UPC · Release
Various Artists
Last verified:
The UPC for “Goldene Meisterwerke der Klassik” by Various Artists is 7619929117824. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Classica D'Oro. This release contains 495 tracks, each with its own ISRC. Tracks include DEA820200039, ATV148911340, SEWDL0501814.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie no. 35 KV 385 D-Dur "Haffner": I. Allegro con spirito | — | ||
| 2 | Symphonie no. 35 KV 385 D-Dur "Haffner": II. Andante | — | ||
| 3 | Symphonie no. 35 KV 385 D-Dur "Haffner": III. Menuetto | — | ||
| 4 | Symphonie no. 35 KV 385 D-Dur "Haffner": IV. Finale - presto | — | ||
| 5 | Symphonie no. 41 KV 551 D-Dur "Jupiter": I. Allegro vivace | — | ||
| 6 | Symphonie no. 41 KV 551 D-Dur "Jupiter": II. Andante cantabile | — | ||
| 7 | Symphonie no. 41 KV 551 D-Dur "Jupiter": III. Menuetto - allegretto | — | ||
| 8 | Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | London Philharmonic Orchestra, Laurence Siegel, Philharmonia Orchestra, János Sándor | — | |
| 2-1 | Symphony no. 38 KV 504 D-Dur "Prager": I. Adagio / Allegro | — | ||
| 2-2 | Symphony no. 38 KV 504 D-Dur "Prager": II. Andante | — | ||
| 2-3 | Symphony no. 38 KV 504 D-Dur "Prager": III. Finale: Presto | — | ||
| 2-4 | Symphonie no. 40 KV 550 G-Moll: I. Molto allegro | — | ||
| 2-5 | Symphonie no. 40 KV 550 G-Moll: II. Andante | — | ||
| 2-6 | Symphonie no. 40 KV 550 G-Moll: III. Menuetto allegretto | — | ||
| 2-7 | Symphonie no. 40 KV 550 G-Moll: IV. Finale allegro assai | — | ||
| 3-1 | Symphonie no. 9 D-Moll op. 125: I. Allegro ma non tropo | — | ||
| 3-2 | Symphonie no. 9 D-Moll op. 125: II. Molto vivace | — | ||
| 3-3 | Symphonie no. 9 D-Moll op. 125: III. Adagio molto e cantabile | — | ||
| 3-4 | Symphonie no. 9 D-Moll op. 125: IV. Presto - allegro assai | — | ||
| 4-1 | Symphonie no. 6 D-Dur "Le Matin": I. Adagio - allegro | — | ||
| 4-2 | Symphonie no. 6 D-Dur "Le Matin": II. Adagio - andante - adagio | — | ||
| 4-3 | Symphonie no. 6 D-Dur "Le Matin": III. Menuett | — | ||
| 4-4 | Symphonie no. 6 D-Dur "Le Matin": IV. Finale: Allegro | — | ||
| 4-5 | Symphonie no. 7 C-Dur "Le Midi": I. Adagio - allegro | — | ||
| 4-6 | Symphonie no. 7 C-Dur "Le Midi": II. Recitativo adagio | — | ||
| 4-7 | Symphonie no. 7 C-Dur "Le Midi": III. Menuetto | — | ||
| 4-8 | Symphonie no. 7 C-Dur "Le Midi": IV. Finale: Allegro | — | ||
| 4-9 | Symphonie no. 8 G-Dur "Le Soir": I. Allegro molto | — | ||
| 4-10 | Symphonie no. 8 G-Dur "Le Soir": II. Andante | — | ||
| 4-11 | Symphonie no. 8 G-Dur "Le Soir": III. Menuetto | — | ||
| 4-12 | Symphonie no. 8 G-Dur "Le Soir": IV. La tempesta: Presto | — | ||
| 5-1 | Serenade G-Dur KV 525 "Eine Kleine Nachtmusik": I. Allegro | — | ||
| 5-2 | Serenade G-Dur KV 525 "Eine Kleine Nachtmusik": II. Romance - andante | — | ||
| 5-3 | Serenade G-Dur KV 525 "Eine Kleine Nachtmusik": III. Menuetto - allegro | — | ||
| 5-4 | Serenade G-Dur KV 525 "Eine Kleine Nachtmusik": IV. Rondo - allegro | — | ||
| 5-5 | Oboenkonzert C-Dur KV 314: I. Allegro aperto | — | ||
| 5-6 | Oboenkonzert C-Dur KV 314: II. Adagio non troppo | — | ||
| 5-7 | Oboenkonzert C-Dur KV 314: III. Rondo: Allegretto | — | ||
| 5-8 | Fagottkonzert B-Dur KV 191: I. Allegro | — | ||
| 5-9 | Fagottkonzert B-Dur KV 191: II. Andante ma adagio | — | ||
| 5-10 | Fagottkonzert B-Dur KV 191: III. Rondo: Tempo di minuetto | — | ||
| 6-1 | Symphonie No. 5 B-Dur D. 485: I. Allegro | — | ||
| 6-2 | Symphonie No. 5 B-Dur D. 485: II. Andante con moto | — | ||
| 6-3 | Symphonie No. 5 B-Dur D. 485: III. Menuetto - trio: Allegro molto | — | ||
| 6-4 | Symphonie No. 5 B-Dur D. 485: IV. Allegro vivace | — | ||
| 6-5 | Symphonie no. 8 H-Moll op. Post "Unvollendete": I. Allegro moderato | — | ||
| 6-6 | Symphonie no. 8 H-Moll op. Post "Unvollendete": II. Andante con moto | — | ||
| 7-1 | Konzert für Violine und Orchester D-Dur op. 61: I. Allegro | — | ||
| 7-2 | Konzert für Violine und Orchester D-Dur op. 61: II. Larghetto | — | ||
| 7-3 | Konzert für Violine und Orchester D-Dur op. 61: III. Rondo | — | ||
| 7-4 | Romanze für Violine und Orchester F-Dur op. 50 | — | ||
| 7-5 | Romanze für Violine und Orchester G-Dur op. 40 | — | ||
| 8-1 | Symphonie no. 92, HV 1/92, G-Dur "Oxford": I. Adagio - allegro spiritoso | — | ||
| 8-2 | Symphonie no. 92, HV 1/92, G-Dur "Oxford": II. Adagio | — | ||
| 8-3 | Symphonie no. 92, HV 1/92, G-Dur "Oxford": III. Menuetto: Allegro | — | ||
| 8-4 | Symphonie no. 92, HV 1/92, G-Dur "Oxford": IV. Presto | — | ||
| 8-5 | Symphonie no. 95, HV 1/95, C-Moll: I. Allegro moderato | — | ||
| 8-6 | Symphonie no. 95, HV 1/95, C-Moll: II. Andante | — | ||
| 8-7 | Symphonie no. 95, HV 1/95, C-Moll: III. Menuetto | — | ||
| 8-8 | Symphonie no. 95, HV 1/95, C-Moll: IV. Finale: Vivace | — | ||
| 8-9 | Symphonie no. 96, HV 1/96, D-Dur "Miracle": I. Adagio - allegro | — | ||
| 8-10 | Symphonie no. 96, HV 1/96, D-Dur "Miracle": II. Andante piuttosto allegretto | — | ||
| 8-11 | Symphonie no. 96, HV 1/96, D-Dur "Miracle": III. Menuetto: Allegretto | — | ||
| 8-12 | Symphonie no. 96, HV 1/96, D-Dur "Miracle": IV. Finale: Vivace assai | — | ||
| 9-1 | Symphonie no. 36 KV 425, C-Dur "Linzer": I. Adagio - allegro sprituoso | — | ||
| 9-2 | Symphonie no. 36 KV 425, C-Dur "Linzer": II. Poco adagio | — | ||
| 9-3 | Symphonie no. 36 KV 425, C-Dur "Linzer": III. Menuetto | — | ||
| 9-4 | Symphonie no. 36 KV 425, C-Dur "Linzer": IV. Presto | — | ||
| 9-5 | Symphonie no. 39 KV 543, Es-Dur: I. Adagio | — | ||
| 9-6 | Symphonie no. 39 KV 543, Es-Dur: II. Andante | — | ||
| 9-7 | Symphonie no. 39 KV 543, Es-Dur: III. Menuetto | — | ||
| 9-8 | Symphonie no. 39 KV 543, Es-Dur: IV. Finale | — | ||
| 10-1 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": I. Erwachen Heiterer Gefühle Bei Der Ankunft Auf Dem Lande: Allegro Ma Non Troppo | — | ||
| 10-2 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": II. Szene Am Bach: Andante Molto Mosso | — | ||
| 10-3 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": III. Lustiges Zusammensein Der Landleute: Allegro | — | ||
| 10-4 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | — | ||
| 10-5 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": V. Hirtengesang - Frohe, Dankbare Gefühle Nach Dem Sturm: Allegretto | — | ||
| 10-6 | Symphonie no. 8 F-Dur op. 93: I. Allegro vivace con brio | — | ||
| 10-7 | Symphonie no. 8 F-Dur op. 93: II. Allegro scherzando | — | ||
| 10-8 | Symphonie no. 8 F-Dur op. 93: III. Tempo die menuetto | — | ||
| 10-9 | Symphonie no. 8 F-Dur op. 93: IV. Finale - allegro vivace | — | ||
| 11-1 | Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | — | |
| 11-2 | Der Dreispitz: I. Introduktion Part 1 (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-3 | Der Dreispitz: II. Nachmittag (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-4 | Der Dreispitz: III. Tanz der Müllerin (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-5 | Der Dreispitz: IV. Die Trauben (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-6 | Der Dreispitz: V. Tanz der Nachbarn (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-7 | Der Dreispitz: VI. Tanz des Müllers (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-8 | Der Dreispitz: VII. Tanz des Corregidors (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-9 | Der Dreispitz: VIII. Finale (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 12-1 | Ouvertüre zu: Titus | — | ||
| 12-2 | Ouvertüre zu: Die Entführung aus dem Serail | — | ||
| 12-3 | Ouvertüre zu: Fidelio Op. 72b | — | ||
| 12-4 | Leonoren-Ouvertüre No. 3 Op 72a C-Dur | — | ||
| 12-5 | Die Geschöpfe des Prometheus | — | ||
| 12-6 | Ouvertüre zu: Hänsel und Gretel | — | ||
| 13-1 | Ouvertüre zu: Wenn ich König wär | — | ||
| 13-2 | Ouvertüre zu: Ruslan und Ludmilla | — | ||
| 13-3 | Ouvertüre zu: Die Fledermaus | — | ||
| 13-4 | Dichter und Bauer | — | ||
| 13-5 | Leichte Kavallerie | — | ||
| 13-6 | Die schöne Galathée | — | ||
| 14-1 | Carmen Suite Nr. 1: Prélude | — | ||
| 14-2 | Carmen Suite Nr. 1: Aragonaise | — | ||
| 14-3 | Carmen Suite Nr. 1: Intermezzo | — | ||
| 14-4 | Carmen Suite Nr. 1: Séguidilla | — | ||
| 14-5 | Carmen Suite Nr. 1: Les dragons d'Alcala | — | ||
| 14-6 | Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | T-308.092.565-7 | |
| 14-7 | Carmen Suite Nr. 2: Marche des Contrabandiers | — | ||
| 14-8 | Carmen suite no. 2 : II. Habanera | Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor | T-928.635.317-1 | |
| 14-9 | Carmen Suite Nr. 2: Nocturne | — | ||
| 14-10 | Carmen Suite Nr. 2: Chanson du Toréador | — | ||
| 14-11 | Carmen Suite Nr. 2: La Garde Montante | — | ||
| 14-12 | Carmen Suite Nr. 2: Danse Bohème | — | ||
| 14-13 | L'Arlésienne Suite Nr. 1: Ouvertüre | — | ||
| 14-14 | L'Arlésienne Suite Nr. 1: Minuetto | — | ||
| 14-15 | L'Arlésienne Suite Nr. 1: Adagietto | — | ||
| 14-16 | L'Arlésienne Suite Nr. 1: Carillon | — | ||
| 15-1 | L'Arlesienne Suite Nr. 2: I. Pastorale | — | ||
| 15-2 | L'Arlesienne Suite Nr. 2: II. Intermezzo | — | ||
| 15-3 | L'Arlesienne Suite Nr. 2: III. Menuetto | — | ||
| 15-4 | L'Arlesienne Suite Nr. 2: IV. Farandole | — | ||
| 15-5 | Symphony Nr. 1 C-Dur: I. Allegro | — | ||
| 15-6 | Symphony Nr. 1 C-Dur: II. Adagio | — | ||
| 15-7 | Symphony Nr. 1 C-Dur: III. Allegro vivace | — | ||
| 15-8 | Symphony Nr. 1 C-Dur: IV. Allegro vivace | — | ||
| 16-1 | Das Meer und Sindbads Schiff (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 16-2 | Die Geschichte vom Prinzen Kalender (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 16-3 | Der junge Prinz und die junge Prinzessin (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 16-4 | Fest in Bagdad / Das Meer / Das Schiff zerschellt am Magnetberg (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 16-5 | Säbeltanz (Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 17-1 | Ungarischer Tanz No. 1 in G minor: Allegro molto | — | ||
| 17-2 | Ungarischer Tanz No. 2 in D minor: Allegro non assai. Vivace | — | ||
| 17-3 | Ungarischer Tanz No. 3 in F major: Allegretto | — | ||
| 17-4 | Ungarischer Tanz No. 4 in F-sharp minor: Poco sostenuto. Vivace | — | ||
| 17-5 | Ungarischer Tanz No. 5 in G minor: Allegro. Vivace | — | ||
| 17-6 | Ungarischer Tanz No. 6 in D major: Vivace | — | ||
| 17-7 | Ungarischer Tanz No. 7 in A major: Allegretto. Vivo | — | ||
| 17-8 | Ungarischer Tanz No. 8 in A minor: Presto | — | ||
| 17-9 | Ungarischer Tanz No. 9 in E minor: Allegro ma non troppo | — | ||
| 17-10 | Ungarischer Tanz No. 10 in F major: Presto | — | ||
| 17-11 | Ungarischer Tanz No. 11 in C major: Poco andante | — | ||
| 17-12 | Ungarischer Tanz No. 12 in D minor: Presto | — | ||
| 17-13 | Ungarischer Tanz No. 13 in D major: Andantino grazioso. Vivace | — | ||
| 17-14 | Ungarischer Tanz No. 14 in D minor: Un poco andante | — | ||
| 17-15 | Ungarischer Tanz No. 15 in B major: Allegretto grazioso | — | ||
| 17-16 | Ungarischer Tanz No. 16 in F minor: Con moto | — | ||
| 17-17 | Ungarischer Tanz No. 17 in F-sharp minor: Andantino. Vivace | — | ||
| 17-18 | Ungarischer Tanz No. 18 in D major: Molto vivace | — | ||
| 17-19 | Ungarischer Tanz No. 19 in B-flat minor: Allegretto | — | ||
| 17-20 | Ungarischer Tanz No. 20 in E minor: Poco allegretto. Vivace | — | ||
| 17-21 | Ungarischer Tanz No. 21 in E minor: Vivace | — | ||
| 18-1 | Ouverture, Op. 21 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-2 | Scherzo, Op. 61/1 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-3 | Notturno, Op. 61/7 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-4 | Hochzeitsmarsch, Op. 61/9 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-5 | Rüpeltanz, Op. 61/11 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-6 | Ouverture: Die Heimkehr aus der Fremde, Op 89 (Nürnberger Symphonie Orchester) | — | ||
| 18-7 | Rosamunde, Fürstin von Zypern, D 797, Op. 26: Ouvertüre - Die Zauberhafte D 644 (Philharmonia Slavonica feat. conductor: Alberto Lizzio) | — | ||
| 18-8 | Rosamunde, Fürstin von Zypern, D 797, Op. 26: Zwischenaktmusik Nr. 1 (Philharmonia Slavonica feat. conductor: Alberto Lizzio) | — | ||
| 18-9 | Rosamunde, Fürstin von Zypern, D 797, Op. 26: Balletmusik Nr. 2 (Philharmonia Slavonica feat. conductor: Alberto Lizzio) | — | ||
| 18-10 | Rosamunde, Fürstin von Zypern, D 797, Op. 26: Zwischenaktmusik Nr. 2 (Philharmonia Slavonica feat. conductor: Alberto Lizzio) | — | ||
| 19-1 | Lohengrin: Vorspiel 3. Aufzug (Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 19-2 | Ouvertüre: Das Liebesverbot (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 19-3 | Ouvertüre: Der fliegende Holländer (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 19-4 | Parsifal: Vorspiel 1. Aufzug (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 19-5 | Siegfried Idyll (Münchner Symphonie Orchester feat. conductor: Hanspeter Gmür) | — | ||
| 20-1 | Prince of Denmark's March (Royal Philharmonic Orchestra London feat. conductor: Frank Shipway, Trumpet: Rolf Quinque) | — | ||
| 20-2 | Concerto für Trompete, Streicher & basso Continuo, G 18 D-Dur: I. Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-3 | Concerto für Trompete, Streicher & basso Continuo, G 18 D-Dur: II. Adagio (Presto-adagio) - Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-4 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: I. Adagio (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-5 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: II. Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-6 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: III. Grave (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-7 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: IV. Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-8 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: I. Allegro moderato (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-9 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: II. Andante (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-10 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: III. Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-11 | Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: I. Allegro (Camerata Romana feat. conductor: Alberto Lizzio) | — | ||
| 20-12 | Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: II. Andante Cantabile (Camerata Romana feat. conductor: Alberto Lizzio) | — | ||
| 20-13 | Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: III. Finale: Allegro (Camerata Romana feat. conductor: Alberto Lizzio) | — | ||
| 20-14 | Concerto für Trompete & Orchester, Es-Dur: I. Allegro con spirito (Camerata Rhenania feat. conductor: Hanspeter Gmür) | — | ||
| 20-15 | Concerto für Trompete & Orchester, Es-Dur: II. Andante (Camerata Rhenania feat. conductor: Hanspeter Gmür) | — | ||
| 20-16 | Concerto für Trompete & Orchester, Es-Dur: III. Rondo Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür) | — | ||
| 21-1 | Enchanted Lake from "Swan Lake" Suite | London Festival Orchestra, New Philharmonic Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio, Laurence Siegel | — | |
| 21-2 | Schwanensee: Valse (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-3 | Schwanensee: Valse (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-4 | Schwanensee: Pas d'action (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-5 | Schwanensee: Danse Hongroise (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-6 | Schwanensee: Danse Espagnole (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-7 | Schwanensee: Danse Napolitaine (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-8 | Schwanensee: Mazurka (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-9 | Dornröschen, Ballet-Suite: Introduktion, Die Fliederfee (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 21-10 | Dornröschen, Ballet-Suite: Pas d'action (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 21-11 | Dornröschen, Ballet-Suite: Panorama (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 21-12 | Dornröschen, Ballet-Suite: Valse (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 21-13 | Dornröschen, Ballet-Suite: Finale (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 22-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | London Philharmonic Festival Orchestra, Philharmonia Slavonica, Radio Symphony Orchestra Ljubljana, Henry Adolph, Anton Nanut, Victor de Stradelli | — | |
| 22-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | London Philharmonic Festival Orchestra, Philharmonia Slavonica, Radio Symphony Orchestra Ljubljana, Henry Adolph, Anton Nanut, Victor de Stradelli | — | |
| 22-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto | London Philharmonic Festival Orchestra, Philharmonia Slavonica, Radio Symphony Orchestra Ljubljana, Henry Adolph, Anton Nanut, Victor de Stradelli | — | |
| 22-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | London Philharmonic Festival Orchestra, Philharmonia Slavonica, Radio Symphony Orchestra Ljubljana, Henry Adolph, Anton Nanut, Victor de Stradelli | — | |
| 23-1 | Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": I. Allegro vivace | — | ||
| 23-2 | Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": II. Andante con moto | — | ||
| 23-3 | Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": III. Con moto moderato | — | ||
| 23-4 | Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": IV. Saltarello. Presto | — | ||
| 23-5 | Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": I. Andante. Allegro con fuoco | — | ||
| 23-6 | Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": II. Allegro vivace | — | ||
| 23-7 | Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": III. Andante | — | ||
| 23-8 | Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": IV. Choral: Ein' feste Burg ist unser Gott! Andante con moto | — | ||
| 24-1 | Sinfonische Dichtung: Die Moldau (London Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 24-2 | Kol Nidrei, Variationen für Violoncello und Orchester Op. 47, Adagio (Philharmonia Slavonic feat. conductor: Alberto Lizzio, Violoncello: Anton Fiebig) | — | ||
| 24-3 | Slawischer Tanz Nr. 2 e-Moll (London Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 24-4 | La Mer. Trois esquisses symphoniques: I. De l'aube jusqu'à midi sur la mer | Orchestre philharmonique de l’ORTF, Philharmonia Slavonica, ORF-Symphonic Orchestra, Loic Bertrand, Milan Horvat, Alexander von Pitamic, Alfred Scholz | — | |
| 24-5 | La Mer: Jeux de vague (Austrian Broadcasting feat. conductor: Milan Horvat) | — | ||
| 24-6 | La Mer: Dialogue du vent et de la mer (Austrian Broadcasting feat. conductor: Milan Horvat) | — | ||
| 25-1 | Polowetzer Tänze 8 und 17 (Radio Symphony Orchestra Ljubljana feat. conductor Lawrence Siegel) | — | ||
| 25-2 | Symphonie No. 5 e-Moll, Op. 64: I. Andante (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih) | — | ||
| 25-3 | Symphonie No. 5 e-Moll, Op. 64: II. Andante cantabile (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih) | — | ||
| 25-4 | Symphonie No. 5 e-Moll, Op. 64: III. Valse. Allegro moderato (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih) | — | ||
| 25-5 | Symphonie No. 5 e-Moll, Op. 64: IV. Finale. Andante maestoso (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih) | — | ||
| 26-1 | Symphonie fantastique, op. 14: I. Rêveries. Passions | Boston Symphony Orchestra, Charles Munch | T-922.067.243-5 | |
| 26-2 | Symphonie fantastique, op. 14: II. Un bal | Boston Symphony Orchestra, Charles Munch | T-922.067.243-5 | |
