UPC · Release
Complete Works for Piano
Clara Schumann, Jozef de Beenhouwer
761203975822
57 tracksReleased 2001-01-01cpo
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761203975822 is the Universal Product Code (UPC barcode) for the release “Complete Works for Piano” by Clara Schumann, Jozef de Beenhouwer, released 2001-01-01 on cpo. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 57 tracks, each with its own ISRC.
Format
7Number system
61203Manufacturer
97582Product
2Check digit
- Number system:
- Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
- Manufacturer:
- 5-digit code identifying the label or distributor that owns the release.
- Product:
- 5-digit code identifying this specific release within the manufacturer's catalog.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (57)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Sonata in G minor: I. Allegro | — | ||
| 2 | Sonata in G minor: II. Adagio | — | ||
| 3 | Sonata in G minor: III. Scherzo | — | ||
| 4 | Sonata in G minor: IV. Rondo | — | ||
| 5 | Romanze in B minor | — | ||
| 6 | Impromptu in E major | — | ||
| 7 | Romanze in A minor | — | ||
| 8 | Scherzo in D minor, op. 10 | — | ||
| 9 | Deuxieme Scherzo in C minor, op. 14 | — | ||
| 10 | Präludium in F minor | — | ||
| 11 | Soirées musicales, op. 6: I. Toccatina in A minor | — | ||
| 12 | Soirées musicales, op. 6: II. Notturno in F major | — | ||
| 13 | Soirées musicales, op. 6: III. Mazurka in G minor | — | ||
| 14 | Soirées musicales, op. 6: IV. Ballade in D minor | — | ||
| 15 | Soirées musicales, op. 6: V. Mazurka in G major | — | ||
| 16 | Soirées musicales, op. 6: VI. Polonaise in A minor | — | ||
| 17 | Etude in A-flat major | — | ||
| 18 | Marsch in E-flat major | — | ||
| 2-1 | III Präludien und Fugen, op. 16: I. Andante - Allegro vivace | — | ||
| 2-2 | III Präludien und Fugen, op. 16: II. Allegretto - Andante | — | ||
| 2-3 | III Präludien und Fugen, op. 16: III. Andante - Andante con moto | — | ||
| 2-4 | Variationen über ein Thema von Robert Schumann, op. 20 | — | ||
| 2-5 | Trois romances, op. 11: I. Andante | — | ||
| 2-6 | Trois romances, op. 11: II. Andante und Allegro | — | ||
| 2-7 | Trois romances, op. 11: III. Moderato | — | ||
| 2-8 | Romance variée, op. 3 | — | ||
| 2-9 | Caprices en forme de valse, op. 2: I. Allegro moderato | — | ||
| 2-10 | Caprices en forme de valse, op. 2: II. Allegro moderato | — | ||
| 2-11 | Caprices en forme de valse, op. 2: III. Andantino | — | ||
| 2-12 | Caprices en forme de valse, op. 2: IV. Allegro | — | ||
| 2-13 | Caprices en forme de valse, op. 2: V. Allegretto | — | ||
| 2-14 | Caprices en forme de valse, op. 2: VI Allegro risoluto | — | ||
| 2-15 | Caprices en forme de valse, op. 2: VII. Allegro ma non troppo | — | ||
| 2-16 | Caprices en forme de valse, op. 2: VIII. Allegro assai | — | ||
| 2-17 | Caprices en forme de valse, op. 2: IX. Allegretto | — | ||
| 2-18 | Souvenir de Vienne, impromptu, op. 9 | — | ||
| 2-19 | Valses romantiques, op. 4 | — | ||
| 3-1 | Variations de Concert sur la Cavatine du Pirate de Bellini, op. 8 | — | ||
| 3-2 | Quatre polonaises, op. 1: I. Polonaise in E-flat major | — | ||
| 3-3 | Quatre polonaises, op. 1: II. Polonaise in C major | — | ||
| 3-4 | Quatre polonaises, op. 1: III. Polonaise in D major | — | ||
| 3-5 | Quatre polonaises, op. 1: IV. Polonaise in C major | — | ||
| 3-6 | Quatre pièces caractéristiques, op. 5: I. Impromptu. Le Sabbat (Allegro furioso) | — | ||
| 3-7 | Quatre pièces caractéristiques, op. 5: II. Caprice à la boléro (Presto) | — | ||
| 3-8 | Quatre pièces caractéristiques, op. 5: III. Romance (Andante con sentimento) | — | ||
| 3-9 | Quatre pièces caractéristiques, op. 5: IV. Scène fantastique. Le Ballet des revenants (Allegro ma non troppo) | — | ||
| 3-10 | Quatre pièces fugitives, op. 15: I. Larghetto (F) | — | ||
| 3-11 | Quatre pièces fugitives, op. 15: II. Un poco agitato (A minor) | — | ||
