UPC · Release
The Only Choral Album You'll Ever Need
Various Artists
Last verified:
756055136026 is the Universal Product Code (UPC barcode) for the release “The Only Choral Album You'll Ever Need” by Various Artists, released 2000-01-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 17 tracks, each with its own ISRC. Tracks include GBARU9700058, USBC19200371, GBARU9300003.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (17)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 2-1 | Il Trovatore: Anvil Chorus | Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Carl Davis | T9286355848 | |
| 2-2 | Ein deutsches Requiem, Op. 45: IV. Wie lieblich sind Deine Wohnungen | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | T0501277719 | |
| 2-3 | Ave verum corpus | The Choir of Trinity College, Cambridge, Silas Standage, Richard Marlow | — | |
| 2-4 | Entr'acte and Waltz | [unknown] | — | |
| 2-5 | Zadok the Priest | Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Carl Davis | T9001387128 | |
| 2-6 | Messe in H-Moll, BWV 232: IIf. Coro "Qui tollis peccata mundi" | Balthasar-Neumann-Chor, Freiburger Barockorchester, Thomas Hengelbrock | — | |
| 2-7 | Alles vergängliche ist nur ein Gleichnis | Michael Gläser, Robin Gritton, Chor des Bayerischen Rundfunks, Rundfunkchor Berlin, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | — | |
| 2-8 | Vespro della Beata Vergine: Intonatio: Deus in adiutorium Domine ad adjuvandum | Cantus Cölln, Concerto Palatino, Konrad Junghänel | — | |
| 2-9 | Symphony no. 9 in D minor, op. 125 "Choral" | Fritz Näf, Steve Davislim, Birgit Remmert, Detlef Roth, Schweizer Kammerchor, Ruth Ziesak, Tonhalle-Orchester Zürich, David Zinman | — | |
| 2-10 | Bridal Chorus from Lohengrin | Mitglieder des Chores der Bayerischen Staatsoper, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | — | |
| 2-11 | Champagne Chorus | [unknown] | — | |
| 2-12 | Shepherds' Farewell | [unknown] | T9000837014 | |
| 2-13 | Nabucco: Atto III, scena 4. “Va, pensiero” (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw Chorale, RCA Victor Orchestra, Robert Shaw | T9286354889 | |
| 2-14 | Hear My Prayer, O Lord | The Choir of Trinity College, Cambridge, Richard Marlow | — | |
| 2-15 | Ave Maria | [unknown] | — | |
| 2-16 | Faust : « Déposons les armes … Gloire immortelle de nos aïeux » | Robert Shaw Chorale | T0714313720 | |
| 2-17 | Carmina Burana: Fortuna Imperatrix Mundi: O Fortuna | Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Kurt Eichhorn | T8006397714 |
Additional database matches (21)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Polovtsian Dances | [unknown] | — |
| I Pagliacci: Bell Chorus | Chor des Bayerischen Rundfunks | — |
| The Flying Dutchman: Sailors' Chorus | Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Wilhelm Schüchter | — |
| Madama Butterfly: Atto II, scena 1. Humming Chorus | Chor des Bayerischen Rundfunks, Münchner Rundfunkorchester, Giuseppe Patanè | T0112752825 |
| Credo: Crucifixus à 8 | Balthasar-Neumann-Chor, Balthasar-Neumann-Ensemble, Thomas Hengelbrock | — |
| Aida: Grand March | Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Carl Davis, King’s Division Normandy Band | — |
| Requiem, Op. 48: In Paradisum | The Choir of Trinity College, Cambridge, London Musici, Richard Marlow | T-924.489.944-3 |
| Agnus Dei, Op. 11 | Choir of Trinity College, Richard Marlow | T9011345714 |
| Jerusalem | Choir of Trinity College, Philip Rushforth, Richard Marlow | T0108936599 |
| Miserere mei Deus | Rebecca Daldorph, James Elias, Louisa Keily, Reiner Schneider-Waterberg, Choir of Trinity College, Cambridge, Richard Marlow | — |
| The Lamb | Choir of Trinity College | T-900.217.085-6 |
| Hear My Prayer, O Lord | The Choir of Trinity College, Cambridge, Richard Marlow | — |
| Cavalleria rusticana: Easter Hymn | Lesley Garrett, Britten Sinfonia, Ivor Bolton | — |
| Ave verum corpus | The Choir of Trinity College, Cambridge, Silas Standage, Richard Marlow | — |
| Miserere mei Deus | Rebecca Daldorph, James Elias, Louisa Keily, Reiner Schneider-Waterberg, Choir of Trinity College, Cambridge, Richard Marlow | — |
| Agnus Dei, Op. 11 | Choir of Trinity College, Richard Marlow | — |
| Messiah: Hallelujah Chorus | London Musici Chamber Choir, London Musici, Mark Stephenson | T0715144345 |
| Requiem Mass "Manzoni": Dies irae / Tuba mirum | Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | — |
| Carmen: March of the Toreadors | Chor der Wiener Staatsoper, Wiener Philharmoniker, Herbert von Karajan | — |
| Requiem, KV 626: Requiem Aeternam / Kyrie | Angela Maria Blasi, Chor des Bayerischen Rundfunks, Symphonieorchester des Bayerischen Rundfunks, Sir Colin Davis | — |
| Bridal Chorus from Lohengrin | Mitglieder des Chores der Bayerischen Staatsoper, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
+34 more
Identifier Graph
People also ask
Verified on
What is UPC 756055136026?
756055136026 is a Universal Product Code (UPC) assigned to The Only Choral Album You'll Ever Need by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 17 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm