fiddler': III. Freilechs (Dance) | — | ||
| 4-1 | Meditation Hebraique | — | ||
| 4-2 | From Jewish Life: I. Prayer | — | ||
| 4-3 | From Jewish Life: II. Supplication | — | ||
| 4-4 | From Jewish Life: III. Jewish Song | — | ||
| 4-5 | Chassidic Suite, op. 24: I. Chassidic Dance | — | ||
| 4-6 | Eli Zion | — | ||
| 4-7 | Frejlachs | — | ||
| 4-8 | Chassidic Suite, op. 24: II. Meditation | — | ||
| 4-9 | Shir Yehudi | — | ||
| 4-10 | Poem | — | ||
| 4-11 | Fragment Mystique | — | ||
| 4-12 | Rhapsodie | — | ||
| 4-13 | Israeli Suite: I. Yemenite Song | — | ||
| 4-14 | Israeli Suite: II. Intermezzo | — | ||
| 4-15 | Israeli Suite: III. Prayer | — | ||
| 4-16 | Israeli Suite: IV. Sephardic Dance | — | ||
| 5-1 | Schir Haschirim | — | ||
| 5-2 | First Hebrew Song Cycle, op. 12: Hebrew Lullaby | — | ||
| 5-3 | First Hebrew Song Cycle, op. 12: Little Sorele's Lamb | — | ||
| 5-4 | First Hebrew Song Cycle, op. 12: The Night | — | ||
| 5-5 | Jewish Dances for Piano, op. 50: No. 1 | — | ||
| 5-6 | Jewish Dances for Piano, op. 50: No. 2 | — | ||
| 5-7 | Jewish Dances for Piano, op. 50: No. 3 | — | ||
| 5-8 | Ich bin a Bal-Agole | — | ||
| 5-9 | Wos wet sajn mikojach burikes | — | ||
| 5-10 | Gibt's ein Land, op. 39 no. 1 | — | ||
| 5-11 | In Chejder | — | ||
| 5-12 | Tanz, tanz, mejdele, tanz | — | ||
| 5-13 | Jewish Dances for Piano, op. 50: No. 4 | — | ||
| 5-14 | Jewish Dances for Piano, op. 50: No. 5 | — | ||
| 5-15 | Das Liedel von dem Mottele, op. 37 no. 2 | — | ||
| 5-16 | Das Grabmal Rachels, op. 32 no. 2 | — | ||
| 5-17 | In der Welt ist nichts so rein, op. 37 no. 1 | — | ||
| 5-18 | Aus dem Hohen Lied (Schir Haschirim), op. 37 no. 3 | — | ||
| 5-19 | In a kleiner schtibele | — | ||
| 5-20 | Po En-Harod, op. 69 | — | ||
| 5-21 | A kapele konzertisten, op. 64 | — | ||
| 5-22 | Jewish Dances for Piano, op. 50: No. 6 | — | ||
| 5-23 | Jewish Dances for Piano, op. 50: No. 7 | — | ||
| 5-24 | Two Jewish Folk Songs, op. 8: O sait gesunterheit | — | ||
| 5-25 | Two Jewish Folk Songs, op. 8: Spaziren sainen mir gegangen | — | ||
| 5-26 | Two Jewish Songs, op. 10: Hant zu Hant | — | ||
| 5-27 | Two Jewish Songs, op. 10: Eins un zwei | — | ||
| 5-28 | Two Jewish Songs, op. 39: Wiegenlied | — | ||
| 5-29 | Two Jewish Songs, op. 39: Mai | — | ||
| 5-30 | Jewish Dances for Piano, op. 50: No. 8 | — | ||
| 5-31 | Jewish Dances for Piano, op. 50: No. 9 | — | ||
| 5-32 | Jewish Dances for Piano, op. 50: No. 10 | — | ||
| 5-33 | Second Hebrew Song Cycle, op. 13: The Song of Songs | — | ||
| 5-34 | Second Hebrew Song Cycle, op. 13: The Great Rabbi's Invocation | — | ||
| 5-35 | Second Hebrew Song Cycle, op. 13: Rachelina | — | ||
| 5-36 | Schlaf, mein Kind, op. 11 no. 2 | — |
4 Songs Without Words, op. 23: I. Lento
—
4 Songs Without Words, op. 23: II. Grave
—
4 Songs Without Words, op. 23: III. Lento
—
4 Songs Without Words, op. 23: IV. Moderato con moto
—
Variations on a Popular Theme: Andante - 5 Variations
—
4 Hebrew Melodies In the Form of a Suite: Ia. To the Wedding: I: Kale-Besezen
—
4 Hebrew Melodies In the Form of a Suite: Ib. To the Wedding: II: Procession
—
4 Hebrew Melodies In the Form of a Suite: II. Canzonetta (Grandmother's Tale)
—
4 Hebrew Melodies In the Form of a Suite: III. Hebrew Dance, Op. 68
—
4 Hebrew Melodies In the Form of a Suite: IV. Children's Round
—
3 Hebrew Songs Without Words: I. Pas Trop Lent, Alla Breve
—
3 Hebrew Songs Without Words: II. Assez Modere
—
3 Hebrew Songs Without Words: III. Moderement, Mais Avec Mouvement
—
3 Songs Without Words, op. 38: I. A Morning In the Mountains
—
3 Songs Without Words, op. 38: II. Mourner
—
3 Songs Without Words, op. 38: III. Story
—
Berceuse funebre, op. 8 no. 1
—
Rhapsody
—
Rhapsody, op. 11: I. Recitando - Allegro
—
Rhapsody, op. 11: II. Lento, recitando
—
Rhapsody, op. 11: III. Non troppo vivace
—
Ornaments, op. 42: I.
