UPC · Album

Apocryphal Bach Masses II

Johann Sebastian Bach, Wolfgang Helbich

761203756124
23 tracksReleased 2012-01-01cpo

Last verified:

761203756124 is the Universal Product Code (UPC barcode) for the release Apocryphal Bach Masses II by Johann Sebastian Bach, Wolfgang Helbich, released 2012-01-01 on cpo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 23 tracks, each with its own ISRC. Tracks include DEB100956101, DEB100956102, DEB100956103.

Format

7Number system
61203Manufacturer
75612Product
4Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCApocryphal Bach Masses II
ISRC23 recordings
ISWC6 works

Track List (23)

Mass in G major, BWV App. C (ex Anh. 167): 1. Kyrie
Alsfelder Vokalensemble, Gesualdo Consort Amsterdam, Solistenquartett der Hochschule Bremen, Hannoversche Hofkapelle, Wolfgang Helbich
Mass in G major, BWV App. C (ex Anh. 167): 2. Gloria
Alsfelder Vokalensemble, Gesualdo Consort Amsterdam, Solistenquartett der Hochschule Bremen, Hannoversche Hofkapelle, Wolfgang Helbich
Mass in G major, BWV App. C (ex Anh. 167): 3. Gloria II – Domine Deus
Alsfelder Vokalensemble, Gesualdo Consort Amsterdam, Solistenquartett der Hochschule Bremen, Hannoversche Hofkapelle, Wolfgang Helbich
Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 1. Chorus: Magnificat anima
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 2. Duet: Quia respexit
Marnix De Cat, Harry Van Berne, Hannoversche Hofkapelle, Wolfgang Helbich
Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 3. Duet: Quia fecit mihi magna
Nele Gramss, Harry van der Kamp, Hannoversche Hofkapelle, Wolfgang Helbich
Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 4. Chorus: Et misericordia ejus
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 5. Duet: Fecit, fecit, fecit potentiam
Jan Moritz von Cube, Jan Hübner, Hannoversche Hofkapelle, Wolfgang Helbich
Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 6. Chorus: Deposuit, deposuit potentes de sede
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 7. Duet: Suscepit Israel puerum suum
Manja Stephan, Carsten Krüger, Hannoversche Hofkapelle, Wolfgang Helbich
Magnificat in C major App. D (ex Anh. 30) (after Pietro Torri (1650–1737)): 8. Chorus: Sicut locutus est ad patres nostros
Solistenquartett der Hochschule Bremen, Gesualdo Consort Amsterdam, Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Missa in a, BWV Anh. 24: Kyrie
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Mass in A minor, BWV App. D (ex Anh. 24) from Missa Sancti Lamberti (after Johann Christoph Pez (1664–1716)): 2. Gloria
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Sanctus in G, BWV 240 (Chor ohne Quartette)
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Sanctus in D minor, BWV 239 (after Antonio Caldara (1670–1736))
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Sanctus in C, BWV 237 (Chor ohne Quartette)
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Cantata, BWV 150: Sinfonia
Hannoversche Hofkapelle, Wolfgang Helbich
Cantata, BWV 150: Nach dir, Herr, verlanget mich (Chor)
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Cantata, BWV 150: Doch bin und bleibe ich vergnügt (Arie, Sopran)
Hannoversche Hofkapelle, Wolfgang Helbich
Cantata, BWV 150: Leite mich in deiner Wahrheit (Chor)
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Cantata, BWV 150: Zedern müssen von den Winden... (Terzett: Alt, Tenor, Bass)
Hannoversche Hofkapelle, Wolfgang Helbich
Cantata, BWV 150: Meine Augen sehet stets zu dem Herrn (Chor)
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich
Cantata, BWV 150: Meine Tage in dem Leide (Chor: Tutti Ciacona)
Alsfelder Vokalensemble, Hannoversche Hofkapelle, Wolfgang Helbich

People also ask

What is UPC 761203756124?
UPC 761203756124 is the Universal Product Code (barcode) for "Apocryphal Bach Masses II" by Johann Sebastian Bach, Wolfgang Helbich, released on cpo.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 761203756124?
UPC 761203756124 contains 23 tracks, each with its own ISRC.
SourcesMusicBrainzDiscogs2 sources

Verified on

What is UPC 761203756124?

761203756124 is a Universal Product Code (UPC) assigned to Apocryphal Bach Masses II by Johann Sebastian Bach, Wolfgang Helbich. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 23 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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