UPC · Release
Georg Philipp Telemann, Markus Volpert, Ulrike Hofbauer, L’Orfeo Barockorchester, Michi Gaigg
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The UPC for “Miriways” by Georg Philipp Telemann, Markus Volpert, Ulrike Hofbauer, L’Orfeo Barockorchester, Michi Gaigg is 761203775224. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: cpo. This release contains 67 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Miriways, TWV 21:24: Overture | — | ||
| 2 | Miriways, TWV 21:24: Act I, scene 1. Recitative. Glaub nur, es wurde mir der Würde Glanz und Schein (Miriways, Samischa) | — | ||
| 3 | Miriways, TWV 21:24: Act I, scene 1. Aria. Könnt’ ich nur zu ihm noch sprechen (Samischa) | — | ||
| 4 | Miriways, TWV 21:24: Act I, scene 1. Recitative. Wo aber ist jetzt unser erstes Pfand (Miriways, Samischa) | — | ||
| 5 | Miriways, TWV 21:24: Act I, scene 2. Lebe, großer Saphi (Chorus of the persians) | — | ||
| 6 | Miriways, TWV 21:24: Act I, scene 2. Recitative. Komm, tapfrer Prinz und wahrer Muselmann (Miriways) | — | ||
| 7 | Miriways, TWV 21:24: Act I, scene 2. Aria. Ein dopp’ler Kranz soll deine Scheitel Schmücken (Miriways) | — | ||
| 8 | Miriways, TWV 21:24: Act I, scene 2. Vergiftetes Geschenk! (Sophi) | — | ||
| 9 | Miriways, TWV 21:24: Act I, scene 2. Aria. Die Liebe spricht. Verscherze Reich und Krone! (Sophi) | — | ||
| 10 | Miriways, TWV 21:24: Act I, scene 4. Recitative. Mein Prinz, wie so betrübt? (Bemira, Sophi) | — | ||
| 11 | Miriways, TWV 21:24: Act I, scene 4. Aria. Ich liebe dich mit zartem Triebe (Bemira) | — | ||
| 12 | Miriways, TWV 21:24: Act I, scene 5. Aria. Komm, sanfter Schlaf! (Nisibis) | — | ||
| 13 | Miriways, TWV 21:24: Act I, scene 6. Recitative. Ich folge meinem Leitstern nach (Murzah) | — | ||
| 14 | Miriways, TWV 21:24: Act I, scene 6. Aria. Angenehme Westenwinde (Murzah) | — | ||
| 15 | Miriways, TWV 21:24: Act I, scene 6. Recitative. Ich will von hinnen gehn (Murzah) | — | ||
| 16 | Miriways, TWV 21:24: Act I, scene 7. Recitative. Wo ist die Nisibis geblieben? (Zemir) | — | ||
| 17 | Miriways, TWV 21:24: Act I, scene 7. Aria. Ja, ja, es muss mir glücken (Zemir) | — | ||
| 18 | Miriways, TWV 21:24: Act I, scene 7. Recitative. Wie ist mir? (Nisibis, Zemir) | — | ||
| 19 | Miriways, TWV 21:24: Act I, scene 7. Aria. Mein widriges Geschicke (Nisibis) | — | ||
| 20 | Miriways, TWV 21:24: Act I, scene 7. Air. Rigaudon, TWV 50:4 | — | ||
| 21 | Miriways, TWV 21:24: Act II, scene 1. Recitative. Wenn man in Kirwan sich mir ferner (Miriways, Murzah) | — | ||
| 22 | Miriways, TWV 21:24: Act II, scene 2. Recitative. Der furst, in dessen Hand das Glück (The Envoy, Miriways) | — | ||
| 23 | Miriways, TWV 21:24: Act II, scene 2. Aria. Es erzittre der Wutrich (Miriways) | — | ||
| 24 | Miriways, TWV 21:24: Act II, scene 3. Recitative. Kennst di die Nisibis? (Miriways, Zemir) | — | ||
| 25 | Miriways, TWV 21:24: Act II, scene 4. Recitative. Wenn wegen des Befehls (Murzah, Mirriways) | — | ||
| 26 | Miriways, TWV 21:24: Act II, scene 4. Aria. Edle Sinnen (Murzah) | — | ||
| 27 | Miriways, TWV 21:24: Act II, scene 5. Recitative. Da ich das Deine nun dem Untergang entzogen (Zemir, Nisibis) | — | ||
| 28 | Miriways, TWV 21:24: Act II, scene 5. Aria. Die Dankbarkeit wird dich verflichten (Zemir) | — | ||
| 29 | Miriways, TWV 21:24: Act II, scene 7. Wo ist ein schmerz (Sophi, Nisibis, Bemira) | — | ||
| 30 | Miriways, TWV 21:24: Act II, scene 7. Aria. Zwar diese, die du wirst umfassen (Bemira) | — | ||
| 31 | Miriways, TWV 21:24: Act II, scene 7. Sinfonie en Sarabande | — | ||
| 32 | Miriways, TWV 21:24: Act II, scene 8. Accompagnato. Des Schicksals stärke Macht (The Ghost, Bemira, Sophi) | — | ||
| 33 | Miriways, TWV 21:24: Act II, scene 8. Aria. Viel lieber zu erblassen (Sophi) | — | ||
| 2-1 | Miriways, TWV 21:24: Act II, scene 10. Recitative. Wer bist du? (Murzah) | — | ||
| 2-2 | Miriways, TWV 21:24: Act II, scene 11. Recitative. Des Murzah Leibe macht mir Qual (Zemir) | — | ||
| 2-3 | Miriways, TWV 21:24: Act II, scene 11. Aria. Unwürd’ger, deine Leibeskerze (Zemir) | — | ||
| 2-4 | Miriways, TWV 21:24: Act II, scene 12. Sinfonia, marche en Persien | — | ||
| 2-5 | Miriways, TWV 21:24: Act II, scene 13. Recitative. Ein junger Prinz (Miriways) | — | ||
| 2-6 | Miriways, TWV 21:24: Act II, scene 13. Aria. Verjage die Wolken der ängstlichen Schmerzen! (Miriways) | — | ||
| 2-7 | Miriways, TWV 21:24: Act II, scene 13. Recitative. Ach Fürst, nimm dein Geschenk (Sophi, Miriways) | — | ||
| 2-8 | Miriways, TWV 21:24: Act II, scene 13. Geh, undankbares Herze (Miriways) | — | ||
| 2-9 | Miriways, TWV 21:24: Act II, scene 14. Recitative. Du nennest mich ein undankbares herz? (Sophi) | — | ||
| 2-10 | Miriways, TWV 21:24: Act II, scene 14. Aria. Nenn ein Herz doch unbeglücket (Sophi) | — | ||
| 2-11 | Miriways, TWV 21:24: Act II, scene 14. Gravement, TWV 50:4 | — | ||
| 2-12 | Miriways, TWV 21:24: Act III, scene 1. Recitative. Mit dankbegier’s gem Sinn (Samischa, Nisibis) | — | ||
| 2-13 | Miriways, TWV 21:24: Act III, scene 1. Aria. Lass dir sein ehrerbietig’s Flehen (Samischa) | — | ||
| 2-14 | Miriways, TWV 21:24: Act III, scene 1. Recitative. Es darf mir Murzah nicht verbunden sein (Nisibis) | — | ||
| 2-15 | Miriways, TWV 21:24: Act III, scene 1. Aria. Sein edles Herz und sein bescheid’nes Wesen (Nisbis) | — | ||
| 2-16 | Miriways, TWV 21:24: Act III, scene 5. Aria. Seid lustig, ihr Brüder (Scandor) | — | ||
| 2-17 | Miriways, TWV 21:24: Act III, scene 6. Sinfonia | — | ||
| 2-18 | Miriways, TWV 21:24: Act III, scene 6. Feuer! Feuer! Helfet, rettet (Chorus) I | — | ||
| 2-19 | Miriways, TWV 21:24: Act III, scene 6. Recitative. O Himmel! (Murzah) | — | ||
| 2-20 | Miriways, TWV 21:24: Act III, scene 6. Feuer! Feuer! Helfet, rettet (Chorus) ii | — | ||
| 2-21 | Miriways, TWV 21:24: Act III, scene 7. Recitative. Sie ist vor Schrecken tot (Murzah, Zemir, Nisibis) | — | ||
| 2-22 | Miriways, TWV 21:24: Act III, scene 7. Aria. Kann’s möglich sein (Zemir) | — | ||