—
Ornaments, op. 42: II.
—
Ornaments, op. 42: III.
—
Minstrel's Song, op. 34
—
Jewish Songs, op. 37: No. 2. Song of Mariamne
—
Songs of the Dead, op. 4: I. Mäßig bewegt
—
Songs of the Dead, op. 4: II. Ziemlich langsam
—
Songs of the Dead, op. 4: III. Entschlossen
—
Songs of the Dead, op. 4: IV. Ziemlich lebhaft
—
Songs of the Dead, op. 4: V. Mäßiges Zeitmaß
—
Kaddisch, op. 6
—
Song of Songs, op. 5: I. No. 1
—
Song of Songs, op. 5: II. No. 2
—
Chant rigoureux, op. 9
—
Suite for Viola and Piano: I. Lento - Allegro
—
Suite for Viola and Piano: II. Allegro ironico
—
Suite for Viola and Piano: III. Lento
—
Suite for Viola and Piano: IV. Molto vivo
—
Hebrew Melody, op. 33
—
A Dance Improvisation on a Hebrew Folk Song, op. 37
—
Hebrew Lullaby, op. 35 no. 2
—
Suite, Op. 7: I. Comoditto, abbandono
—
Suite, op. 7: II. Barocco, al rigore di tempo
—
Suite, op. 7: III. Capriccioso, ma placido
—
Freilechs, op. 20 no. 2
—
Hebrew Rhapsody, op. 3 no. 2
—
Aria, op. 41
—
Caprice hébraïque, op. 24
—
Second Aria
—
Fairy-Tale, op. 46
—
Scher, op. 42
—
Canzonetta, op. 52 No. 2
—
Suite from the Music for Scholom Aleichem's Play 'Stempenyu The Fiddler': I. Stempenyu Plays
—
Suite from the Music for Scholom Aleichem's Play 'Stempenyu The Fiddler': II. Scher (Dance)
—
Suite from the Music for Scholom Aleichem's Play 'Stempenyu The Fiddler': III. Freilechs (Dance)
—
Meditation Hebraique
—
From Jewish Life: I. Prayer
—
From Jewish Life: II. Supplication
—
From Jewish Life: III. Jewish Song
—
Chassidic Suite, op. 24: I. Chassidic Dance
—
Eli Zion
—
Frejlachs
—
Chassidic Suite, op. 24: II. Meditation
—
Shir Yehudi
—
Poem
—
Fragment Mystique
—
Rhapsodie
—
Israeli Suite: I. Yemenite Song
—
Israeli Suite: II. Intermezzo
—
Israeli Suite: III. Prayer
—
Israeli Suite: IV. Sephardic Dance
—
Schir Haschirim
—
First Hebrew Song Cycle, op. 12: Hebrew Lullaby
—
First Hebrew Song Cycle, op. 12: Little Sorele's Lamb
—
First Hebrew Song Cycle, op. 12: The Night
—
Jewish Dances for Piano, op. 50: No. 1
—
Jewish Dances for Piano, op. 50: No. 2
—
Jewish Dances for Piano, op. 50: No. 3
—
Ich bin a Bal-Agole
—
Wos wet sajn mikojach burikes
—
Gibt's ein Land, op. 39 no. 1
—
In Chejder
—
Tanz, tanz, mejdele, tanz
—
Jewish Dances for Piano, op. 50: No. 4
—
Jewish Dances for Piano, op. 50: No. 5
—
Das Liedel von dem Mottele, op. 37 no. 2
—
Das Grabmal Rachels, op. 32 no. 2
—
In der Welt ist nichts so rein, op. 37 no. 1
—
Aus dem Hohen Lied (Schir Haschirim), op. 37 no. 3
—
In a kleiner schtibele
—
Po En-Harod, op. 69
—
A kapele konzertisten, op. 64
—
Jewish Dances for Piano, op. 50: No. 6
—
Jewish Dances for Piano, op. 50: No. 7
—
Two Jewish Folk Songs, op. 8: O sait gesunterheit
—
Two Jewish Folk Songs, op. 8: Spaziren sainen mir gegangen
—
Two Jewish Songs, op. 10: Hant zu Hant
—
Two Jewish Songs, op. 10: Eins un zwei
—
Two Jewish Songs, op. 39: Wiegenlied
—
Two Jewish Songs, op. 39: Mai
—
Jewish Dances for Piano, op. 50: No. 8
—
Jewish Dances for Piano, op. 50: No. 9
—
Jewish Dances for Piano, op. 50: No. 10
—
Second Hebrew Song Cycle, op. 13: The Song of Songs
—
Second Hebrew Song Cycle, op. 13: The Great Rabbi's Invocation
—
Second Hebrew Song Cycle, op. 13: Rachelina
—
Schlaf, mein Kind, op. 11 no. 2
—
What other identifiers does this connect to?
Creative Contributors (ISNI)
Credits Graph
People also ask
SourcesMusicBrainzDiscogs2 sources
Verified on
What is UPC 747313943487?
747313943487 is a Universal Product Code (UPC) assigned to From Jewish Life by Jascha Nemtsov, Wolfgang Meyer, Tabea Zimmermann, Ingolf Turban, David Geringas, Helene Schneidermann. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 108 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm