Dope-Guns-’n-Fucking in the Streets: 1988–1998, Volume 1–11

UPC · Release

Dope-Guns-’n-Fucking in the Streets: 1988–1998, Volume 1–11

Various Artists

760137796428
47 tracksReleased 2016-01-01Amphetamine Reptile Records

Last verified:

760137796428 is the Universal Product Code (UPC barcode) for the release Dope-Guns-’n-Fucking in the Streets: 1988–1998, Volume 1–11 by Various Artists, released 2016-01-01 on Amphetamine Reptile Records. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 47 tracks, each with its own ISRC. Tracks include USMRG1722107, US24E0410186.

Format

7Number system
60137Manufacturer
79642Product
8Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCDope-Guns-’n-Fucking in the Streets: 1988–1998, Volume 1–11
ISRC2 recordings
ISWC4 works
IPI1 songwriter

Track List (47)

Bad Little Woman
Bad Little Woman
Traffic Accident Sex
Traffic Accident Sex
Lots o’ Life
Lots o’ Life
The Last Laugh
The Last Laugh
Action Candy
Action Candy
Almost a God
Almost a God
Insecticide Stomp
Insecticide Stomp
Twenty Four
Twenty Four
Antlers
Antlers
Tell Me
Tell Me
Habit & Necessity
Habit & Necessity
Mussolini
Mussolini
My Zippo
My Zippo
Intro / Outro
Intro / Outro
Bad Times
Bad Times
1977
1977
Impressionable
Impressionable
Before I Kill Again
Before I Kill Again
Short Time Left
Short Time Left
Capital Hillbillies
Capital Hillbillies
Pop Song
Pop Song
Broke
Broke
Red Bath
Red Bath
Big Black Bugs
Big Black Bugs
Euthanasia
Euthanasia
Lesbian Nun
Lesbian Nun
Telemarketing
Telemarketing
Gremlin Stomp
Gremlin Stomp
Hard
Hard
Deep Scar Man
Deep Scar Man
Bites
Bites
Low Strung
Low Strung
Jawbox
Lotion Pocket
Lotion Pocket
Pukuri
Pukuri
Sugar Coated Stucco
Sugar Coated Stucco
Brittle & Depressing
Brittle & Depressing
You Sold Me Out #2
You Sold Me Out #2
Glimmer Dot
Glimmer Dot
A Washed Out Monkey Star Halo
A Washed Out Monkey Star Halo
Dead Man’s Suit
Dead Man’s Suit
Cookie Doesn’t Sing
Cookie Doesn’t Sing
Execution Style
Execution Style
Tiger Mask
Tiger Mask
Fight Song
Fight Song
Kiss Destroyer
Kiss Destroyer
Matrix of Perfection
Matrix of Perfection

Credits Graph

People also ask

What is UPC 760137796428?
UPC 760137796428 is the Universal Product Code (barcode) for "Dope-Guns-’n-Fucking in the Streets: 1988–1998, Volume 1–11" by Various Artists, released on Amphetamine Reptile Records.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 760137796428?
UPC 760137796428 contains 47 tracks, each with its own ISRC.
SourcesMLCMusicBrainzDiscogs3 sources

Verified on

What is UPC 760137796428?

760137796428 is a Universal Product Code (UPC) assigned to Dope-Guns-’n-Fucking in the Streets: 1988–1998, Volume 1–11 by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 47 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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