UPC · Release
Destroy All Monsters
Last verified:
The UPC for “1974-1976” by Destroy All Monsters is 760137489726. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Compound Annex Records. This release contains 76 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | To Planet M2-40 | — | ||
| 2 | Siren | — | ||
| 3 | Conga | — | ||
| 4 | Hungry for Death | — | ||
| 5 | Blowhole | — | ||
| 6 | Nixonoxin | — | ||
| 7 | Ride the Fuzz | — | ||
| 8 | Vampire | — | ||
| 9 | Drone | — | ||
| 10 | Jungle Cracker | — | ||
| 11 | Church | — | ||
| 12 | Mack the Knife | — | ||
| 13 | Shiver | — | ||
| 14 | Bounce | — | ||
| 15 | Paranoid of Blondes | — | ||
| 16 | Indian War Beat | — | ||
| 17 | Bird Song of Detroit | — | ||
| 18 | Take Me With You | — | ||
| 19 | Base | — | ||
| 20 | Into | — | ||
| 21 | Energy Is Happening | — | ||
| 22 | Egypto | — | ||
| 23 | You Can't Kill Kill | — | ||
| 24 | Low and Warped | — | ||
| 25 | Gospel Crusade | — | ||
| 2-1 | Imagine | — | ||
| 2-2 | Jam Smear | — | ||
| 2-3 | T.H. Queen | — | ||
| 2-4 | Pure Like a Mother Fucker | — | ||
| 2-5 | The Pothead Speaks | — | ||
| 2-6 | Squat March | — | ||
| 2-7 | Whistle Space | — | ||
| 2-8 | It Hurts Me | — | ||
| 2-9 | Wahs | — | ||
| 2-10 | From the Edgar Cayce Foundation | — | ||
| 2-11 | I Love You but You're Dead | — | ||
| 2-12 | Electro Banshee | — | ||
| 2-13 | Metal | — | ||
| 2-14 | That's My Ideal | — | ||
| 2-15 | Space Beat | — | ||
| 2-16 | Go for It | — | ||
| 2-17 | Charlie | — | ||
| 2-18 | Japanophile | — | ||
| 2-19 | Noodlin' | — | ||
| 2-20 | Useless Life | — | ||
| 2-21 | The Depressed Horn | — | ||
| 2-22 | Alien Love Call | — | ||
| 2-23 | Evil Works | — | ||
| 2-24 | Fades Before 5 | — | ||
| 2-25 | Cosmo Beat | — | ||
| 2-26 | What a Beauty! | — | ||
| 2-27 | Ann Arbor Blues | — | ||
| 3-1 | Intro | — | ||
| 3-2 | Boots | — | ||
| 3-3 | An Audio Letter | — | ||
| 3-4 | Roscoe | — | ||
| 3-5 | Sheep-Faced Monster of the Apocalypse | — | ||
| 3-6 | Child of the Night | — | ||
| 3-7 | Rock Out | — | ||
| 3-8 | Afro-Zen | — | ||
| 3-9 | Mom's and Dad's Pussy | — | ||
| 3-10 | Barnyard | — | ||
| 3-11 | Spacey | — | ||
| 3-12 | Acid Monster | — | ||
| 3-13 | Throb | — | ||
| 3-14 | To the Throne of Chaos | — | ||
| 3-15 | It's Just Your Mind | — | ||
| 3-16 | I Want to Live | — | ||
| 3-17 | Pass | — | ||
| 3-18 | Mocha | — | ||
| 3-19 | Shakin' All Over | — | ||
| 3-20 | Dueling Drum Boxes | — | ||
| 3-21 | Detroit | — | ||
| 3-22 | Crunch Drone | — | ||
| 3-23 | Dinah Shore/TH | — | ||
| 3-24 | 21st Century | — |
Creative Contributors (ISNI)
Credits Graph
760137489726 is a Universal Product Code (UPC) assigned to 1974-1976 by Destroy All Monsters. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 76 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “1974-1976” by Destroy All Monsters is 760137489726. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2009-01-01. Label: Compound Annex Records. This release contains 76 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | To Planet M2-40 | — | ||
| 2 | Siren | — | ||
| 3 | Conga | — | ||
| 4 | Hungry for Death | — | ||
| 5 | Blowhole | — | ||
| 6 | Nixonoxin | — | ||
| 7 | Ride the Fuzz | — | ||
| 8 | Vampire | — | ||
| 9 | Drone | — | ||
| 10 | Jungle Cracker | — | ||
| 11 | Church | — | ||
| 12 | Mack the Knife | — | ||
| 13 | Shiver | — | ||
| 14 | Bounce | — | ||
| 15 | Paranoid of Blondes | — | ||
| 16 | Indian War Beat | — | ||
| 17 | Bird Song of Detroit | — | ||
| 18 | Take Me With You | — | ||
| 19 | Base | — | ||
| 20 | Into | — | ||
| 21 | Energy Is Happening | — | ||
| 22 | Egypto | — | ||
| 23 | You Can't Kill Kill | — | ||
| 24 | Low and Warped | — | ||
| 25 | Gospel Crusade | — | ||
| 2-1 | Imagine | — | ||
| 2-2 | Jam Smear | — | ||
| 2-3 | T.H. Queen | — | ||
| 2-4 | Pure Like a Mother Fucker | — | ||
| 2-5 | The Pothead Speaks | — | ||
| 2-6 | Squat March | — | ||
| 2-7 | Whistle Space | — | ||
| 2-8 | It Hurts Me | — | ||
| 2-9 | Wahs | — | ||
| 2-10 | From the Edgar Cayce Foundation | — | ||
| 2-11 | I Love You but You're Dead | — | ||
| 2-12 | Electro Banshee | — | ||
| 2-13 | Metal | — | ||
| 2-14 | That's My Ideal | — | ||
| 2-15 | Space Beat | — | ||
| 2-16 | Go for It | — | ||
| 2-17 | Charlie | — | ||
| 2-18 | Japanophile | — | ||
| 2-19 | Noodlin' | — | ||
| 2-20 | Useless Life | — | ||
| 2-21 | The Depressed Horn | — | ||
| 2-22 | Alien Love Call | — | ||
| 2-23 | Evil Works | — | ||
| 2-24 | Fades Before 5 | — | ||
| 2-25 | Cosmo Beat | — | ||
| 2-26 | What a Beauty! | — | ||
| 2-27 | Ann Arbor Blues | — | ||
| 3-1 | Intro | — | ||
| 3-2 | Boots | — | ||
| 3-3 | An Audio Letter | — | ||
| 3-4 | Roscoe | — | ||
| 3-5 | Sheep-Faced Monster of the Apocalypse | — | ||
| 3-6 | Child of the Night | — | ||
| 3-7 | Rock Out | — | ||
| 3-8 | Afro-Zen | — | ||
| 3-9 | Mom's and Dad's Pussy | — | ||
| 3-10 | Barnyard | — | ||
| 3-11 | Spacey | — | ||
| 3-12 | Acid Monster | — | ||
| 3-13 | Throb | — | ||
| 3-14 | To the Throne of Chaos | — | ||
| 3-15 | It's Just Your Mind | — | ||
| 3-16 | I Want to Live | — | ||
| 3-17 | Pass | — | ||
| 3-18 | Mocha | — | ||
| 3-19 | Shakin' All Over | — | ||
| 3-20 | Dueling Drum Boxes | — | ||
| 3-21 | Detroit | — | ||
| 3-22 | Crunch Drone | — | ||
| 3-23 | Dinah Shore/TH | — | ||
| 3-24 | 21st Century | — |