| 2-23 | Miriways, TWV 21:24: Act III, scene 8. Recitative. So bist du auch dem Tode noch entrissen? (Nisibis, Samischa, Zemir, Murzah) | — | ||
| 2-24 | Miriways, TWV 21:24: Act III, scene 8. Aria. Wenn du kannst, so heiß mich lügen! (Murzah) | — | ||
| 2-25 | Miriways, TWV 21:24: Act III, scene 9. Recitative. Er geht beschämet und verwirrt davon (Samischa) | — | ||
| 2-26 | Miriways, TWV 21:24: Act III, scene 9. Aria. Welch süßes Ergötzen (Murzah, Nisibis) | — | ||
| 2-27 | Miriways, TWV 21:24: Act III, scene 11. Recitative. Bestehst du noch auf deinem Sinn? (Miriways) | — | ||
| 2-28 | Miriways, TWV 21:24: Act III, scene 11. Aria. Loss, mein Sohn, ach lass dir raten (Miriways) | — | ||
| 2-29 | Miriways, TWV 21:24: Act III, scene 11. Recitative. Ach freilich macht mir’s große Pein (Sophi) | — | ||
| 2-30 | Miriways, TWV 21:24: Act III, scene 11. Aria. Ich will mit verscheuchten Rehen (Sophi) | — | ||
| 2-31 | Miriways, TWV 21:24: Act III, scene 11. Recitative. Man lasse mein Gemahl und meine Tochter kommen (Miriways) | — | ||
| 2-32 | Miriways, TWV 21:24: Act III, scene 12. Sinfonia | — | ||
| 2-33 | Miriways, TWV 21:24: Act III, scene 12. Recitative. Hat dich die Liebe denn so heftig eingenommen (Miriways, Sophi, Bemira) | — | ||
| 2-34 | Miriways, TWV 21:24: Act III, scene 12. Die Sonne des Glückes verdoppelt die Strahlen (Chorus) | — |
Creative Contributors (ISNI)
Credits Graph
761203775224 is a Universal Product Code (UPC) assigned to Miriways by Georg Philipp Telemann, Markus Volpert, Ulrike Hofbauer, L’Orfeo Barockorchester, Michi Gaigg. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 67 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Miriways” by Georg Philipp Telemann, Markus Volpert, Ulrike Hofbauer, L’Orfeo Barockorchester, Michi Gaigg is 761203775224. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2014-01-01. Label: cpo. This release contains 67 tracks, each with its own ISRC.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Miriways, TWV 21:24: Overture | — | ||
| 2 | Miriways, TWV 21:24: Act I, scene 1. Recitative. Glaub nur, es wurde mir der Würde Glanz und Schein (Miriways, Samischa) | — | ||
| 3 | Miriways, TWV 21:24: Act I, scene 1. Aria. Könnt’ ich nur zu ihm noch sprechen (Samischa) | — | ||
| 4 | Miriways, TWV 21:24: Act I, scene 1. Recitative. Wo aber ist jetzt unser erstes Pfand (Miriways, Samischa) | — | ||
| 5 | Miriways, TWV 21:24: Act I, scene 2. Lebe, großer Saphi (Chorus of the persians) | — | ||
| 6 | Miriways, TWV 21:24: Act I, scene 2. Recitative. Komm, tapfrer Prinz und wahrer Muselmann (Miriways) | — | ||
| 7 | Miriways, TWV 21:24: Act I, scene 2. Aria. Ein dopp’ler Kranz soll deine Scheitel Schmücken (Miriways) | — | ||
| 8 | Miriways, TWV 21:24: Act I, scene 2. Vergiftetes Geschenk! (Sophi) | — | ||
| 9 | Miriways, TWV 21:24: Act I, scene 2. Aria. Die Liebe spricht. Verscherze Reich und Krone! (Sophi) | — | ||
| 10 | Miriways, TWV 21:24: Act I, scene 4. Recitative. Mein Prinz, wie so betrübt? (Bemira, Sophi) | — | ||
| 11 | Miriways, TWV 21:24: Act I, scene 4. Aria. Ich liebe dich mit zartem Triebe (Bemira) | — | ||
| 12 | Miriways, TWV 21:24: Act I, scene 5. Aria. Komm, sanfter Schlaf! (Nisibis) | — | ||
| 13 | Miriways, TWV 21:24: Act I, scene 6. Recitative. Ich folge meinem Leitstern nach (Murzah) | — | ||
| 14 | Miriways, TWV 21:24: Act I, scene 6. Aria. Angenehme Westenwinde (Murzah) | — | ||
| 15 | Miriways, TWV 21:24: Act I, scene 6. Recitative. Ich will von hinnen gehn (Murzah) | — | ||
| 16 | Miriways, TWV 21:24: Act I, scene 7. Recitative. Wo ist die Nisibis geblieben? (Zemir) | — | ||
| 17 | Miriways, TWV 21:24: Act I, scene 7. Aria. Ja, ja, es muss mir glücken (Zemir) | — | ||
| 18 | Miriways, TWV 21:24: Act I, scene 7. Recitative. Wie ist mir? (Nisibis, Zemir) | — | ||
| 19 | Miriways, TWV 21:24: Act I, scene 7. Aria. Mein widriges Geschicke (Nisibis) | — | ||
| 20 | Miriways, TWV 21:24: Act I, scene 7. Air. Rigaudon, TWV 50:4 | — | ||
| 21 | Miriways, TWV 21:24: Act II, scene 1. Recitative. Wenn man in Kirwan sich mir ferner (Miriways, Murzah) | — | ||
| 22 | Miriways, TWV 21:24: Act II, scene 2. Recitative. Der furst, in dessen Hand das Glück (The Envoy, Miriways) | — | ||
| 23 | Miriways, TWV 21:24: Act II, scene 2. Aria. Es erzittre der Wutrich (Miriways) | — | ||
| 24 | Miriways, TWV 21:24: Act II, scene 3. Recitative. Kennst di die Nisibis? (Miriways, Zemir) | — | ||
| 25 | Miriways, TWV 21:24: Act II, scene 4. Recitative. Wenn wegen des Befehls (Murzah, Mirriways) | — | ||
| 26 | Miriways, TWV 21:24: Act II, scene 4. Aria. Edle Sinnen (Murzah) | — | ||
| 27 | Miriways, TWV 21:24: Act II, scene 5. Recitative. Da ich das Deine nun dem Untergang entzogen (Zemir, Nisibis) | — | ||
| 28 | Miriways, TWV 21:24: Act II, scene 5. Aria. Die Dankbarkeit wird dich verflichten (Zemir) | — | ||
| 29 | Miriways, TWV 21:24: Act II, scene 7. Wo ist ein schmerz (Sophi, Nisibis, Bemira) | — | ||
| 30 | Miriways, TWV 21:24: Act II, scene 7. Aria. Zwar diese, die du wirst umfassen (Bemira) | — | ||
| 31 | Miriways, TWV 21:24: Act II, scene 7. Sinfonie en Sarabande | — | ||
| 32 | Miriways, TWV 21:24: Act II, scene 8. Accompagnato. Des Schicksals stärke Macht (The Ghost, Bemira, Sophi) | — | ||
| 33 | Miriways, TWV 21:24: Act II, scene 8. Aria. Viel lieber zu erblassen (Sophi) | — | ||
| 2-1 | Miriways, TWV 21:24: Act II, scene 10. Recitative. Wer bist du? (Murzah) | — | ||
| 2-2 | Miriways, TWV 21:24: Act II, scene 11. Recitative. Des Murzah Leibe macht mir Qual (Zemir) | — | ||
| 2-3 | Miriways, TWV 21:24: Act II, scene 11. Aria. Unwürd’ger, deine Leibeskerze (Zemir) | — | ||
| 2-4 | Miriways, TWV 21:24: Act II, scene 12. Sinfonia, marche en Persien | — | ||
| 2-5 | Miriways, TWV 21:24: Act II, scene 13. Recitative. Ein junger Prinz (Miriways) | — | ||
| 2-6 | Miriways, TWV 21:24: Act II, scene 13. Aria. Verjage die Wolken der ängstlichen Schmerzen! (Miriways) | — | ||
