UPC · Album
Classic FM: Smooth Classics - Do Not Disturb
Various Artists
756055603825
43 tracksReleased 2003-01-01Classic FM
Last verified:
756055603825 is the Universal Product Code (UPC barcode) for the release “Classic FM: Smooth Classics - Do Not Disturb” by Various Artists, released 2003-01-01 on Classic FM. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 43 tracks, each with its own ISRC. Tracks include DEE478700083, DEP629500064, DEP629600085.
Format
7Number system
56055Manufacturer
60382Product
5Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
UPCClassic FM: Smooth Classics - Do Not Disturb
ISRC53 recordings
ISWC5 works
IPI3 songwriters
Track List (53)
| Track Title | Artist(s) | ISRC |
|---|---|---|
| Che Faro Senza Euridice? | Marjana Lipovšek, Munich Radio Symphony Orchestra, Leopold Hager | DEE478700083 |
| Nocturne in E-flat major, Op. 9 No. 2 | Ricardo Castro | DEP629500064 |
| Cello Suite No. 1 in G major, BWV 1007: I. Prélude | Guido Schiefen | DEP629600085 |
| John Dunbar Theme | The City of Prague Philharmonic Orchestra, Nic Raine | GBAJC9600163 |
| Gabriel's Oboe | The City of Prague Philharmonic Orchestra, Paul Bateman | GBAJC9801292 |
| Sarabande - Holberg Suite | Polish Radio Symphony Orchestra, Tadeusz Wojciechowski | GBARU9500004 |
| Romance (The Gadfly) | Royal Liverpool Philharmonic Orchestra, Libor Pešek | GBARU9700354 |
| Gymnopedie no. 1 | John Lenehan | GBARU9800059 |
| Contacta 140: Wachet Auf | City of London Sinfonia, Andrew Watkinson | GBARU9800140 |
| Air on the G String | City of London Sinfonia, Andrew Watkinson | GBARU9800141 |
| Minuet (String Quartet in E major) | City of London Sinfonia, Andrew Watkinson | GBARU9800143 |
| Piano Concerto in F major: II. | Michael Boriskin, Eos Orchestra, Jonathan Sheffer | GBARU9800584 |
| Recuerdos de la Alhambra | Simon Dinnigan | GBARU9800683 |
| Messa da requiem: V. Agnus Dei | Choir of King’s College, Cambridge, London Musici, Richard Marlow | GBARU9800800 |
| The Lark Ascending | Britten Sinfonia, Nicholas Cleobury | GBARU9800835 |
| On Hearing the First Cuckoo in Spring | Britten Sinfonia, Nicholas Cleobury | GBARU9800836 |
| Chanson de Matin | Britten Sinfonia, Nicholas Cleobury | GBARU9800839 |
| Pavane | Royal Liverpool Philharmonic Orchestra, Libor Pešek | GBDFC0000049 |
| Clarinet Quintet in A major (2nd movement) | Nicholas Cox, Lesley Gwyther, Thelma Handy, David Greenlees, Jonathan Aasgard | GBDFC0300015 |
| Miserere | The Sixteen, Harry Christophers | GBEJP0301403 |
| Rinaldo: Laschia ch'io pianga | Ingrid Kertesi, László Kovács, Camerata Budapest | HKI190023703 |
| Requiem: III. Pie Jesu | Choir of Clare College, Cambridge, Elin Manahan Thomas, Members of the City of London Sinfonia, Timothy Brown | HKI190227403 |
| Prélude à l’après‐midi d’un faune | BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | HKI199200506 |
| A German Requiem, op. 45: Wie lieblich sind Deine Wohnungen | Slovak Philharmonic Choir, Czecho-Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199222804 |
| Prélude à l’après‐midi d’un faune | BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | HKI199241401 |
| A German Requiem, op. 45: Wie lieblich sind Deine Wohnungen | Slovak Philharmonic Choir, Czecho-Slovak Radio Symphony Orchestra, Alexander Rahbari | HKI199299904 |
| 8 Partsongs, op. 119 no. 3: The blue bird | Carys Lane, Oxford Camerata, Jeremy Summerly | HKI199321716 |
| String Quartet no. 2 in F major, op. 92: II. Adagio | Aurora String Quartet | HKI199339205 |
