UPC · Release
Works
Hector Berlioz, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington
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747313953189 is the Universal Product Code (UPC barcode) for the release “Works” by Hector Berlioz, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington, released 2022-01-01 on SWR Music. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 66 tracks, each with its own ISRC.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (66)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Les francs‐juges, Op. 3, H. 23d: Overture (Live) | — | ||
| 2 | Symphonie fantastique, Op. 14, H. 48: I. Rêveries - Passions. Largo - Allegro agitato e appassionato assai - Religiosamente (Live) | — | ||
| 3 | Symphonie fantastique, Op. 14, H. 48: II. Un bal. Valse. Allegro non troppo (Live) | — | ||
| 4 | Symphonie fantastique, Op. 14, H. 48: III. Scène aux champs. Adagio (Live) | — | ||
| 5 | Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice. Allegro non troppo (Live) | — | ||
| 6 | Symphonie fantastique, Op. 14, H. 48: V. Songe d’une nuit de sabbat. Larghetto - Allegro (Live) | — | ||
| 2-1 | L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 1 “Le songe d’Hérode”: Dans la créche (Live) | — | ||
| 2-2 | L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 1 “Le songe d’Hérode”: Qui vient ? (Live) | — | ||
| 2-3 | L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 2 “Le songe d’Hérode”: Toujours ce rêve ! (Live) | — | ||
| 2-4 | L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 2 “Le songe d’Hérode”: O misère des rois [Live] (Live) | — | ||
| 2-5 | L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 3 “Le songe d’Hérode”: Seigneur ! (Live) | — | ||
| 2-6 | L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 4 “Le songe d’Hérode”: Les sages de Judée (Live) | — | ||
| 2-7 | L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 5 “Le songe d’Hérode”: Ô mon cher fils, donne cette herbe tendre (Live) | — | ||
| 2-8 | L’enfance du Christ, Op. 25, H. 130, Pt. 1 Scene 6 “Le songe d’Hérode”: Joseph ! Marie ! Écoutez‐nous (Live) | — | ||
| 2-9 | L’enfance du Christ, Op. 25, H. 130, Pt. 2 “La fuite en Égypte”: Overture (Live) | — | ||
| 2-10 | L’enfance du Christ, Op. 25, H. 130, Pt. 2 “La fuite en Égypte”: Adieu des bergers à la sainte famille (Live) | — | ||
| 2-11 | L’enfance du Christ, Op. 25, H. 130, Pt. 2 “La fuite en Égypte”: Le repos de la sainte famille (Live) | — | ||
| 3-1 | L’enfance du Christ, Op. 25, H. 130, Pt. 3 “L’arrivée à Saïs”: Depuis trois jours, malgré l’ardeur du vent (Live) | — | ||
| 3-2 | L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 1 “L’arrivée à Saïs”: Dans cette ville immense (Live) | — | ||
| 3-3 | L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 2 “L’arrivée à Saïs”: Entrez, entrez, pauvres Hébreux ! (Live) | — | ||
| 3-4 | L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 3 “L’arrivée à Saïs”: Trio pour deux flûtes et harpe, exécuté par les jeunes Ismaélites (Live) | — | ||
| 3-5 | L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 3 “L’arrivée à Saïs”: Vous pleurez, jeune mère (Live) | — | ||
| 3-6 | L’enfance du Christ, Op. 25, H. 130, Pt. 3 Scene 3 “L’arrivée à Saïs”: Ce fut ainsi que par un infidèle (Live) | — | ||
| 4-1 | Benvenuto Cellini, Op. 23, H. 76 (Weimar Version): Overture [Live] | — | ||
| 4-2 | Benvenuto Cellini, Op. 23, H. 76, Act I Scene 1 “Lundi gras” (Weimar Version): Teresa ! Teresa ! Où peut‐elle être ? [Live] | — | ||
| 4-3 | Benvenuto Cellini, Op. 23, H. 76, Act I Scene 1 “Lundi gras” (Weimar Version): Enfin il est sorti tout de bon [Live] | — | ||
| 4-4 | Benvenuto Cellini, Op. 23, H. 76, Act I Scene 2 “Lundi gras” (Weimar Version): Les belles fleurs ! [Live] | — | ||
| 4-5 | Benvenuto Cellini, Op. 23, H. 76, Act I Scene 2 “Lundi gras” (Weimar Version): Entre l’amour et le devoir [Live] | — | ||
| 4-6 | Benvenuto Cellini, Op. 23, H. 76, Act I Scene 3 “Lundi gras” (Weimar Version): Cellini ! [Live] | — | ||
| 4-7 | Benvenuto Cellini, Op. 23, H. 76, Act I Scene 4 “Lundi gras” (Weimar Version): Ciel, nous sommes perdus, c’est le pas de mon père [Live] | — | ||
| 4-8 | Benvenuto Cellini, Op. 23, H. 76, Act I Scene 4 “Lundi gras” (Weimar Version): A nous, voisines et servantes ! [Live] | — | ||
| 4-9 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 “Mardi gras” (Weimar Version): Une heure encore et ma belle maîtresse [Live] | — | ||
| 4-10 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 “Mardi gras” (Weimar Version): La gloire était ma seule idole [Live] | — | ||
| 4-11 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 “Mardi gras” (Weimar Version): A boire, à boire, à boire ! [Live] | — | ||
| 4-12 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 8 “Mardi gras” (Weimar Version): Si la terre aux beaux jours se couronne [Live] | — | ||
| 4-13 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 “Mardi gras” (Weimar Version): Cette somme t’est due [Live] | — | ||
| 4-14 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 “Mardi gras” (Weimar Version): C’est trop fort ! [Live] | — | ||
| 4-15 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 9 “Mardi gras” (Weimar Version): Ah ! Qui pourrait me résister ? [Live] | — | ||
| 5-1 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 “Mardi gras” (Weimar Version): Vous voyez, j’espère [Live] | — | ||
| 5-2 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 “Mardi gras” (Weimar Version): Ah ! Ah ! très bien, le plaisant visage ! [Live] | — | ||
| 5-3 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 “Mardi gras” (Weimar Version): Voici Maître Arlequin [Live] | — | ||
| 5-4 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 “Mardi gras” (Weimar Version): Regardons bien maître Arlequin [Live] | — | ||
| 5-5 | Benvenuto Cellini, Op. 23, H. 76, Act II Scene 12 “Mardi gras” (Weimar Version): Il plaît fort [Live] | — | ||
| 5-6 | Benvenuto Cellini, Op. 23, H. 76, Act III “Mercrèdi des cendres” (Weimar Version): Entr’acte et scène [Live] | — | ||
| 5-7 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 1 “Mercrèdi des cendres” (Weimar Version): A l’atelier rentrons sans plus attendre [Live] | — | ||
| 5-8 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 2 “Mercrèdi des cendres” (Weimar Version): Il n’a pas reparu [Live] | — | ||
| 5-9 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 3 “Mercrèdi des cendres” (Weimar Version): Bienheureux les matelots [Live] | — | ||
| 5-10 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 4 “Mercrèdi des cendres” (Weimar Version): Mais qu’ai‐je donc ? [Live] | — | ||
| 5-11 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 5 “Mercrèdi des cendres” (Weimar Version): Ah, qu’est‐il devenu ? [Live] | — | ||
| 5-12 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 6 “Mercrèdi des cendres” (Weimar Version): Teresa ! [Live] | — | ||
| 5-13 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 7 “Mercrèdi des cendres” (Weimar Version): Quand des sommets de la montagne [Live] | — | ||
| 5-14 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 8 “Mercrèdi des cendres” (Weimar Version): Ah ! maître ! [Live] | — | ||
| 5-15 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 9 “Mercrèdi des cendres” (Weimar Version): Ah ! Je te trouve enfin [Live] | — | ||
| 5-16 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 10 “Mercrèdi des cendres” (Weimar Version): Le cardinal ! [Live] | — | ||
| 5-17 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 11 “Mercrèdi des cendres” (Weimar Version): Seul pour lutter - Son Éminence attend [Live] | — | ||
| 5-18 | Benvenuto Cellini, Op. 23, H. 76, Act III Scene 12 “Mercrèdi des cendres” (Weimar Version): Du métal ! Du métal ! [Live] | — | ||
| 6-1 | Requiem op. 5 "Grande messe des morts" Requiem (Introitus) Kyrie Andante un poco lento | — | ||
| 6-2 | Requiem op. 5 "Grande messe des morts" Dies irae, Tuba mirum Andante maestoso | — | ||
| 6-3 | Requiem op. 5 "Grande messe des morts" Quid sum miser Andante un poco lento | — | ||
| 6-4 | Requiem op. 5 "Grande messe des morts" Rex tremendae Andante maestoso | — | ||
| 6-5 | Requiem op. 5 "Grande messe des morts" Quaerens me Andante sostenuto | — | ||
| 6-6 | Requiem op. 5 "Grande messe des morts" Lacrymosa Andante non troppo lento | — | ||
| 7-1 | Requiem op. 5 "Grande messe des morts" Offertorium Moderato | — | ||
| 7-2 | Requiem op. 5 "Grande messe des morts" Hostias Andante non troppo lento | — | ||
| 7-3 | Requiem op. 5 "Grande messe des morts" Sanctus Andante un poco sostenuto e maestoso | — | ||
| 7-4 | Requiem op. 5 "Grande messe des morts" Agnus Dei Andante un poco lento | — |
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What is UPC 747313953189?
747313953189 is a Universal Product Code (UPC) assigned to Works by Hector Berlioz, Stuttgart Radio Symphony Orchestra, Sir Roger Norrington. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 66 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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