UPC · Release
Henry Cow
Last verified:
The UPC for “The Henry Cow Box Redux: The Complete Henry Cow 50th Anniversary” by Henry Cow is 752725042628. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: ReR Megacorp. This release contains 235 tracks, each with its own ISRC. Tracks include GBAAA1200916.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nirvana for Mice | — | ||
| 2 | Amygdala | — | ||
| 3 | Teenbeat Introduction | — | ||
| 4 | Teenbeat | Henry Cow | — | |
| 5 | Silence – End of Side 1 | — | ||
| 6 | Extract From With the Yellowhalf‐Moon and Blue Star | — | ||
| 7 | Teenbeat (reprise) | — | ||
| 8 | The Tenth Chaffinch | — | ||
| 9 | Nine Funerals of the Citzen King | — | ||
| 2-1 | Bittern Storm Over Ulm | — | ||
| 2-2 | Half Asleep; Half Awake | — | ||
| 2-3 | Ruins | — | ||
| 2-4 | Silence – End of Side 1 | — | ||
| 2-5 | Solemn Music | — | ||
| 2-6 | Linguaphonie | — | ||
| 2-7 | Upon Entering the Hotel Adlon | — | ||
| 2-8 | Arcades | — | ||
| 2-9 | Deluge | — | ||
| 3-1 | Some Questions About Hats | — | ||
| 3-2 | The Owl | — | ||
| 3-3 | A Worm Is at Work | — | ||
| 3-4 | Bad Alchemy | — | ||
| 3-5 | Europa | — | ||
| 3-6 | Desperate Straights | — | ||
| 3-7 | Riding Tigers | — | ||
| 3-8 | Silence – End of Side 1 | — | ||
| 3-9 | Apes in Capes | — | ||
| 3-10 | Strayed | — | ||
| 3-11 | Giants | — | ||
| 3-12 | Excerpts From the Messiah | — | ||
| 3-13 | In the Sickbay | — | ||
| 3-14 | Caucasian Lullaby | — | ||
| 4-1 | War | — | ||
| 4-2 | Living in the Heart of the Beast | — | ||
| 4-3 | Silence – End of Side 1 | — | ||
| 4-4 | Beginning; The Long March | — | ||
| 4-5 | Beautiful as the Moon; Terrible as an Army With Banners | — | ||
| 4-6 | Morning Star | — | ||
| 5-1 | Industry | — | ||
| 5-2 | The Decay of Cities | — | ||
| 5-3 | On the Raft | — | ||
| 5-4 | Silence End of Side 1 | — | ||
| 5-5 | Falling Away | — | ||
| 5-6 | Gretel’s Tale | — | ||
| 5-7 | Look Back | — | ||
| 5-8 | Half the Sky | — | ||
| 6-1 | Beautiful as the Moon, Terrible as an Army With Banners | — | ||
| 6-2 | Nirvana for Mice | — | ||
| 6-3 | The Ottawa Song | — | ||
| 6-4 | Gloria Gloom | — | ||
| 6-5 | Beautiful as the Moon (reprise) | — | ||
| 6-6 | Bad Alchemy | — | ||
| 6-7 | Little Red Riding Hood Hits the Road | — | ||
| 6-8 | Ruins | — | ||
| 6-9 | Groningen | — | ||
| 6-10 | Groningen Again | — | ||
| 7-1 | Oslo 1 | — | ||
| 7-2 | Oslo 2 | — | ||
| 7-3 | Oslo 3 | — | ||
| 7-4 | Oslo 4 | — | ||
| 7-5 | Oslo 5 | — | ||
| 7-6 | Oslo 6 | — | ||
| 7-7 | Oslo 7 | — | ||
| 7-8 | Oslo 8 | — | ||
| 7-9 | Off the Map | — | ||
| 7-10 | Cafe Royal | — | ||
| 7-11 | Keeping Warm in Winter / Sweet Heart of Mine | — | ||
| 7-12 | Udine | — | ||
| 8-1 | Pre‐Teenbeat I | — | ||
| 8-2 | Pre‐Teenbeat II | — | ||
| 8-3 | Rapt in a Blanket | — | ||
| 8-4 | Came to See You | — | ||
| 8-5 | Amygdala Extract (pre‐Legend demo) | — | ||
| 8-6 | Teenbeat | — | ||
| 8-7 | Citizen King | — | ||
| 8-8 | Nirvana for Moles | — | ||
| 8-9 | Introduction | — | ||
| 8-10 | Invocation | — | ||
| 8-11 | Demi‐Lune Jaune | — | ||
| 8-12 | Three Little Steps | — | ||
| 8-13 | Red Riff | — | ||
| 8-14 | Chorale Flautando | — | ||
| 8-15 | Cycling Over the Cliff | — | ||
| 8-16 | First Light | — | ||
| 8-17 | Olwyn Grainger | — | ||
| 8-18 | Betty McGowan | — | ||
| 8-19 | Lottie Hare | — | ||
| 9-1 | Introduction | — | ||
| 9-2 | Ruins I | — | ||
| 9-3 | Half Asleep, Half Awake | — | ||
| 9-4 | Ruins II | — | ||
| 9-5 | Heron Shower Over Hamburg | — | ||
| 9-6 | Nix | — | ||
| 9-7 | Halsteren 1 | — | ||
| 9-8 | Solo 1 | — | ||
| 9-9 | Solo Extension 1 | — | ||
| 9-10 | Halsteren 2 | — | ||
| 9-11 | Extension 1 | — | ||
| 9-12 | Halsteren 3 | — | ||
| 9-13 | First Suspension | — | ||
| 9-14 | Extension 2 | — | ||
| 9-15 | Extension 3 | — | ||
| 9-16 | Solo 2 | — | ||
| 9-17 | Solo Extension 2 | — | ||
| 9-18 | Halsteren 4 | — | ||
| 9-19 | Second Suspension | — | ||
| 9-20 | Extension 4 | — | ||
| 9-21 | Solo 3 | — | ||
| 9-22 | Solo Extension 3 | — | ||
| 9-23 | Halsteren 5 | — | ||
| 9-24 | Living in the Heart of the Beast 1 | — | ||
| 9-25 | Living in the Heart of the Beast 2 | — | ||
| 9-26 | Living in the Heart of the Beast 3 | — | ||
| 9-27 | Living in the Heart of the Beast 4 | — | ||
| 9-28 | Living in the Heart of the Beast 5 | — | ||
| 9-29 | Living in the Heart of the Beast 6 | — | ||
| 9-30 | Living in the Heart of the Beast 7 | — | ||
| 9-31 | Living in the Heart of the Beast 8 | — | ||
| 9-32 | Living in the Heart of the Beast 9 | — | ||
| 10-1 | Fair as the Moon | — | ||
| 10-2 | Nirvana for Rabbits | — | ||
| 10-3 | Ottawa Song | — | ||
| 10-4 | Twilight Bridge | — | ||
| 10-5 | Gloria Gloom | — | ||
| 10-6 | Hamburg 1 | — | ||
| 10-7 | Hamburg 2 | — | ||
| 10-8 | Red Noise 10 | — | ||
| 10-9 | Hamburg 3 | — | ||
| 10-10 | Hamburg 4 | — | ||
| 10-11 | Hamburg 5 | — | ||
| 10-12 | Terrible as an Army With Banners | — | ||
| 10-13 | A Heart | — | ||
| 10-14 | Little Red Riding Hood Hit the Road | — | ||
| 10-15 | We Did It Again | — | ||
| 11-1 | Trondheim I | — | ||
| 11-2 | Trondheim I | — | ||
| 11-3 | Trondheim I | — | ||
| 11-4 | Trondheim I | — | ||
| 11-5 | Trondheim I | — | ||
| 11-6 | Trondheim I | — | ||
| 11-7 | Trondheim I | — | ||
| 11-8 | Trondheim I | — | ||
| 11-9 | Trondheim I | — | ||
| 11-10 | Trondheim I | — | ||
| 12-1 | Trondheim II | — | ||
| 12-2 | Trondheim II | — | ||
| 12-3 | Trondheim II | — | ||
| 12-4 | Trondheim II | — | ||
| 12-5 | Trondheim II | — | ||
| 12-6 | Trondheim II | — | ||
| 12-7 | The March | — | ||
| 13-1 | Stockholm 1 | — | ||
| 13-2 | Erk Gah (aka Hold to the Zero Burn), Part 1 | — | ||
| 13-3 | Erk Gah, Part 2 | — | ||
| 13-4 | Erk Gah, Part 3 | — | ||
| 13-5 | Erk Gah, Part 4 | — | ||
| 13-6 | Erk Gah, Part 5 | — | ||
| 13-7 | A Bridge to Ruins | — | ||
| 13-8 | Ottawa Song | — | ||
| 13-9 | Goteborg 1, Part 1 | — | ||
| 13-10 | Goteborg 1, Part 2 | — | ||
| 13-11 | Goteborg 1, Part 3 | — | ||
| 13-12 | No More Songs | — | ||
| 13-13 | Stockholm 2 | — | ||
| 13-14 | The March | — | ||
| 14-1 | Joan | — | ||
| 14-2 | Teenbeat 2 | — | ||
| 14-3 | Would You Prefer Us to Lie? | — | ||
| 14-4 | Untitled Piece | — | ||
| 14-5 | Chaumont 1 | — | ||
| 14-6 | Chaumont 2 | — | ||
| 14-7 | March | — | ||
| 14-8 | Brain Storm Over Barnsley | — | ||
| 14-9 | Teenbeat 3 | — | ||
| 14-10 | Post‐Teen Auditorium Invasion | — | ||
| 14-11 | Bucket Waltz | — | ||
| 14-12 | On Suicide | — | ||
| 15-1 | Armed Maniac / Things We Forgot | — | ||
| 15-2 | New Suite: Van Fleet | — | ||
| 15-3 | New Suite: Viva Pa Ubu Instrumental Extract | — | ||
| 15-4 | New Suite: The Big Tune Begins | — | ||
| 15-5 | New Suite: The Big Tune Continues | — | ||
| 15-6 | New Suite: The Big Tune Ends | — | ||
| 15-7 | New Suite: March | — | ||
| 15-8 | Die Kunst der Orgel: Bremen 1 | — | ||
| 15-9 | Die Kunst der Orgel: Bremen 2 | — | ||
| 15-10 | Die Kunst der Orgel: Bremen 3 | — | ||
| 15-11 | Die Kunst der Orgel: Bremen 4 | — | ||
| 15-12 | Die Kunst der Orgel: Bremen 5 | — | ||
| 15-13 | Die Kunst der Orgel: Erk Gah Instrumental Extract 1 | — | ||
| 15-14 | Die Kunst der Orgel: Erk Gah Instrumental Extract 2 | — | ||
| 16-1 | Joy of Sax | — | ||
| 16-2 | Jackie‐ing | — | ||
| 16-3 | Untitled 2 | — | ||
| 16-4 | The Herring People | — | ||
| 16-5 | RIO 1 | — | ||
| 16-6 | RIO 2 | — | ||
| 16-7 | RIO 3 | — | ||
| 16-8 | RIO 4 | — | ||
| 16-9 | Half the Sky | — | ||
| 16-10 | Virgins of Illinois | — | ||
| 16-11 | Viva Pa Ubu | — | ||
| 17-1 | Beautiful As… | — | ||
| 17-2 | Vevey 1 | — | ||
| 17-3 | Terrible As… | — | ||
| 17-4 | Tim Speaks | — | ||
| 17-5 | No More Songs | — | ||
| 17-6 | LITHOTB | — | ||
| 17-7 | Vevey 2 | — | ||
| 17-8 | March | — | ||
| 17-9 | Erk Gah | — | ||
| 18-1 | Pre Virgin Demo 1 | — | ||
| 18-2 | Pre Virgin Demo 2 | — | ||
| 18-3 | Unidentified Improvisation 1 | — | ||
| 18-4 | Unidentified Improvisation 2 | — | ||
| 18-5 | Unidentified Late Composition | — | ||
| 18-6 | Exploded Amygdala / Teen Introduction | — | ||
| 18-7 | Lovers of Gold | — | ||
| 18-8 | Hamburg 6 | — | ||
| 18-9 | Ruins Extract | — | ||
| 18-10 | Hamburg 7 | — | ||
| 18-11 | Half the Sky | — | ||
| 18-12 | Extract From the Glove | — | ||
| 19-1 | Poglith Drives a Vauxhall Viva | — | ||
| 19-4 | Nirvana for Mice (live, June 1974) | — | ||
| 19-5 | Free (live, June 1974) | — | ||
| 19-6 | Fugue (live, June 1974) | — | ||
| 19-7 | Teenbeat Extract (live, June 1974) | — | ||
| 19-8 | Sundssvall, or Helsinki | — | ||
| 19-9 | Torchfire | — | ||
| 19-10 | [untitled] | — | ||
| 19-11 | Would You Prefer Us to Lie? | — | ||
| 19-12 | Viva Pa Ubu | — | ||
| 19-13 | Slice | — | ||
| 19-16 | Drones | — |
Musical Works (ISWC)
Creative Contributors (ISNI)
Credits Graph
752725042628 is a Universal Product Code (UPC) assigned to The Henry Cow Box Redux: The Complete Henry Cow 50th Anniversary by Henry Cow. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 235 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “The Henry Cow Box Redux: The Complete Henry Cow 50th Anniversary” by Henry Cow is 752725042628. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: ReR Megacorp. This release contains 235 tracks, each with its own ISRC. Tracks include GBAAA1200916.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Nirvana for Mice | — | ||
| 2 | Amygdala | — | ||
| 3 | Teenbeat Introduction | — | ||
| 4 | Teenbeat | Henry Cow | — | |
| 5 | Silence – End of Side 1 | — | ||
| 6 | Extract From With the Yellowhalf‐Moon and Blue Star | — | ||
| 7 | Teenbeat (reprise) | — | ||
| 8 | The Tenth Chaffinch | — | ||
| 9 | Nine Funerals of the Citzen King | — | ||
| 2-1 | Bittern Storm Over Ulm | — | ||
| 2-2 | Half Asleep; Half Awake | — | ||
| 2-3 | Ruins | — | ||
| 2-4 | Silence – End of Side 1 | — | ||
| 2-5 | Solemn Music | — | ||
| 2-6 | Linguaphonie | — | ||
| 2-7 | Upon Entering the Hotel Adlon | — | ||
| 2-8 | Arcades | — | ||
| 2-9 | Deluge | — | ||
| 3-1 | Some Questions About Hats | — | ||
| 3-2 | The Owl | — | ||
| 3-3 | A Worm Is at Work | — | ||
| 3-4 | Bad Alchemy | — | ||
| 3-5 | Europa | — | ||
| 3-6 | Desperate Straights | — | ||
| 3-7 | Riding Tigers | — | ||
| 3-8 | Silence – End of Side 1 | — | ||
| 3-9 | Apes in Capes | — | ||
| 3-10 | Strayed | — | ||
| 3-11 | Giants | — | ||
| 3-12 | Excerpts From the Messiah | — | ||
| 3-13 | In the Sickbay | — | ||
| 3-14 | Caucasian Lullaby | — | ||
| 4-1 | War | — | ||
| 4-2 | Living in the Heart of the Beast | — | ||
| 4-3 | Silence – End of Side 1 | — | ||
| 4-4 | Beginning; The Long March | — | ||
| 4-5 | Beautiful as the Moon; Terrible as an Army With Banners | — | ||
| 4-6 | Morning Star | — | ||
| 5-1 | Industry | — | ||
| 5-2 | The Decay of Cities | — | ||
| 5-3 | On the Raft | — | ||
| 5-4 | Silence End of Side 1 | — | ||
| 5-5 | Falling Away | — | ||
| 5-6 | Gretel’s Tale | — | ||
| 5-7 | Look Back | — | ||
| 5-8 | Half the Sky | — | ||
| 6-1 | Beautiful as the Moon, Terrible as an Army With Banners | — | ||
| 6-2 | Nirvana for Mice | — | ||
| 6-3 | The Ottawa Song | — | ||
| 6-4 | Gloria Gloom | — | ||
| 6-5 | Beautiful as the Moon (reprise) | — | ||
| 6-6 | Bad Alchemy | — | ||
| 6-7 | Little Red Riding Hood Hits the Road | — | ||
| 6-8 | Ruins | — | ||
| 6-9 | Groningen | — | ||
| 6-10 | Groningen Again | — | ||
| 7-1 | Oslo 1 | — | ||
| 7-2 | Oslo 2 | — | ||
| 7-3 | Oslo 3 | — | ||
| 7-4 | Oslo 4 | — | ||
| 7-5 | Oslo 5 | — | ||
| 7-6 | Oslo 6 | — | ||
| 7-7 | Oslo 7 | — | ||
| 7-8 | Oslo 8 | — | ||
| 7-9 | Off the Map | — | ||
| 7-10 | Cafe Royal | — | ||
| 7-11 | Keeping Warm in Winter / Sweet Heart of Mine | — | ||
| 7-12 | Udine | — | ||
| 8-1 | Pre‐Teenbeat I | — | ||
| 8-2 | Pre‐Teenbeat II | — | ||
| 8-3 | Rapt in a Blanket | — | ||
| 8-4 | Came to See You | — | ||
| 8-5 | Amygdala Extract (pre‐Legend demo) | — | ||
| 8-6 | Teenbeat | — | ||
| 8-7 | Citizen King | — | ||
| 8-8 | Nirvana for Moles | — | ||
| 8-9 | Introduction | — | ||
| 8-10 | Invocation | — | ||
| 8-11 | Demi‐Lune Jaune | — | ||
| 8-12 | Three Little Steps | — | ||
| 8-13 | Red Riff | — | ||
| 8-14 | Chorale Flautando | — | ||
| 8-15 | Cycling Over the Cliff | — | ||
| 8-16 | First Light | — | ||
| 8-17 | Olwyn Grainger | — | ||
| 8-18 | Betty McGowan | — | ||
| 8-19 | Lottie Hare | — | ||
| 9-1 | Introduction | — | ||
| 9-2 | Ruins I | — | ||
| 9-3 | Half Asleep, Half Awake | — | ||
| 9-4 | Ruins II | — | ||
| 9-5 | Heron Shower Over Hamburg | — | ||
| 9-6 | Nix | — | ||
| 9-7 | Halsteren 1 | — | ||
| 9-8 | Solo 1 | — | ||
| 9-9 | Solo Extension 1 | — | ||
| 9-10 | Halsteren 2 | — | ||
| 9-11 | Extension 1 | — | ||
| 9-12 | Halsteren 3 | — | ||
| 9-13 | First Suspension | — | ||
| 9-14 | Extension 2 | — | ||
| 9-15 | Extension 3 | — | ||
| 9-16 | Solo 2 | — | ||
| 9-17 | Solo Extension 2 | — | ||
| 9-18 | Halsteren 4 | — | ||
| 9-19 | Second Suspension | — | ||
| 9-20 | Extension 4 | — | ||
| 9-21 | Solo 3 | — | ||
| 9-22 | Solo Extension 3 | — | ||
| 9-23 | Halsteren 5 | — | ||
| 9-24 | Living in the Heart of the Beast 1 | — | ||
| 9-25 | Living in the Heart of the Beast 2 | — | ||
| 9-26 | Living in the Heart of the Beast 3 | — | ||
| 9-27 | Living in the Heart of the Beast 4 | — | ||
| 9-28 | Living in the Heart of the Beast 5 | — | ||
| 9-29 | Living in the Heart of the Beast 6 | — | ||
| 9-30 | Living in the Heart of the Beast 7 | — | ||
| 9-31 | Living in the Heart of the Beast 8 | — | ||
| 9-32 | Living in the Heart of the Beast 9 | — | ||
| 10-1 | Fair as the Moon | — | ||
| 10-2 | Nirvana for Rabbits | — | ||
| 10-3 | Ottawa Song | — | ||
| 10-4 | Twilight Bridge | — | ||
| 10-5 | Gloria Gloom | — | ||
| 10-6 | Hamburg 1 | — | ||
| 10-7 | Hamburg 2 | — | ||
| 10-8 | Red Noise 10 | — | ||
| 10-9 | Hamburg 3 | — | ||
| 10-10 | Hamburg 4 | — | ||
| 10-11 | Hamburg 5 | — | ||
| 10-12 | Terrible as an Army With Banners | — | ||
| 10-13 | A Heart | — | ||
| 10-14 | Little Red Riding Hood Hit the Road | — | ||
| 10-15 | We Did It Again | — | ||
| 11-1 | Trondheim I | — | ||
| 11-2 | Trondheim I | — | ||
| 11-3 | Trondheim I | — | ||
| 11-4 | Trondheim I | — | ||
| 11-5 | Trondheim I | — | ||
| 11-6 | Trondheim I | — | ||
| 11-7 | Trondheim I | — | ||
| 11-8 | Trondheim I | — | ||
| 11-9 | Trondheim I | — | ||
| 11-10 | Trondheim I | — | ||
| 12-1 | Trondheim II | — | ||
| 12-2 | Trondheim II | — | ||
| 12-3 | Trondheim II | — | ||
| 12-4 | Trondheim II | — | ||
| 12-5 | Trondheim II | — | ||
| 12-6 | Trondheim II | — | ||
| 12-7 | The March | — | ||
| 13-1 | Stockholm 1 | — | ||
| 13-2 | Erk Gah (aka Hold to the Zero Burn), Part 1 | — | ||
| 13-3 | Erk Gah, Part 2 | — | ||
| 13-4 | Erk Gah, Part 3 | — | ||
| 13-5 | Erk Gah, Part 4 | — | ||