| PRELUDE A L APRES-MIDI D UN FAUNE | Jan Van Reeth, BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | HKI199607901 |
| 8 Partsongs, op. 119 no. 3: The blue bird | Carys Lane, Oxford Camerata, Jeremy Summerly | HKI199690516 |
| Salut d’amour, op. 12 | Czecho-Slovak Radio Symphony Orchestra (Bratislava), Adrian Leaper | HKI199708117 |
| Andante Cantabile for Cello, op. Posth. (from String Quartet no. 1 in D major, op. 11) | Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas | HKI199920513 |
| I giorni | Ludovico Einaudi | ITB280100023 |
| I giorni | Ludovico Einaudi | ITC490500021 |
| Prélude à l’après‐midi d’un faune | BRT Philharmonic Orchestra, Brussels, Alexander Rahbari | USB8U1611231 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis | USBC10200483 |
| Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Itzhak Perlman, Boston Symphony Orchestra, Erich Leinsdorf | USBC10300664 |
| Serenade for Strings, op. 22: I. Moderato | Royal Philharmonic Orchestra, Claus Peter Flor | USBC10300670 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis | USBC10509829 |
| Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | USBC16500202 |
| Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia | The Philadelphia Orchestra, Eugene Ormandy | USBC16800140 |
| Concerto in D for Lute and Strings, RV 93: II. Largo | Julian Bream, Marilyn Sansom, Robert Spencer, Monteverdi Orchestra, Sir John Eliot Gardiner | USBC17500107 |
| Dolly Suite, op. 56: Berceuse (Lullaby) | Julian Bream, John Williams | USBC17800227 |
| Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso | Emanuel Ax, Royal Philharmonic Orchestra, André Previn | USBC18600128 |
| Carmina Burana: III. Cour d’amours: XXI. In trutina | Mozarteum Orchester, Chor Salzburg, Kurt Prestel | USBC19200212 |
| Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio | Pinchas Zukerman, London Philharmonic Orchestra, Zubin Mehta | USBC19200325 |
| Thaïs: Meditation | Anne Akiko Meyers, Philharmonia Orchestra, Andrew Litton | USBC19300122 |
| Vocalise | St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | USBC19300636 |
| Symphony no. 5 in B-flat major, D. 485: II. Andante con moto | Staatskapelle Dresden, Sir Colin Davis | USBC19400466 |
| Piano Concerto no. 21 in C major, K. 467: II. Andante | Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis | USBC19606916 |
| Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto | Itzhak Perlman, Boston Symphony Orchestra, Erich Leinsdorf | USBC19901495 |
| Violin Concerto in D major, op. 35: II. Canzonetta. Andante | Erick Friedman, London Symphony Orchestra, Seiji Ozawa | USSM11700608 |
| Nimrod: Lux Aeterna | Amici Forever, Budapest Film Orchestra, Nick Ingman | USV110300188 |
Che Faro Senza Euridice?
Marjana Lipovšek, Munich Radio Symphony Orchestra, Leopold Hager
Nocturne in E-flat major, Op. 9 No. 2
Ricardo Castro
Cello Suite No. 1 in G major, BWV 1007: I. Prélude
Guido Schiefen
John Dunbar Theme
The City of Prague Philharmonic Orchestra, Nic Raine
Gabriel's Oboe
The City of Prague Philharmonic Orchestra, Paul Bateman
Sarabande - Holberg Suite
Polish Radio Symphony Orchestra, Tadeusz Wojciechowski
Romance (The Gadfly)
Royal Liverpool Philharmonic Orchestra, Libor Pešek
Gymnopedie no. 1
John Lenehan
Contacta 140: Wachet Auf
City of London Sinfonia, Andrew Watkinson
Air on the G String
City of London Sinfonia, Andrew Watkinson
Minuet (String Quartet in E major)
City of London Sinfonia, Andrew Watkinson
Piano Concerto in F major: II.
Michael Boriskin, Eos Orchestra, Jonathan Sheffer
Recuerdos de la Alhambra
Simon Dinnigan
Messa da requiem: V. Agnus Dei
Choir of King’s College, Cambridge, London Musici, Richard Marlow
The Lark Ascending
Britten Sinfonia, Nicholas Cleobury
On Hearing the First Cuckoo in Spring
Britten Sinfonia, Nicholas Cleobury
Chanson de Matin
Britten Sinfonia, Nicholas Cleobury
Pavane
Royal Liverpool Philharmonic Orchestra, Libor Pešek
Clarinet Quintet in A major (2nd movement)
Nicholas Cox, Lesley Gwyther, Thelma Handy, David Greenlees, Jonathan Aasgard
Miserere
The Sixteen, Harry Christophers
Rinaldo: Laschia ch'io pianga
Ingrid Kertesi, László Kovács, Camerata Budapest
Requiem: III. Pie Jesu
Choir of Clare College, Cambridge, Elin Manahan Thomas, Members of the City of London Sinfonia, Timothy Brown
Prélude à l’après‐midi d’un faune
BRT Philharmonic Orchestra, Brussels, Alexander Rahbari
A German Requiem, op. 45: Wie lieblich sind Deine Wohnungen
Slovak Philharmonic Choir, Czecho-Slovak Radio Symphony Orchestra, Alexander Rahbari
Prélude à l’après‐midi d’un faune
BRT Philharmonic Orchestra, Brussels, Alexander Rahbari
A German Requiem, op. 45: Wie lieblich sind Deine Wohnungen
Slovak Philharmonic Choir, Czecho-Slovak Radio Symphony Orchestra, Alexander Rahbari
8 Partsongs, op. 119 no. 3: The blue bird
Carys Lane, Oxford Camerata, Jeremy Summerly
String Quartet no. 2 in F major, op. 92: II. Adagio
Aurora String Quartet
PRELUDE A L APRES-MIDI D UN FAUNE
Jan Van Reeth, BRT Philharmonic Orchestra, Brussels, Alexander Rahbari
8 Partsongs, op. 119 no. 3: The blue bird
Carys Lane, Oxford Camerata, Jeremy Summerly
Salut d’amour, op. 12
Czecho-Slovak Radio Symphony Orchestra (Bratislava), Adrian Leaper
Andante Cantabile for Cello, op. Posth. (from String Quartet no. 1 in D major, op. 11)
Vytautas Sondeckis, Lithuanian Chamber Orchestra, David Geringas
I giorni
Ludovico Einaudi
I giorni
Ludovico Einaudi
Prélude à l’après‐midi d’un faune
BRT Philharmonic Orchestra, Brussels, Alexander Rahbari
Piano Concerto no. 21 in C major, K. 467: II. Andante
Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis
Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
Itzhak Perlman, Boston Symphony Orchestra, Erich Leinsdorf
Serenade for Strings, op. 22: I. Moderato
Royal Philharmonic Orchestra, Claus Peter Flor
Piano Concerto no. 21 in C major, K. 467: II. Andante
Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis
Violin Concerto in D major, op. 35: II. Canzonetta. Andante
Erick Friedman, London Symphony Orchestra, Seiji Ozawa
Symphony no. 6 in B minor, op. 74 "Pathétique": II. Allegro con grazia
The Philadelphia Orchestra, Eugene Ormandy
Concerto in D for Lute and Strings, RV 93: II. Largo
Julian Bream, Marilyn Sansom, Robert Spencer, Monteverdi Orchestra, Sir John Eliot Gardiner
Dolly Suite, op. 56: Berceuse (Lullaby)
Julian Bream, John Williams
Klavierkonzert Nr. 5 Es-Dur, Op. 73: II. Adagio un poco mosso
Emanuel Ax, Royal Philharmonic Orchestra, André Previn
Carmina Burana: III. Cour d’amours: XXI. In trutina
Mozarteum Orchester, Chor Salzburg, Kurt Prestel
Concerto for Violin and Orchestra no. 1 in G minor, op. 26: II. Adagio
Pinchas Zukerman, London Philharmonic Orchestra, Zubin Mehta
Thaïs: Meditation
Anne Akiko Meyers, Philharmonia Orchestra, Andrew Litton
Vocalise
St. Petersburg Philharmonic Orchestra, Yuri Temirkanov
Symphony no. 5 in B-flat major, D. 485: II. Andante con moto
Staatskapelle Dresden, Sir Colin Davis
Piano Concerto no. 21 in C major, K. 467: II. Andante
Alicia de Larrocha, English Chamber Orchestra, Sir Colin Davis
Concerto for Violin and Orchestra in D minor, op. 47: II. Adagio di molto
Itzhak Perlman, Boston Symphony Orchestra, Erich Leinsdorf
Violin Concerto in D major, op. 35: II. Canzonetta. Andante
Erick Friedman, London Symphony Orchestra, Seiji Ozawa
Nimrod: Lux Aeterna
Amici Forever, Budapest Film Orchestra, Nick Ingman
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
People also ask
SourcesMusicBrainzNotesDiscogs3 sources
What is UPC 756055603825?
756055603825 is a Universal Product Code (UPC) assigned to Classic FM: Smooth Classics - Do Not Disturb by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 43 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm