UPC · Release
Cassiber
Last verified:
The UPC for “1982–1992 (30th Anniversary Cassiber Box)” by Cassiber is 752725029322. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: ReR Megacorp. This release contains 110 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Not Me | — | ||
| 2 | Red Shadow | — | ||
| 3 | Chor der Gefangenen | — | ||
| 4 | Our Colourful Culture | — | ||
| 5 | O Cure Me | — | ||
| 6 | This Core | — | ||
| 7 | Man or Monkey | — | ||
| 8 | Django Vergibt | — | ||
| 9 | Die Verunreinigung des Flusses ist gerade noch erträglich | — | ||
| 10 | Sag mir wo die Blumen sind | — | ||
| 2-1 | Six Rays | — | ||
| 2-2 | Robert | — | ||
| 2-3 | Last Call | — | ||
| 2-4 | Ach heile mich | — | ||
| 2-5 | Haruspices | — | ||
| 2-6 | Under New Management | — | ||
| 2-7 | Vengeance Is Dancing | — | ||
| 2-8 | In einer Minute | — | ||
| 2-9 | Und ich werde nicht mehr sehen | — | ||
| 2-10 | Prendre a lune avec les dents | — | ||
| 2-11 | At Last I Am Free | — | ||
| 2-12 | At Last I Am Free | — | ||
| 2-13 | Time Running Out | — | ||
| 3-1 | Dust and Ashes | — | ||
| 3-2 | Crusoe’s Landing | — | ||
| 3-3 | Miracolo | — | ||
| 3-4 | Prometheus | — | ||
| 3-5 | Sleep Armed | — | ||
| 3-6 | In a Room | — | ||
| 3-7 | Todo dia | — | ||
| 3-8 | Orphee’s Mirror | — | ||
| 3-9 | I Tried to Reach You | — | ||
| 4-1 | I: This Was the Way It Was | — | ||
| 4-2 | I: Remember | — | ||
| 4-3 | I: Old Gods | — | ||
| 4-4 | I: 2 O’Clock in the Morning | — | ||
| 4-5 | I: Philosophy (1) | — | ||
| 4-6 | I: Gut | — | ||
| 4-7 | II: Start the Show | — | ||
| 4-8 | II: A Screaming Comes Across the Sky | — | ||
| 4-9 | II: They Go in Under Archways | — | ||
| 4-10 | II: They Have Begun to Move | — | ||
| 4-11 | III: Time Gets Faster | — | ||
| 4-12 | III: It’s Never Quiet | — | ||
| 4-13 | III: Philosophy (2) | — | ||
| 4-14 | III: A Screaming Holds | — | ||
| 4-15 | III: Philosophy (3) | — | ||
| 4-16 | III: I Was Old | — | ||
| 4-17 | III: The Way It Was | — | ||
| 4-18 | III: To Move | — | ||
| 5-1 | 3000 Explosions | — | ||
| 5-2 | Dark Cloud | — | ||
| 5-3 | Walls Are Loosening | — | ||
| 5-4 | Rats and Monkeys | — | ||
| 5-5 | Pause# | — | ||
| 5-6 | Easter Day 1935 | — | ||
| 5-7 | The Song of Investment Capital Overseas | — | ||
| 5-8 | The Address | — | ||
| 5-9 | Fragments | — | ||
| 5-10 | Dark Reprise | — | ||
| 5-11 | On Suicide | — | ||
| 5-12 | Und ich werde nicht mehr sehen | — | ||
| 5-13 | Not With a Bang | — | ||
| 5-14 | Coste | — | ||
| 5-15 | Cripta | — | ||
| 5-16 | Religion | — | ||
| 5-17 | The Stanislavsky Method | — | ||
| 5-18 | Tempo di Pace, Bari | — | ||
| 5-19 | Copy Machine | — | ||
| 5-20 | Finta di nulla | — | ||
| 5-21 | O Cure Me [remixed by Otomo Yoshihide] | — | ||
| 6-1 | This Was the Way It Was | — | ||
| 6-2 | Archways | — | ||
| 6-3 | A Screaming | — | ||
| 6-4 | They Have Begun to Move | — | ||
| 6-5 | 2:00 in the Morning | — | ||
| 6-6 | Todo dia | — | ||
| 6-7 | It’s Never Quiet | — | ||
| 6-8 | Six Rays | — | ||
| 6-9 | Prisoner Chorus 1 | — | ||
| 6-10 | Prisoner Chorus 2 | — | ||
| 6-11 | Oh No | — | ||
| 6-12 | I Was Old When I Was Young | — | ||
| 6-13 | Disk Not Responding | — | ||
| 6-14 | Gut | — | ||
| 6-15 | Crusoe’s Landing | — | ||