| 13-6 | Erk Gah, Part 5 | — | ||
| 13-7 | A Bridge to Ruins | — | ||
| 13-8 | Ottawa Song | — | ||
| 13-9 | Goteborg 1, Part 1 | — | ||
| 13-10 | Goteborg 1, Part 2 | — | ||
| 13-11 | Goteborg 1, Part 3 | — | ||
| 13-12 | No More Songs | — | ||
| 13-13 | Stockholm 2 | — | ||
| 13-14 | The March | — | ||
| 14-1 | Joan | — | ||
| 14-2 | Teenbeat 2 | — | ||
| 14-3 | Would You Prefer Us to Lie? | — | ||
| 14-4 | Untitled Piece | — | ||
| 14-5 | Chaumont 1 | — | ||
| 14-6 | Chaumont 2 | — | ||
| 14-7 | March | — | ||
| 14-8 | Brain Storm Over Barnsley | — | ||
| 14-9 | Teenbeat 3 | — | ||
| 14-10 | Post‐Teen Auditorium Invasion | — | ||
| 14-11 | Bucket Waltz | — | ||
| 14-12 | On Suicide | — | ||
| 15-1 | Armed Maniac / Things We Forgot | — | ||
| 15-2 | New Suite: Van Fleet | — | ||
| 15-3 | New Suite: Viva Pa Ubu Instrumental Extract | — | ||
| 15-4 | New Suite: The Big Tune Begins | — | ||
| 15-5 | New Suite: The Big Tune Continues | — | ||
| 15-6 | New Suite: The Big Tune Ends | — | ||
| 15-7 | New Suite: March | — | ||
| 15-8 | Die Kunst der Orgel: Bremen 1 | — | ||
| 15-9 | Die Kunst der Orgel: Bremen 2 | — | ||
| 15-10 | Die Kunst der Orgel: Bremen 3 | — | ||
| 15-11 | Die Kunst der Orgel: Bremen 4 | — | ||
| 15-12 | Die Kunst der Orgel: Bremen 5 | — | ||
| 15-13 | Die Kunst der Orgel: Erk Gah Instrumental Extract 1 | — | ||
| 15-14 | Die Kunst der Orgel: Erk Gah Instrumental Extract 2 | — | ||
| 16-1 | Joy of Sax | — | ||
| 16-2 | Jackie‐ing | — | ||
| 16-3 | Untitled 2 | — | ||
| 16-4 | The Herring People | — | ||
| 16-5 | RIO 1 | — | ||
| 16-6 | RIO 2 | — | ||
| 16-7 | RIO 3 | — | ||
| 16-8 | RIO 4 | — | ||
| 16-9 | Half the Sky | — | ||
| 16-10 | Virgins of Illinois | — | ||
| 16-11 | Viva Pa Ubu | — | ||
| 17-1 | Beautiful As… | — | ||
| 17-2 | Vevey 1 | — | ||
| 17-3 | Terrible As… | — | ||
| 17-4 | Tim Speaks | — | ||
| 17-5 | No More Songs | — | ||
| 17-6 | LITHOTB | — | ||
| 17-7 | Vevey 2 | — | ||
| 17-8 | March | — | ||
| 17-9 | Erk Gah | — | ||
| 18-1 | Pre Virgin Demo 1 | — | ||
| 18-2 | Pre Virgin Demo 2 | — | ||
| 18-3 | Unidentified Improvisation 1 | — | ||
| 18-4 | Unidentified Improvisation 2 | — | ||
| 18-5 | Unidentified Late Composition | — | ||
| 18-6 | Exploded Amygdala / Teen Introduction | — | ||
| 18-7 | Lovers of Gold | — | ||
| 18-8 | Hamburg 6 | — | ||
| 18-9 | Ruins Extract | — | ||
| 18-10 | Hamburg 7 | — | ||
| 18-11 | Half the Sky | — | ||
| 18-12 | Extract From the Glove | — | ||
| 19-1 | Poglith Drives a Vauxhall Viva | — | ||
| 19-4 | Nirvana for Mice (live, June 1974) | — | ||
| 19-5 | Free (live, June 1974) | — | ||
| 19-6 | Fugue (live, June 1974) | — | ||
| 19-7 | Teenbeat Extract (live, June 1974) | — | ||
| 19-8 | Sundssvall, or Helsinki | — | ||
| 19-9 | Torchfire | — | ||
| 19-10 | [untitled] | — | ||
| 19-11 | Would You Prefer Us to Lie? | — | ||
| 19-12 | Viva Pa Ubu | — | ||
| 19-13 | Slice | — | ||
| 19-16 | Drones | — |