| 2-7 | Miriways, TWV 21:24: Act II, scene 13. Recitative. Ach Fürst, nimm dein Geschenk (Sophi, Miriways) | — | ||
| 2-8 | Miriways, TWV 21:24: Act II, scene 13. Geh, undankbares Herze (Miriways) | — | ||
| 2-9 | Miriways, TWV 21:24: Act II, scene 14. Recitative. Du nennest mich ein undankbares herz? (Sophi) | — | ||
| 2-10 | Miriways, TWV 21:24: Act II, scene 14. Aria. Nenn ein Herz doch unbeglücket (Sophi) | — | ||
| 2-11 | Miriways, TWV 21:24: Act II, scene 14. Gravement, TWV 50:4 | — | ||
| 2-12 | Miriways, TWV 21:24: Act III, scene 1. Recitative. Mit dankbegier’s gem Sinn (Samischa, Nisibis) | — | ||
| 2-13 | Miriways, TWV 21:24: Act III, scene 1. Aria. Lass dir sein ehrerbietig’s Flehen (Samischa) | — | ||
| 2-14 | Miriways, TWV 21:24: Act III, scene 1. Recitative. Es darf mir Murzah nicht verbunden sein (Nisibis) | — | ||
| 2-15 | Miriways, TWV 21:24: Act III, scene 1. Aria. Sein edles Herz und sein bescheid’nes Wesen (Nisbis) | — | ||
| 2-16 | Miriways, TWV 21:24: Act III, scene 5. Aria. Seid lustig, ihr Brüder (Scandor) | — | ||
| 2-17 | Miriways, TWV 21:24: Act III, scene 6. Sinfonia | — | ||
| 2-18 | Miriways, TWV 21:24: Act III, scene 6. Feuer! Feuer! Helfet, rettet (Chorus) I | — | ||
| 2-19 | Miriways, TWV 21:24: Act III, scene 6. Recitative. O Himmel! (Murzah) | — | ||
| 2-20 | Miriways, TWV 21:24: Act III, scene 6. Feuer! Feuer! Helfet, rettet (Chorus) ii | — | ||
| 2-21 | Miriways, TWV 21:24: Act III, scene 7. Recitative. Sie ist vor Schrecken tot (Murzah, Zemir, Nisibis) | — | ||
| 2-22 | Miriways, TWV 21:24: Act III, scene 7. Aria. Kann’s möglich sein (Zemir) | — | ||
| 2-23 | Miriways, TWV 21:24: Act III, scene 8. Recitative. So bist du auch dem Tode noch entrissen? (Nisibis, Samischa, Zemir, Murzah) | — | ||
| 2-24 | Miriways, TWV 21:24: Act III, scene 8. Aria. Wenn du kannst, so heiß mich lügen! (Murzah) | — | ||
| 2-25 | Miriways, TWV 21:24: Act III, scene 9. Recitative. Er geht beschämet und verwirrt davon (Samischa) | — | ||
| 2-26 | Miriways, TWV 21:24: Act III, scene 9. Aria. Welch süßes Ergötzen (Murzah, Nisibis) | — | ||
| 2-27 | Miriways, TWV 21:24: Act III, scene 11. Recitative. Bestehst du noch auf deinem Sinn? (Miriways) | — | ||
| 2-28 | Miriways, TWV 21:24: Act III, scene 11. Aria. Loss, mein Sohn, ach lass dir raten (Miriways) | — | ||
| 2-29 | Miriways, TWV 21:24: Act III, scene 11. Recitative. Ach freilich macht mir’s große Pein (Sophi) | — | ||
| 2-30 | Miriways, TWV 21:24: Act III, scene 11. Aria. Ich will mit verscheuchten Rehen (Sophi) | — | ||
| 2-31 | Miriways, TWV 21:24: Act III, scene 11. Recitative. Man lasse mein Gemahl und meine Tochter kommen (Miriways) | — | ||
| 2-32 | Miriways, TWV 21:24: Act III, scene 12. Sinfonia | — | ||
| 2-33 | Miriways, TWV 21:24: Act III, scene 12. Recitative. Hat dich die Liebe denn so heftig eingenommen (Miriways, Sophi, Bemira) | — | ||
| 2-34 | Miriways, TWV 21:24: Act III, scene 12. Die Sonne des Glückes verdoppelt die Strahlen (Chorus) | — |