| 6-16 | Miracolo | — | ||
| 6-17 | Out Colourful Culture | — | ||
| 6-18 | In a Room | — | ||
| 6-19 | Not Me | — | ||
| 7-1 | Our Colourful Culture (18 Deutsches Jazz Festival, Frankfurt am Main, October 1982) | — | ||
| 7-2 | Man or Monkey (18 Deutsches Jazz Festival, Frankfurt am Main, October 1982) | — | ||
| 7-3 | O Cure Me (18 Deutsches Jazz Festival, Frankfurt am Main, October 1982) | — | ||
| 7-4 | Not Me (18 Deutsches Jazz Festival, Frankfurt am Main, October 1982) | — | ||
| 7-5 | Floor in the Grand Design (Sao Paulo, July 1984) | — | ||
| 7-6 | Prisoners Chorus (Sao Paulo, July 1984) | — | ||
| 7-7 | Robert (Sao Paulo, July 1984) | — | ||
| 7-8 | Survivor Kit Fragments (Sao Paulo, July 1984) | — | ||
| 7-9 | Red Shadow (Sao Paulo, July 1984) | — | ||
| 7-10 | Ach heile mich (Sao Paulo, July 1984) | — | ||
| 7-11 | On We Go (Sao Paulo, July 1984) | — | ||
| 7-12 | At Last I Am Free (Sao Paulo, July 1984) | — | ||
| 7-13 | Cassiber’s Landing (Akademie der Künste der DDR 1989) | — | ||
| 7-14 | This Was the Way It Was (Akademie der Künste der DDR 1989) | — | ||
| 7-15 | Heiner Goebbels (Akademie der Künste der DDR 1989) | — | ||
| 7-16 | Old Gods (Akademie der Künste der DDR 1989) | — | ||
| 7-17 | Chris Cutler (Akademie der Künste der DDR 1989) | — | ||
| 7-18 | Gut (Akademie der Künste der DDR 1989) | — | ||
| 7-19 | Christoph Anders (Akademie der Künste der DDR 1989) | — | ||
| 7-20 | They Have Begun to Move (Akademie der Künste der DDR 1989) | — |
Creative Contributors (ISNI)
Credits Graph
752725029322 is a Universal Product Code (UPC) assigned to 1982–1992 (30th Anniversary Cassiber Box) by Cassiber. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 110 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “1982–1992 (30th Anniversary Cassiber Box)” by Cassiber is 752725029322. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2013-01-01. Label: ReR Megacorp. This release contains 110 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Not Me | — | ||
| 2 | Red Shadow | — | ||
| 3 | Chor der Gefangenen | — | ||
| 4 | Our Colourful Culture | — | ||
| 5 | O Cure Me | — | ||
| 6 | This Core | — | ||
| 7 | Man or Monkey | — | ||
| 8 | Django Vergibt | — | ||
| 9 | Die Verunreinigung des Flusses ist gerade noch erträglich | — | ||
| 10 | Sag mir wo die Blumen sind | — | ||
| 2-1 | Six Rays | — | ||
| 2-2 | Robert | — | ||
| 2-3 | Last Call | — | ||
| 2-4 | Ach heile mich | — | ||
| 2-5 | Haruspices | — | ||
| 2-6 | Under New Management | — | ||
| 2-7 | Vengeance Is Dancing | — | ||
| 2-8 | In einer Minute | — | ||
| 2-9 | Und ich werde nicht mehr sehen | — | ||
| 2-10 | Prendre a lune avec les dents | — | ||
| 2-11 | At Last I Am Free | — | ||
| 2-12 | At Last I Am Free | — | ||
| 2-13 | Time Running Out | — | ||
| 3-1 | Dust and Ashes | — | ||
| 3-2 | Crusoe’s Landing | — | ||
| 3-3 | Miracolo | — | ||
| 3-4 | Prometheus | — | ||
| 3-5 | Sleep Armed | — | ||
| 3-6 | In a Room | — | ||
| 3-7 | Todo dia | — | ||
| 3-8 | Orphee’s Mirror | — | ||
| 3-9 | I Tried to Reach You | — | ||
| 4-1 | I: This Was the Way It Was | — | ||
| 4-2 | I: Remember | — | ||
| 4-3 | I: Old Gods | — | ||
| 4-4 | I: 2 O’Clock in the Morning | — | ||
| 4-5 | I: Philosophy (1) | — | ||