| 3-12 | Quatre pièces fugitives, op. 15: III. Andante espressivo | — | ||
| 3-13 | Quatre pièces fugitives, op. 15: IV. Scherzo | — | ||
| 3-14 | Präludium and Fuge | — | ||
| 3-15 | Drei Fugen über Themen von J. S. Bach: I. Fuga a 4 voci in E-flat major | — | ||
| 3-16 | Drei Fugen über Themen von J. S. Bach: II. Fuga a 4 voci in E major | — | ||
| 3-17 | Drei Fugen über Themen von J. S. Bach: III. Fuga a 4 voci in G minor | — | ||
| 3-18 | Drei Romanzen, op. 21: I. Andante, Sehr Innig Bewegt, Tempo 1 | — | ||
| 3-19 | Drei Romanzen, op. 21: II. Allegretto (Sehr zart zu spielen) | — | ||
| 3-20 | Drei Romanzen, op. 21: III. Agitato, Langsamer, Tempo I | — |
Sonata in G minor: I. Allegro
—
Sonata in G minor: II. Adagio
—
Sonata in G minor: III. Scherzo
—
Sonata in G minor: IV. Rondo
—
Romanze in B minor
—
Impromptu in E major
—
Romanze in A minor
—
Scherzo in D minor, op. 10
—
Deuxieme Scherzo in C minor, op. 14
—
Präludium in F minor
—
Soirées musicales, op. 6: I. Toccatina in A minor
—
Soirées musicales, op. 6: II. Notturno in F major
—
Soirées musicales, op. 6: III. Mazurka in G minor
—
Soirées musicales, op. 6: IV. Ballade in D minor
—
Soirées musicales, op. 6: V. Mazurka in G major
—
Soirées musicales, op. 6: VI. Polonaise in A minor
—
Etude in A-flat major
—
Marsch in E-flat major
—
III Präludien und Fugen, op. 16: I. Andante - Allegro vivace
—
III Präludien und Fugen, op. 16: II. Allegretto - Andante
—
III Präludien und Fugen, op. 16: III. Andante - Andante con moto
—
Variationen über ein Thema von Robert Schumann, op. 20
—
Trois romances, op. 11: I. Andante
—
Trois romances, op. 11: II. Andante und Allegro
—
Trois romances, op. 11: III. Moderato
—
Romance variée, op. 3
—
Caprices en forme de valse, op. 2: I. Allegro moderato
—
Caprices en forme de valse, op. 2: II. Allegro moderato
—
Caprices en forme de valse, op. 2: III. Andantino
—
Caprices en forme de valse, op. 2: IV. Allegro
—
Caprices en forme de valse, op. 2: V. Allegretto
—
Caprices en forme de valse, op. 2: VI Allegro risoluto
—
Caprices en forme de valse, op. 2: VII. Allegro ma non troppo
—
Caprices en forme de valse, op. 2: VIII. Allegro assai
—
Caprices en forme de valse, op. 2: IX. Allegretto
—
Souvenir de Vienne, impromptu, op. 9
—
Valses romantiques, op. 4
—
Variations de Concert sur la Cavatine du Pirate de Bellini, op. 8
—
Quatre polonaises, op. 1: I. Polonaise in E-flat major
—
Quatre polonaises, op. 1: II. Polonaise in C major
—
Quatre polonaises, op. 1: III. Polonaise in D major
—
Quatre polonaises, op. 1: IV. Polonaise in C major
—
Quatre pièces caractéristiques, op. 5: I. Impromptu. Le Sabbat (Allegro furioso)
—
Quatre pièces caractéristiques, op. 5: II. Caprice à la boléro (Presto)
—
Quatre pièces caractéristiques, op. 5: III. Romance (Andante con sentimento)
—
Quatre pièces caractéristiques, op. 5: IV. Scène fantastique. Le Ballet des revenants (Allegro ma non troppo)
—
Quatre pièces fugitives, op. 15: I. Larghetto (F)
—
Quatre pièces fugitives, op. 15: II. Un poco agitato (A minor)
—
Quatre pièces fugitives, op. 15: III. Andante espressivo
—
Quatre pièces fugitives, op. 15: IV. Scherzo
—
Präludium and Fuge
—
Drei Fugen über Themen von J. S. Bach: I. Fuga a 4 voci in E-flat major
—
Drei Fugen über Themen von J. S. Bach: II. Fuga a 4 voci in E major
—
Drei Fugen über Themen von J. S. Bach: III. Fuga a 4 voci in G minor
—
Drei Romanzen, op. 21: I. Andante, Sehr Innig Bewegt, Tempo 1
—
Drei Romanzen, op. 21: II. Allegretto (Sehr zart zu spielen)
—
Drei Romanzen, op. 21: III. Agitato, Langsamer, Tempo I
—
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What is UPC 761203975822?
761203975822 is a Universal Product Code (UPC) assigned to Complete Works for Piano by Clara Schumann, Jozef de Beenhouwer. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 57 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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