UPC · Release
Classic FM: Hall of Fame: The Great Composers
Various Artists
756055604020
50 tracksReleased 2004-01-01Classic FM
Last verified:
756055604020 is the Universal Product Code (UPC barcode) for the release “Classic FM: Hall of Fame: The Great Composers” by Various Artists, released 2004-01-01 on Classic FM. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBARU9800500, GBARU9800985, HKI199614115.
Format
7Number system
56055Manufacturer
60402Product
0Check digit
- Number system:
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- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
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Credit Chain
UPCClassic FM: Hall of Fame: The Great Composers
ISRC48 recordings
ISWC5 works
IPI5 songwriters
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | The Barber of Seville | Sinfonia Varsovia, Yehudi Menuhin | T-912.798.494-5 | |
| 2 | Four Seasons 'Summer': III. | Anthony Marwood, Scottish Chamber Orchestra, Nicholas McGegan | — | |
| 3 | Ave Maria (version for voice and orchestra) | Ingrid Kertesi, Camerata Budapest, László Kovács | T-009.147.667-3 | |
| 4 | Piano Concerto no. 2 in F major, op. 102: I. Allegro | Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee | — | |
| 5 | Night on Bald Mountain | The Philadelphia Orchestra, Eugene Ormandy | — | |
| 6 | Waltz no. 6 in D flat major "Minute", op. 64 no. 1 | İdil Biret | — | |
| 7 | La bohème: Atto I. “O soave fanciulla” | Montserrat Caballé, Plácido Domingo, Sherrill Milnes, London Philharmonic Orchestra, Georg Solti | — | |
| 8 | Carnival of the Animals: Finale | — | ||
| 9 | Symphony no. 5 in B-flat major, D 485: I. Allegro | Dresden State Orchestra, Sir Colin Davis | — | |
| 10 | The Planets: I. Mars, the Bringer of War | Philharmonia Orchestra, Leonard Slatkin | — | |
| 11 | Carmen: Toreador Song | Royal Liverpool Philharmonic Orchestra, Gerard Schwarz | — | |
| 12 | Toccata from Symphony no. 5 | William McVicker | — | |
| 13 | The Firebird: Final Hymn | London Symphony Orchestra, Neeme Järvi | — | |
| 14 | Prince Igor: Polovtsian Dances | The Philadelphia Orchestra, Eugene Ormandy | T-902.804.388-1 | |
| 2-1 | Zadok the Priest | Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Carl Davis | T-900.138.712-8 | |
| 2-2 | Finlandia | Ulster Orchestra, Dmitri Siskovetsky | — | |
| 2-3 | Due tramonti | Ludovico Einaudi, Marco Decimo | T-005.399.214-5 | |
| 2-4 | Symphony no. 2 in E minor, op. 27: III. Adagio | St. Petersburg Philharmonic Orchestra, Yuri Temirkanov | — | |
| 2-5 | The Flight of the Bumble Bee | Evelyn Glennie, National Philharmonic Orchestra, Barry Wordsworth | — | |
| 2-6 | Symphonie Fantastique | Royal Liverpool Philharmonic Orchestra, Junichi Hirokami | — | |
| 2-7 | Gymnopedie no. 1 | John Lenehan | — | |
| 2-8 | Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco | London Philharmonic Orchestra, Paavo Berglund | — | |
| 2-9 | Lohengrin - Prelude to Act III | Berliner Philharmoniker, Lorin Maazel | — | |
| 2-10 | Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo | Gerhard Oppitz, Bavarian Radio Symphony Orchestra, Sir Colin Davis | — | |
| 2-11 | Schindler's List | The City of Prague Philharmonic Orchestra, Paul Bateman | — | |
| 2-12 | Fanfare for the Common Man | Eos Orchestra, Jonathan Sheffer | T-070.054.000-6 | |
| 3-1 | Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Royal Liverpool Philharmonic Orchestra, Gerard Schwarz | — | |
| 3-2 | Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro | Concentus Musicus Wien, Nikolaus Harnoncourt | — | |
| 3-3 | Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | T-902.782.592-9 | |
| 3-4 | Requiem for My Friend: Part Two "Life": Apocalypse: Lacrimosa — Day of Tears | Elżbieta Towarnicka, Varsov Chamber Choir, Piotr Łykowski, Dorota Ślęzak, Jerzy Główczewski, Leszek Możdżer, Jacek Ostaszewski, Sinfonia Varsovia, Jacek Kaspszyk | — | |
| 3-5 | Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto | Prague Symphony Orchestra, Libor Pešek | — | |
| 3-6 | Clarinet Concerto in A major, K. 622: III. Rondo. Allegro | Joy Farrall, Britten Sinfonia, Nicholas Cleobury | — | |
| 3-7 | Also sprach Zarathustra, op. 30: I. Einleitung | Bavarian Radio Symphony Orchestra, Lorin Maazel | — | |
| 3-8 | Song for Athene | Choir of St John’s College, Cambridge, Christopher Robinson | T-011.014.772-2 | |
| 3-9 | Rhapsody in Blue | Michael Boriskin, Eos Orchestra, Jonathan Sheffer | T-010.244.926-2 | |
| 3-10 | The Young Persons Guide to the Orchestra: Theme | — | ||
| 3-11 | Pomp and Circumstance Marches, op. 39: No. 4 in G major | Royal Scottish National Orchestra, Sir Alexander Gibson | T-010.247.851-2 | |
| 3-12 | Radetzky-Marsch, op. 228 | Wiener Philharmoniker, Lorin Maazel | — | |
| 4-1 | Carmina Burana: Fortuna imperatrix mundi: O Fortuna | Saint Louis Symphony Chorus, Saint Louis Symphony Orchestra, Leonard Slatkin | T-800.639.771-4 | |
| 4-2 | Blue Danube Waltz | Royal Liverpool Philharmonic Orchestra, Gerard Schwarz | — | |
| 4-3 | In the Hall of the Mountain King | Polish Radio Symphony Orchestra, Tadeusz Wojciechowski | T-324.224.733-8 | |
| 4-4 | The Heart Asks Pleasure First | The City of Prague Philharmonic Orchestra, Paul Bateman | T-010.203.179-7 | |
| 4-5 | A Midsummer Night's Dream, Op. 61: I. Overture | Bamberger Symphoniker, Claus Peter Flor | T-928.635.467-4 | |
| 4-6 | Symphony no. 94 (Surprise) | Philharmonia Orchestra, Leonard Slatkin | — | |
| 4-7 | Il Trovatore: Anvil Chorus | Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Carl Davis | T-928.635.584-8 | |
| 4-8 | Symphony no. 1 in D minor “Titan”: II. Kräftig bewegt. Doch nicht zu schnell | Boston Symphony Orchestra, Erich Leinsdorf | — | |
| 4-9 | A Gaelic Blessing | Polyphony, Bournemouth Sinfonietta, Stephen Layton | — | |
| 4-10 | Bolero | Vienna Philharmonic Orchestra, Lorin Maazel | T-003.006.377-4 | |
| 4-11 | Can‐Can from Orpheus in the Underworld | Slovak State Philharmonic Orchestra, Johannes Wildner | T-900.153.321-7 | |
| 4-12 | Montagues & Capulets From Romeo & Juliet | Royal Philharmonic Orchestra, Daniele Gatti | T-003.506.743-6 |
Four Seasons 'Summer': III.
Anthony Marwood, Scottish Chamber Orchestra, Nicholas McGegan
—
Ingrid Kertesi, Camerata Budapest, László Kovács
Piano Concerto no. 2 in F major, op. 102: I. Allegro
Michael Houstoun, New Zealand Symphony Orchestra, Christopher Lyndon-Gee
—
Night on Bald Mountain
The Philadelphia Orchestra, Eugene Ormandy
—
Waltz no. 6 in D flat major "Minute", op. 64 no. 1
İdil Biret
—
La bohème: Atto I. “O soave fanciulla”
Montserrat Caballé, Plácido Domingo, Sherrill Milnes, London Philharmonic Orchestra, Georg Solti
—
Carnival of the Animals: Finale
—
Symphony no. 5 in B-flat major, D 485: I. Allegro
Dresden State Orchestra, Sir Colin Davis
—
The Planets: I. Mars, the Bringer of War
Philharmonia Orchestra, Leonard Slatkin
—
Carmen: Toreador Song
Royal Liverpool Philharmonic Orchestra, Gerard Schwarz
—
Toccata from Symphony no. 5
William McVicker
—
The Firebird: Final Hymn
London Symphony Orchestra, Neeme Järvi
—
Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Carl Davis
Finlandia
Ulster Orchestra, Dmitri Siskovetsky
—
Symphony no. 2 in E minor, op. 27: III. Adagio
St. Petersburg Philharmonic Orchestra, Yuri Temirkanov
—
The Flight of the Bumble Bee
Evelyn Glennie, National Philharmonic Orchestra, Barry Wordsworth
—
Symphonie Fantastique
Royal Liverpool Philharmonic Orchestra, Junichi Hirokami
—
Gymnopedie no. 1
John Lenehan
—
Symphony No. 4 in F minor, Op. 36: IV. Finale. Allegro con fuoco
London Philharmonic Orchestra, Paavo Berglund
—
Lohengrin - Prelude to Act III
Berliner Philharmoniker, Lorin Maazel
—
Concerto for Piano and Orchestra no. 1 in D minor, op. 15: III. Rondo. Allegro non troppo
Gerhard Oppitz, Bavarian Radio Symphony Orchestra, Sir Colin Davis
—
Schindler's List
The City of Prague Philharmonic Orchestra, Paul Bateman
—
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Royal Liverpool Philharmonic Orchestra, Gerard Schwarz