| 4-6 | I: Gut | — | ||
| 4-7 | II: Start the Show | — | ||
| 4-8 | II: A Screaming Comes Across the Sky | — | ||
| 4-9 | II: They Go in Under Archways | — | ||
| 4-10 | II: They Have Begun to Move | — | ||
| 4-11 | III: Time Gets Faster | — | ||
| 4-12 | III: It’s Never Quiet | — | ||
| 4-13 | III: Philosophy (2) | — | ||
| 4-14 | III: A Screaming Holds | — | ||
| 4-15 | III: Philosophy (3) | — | ||
| 4-16 | III: I Was Old | — | ||
| 4-17 | III: The Way It Was | — | ||
| 4-18 | III: To Move | — | ||
| 5-1 | 3000 Explosions | — | ||
| 5-2 | Dark Cloud | — | ||
| 5-3 | Walls Are Loosening | — | ||
| 5-4 | Rats and Monkeys | — | ||
| 5-5 | Pause# | — | ||
| 5-6 | Easter Day 1935 | — | ||
| 5-7 | The Song of Investment Capital Overseas | — | ||
| 5-8 | The Address | — | ||
| 5-9 | Fragments | — | ||
| 5-10 | Dark Reprise | — | ||
| 5-11 | On Suicide | — | ||
| 5-12 | Und ich werde nicht mehr sehen | — | ||
| 5-13 | Not With a Bang | — | ||
| 5-14 | Coste | — | ||
| 5-15 | Cripta | — | ||
| 5-16 | Religion | — | ||
| 5-17 | The Stanislavsky Method | — | ||
| 5-18 | Tempo di Pace, Bari | — | ||
| 5-19 | Copy Machine | — | ||
| 5-20 | Finta di nulla | — | ||
| 5-21 | O Cure Me [remixed by Otomo Yoshihide] | — | ||
| 6-1 | This Was the Way It Was | — | ||
| 6-2 | Archways | — | ||
| 6-3 | A Screaming | — | ||
| 6-4 | They Have Begun to Move | — | ||
| 6-5 | 2:00 in the Morning | — | ||
| 6-6 | Todo dia | — | ||
| 6-7 | It’s Never Quiet | — | ||
| 6-8 | Six Rays | — | ||
| 6-9 | Prisoner Chorus 1 | — | ||
| 6-10 | Prisoner Chorus 2 | — | ||
| 6-11 | Oh No | — | ||
| 6-12 | I Was Old When I Was Young | — | ||
| 6-13 | Disk Not Responding | — | ||
| 6-14 | Gut | — | ||
| 6-15 | Crusoe’s Landing | — | ||
| 6-16 | Miracolo | — | ||
| 6-17 | Out Colourful Culture | — | ||
| 6-18 | In a Room | — | ||
| 6-19 | Not Me | — | ||
| 7-1 | Our Colourful Culture (18 Deutsches Jazz Festival, Frankfurt am Main, October 1982) | — | ||
| 7-2 | Man or Monkey (18 Deutsches Jazz Festival, Frankfurt am Main, October 1982) | — | ||
| 7-3 | O Cure Me (18 Deutsches Jazz Festival, Frankfurt am Main, October 1982) | — | ||
| 7-4 | Not Me (18 Deutsches Jazz Festival, Frankfurt am Main, October 1982) | — | ||
| 7-5 | Floor in the Grand Design (Sao Paulo, July 1984) | — | ||
| 7-6 | Prisoners Chorus (Sao Paulo, July 1984) | — | ||
| 7-7 | Robert (Sao Paulo, July 1984) | — | ||
| 7-8 | Survivor Kit Fragments (Sao Paulo, July 1984) | — | ||
| 7-9 | Red Shadow (Sao Paulo, July 1984) | — | ||
| 7-10 | Ach heile mich (Sao Paulo, July 1984) | — | ||
| 7-11 | On We Go (Sao Paulo, July 1984) | — | ||
| 7-12 | At Last I Am Free (Sao Paulo, July 1984) | — | ||
| 7-13 | Cassiber’s Landing (Akademie der Künste der DDR 1989) | — | ||
| 7-14 | This Was the Way It Was (Akademie der Künste der DDR 1989) | — | ||
| 7-15 | Heiner Goebbels (Akademie der Künste der DDR 1989) | — | ||
| 7-16 | Old Gods (Akademie der Künste der DDR 1989) | — | ||
| 7-17 | Chris Cutler (Akademie der Künste der DDR 1989) | — | ||
| 7-18 | Gut (Akademie der Künste der DDR 1989) | — | ||
| 7-19 | Christoph Anders (Akademie der Künste der DDR 1989) | — | ||
| 7-20 | They Have Begun to Move (Akademie der Künste der DDR 1989) | — |
