UPC · Release
Classic FM: Relax
Various Artists
Last verified:
756055603023 is the Universal Product Code (UPC barcode) for the release “Classic FM: Relax” by Various Artists, released 1999-01-01 on Classic FM. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 27 tracks, each with its own ISRC. Tracks include GBARU9700367, GBARU9800835, GBARU9800148.
Format
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (27)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Piano Concerto no. 2 in C minor: II. Adagio sostenuto | Evelyn Chen, Philharmonia Orchestra, Leonard Slatkin | — | |
| 2 | The Lark Ascending | Britten Sinfonia, Nicholas Cleobury | — | |
| 3 | Canon in D | City of London Sinfonia, Andrew Watkinson | — | |
| 4 | Concierto De Aranjuez: II. Adagio | José María Gallardo del Rey, Spanish National Orchestra, Frühbeck de Burgos | — | |
| 5 | Nulla in mundo pax sincera | Lesley Garrett | — | |
| 6 | Symphony no. 5 in C-sharp minor: IV. Adagietto (Sehr langsam) | Royal Philharmonic Orchestra, Daniele Gatti | — | |
| 7 | The Walk to the Paradise Garden | — | ||
| 2-1 | Thais - Meditation (arr Madden) | — | ||
| 2-2 | Violin Concerto No. 1 in G minor, Op. 26: II. Adagio | — | ||
| 2-3 | Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile | Evelyn Chen, Philharmonia Orchestra, Leonard Slatkin | T-902.858.745-3 | |
| 2-4 | Air on the G String | City of London Sinfonia, Andrew Watkinson | T-914.248.874-2 | |
| 2-5 | Recuerdos de la Alhambra | Simon Dinnigan | — | |
| 2-6 | Symphony No. 6 in B minor, Op. 74 "Pathétique" | — | ||
| 2-7 | Spartacus: Adagio | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T-901.134.571-4 | |
| 2-8 | Cavalleria rusticana: Intermezzo | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — | |
| 2-9 | Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Guido Schiefen | — | |
| 2-10 | Fantasia on a Theme by Thomas Tallis | Britten Sinfonia, Nicholas Cleobury | — | |
| 2-11 | Romance (The Gadfly) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — | |
| 3-1 | Chanson de Matin | Britten Sinfonia, Nicholas Cleobury | T-900.047.147-6 | |
| 3-2 | Pavane | Royal Liverpool Philharmonic Orchestra, Libor Pešek | — | |
| 3-3 | Piano Concerto in A minor, Op. 16: II. Adagio | — | ||
| 3-4 | Adagio in G minor | Ian Watson, City of London Sinfonia, Andrew Watkinson | T-916.008.010-4 | |
| 3-5 | On Hearing the First Cuckoo in Spring | Britten Sinfonia, Nicholas Cleobury | — | |
| 3-6 | Gymnopedie no. 1 | John Lenehan | — | |
| 3-7 | Prelude a l'apres-midi d'un faune | — | ||
| 3-8 | Adagio for Strings | Royal Liverpool Philharmonic Orchestra, Libor Pešek | T-070.000.199-5 | |
| 3-9 | Miserere mei Deus | Rebecca Daldorph, James Elias, Louisa Keily, Reiner Schneider-Waterberg, Choir of Trinity College, Cambridge, Richard Marlow | — |
Additional database matches (1)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Miserere mei Deus | Rebecca Daldorph, James Elias, Louisa Keily, Reiner Schneider-Waterberg, Choir of Trinity College, Cambridge, Richard Marlow | — |
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
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What is UPC 756055603023?
756055603023 is a Universal Product Code (UPC) assigned to Classic FM: Relax by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 27 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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