—
Brandenburg Concerto no. 2 in F major, BWV 1047: I. Allegro
Concentus Musicus Wien, Nikolaus Harnoncourt
—
Requiem for My Friend: Part Two "Life": Apocalypse: Lacrimosa — Day of Tears
Elżbieta Towarnicka, Varsov Chamber Choir, Piotr Łykowski, Dorota Ślęzak, Jerzy Główczewski, Leszek Możdżer, Jacek Ostaszewski, Sinfonia Varsovia, Jacek Kaspszyk
—
Symphony no. 9 in E minor, op. 95 "From the New World": I. Adagio – Allegro molto
Prague Symphony Orchestra, Libor Pešek
—
Clarinet Concerto in A major, K. 622: III. Rondo. Allegro
Joy Farrall, Britten Sinfonia, Nicholas Cleobury
—
Also sprach Zarathustra, op. 30: I. Einleitung
Bavarian Radio Symphony Orchestra, Lorin Maazel
—
The Young Persons Guide to the Orchestra: Theme
—
Royal Scottish National Orchestra, Sir Alexander Gibson
Radetzky-Marsch, op. 228
Wiener Philharmoniker, Lorin Maazel
—
Saint Louis Symphony Chorus, Saint Louis Symphony Orchestra, Leonard Slatkin
Blue Danube Waltz
Royal Liverpool Philharmonic Orchestra, Gerard Schwarz
—
Polish Radio Symphony Orchestra, Tadeusz Wojciechowski
Bamberger Symphoniker, Claus Peter Flor
Symphony no. 94 (Surprise)
Philharmonia Orchestra, Leonard Slatkin
—
Royal Liverpool Philharmonic Choir, Royal Liverpool Philharmonic Orchestra, Carl Davis
Symphony no. 1 in D minor “Titan”: II. Kräftig bewegt. Doch nicht zu schnell
Boston Symphony Orchestra, Erich Leinsdorf
—
A Gaelic Blessing
Polyphony, Bournemouth Sinfonietta, Stephen Layton
—
Slovak State Philharmonic Orchestra, Johannes Wildner
Additional database matches (11)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Schindler's List | The City of Prague Philharmonic Orchestra, Paul Bateman | T-004.018.324-1 |
| Schindler's List | The City of Prague Philharmonic Orchestra, Paul Bateman | T-700.121.101-6 |
| Symphony no. 5 in C minor, op. 67: I. Allegro con brio | Royal Liverpool Philharmonic Orchestra, Gerard Schwarz | — |
| Carmen: Toreador Song | Royal Liverpool Philharmonic Orchestra, Gerard Schwarz | — |
| Waltz no. 6 in D flat major "Minute", op. 64 no. 1 | İdil Biret | T-901.799.609-7 |
| Can‐Can from Orpheus in the Underworld | Slovak State Philharmonic Orchestra, Johannes Wildner | — |
| Can‐Can from Orpheus in the Underworld | Slovak State Philharmonic Orchestra, Johannes Wildner | — |
| Waltz no. 6 in D flat major "Minute", op. 64 no. 1 | İdil Biret | T-900.010.694-5 |
| Ave Maria | Ingrid Kertesi, Budabest Camerata, László Kovács | — |
| Liebestraum no. 3 in A-flat major, S. 541 no. 3 | Jorge Bolet | — |
| La bohème: Atto I. “O soave fanciulla” | Montserrat Caballé, Plácido Domingo, Sherrill Milnes, London Philharmonic Orchestra, Georg Solti | — |
The City of Prague Philharmonic Orchestra, Paul Bateman
The City of Prague Philharmonic Orchestra, Paul Bateman
Symphony no. 5 in C minor, op. 67: I. Allegro con brio
Royal Liverpool Philharmonic Orchestra, Gerard Schwarz
—
Carmen: Toreador Song
Royal Liverpool Philharmonic Orchestra, Gerard Schwarz
—
Can‐Can from Orpheus in the Underworld
Slovak State Philharmonic Orchestra, Johannes Wildner
—
Can‐Can from Orpheus in the Underworld
Slovak State Philharmonic Orchestra, Johannes Wildner
—
Ave Maria
Ingrid Kertesi, Budabest Camerata, László Kovács
—
Liebestraum no. 3 in A-flat major, S. 541 no. 3
Jorge Bolet
—
La bohème: Atto I. “O soave fanciulla”
Montserrat Caballé, Plácido Domingo, Sherrill Milnes, London Philharmonic Orchestra, Georg Solti
—
What other identifiers does this connect to?
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
0000000028253908000000003575349200000000428785170000000055186747000000005549660600000000630831580000000063096485000000007366224100000000782310020000000078237076
+40 more
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What is UPC 756055604020?
756055604020 is a Universal Product Code (UPC) assigned to Classic FM: Hall of Fame: The Great Composers by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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