| 26-3 | Symphonie fantastique op. 14a (Episode aus dem Leben eines Künstlers): 3. Szene auf dem Lande (Adagio) | London Festival Orchestra, Ljubljana Radio Symphony Orchestra, Süddeutsche Philharmonie, Alberto Lizzio, Anton Nanut, Alfred Scholz | — | |
| 26-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | Boston Symphony Orchestra, Charles Munch | — | |
| 26-5 | Symphonie fantastique op. 14a (Episode aus dem Leben eines Künstlers): 5. Traum einer Sabbatnacht (Larghetto. Allegro) | London Festival Orchestra, Ljubljana Radio Symphony Orchestra, Süddeutsche Philharmonie, Alberto Lizzio, Anton Nanut, Alfred Scholz | — | |
| 26-6 | Rakoczy‐Marsch (Ungarischer Marsch) | Philharmonia Slavonica, Royal Philharmonic Orchestra, Simfonični orkester RTV Slovenija, Süddeutsche Philharmonie, Henry Adolph, Alberto Lizzio, Anton Nanut | — | |
| 27-1 | Symphonie Nr. 4, Es-Dur (Romantische): I. Bewegt, nicht zu schnell | — | ||
| 27-2 | Symphonie Nr. 4, Es-Dur (Romantische): II. Andante | — | ||
| 27-3 | Symphonie Nr. 4, Es-Dur (Romantische): III. Scherzo: Bewegt | — | ||
| 27-4 | Symphonie Nr. 4, Es-Dur (Romantische): IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 28-1 | Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": I. Andante un poco maestoso. Allegro molto vivace | — | ||
| 28-2 | Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": II. Larghetto. Attacca | — | ||
| 28-3 | Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": III. Scherzo. Molto vivace | — | ||
| 28-4 | Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": IV. Allegro animato e grazioso | — | ||
| 28-5 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": I. Lebhaft | — | ||
| 28-6 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": II. Scherzo. Sehr mäßig | — | ||
| 28-7 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": III. Nicht so schnell | — | ||
| 28-8 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": IV. Feierlich | — | ||
| 28-9 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": V. Lebhaft | — | ||
| 29-1 | Der Nussknacker: Ouverture miniature (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-2 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Berlin Festival Orchestra, London Festival Orchestra, The New Philharmonic Orchestra, Philharmonia Slavonica, Symphonic Festival Orchestra, Tokyo Festival Orchestra, Henry Adolph, Alberto Lizzio, Takao Matsumo | T-304.210.691-8 | |
| 29-3 | Der Nussknacker: Tanz der Zuckerfee (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-4 | Der Nussknacker: Russischer Tanz (Trepank) (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-5 | Der Nussknacker: Arabischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-6 | Der Nussknacker: Chinesischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-7 | Der Nussknacker: Tanz der Rohrflöten (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-8 | Der Nussknacker: Blumenwalzer (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-9 | Romeo & Julia: Fantasie-Ouverture (The New Philharmonic Orchestra feat. conductor: Lawrence Siegel) | — | ||
| 29-10 | Capriccio Italien, Op. 45 (Radio Symphony Orchestra Ljubljana feat. conductor Anton Nanut) | — | ||
| 30-1 | Vyšehrad | — | ||
| 30-2 | Vltava - Die Moldau | — | ||
| 30-3 | Šárka | — | ||
| 30-4 | Z českých luhů a hájů - Aus Böhmens Hain und Flur | — | ||
| 30-5 | Tábor | — | ||
| 30-6 | Blaník | — | ||
| 31-1 | Concerto Grosso d-Moll: I. Allegro | — | ||
| 31-2 | Concerto Grosso d-Moll: II. Larghetto | — | ||
| 31-3 | Concerto Grosso d-Moll: III. Allegro | — | ||
| 31-4 | Concerto Grosso Op.6, 4 D-Dur: I. Adagio - Allegro | — | ||
| 31-5 | Concerto Grosso Op.6, 4 D-Dur: II. Adagio - Vivace | — | ||
| 31-6 | Concerto Grosso Op.6, 4 D-Dur: III. Allegro | — | ||
| 31-7 | Concerto Grosso Op.6, 4 D-Dur: IV. Allegro | — | ||
| 31-8 | Concerto Grosso Op. 1,2 c-Moll: I. Adagio - Allegro | — | ||
| 31-9 | Concerto Grosso Op. 1,2 c-Moll: II. Largo | — | ||
| 31-10 | Concerto Grosso Op. 1,2 c-Moll: III. Allegro | — | ||
| 31-11 | Concerto Grosso Op. 1,2 c-Moll: IV. Allegro | — | ||
| 31-12 | Concerto a cinque B-Dur: I. Allegro Moderato | — | ||
| 31-13 | Concerto a cinque B-Dur: II. Adagio | — | ||
| 31-14 | Concerto a cinque B-Dur: III. Allegro Vivace | — | ||
| 31-15 | Sarabande | — | ||
| 31-16 | Giga | — | ||
| 31-17 | Badinerie | — | ||
| 32-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal | — | |
| 32-2 | Der Frühling RV 269 E-Dur: II. Largo e pianissimo sempre (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-3 | Der Frühling RV 269 E-Dur: III. Danza pastorale - Allegro (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-4 | Der Sommer RV 315 g-Moll: I. Allegro non molto (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-5 | Der Sommer RV 315 g-Moll: II. Adagio - Presto (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-6 | Der Sommer RV 315 g-Moll: III. Presto (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-7 | Der Herbst RV 293 f-Moll: I. Allegro (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-8 | Der Herbst RV 293 f-Moll: II. Adagio (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-9 | Der Herbst RV 293 f-Moll: III. Allegro (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-10 | Der Winter: I. Allegro non molto (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-11 | Der Winter: II. Largo (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-12 | Der Winter: III. Allegro (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-13 | Concerto Grosso d-Moll: I. Allegro (I Solisti di Zagreb) | — | ||
| 32-14 | Concerto Grosso d-Moll: II. Larghetto (I Solisti di Zagreb) | — | ||
| 32-15 | Concerto Grosso d-Moll: III. Allegro (I Solisti di Zagreb) | — | ||
| 33-1 | Zwei Märsche: Marsch in C-Dur KV 214 (Mozart Festival Orchestra feat. conductor: Alberto Lizzio) | — | ||
| 33-2 | Zwei Märsche: Marsch in D-Dur KV 215 (Mozart Festival Orchestra feat. conductor: Alberto Lizzio) | — | ||
| 33-3 | Ein Sommernachtstraum op. 61 "Hochzeitsmarsch" | London Festival Orchestra, London Philharmonic Orchestra, Süddeutsche Philharmonie, Alfred Scholz | T-902.808.179-0 | |
| 33-4 | Intermezzo aus: Cavalleria Rusticana (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-5 | Valse Triste (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-6 | Säbeltanz (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-7 | Marinarella (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-8 | Florentiner Marsch (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-9 | Dichter und Bauer (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 34-1 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: I. Ouverture (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-2 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: II. Bourée (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-3 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: III. La Paix (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-4 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: IV. Menuett I (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-5 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: V. Menuett II (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-6 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: VI. La Réjouissance (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-7 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: I. A tempo giusto (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-8 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: II. Allegro (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-9 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: III. Adagio (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-10 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: IV. Allegro (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-11 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: V. Allegro (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-12 | Concerto Grosso Nr. 2 F-Dur Op. 6 HV 320: I. Andante larghetto (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-13 | Concerto Grosso Nr. 2 F-Dur Op. 6 HV 320: II. Allegro (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-14 | Concerto Grosso Nr. 2 F-Dur Op. 6 HV 320: III. Largo (Adagio - larghetto andante e piano) (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-15 | Concerto Grosso Nr. 2 F-Dur Op. 6 HV 320: IV. Allegro ma non troppo (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 35-1 | Suite Nr. 1 F-Dur HV 348: Ouverture | — | ||
| 35-2 | Suite Nr. 1 F-Dur HV 348: Adagio e staccato | — | ||
| 35-3 | Suite Nr. 1 F-Dur HV 348: Allegro - andante - allegro | — | ||
| 35-4 | Suite Nr. 1 F-Dur HV 348: A tempo di minuetto | — | ||
| 35-5 | Suite Nr. 1 F-Dur HV 348: Air | — | ||
| 35-6 | Suite Nr. 1 F-Dur HV 348: Menuett | — | ||
| 35-7 | Suite Nr. 1 F-Dur HV 348: Bourée | — | ||
| 35-8 | Suite Nr. 1 F-Dur HV 348: Hornpipe | — | ||
| 35-9 | Suite Nr. 1 F-Dur HV 348: Allegro moderato | — | ||
| 35-10 | Suite Nr. 2 D-Dur HV 349: Andante | — | ||
| 35-11 | Suite Nr. 2 D-Dur HV 349: Allegro: Alla Hornpipe | — | ||
| 35-12 | Suite Nr. 2 D-Dur HV 349: Coro | — | ||
| 35-13 | Suite Nr. 2 D-Dur HV 349: Loure | — | ||
| 35-14 | Suite Nr. 2 D-Dur HV 349: Bourée | — | ||
| 35-15 | Suite Nr. 3 G-Dur HV 350: Menuett | — | ||
| 35-16 | Suite Nr. 3 G-Dur HV 350: Rigaudon | — | ||
| 35-17 | Suite Nr. 3 G-Dur HV 350: Menuett | — | ||
| 35-18 | Suite Nr. 3 G-Dur HV 350: Menuett | — | ||
| 35-19 | Suite Nr. 3 G-Dur HV 350: Affettuoso | — | ||
| 35-20 | Suite Nr. 3 G-Dur HV 350: Cantabile | — | ||
| 36-1 | Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: I. Allegro | — | ||
| 36-2 | Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: II. Adagio | — | ||
| 36-3 | Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: III. Allegro | — | ||
| 36-4 | Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: IV. Menuetto | — | ||
| 36-5 | Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: I. Allegro | — | ||
| 36-6 | Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: II. Andante | — | ||
| 36-7 | Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: III. Allegro assai | — | ||
| 36-8 | Brandenburgisches Konzert Nr. 3 in G-Dur, BWV 1048: I. Allegro moderato | — | ||
| 36-9 | Brandenburgisches Konzert Nr. 3 in G-Dur, BWV 1048: II. Adagio (Kadenz) | — | ||
| 36-10 | Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro | Oregon Bach Festival Chamber Orchestra, Helmuth Rilling | — | |
| 37-1 | Poème Op. 25 Es-Dur (feat. violin: Oliver Colbentson, piano: Erich Appel) | — | ||
| 37-2 | Berceuse aus Jocelyn (Orchester der Stuttgarter Oper feat. conductor: Alexander von Pitamic, tenor: Ricardo Casinelli) | — | ||
| 37-3 | Solvejgs Lied (Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 37-4 | Alter Refrain (feat. violin: Oliver Colbentson, piano: Erich Appel) | — | ||
| 37-5 | Liebesfreund (Wiener Konzerthausorchester feat. conductor: Alfred Scholz) | — | ||
| 37-6 | Méditation de Thais (Royal Philharmonic Orchestra London feat. conductor: Frank Shipway) | — | ||
| 37-7 | Menuetto (Camerata Romana) | — | ||
| 37-8 | Hoffmanns Erzählungen (Royal Philharmonic Orchestra London feat. conductor: Frank Shipway) | — | ||
| 37-9 | Hummelflug Op. 57, aus Zar Saltan (Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 37-10 | Romanze Op 26 G-Dur (feat. violin: Oliver Colbentson, piano: Erich Appel) | — | ||
| 37-11 | Concerto für Violine & Streicher RV 256 (Il Ritiro) Es-Dur: Allegro assai (Musici di San Marco feat. conductor Alberto Lizzio)) | — | ||
| 37-12 | Concerto für Violine & Streicher RV 256 (Il Ritiro) Es-Dur: Andante (Musici di San Marco feat. conductor Alberto Lizzio)) | — | ||
| 37-13 | Concerto für Violine & Streicher RV 256 (Il Ritiro) Es-Dur: Presto (Musici di San Marco feat. conductor Alberto Lizzio)) | — | ||
| 38-1 | Concerto für Oboe, Op. 1 d-Moll: Andante e spiccato | — | ||
| 38-2 | Concerto für Oboe, Op. 1 d-Moll: Adagio | — | ||
| 38-3 | Concerto für Oboe, Op. 1 d-Moll: Presto | — | ||
| 38-4 | Concerto für Oboe d'Amore BWV 1055, A-Dur: Allegro | — | ||
| 38-5 | Concerto für Oboe d'Amore BWV 1055, A-Dur: Larghetto | — | ||
| 38-6 | Concerto für Oboe d'Amore BWV 1055, A-Dur: Allegro ma non tanto | — | ||
| 38-7 | Concerto für Oboe Nr. 12 RV 457 (PV 318) F-Dur: Allegro | — | ||
| 38-8 | Concerto für Oboe Nr. 12 RV 457 (PV 318) F-Dur: Andante | — | ||
| 38-9 | Concerto für Oboe Nr. 12 RV 457 (PV 318) F-Dur: Allegro Molto | — | ||
| 38-10 | Concerto a cinque für Oboe Op. 9/2 d-Moll: Allegro e non presto | — | ||
| 38-11 | Concerto a cinque für Oboe Op. 9/2 d-Moll: Adagio | — | ||
| 38-12 | Concerto a cinque für Oboe Op. 9/2 d-Moll: Allegro | — | ||
| 38-13 | Concerto für Oboe RV 463 a-Moll: Allegro | — | ||
| 38-14 | Concerto für Oboe RV 463 a-Moll: Largo | — | ||
| 38-15 | Concerto für Oboe RV 463 a-Moll: Allegro | — | ||
| 39-1 | Konzert für Orgel und Orchester d-Moll Op. 74: I. Adagio | — | ||
| 39-2 | Konzert für Orgel und Orchester d-Moll Op. 74: II. Allegro | — | ||
| 39-3 | Konzert für Orgel und Orchester d-Moll Op. 74: III. Organ ad libitum | — | ||
| 39-4 | Konzert für Orgel und Orchester d-Moll Op. 74: IV. Allegro | — | ||
| 39-5 | Konzert für Orgel, Streicher und Basso Continuo G-Dur (Wotqu. Nr. 34): I. Allegro di molto | — | ||
| 39-6 | Konzert für Orgel, Streicher und Basso Continuo G-Dur (Wotqu. Nr. 34): II. Largo | — | ||
| 39-7 | Konzert für Orgel, Streicher und Basso Continuo G-Dur (Wotqu. Nr. 34): III. Presto | — | ||
| 39-8 | Concerto für Orgel und Orchester C-Dur Hob. XVIII/I: I. Moderato | — | ||
| 39-9 | Concerto für Orgel und Orchester C-Dur Hob. XVIII/I: II. Largo | — | ||
| 39-10 | Concerto für Orgel und Orchester C-Dur Hob. XVIII/I: III. Allegro molto | — | ||
| 40-1 | 6 German Dances for Orchestra in C major, K. 600: I. German Dance & Trio. (No tempo indication) | — | ||
| 40-2 | 6 German Dances for Orchestra in F major, K. 600: II. German Dance & Trio. (No tempo indication) | — | ||
| 40-3 | 6 German Dances for Orchestra in B-flat major, K. 600: III. German Dance & Trio. (No tempo indication) | — | ||
| 40-4 | 6 German Dances for Orchestra in E-flat major, K. 600: IV. German Dance & Trio. (No tempo indication) | — | ||
| 40-5 | 6 German Dances for Orchestra in G major, K. 600: V. German Dance & Trio. (No tempo indication) | — | ||
| 40-6 | 6 German Dances for Orchestra in D major, K. 600: VI. German Dance & Trio. (No tempo indication) | — | ||
| 40-7 | 4 German Dances for Orchestra in B-flat major, K. 602: I. German Dance & Trio. (No tempo indication) | — | ||
| 40-8 | 4 German Dances for Orchestra in F major, K. 602: II. German Dance & Trio. (No tempo indication) | — | ||
| 40-9 | Deutscher Tanz KV 602 | — | ||
| 40-10 | 4 German Dances for Orchestra in A major, K. 602: IV. German Dance & Trio. (No tempo indication) | — | ||
| 40-11 | Deutscher Tanz KV 605 | — | ||
| 40-12 | Deutscher Tanz KV 605 | — | ||
| 40-13 | 6 Minuets for Orchestra in C major, K. 599: I. | — | ||
| 40-14 | 6 Minuets for Orchestra in G major, K. 599: II. | — | ||
| 40-15 | 6 Minuets for Orchestra in E-flat major, K. 599: III. | — | ||
| 40-16 | 6 Minuets for Orchestra in B-flat major, K. 599: IV. | — | ||
| 40-17 | 6 Minuets for Orchestra in F major, K. 599: V. | — | ||
| 40-18 | 6 Minuets for Orchestra in D major, K. 599: VI. | — | ||
| 40-19 | Minuet for Orchestra in C major, K. 383f/409 | — | ||
| 40-20 | German Dances for Orchestra in B-flat major, K. 606: I. | — | ||
| 40-21 | German Dances for Orchestra in B-flat major, K. 606: II. | — | ||
| 40-22 | German Dances for Orchestra in B-flat major, K. 606: III. | — | ||
| 40-23 | German Dances for Orchestra in B-flat major, K. 606: IV. | — | ||
| 40-24 | German Dances for Orchestra in B-flat major, K. 606: V. | — | ||
| 40-25 | German Dances for Orchestra in B-flat major, K. 606: VI. | — | ||
| 40-26 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": I. Allegro | — | ||
| 40-27 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": II. Minuetto. Maestoso & Trio | — | ||
| 40-28 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | — | ||
| 40-29 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": IV. Presto | — | ||
| 41-1 | Carmina burana: Fortuna imperatrix mundi: O fortuna - Fortune plango vulnera | Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel | — | |
| 41-2 | Primo Vere: Veris leta facies / Omnia sol temperat / Ecce gratum | — | ||
| 41-3 | Uf dem Anger: Tanz / Floret siva / Chramer gib die Vavre mir / Reie / Swaz hie gat umbe / Chume, chum geselle min / Swaz hie gat umbe / Were diu werlt alle min | — | ||
| 41-4 | In Taberna: Estuans interius / Ol im lacus colueram / Ego sum aggas / In taberna quando sumus | — | ||
| 41-5 | Cour d'Amours: Amor volat undique / Dies, nox et omnia / Stetit puella / Circa mea pectora / Si puer com puellula / Circa mea pectora / Si puer cum puellula / Veni, veni venias / In trutina / Tempus est iocundum / Dulciessime | — | ||
| 41-6 | Blanziflor et Helena: Ave formoissima / Fortuna Imperatrix Mundi O fortuna | — | ||
| 42-1 | Walzer Nr. 10 Op. 69 Nr. 2 h-Moll | — | ||
| 42-2 | Walzer Nr. 11 Op. 70 Nr. 1 Ges-Dur | — | ||
| 42-3 | Walzer Nr. 9 Op. 69 Nr. 1 As-Dur | — | ||
| 42-4 | Walzer Nr. 14 Op. posthum e-Moll | — | ||
| 42-5 | Walzer Nr. 5 Op. 42 As-Dur | — | ||
| 42-6 | Walzer Nr. 12 Op. 70 Nr. 2 f-Moll | — | ||
| 42-7 | Walzer Nr. 1 Op. 18 Es-Dur | — | ||
| 42-8 | Walzer Nr. 7 Op. 64 Nr. 2 cis-Moll | — | ||
| 42-9 | Walzer Nr. 6 Op. 64 Nr. 1 Des-Dur | — | ||
| 42-10 | Walzer Nr. 3 Op. 34 Nr. 2 a-Moll | — | ||
| 42-11 | Walzer Nr. 4 Op. 34 Nr. 3 F-Dur | — | ||
| 42-12 | Walzer Nr. 8 Op. 64 Nr. 3 As-Dur | — | ||
| 42-13 | Walzer Nr. 13 Op. 70 Nr. 3 Des-Dur | — | ||
| 42-14 | Walzer Nr. 2 Op. 34 Nr. 1 As-Dur | — | ||
| 43-1 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 43-2 | Mondschein Sonate Op. 27 Nr. 2 cis-Moll: II. Allegretto | — | ||
| 43-3 | Mondschein Sonate Op. 27 Nr. 2 cis-Moll: III. Presto agitato | — | ||
| 43-4 | Waldstein Sonate Op. 53 Nr. 21 C-Dur: I. Allegro con brio | — | ||
| 43-5 | Waldstein Sonate Op. 53 Nr. 21 C-Dur: II. Introduzione. Adagio molto | — | ||
| 43-6 | Waldstein Sonate Op. 53 Nr. 21 C-Dur: III. Rondo. Allegretto moderato | — | ||
| 43-7 | Pathétique Sonate Op. 13 Nr. 8 c-Moll: I. Grave - Allegro di molto e con brio | — | ||
| 43-8 | Pathétique Sonate Op. 13 Nr. 8 c-Moll: II. Adagio cantabile | — | ||
| 43-9 | Pathétique Sonate Op. 13 Nr. 8 c-Moll: III. Rondo allegro | — | ||
| 44-1 | Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: I. Allegro ma non troppo e molto maestoso - allegro con spirito | — | ||
| 44-2 | Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: II. Andantino semplice - presto - tempo | — | ||
| 44-3 | Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: III. Allegro con fuoco | — | ||
| 44-4 | Mozartiana Suite fur Orchester no. 4, op. 61: I. Gigue | — | ||
| 44-5 | Mozartiana Suite fur Orchester no. 4, op. 61: II. Allegro | — | ||
| 44-6 | Mozartiana Suite fur Orchester no. 4, op. 61: III. Moderato | — | ||
| 44-7 | Mozartiana Suite fur Orchester no. 4, op. 61: IV. Menuet | — | ||
| 44-8 | Mozartiana Suite fur Orchester no. 4, op. 61: V. Preghiera | — | ||
| 44-9 | Mozartiana Suite fur Orchester no. 4, op. 61: VI. Andante non tanto | — | ||
| 44-10 | Mozartiana Suite fur Orchester no. 4, op. 61: VII. Thème et variations - allegro giusto | — | ||
| 45-1 | Les Préludes: Symphonische Dichtung Nr. 3 | — | ||
| 45-2 | Orpheus: Symphonische Dichtung Nr. 4 | — | ||
| 45-3 | Ungarische Rhapsodie Nr. 5 | — | ||
| 45-4 | Tasso-Lamento E Trionfo: Symphonische Dichtung Nr. 2 | — | ||
| 46-1 | West Side Story: Maria | — | ||
| 46-2 | West Side Story: America | — | ||
| 46-3 | West Side Story: Tonight | — | ||
| 46-4 | West Side Story: Somewhere | — | ||
| 46-5 | West Side Story: One Hand, One Heart | — | ||
| 46-6 | Porgy and Bess: I Got Plenty of Nothing | — | ||
| 46-7 | Porgy and Bess: Summertime | — | ||
| 46-8 | Porgy and Bess: I Love You, Porgy | — | ||
| 46-9 | Porgy and Bess: It Ain't Necessarily So | — | ||
| 46-10 | Porgy and Bess: Bess, You Are My Woman Now | — | ||
| 46-11 | Porgy and Bess: There Is a Boat, That's Leavin' Soon for New York | — | ||
| 47-1 | Rhapsody in Blue | — | ||
| 47-2 | An American in Paris | — | ||
| 47-3 | Concerto in F für Piano & Orchester: I. Allegro | — | ||
| 47-4 | Concerto in F für Piano & Orchester: II. Adagio | — | ||
| 47-5 | Concerto in F für Piano & Orchester: III. Allegro agitato | — | ||
| 48-1 | Nr. 1 S 124 Es-Dur: I. Allegro maestoso (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 48-2 | Nr. 1 S 124 Es-Dur: II. Quasi adagio - Allegretto vivace - Allegro animato (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 48-3 | Nr. 1 S 124 Es-Dur: III. Allegro marziale animato (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 48-4 | Nr. 2 S 125 in A-Dur: I. Adagio sostenuto assai (Süddeutsche Philharmonie) | — | ||
| 48-5 | Nr. 2 S 125 in A-Dur: II. Allegro moderato (Süddeutsche Philharmonie) | — | ||
| 48-6 | Nr. 2 S 125 in A-Dur: III. L'istesso tempo (Süddeutsche Philharmonie) | — | ||
| 48-7 | Nr. 2 S 125 in A-Dur: IV. Allegro animato (Süddeutsche Philharmonie) | — | ||
| 48-8 | Nr. 2 S 125 in A-Dur: V. Stretto / molto accelerando (Süddeutsche Philharmonie) | — | ||
| 48-9 | Konzert-Etüden S 145 Nr. 1 "Waldesrauschen" | — | ||
| 48-10 | Konzert-Etüden S 145 Nr. 1 "Gnomenreigen" | — | ||
| 48-11 | Valse oubliée S 125 | — | ||
| 48-12 | Funérailles | — | ||
| 49-1 | España - Rhapsodie für Orchester (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 49-2 | Ibéria Nr. 2 aus "Images" für Orchester: I. Durch die Strassen und Gassen (Philharmonia Slavonica feat. conductor: Carlo Pantelli) | — | ||
| 49-3 | Ibéria Nr. 2 aus "Images" für Orchester: II. Die Düfte der Nacht (Philharmonia Slavonica feat. conductor: Carlo Pantelli) | — | ||
| 49-4 | Ibéria Nr. 2 aus "Images" für Orchester: III. Der Festtagsmorgen (Philharmonia Slavonica feat. conductor: Carlo Pantelli) | — | ||
| 49-5 | Rapsodie Espagnole Nr. 4 "Feria" (Austrian Radio Symphony feat. conductor: Milan Horvat) | — | ||
| 49-6 | Tzigane - Rhapsodie für Violin und Klavier (feat. violine: Denes Zsigmondi, piano: Annelise Ninen-Zsigmondi) | — | ||
| 49-7 | Capriccio espagnol Op. 34 (Philharmonia Slavonica feat. conductor: Carlo Pantelli) | — | ||
| 50-1 | Warschauer Konzert (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann) | — | ||
| 50-2 | Klavierkonzert Nr. 2 Op.18 c-Moll: I. Moderato - Allegro (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann) | — | ||
| 50-3 | Klavierkonzert Nr. 2 Op.18 c-Moll: II. Adagio sostenuto (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann) | — | ||
| 50-4 | Klavierkonzert Nr. 2 Op.18 c-Moll: III. Allegro scherzando (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann) | — | ||
| 50-5 | Rumänische Volkstänze Sz 84 (feat. piano: Clara Matec) | — | ||
| 50-6 | Menuett Nr. 2 WoO G-Dur (feat. piano: Edelgard Walch) | — | ||
| 50-7 | Dumka c-Moll / Furiant g-Moll Op. 12 (feat. piano: Dieter Goldmann) | — | ||
| 50-8 | Lyrische Stücke (Book 1) - Klavier: Nr. 1 Arietta / Nr. 2 Walzer / Nr. 8 Vaterlandslied (feat. piano: Marian Pivka) | — | ||
| 50-9 | Venezianisches Gondellied in F aus "Lieder Ohne Worte" Nr. 6 Op. 30 (feat. piano: Sylvia Capova) | — | ||
| 50-10 | Türkischer Marsch Kv 331 A-Dur aus Sonate für Klavier Nr. 11 (feat. piano: Rosel Molzer) | — |
Identifier Graph
7619929117824 is a Universal Product Code (UPC) assigned to Goldene Meisterwerke der Klassik by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 495 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | — |
| Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | T-003.006.377-4 |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
The UPC for “Goldene Meisterwerke der Klassik” by Various Artists is 7619929117824. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 1994-01-01. Label: Classica D'Oro. This release contains 495 tracks, each with its own ISRC. Tracks include DEA820200039, ATV148911340, SEWDL0501814.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Symphonie no. 35 KV 385 D-Dur "Haffner": I. Allegro con spirito | — | ||
| 2 | Symphonie no. 35 KV 385 D-Dur "Haffner": II. Andante | — | ||
| 3 | Symphonie no. 35 KV 385 D-Dur "Haffner": III. Menuetto | — | ||
| 4 | Symphonie no. 35 KV 385 D-Dur "Haffner": IV. Finale - presto | — | ||
| 5 | Symphonie no. 41 KV 551 D-Dur "Jupiter": I. Allegro vivace | — | ||
| 6 | Symphonie no. 41 KV 551 D-Dur "Jupiter": II. Andante cantabile | — | ||
| 7 | Symphonie no. 41 KV 551 D-Dur "Jupiter": III. Menuetto - allegretto | — | ||
| 8 | Symphony No. 41 in C major, K. 551 "Jupiter": IV. Allegro molto | London Philharmonic Orchestra, Laurence Siegel, Philharmonia Orchestra, János Sándor | — | |
| 2-1 | Symphony no. 38 KV 504 D-Dur "Prager": I. Adagio / Allegro | — | ||
| 2-2 | Symphony no. 38 KV 504 D-Dur "Prager": II. Andante | — | ||
| 2-3 | Symphony no. 38 KV 504 D-Dur "Prager": III. Finale: Presto | — | ||
| 2-4 | Symphonie no. 40 KV 550 G-Moll: I. Molto allegro | — | ||
| 2-5 | Symphonie no. 40 KV 550 G-Moll: II. Andante | — | ||
| 2-6 | Symphonie no. 40 KV 550 G-Moll: III. Menuetto allegretto | — | ||
| 2-7 | Symphonie no. 40 KV 550 G-Moll: IV. Finale allegro assai | — | ||
| 3-1 | Symphonie no. 9 D-Moll op. 125: I. Allegro ma non tropo | — | ||
| 3-2 | Symphonie no. 9 D-Moll op. 125: II. Molto vivace | — | ||
| 3-3 | Symphonie no. 9 D-Moll op. 125: III. Adagio molto e cantabile | — | ||
| 3-4 | Symphonie no. 9 D-Moll op. 125: IV. Presto - allegro assai | — | ||
| 4-1 | Symphonie no. 6 D-Dur "Le Matin": I. Adagio - allegro | — | ||
| 4-2 | Symphonie no. 6 D-Dur "Le Matin": II. Adagio - andante - adagio | — | ||
| 4-3 | Symphonie no. 6 D-Dur "Le Matin": III. Menuett | — | ||
| 4-4 | Symphonie no. 6 D-Dur "Le Matin": IV. Finale: Allegro | — | ||
| 4-5 | Symphonie no. 7 C-Dur "Le Midi": I. Adagio - allegro | — | ||
| 4-6 | Symphonie no. 7 C-Dur "Le Midi": II. Recitativo adagio | — | ||
| 4-7 | Symphonie no. 7 C-Dur "Le Midi": III. Menuetto | — | ||
| 4-8 | Symphonie no. 7 C-Dur "Le Midi": IV. Finale: Allegro | — | ||
| 4-9 | Symphonie no. 8 G-Dur "Le Soir": I. Allegro molto | — | ||
| 4-10 | Symphonie no. 8 G-Dur "Le Soir": II. Andante | — | ||
| 4-11 | Symphonie no. 8 G-Dur "Le Soir": III. Menuetto | — | ||
| 4-12 | Symphonie no. 8 G-Dur "Le Soir": IV. La tempesta: Presto | — | ||
| 5-1 | Serenade G-Dur KV 525 "Eine Kleine Nachtmusik": I. Allegro | — | ||
| 5-2 | Serenade G-Dur KV 525 "Eine Kleine Nachtmusik": II. Romance - andante | — | ||
| 5-3 | Serenade G-Dur KV 525 "Eine Kleine Nachtmusik": III. Menuetto - allegro | — | ||
| 5-4 | Serenade G-Dur KV 525 "Eine Kleine Nachtmusik": IV. Rondo - allegro | — | ||
| 5-5 | Oboenkonzert C-Dur KV 314: I. Allegro aperto | — | ||
| 5-6 | Oboenkonzert C-Dur KV 314: II. Adagio non troppo | — | ||
| 5-7 | Oboenkonzert C-Dur KV 314: III. Rondo: Allegretto | — | ||
| 5-8 | Fagottkonzert B-Dur KV 191: I. Allegro | — | ||
| 5-9 | Fagottkonzert B-Dur KV 191: II. Andante ma adagio | — | ||
| 5-10 | Fagottkonzert B-Dur KV 191: III. Rondo: Tempo di minuetto | — | ||
| 6-1 | Symphonie No. 5 B-Dur D. 485: I. Allegro | — | ||
| 6-2 | Symphonie No. 5 B-Dur D. 485: II. Andante con moto | — | ||
| 6-3 | Symphonie No. 5 B-Dur D. 485: III. Menuetto - trio: Allegro molto | — | ||
| 6-4 | Symphonie No. 5 B-Dur D. 485: IV. Allegro vivace | — | ||
| 6-5 | Symphonie no. 8 H-Moll op. Post "Unvollendete": I. Allegro moderato | — | ||
| 6-6 | Symphonie no. 8 H-Moll op. Post "Unvollendete": II. Andante con moto | — | ||
| 7-1 | Konzert für Violine und Orchester D-Dur op. 61: I. Allegro | — | ||
| 7-2 | Konzert für Violine und Orchester D-Dur op. 61: II. Larghetto | — | ||
| 7-3 | Konzert für Violine und Orchester D-Dur op. 61: III. Rondo | — | ||
| 7-4 | Romanze für Violine und Orchester F-Dur op. 50 | — | ||
| 7-5 | Romanze für Violine und Orchester G-Dur op. 40 | — | ||
| 8-1 | Symphonie no. 92, HV 1/92, G-Dur "Oxford": I. Adagio - allegro spiritoso | — | ||
| 8-2 | Symphonie no. 92, HV 1/92, G-Dur "Oxford": II. Adagio | — | ||
| 8-3 | Symphonie no. 92, HV 1/92, G-Dur "Oxford": III. Menuetto: Allegro | — | ||
| 8-4 | Symphonie no. 92, HV 1/92, G-Dur "Oxford": IV. Presto | — | ||
| 8-5 | Symphonie no. 95, HV 1/95, C-Moll: I. Allegro moderato | — | ||
| 8-6 | Symphonie no. 95, HV 1/95, C-Moll: II. Andante | — | ||
| 8-7 | Symphonie no. 95, HV 1/95, C-Moll: III. Menuetto | — | ||
| 8-8 | Symphonie no. 95, HV 1/95, C-Moll: IV. Finale: Vivace | — | ||
| 8-9 | Symphonie no. 96, HV 1/96, D-Dur "Miracle": I. Adagio - allegro | — | ||
| 8-10 | Symphonie no. 96, HV 1/96, D-Dur "Miracle": II. Andante piuttosto allegretto | — | ||
| 8-11 | Symphonie no. 96, HV 1/96, D-Dur "Miracle": III. Menuetto: Allegretto | — | ||
| 8-12 | Symphonie no. 96, HV 1/96, D-Dur "Miracle": IV. Finale: Vivace assai | — | ||
| 9-1 | Symphonie no. 36 KV 425, C-Dur "Linzer": I. Adagio - allegro sprituoso | — | ||
| 9-2 | Symphonie no. 36 KV 425, C-Dur "Linzer": II. Poco adagio | — | ||
| 9-3 | Symphonie no. 36 KV 425, C-Dur "Linzer": III. Menuetto | — | ||
| 9-4 | Symphonie no. 36 KV 425, C-Dur "Linzer": IV. Presto | — | ||
| 9-5 | Symphonie no. 39 KV 543, Es-Dur: I. Adagio | — | ||
| 9-6 | Symphonie no. 39 KV 543, Es-Dur: II. Andante | — | ||
| 9-7 | Symphonie no. 39 KV 543, Es-Dur: III. Menuetto | — | ||
| 9-8 | Symphonie no. 39 KV 543, Es-Dur: IV. Finale | — | ||
| 10-1 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": I. Erwachen Heiterer Gefühle Bei Der Ankunft Auf Dem Lande: Allegro Ma Non Troppo | — | ||
| 10-2 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": II. Szene Am Bach: Andante Molto Mosso | — | ||
| 10-3 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": III. Lustiges Zusammensein Der Landleute: Allegro | — | ||
| 10-4 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": IV. Gewitter, Sturm: Allegro | — | ||
| 10-5 | Symphonie No. 6 F-Dur Op. 68 "Pastorale": V. Hirtengesang - Frohe, Dankbare Gefühle Nach Dem Sturm: Allegretto | — | ||
| 10-6 | Symphonie no. 8 F-Dur op. 93: I. Allegro vivace con brio | — | ||
| 10-7 | Symphonie no. 8 F-Dur op. 93: II. Allegro scherzando | — | ||
| 10-8 | Symphonie no. 8 F-Dur op. 93: III. Tempo die menuetto | — | ||
| 10-9 | Symphonie no. 8 F-Dur op. 93: IV. Finale - allegro vivace | — | ||
| 11-1 | Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | — | |
| 11-2 | Der Dreispitz: I. Introduktion Part 1 (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-3 | Der Dreispitz: II. Nachmittag (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-4 | Der Dreispitz: III. Tanz der Müllerin (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-5 | Der Dreispitz: IV. Die Trauben (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-6 | Der Dreispitz: V. Tanz der Nachbarn (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-7 | Der Dreispitz: VI. Tanz des Müllers (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-8 | Der Dreispitz: VII. Tanz des Corregidors (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 11-9 | Der Dreispitz: VIII. Finale (Orchestre de la Suisse Romande feat. conductor: Ernest Ansermet, alt: Teresa Berganza) | — | ||
| 12-1 | Ouvertüre zu: Titus | — | ||
| 12-2 | Ouvertüre zu: Die Entführung aus dem Serail | — | ||
| 12-3 | Ouvertüre zu: Fidelio Op. 72b | — | ||
| 12-4 | Leonoren-Ouvertüre No. 3 Op 72a C-Dur | — | ||
| 12-5 | Die Geschöpfe des Prometheus | — | ||
| 12-6 | Ouvertüre zu: Hänsel und Gretel | — | ||
| 13-1 | Ouvertüre zu: Wenn ich König wär | — | ||
| 13-2 | Ouvertüre zu: Ruslan und Ludmilla | — | ||
| 13-3 | Ouvertüre zu: Die Fledermaus | — | ||
| 13-4 | Dichter und Bauer | — | ||
| 13-5 | Leichte Kavallerie | — | ||
| 13-6 | Die schöne Galathée | — | ||
| 14-1 | Carmen Suite Nr. 1: Prélude | — | ||
| 14-2 | Carmen Suite Nr. 1: Aragonaise | — | ||
| 14-3 | Carmen Suite Nr. 1: Intermezzo | — | ||
| 14-4 | Carmen Suite Nr. 1: Séguidilla | — | ||
| 14-5 | Carmen Suite Nr. 1: Les dragons d'Alcala | — | ||
| 14-6 | Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | T-308.092.565-7 | |
| 14-7 | Carmen Suite Nr. 2: Marche des Contrabandiers | — | ||
| 14-8 | Carmen suite no. 2 : II. Habanera | Amsterdam Symphony Orchestra, Budapest Philharmonic Orchestra, Symphonic Orchestra of the Ljubljana Radio, London Festival Orchestra, Orchestre radio-symphonique, Symfonický orchester Slovenského rozhlasu, Loic Bertrand, Cesare Cantieri, Zdeněk Košler, Alfred Scholz, Peter Stern, János Sándor | T-928.635.317-1 | |
| 14-9 | Carmen Suite Nr. 2: Nocturne | — | ||
| 14-10 | Carmen Suite Nr. 2: Chanson du Toréador | — | ||
| 14-11 | Carmen Suite Nr. 2: La Garde Montante | — | ||
| 14-12 | Carmen Suite Nr. 2: Danse Bohème | — | ||
| 14-13 | L'Arlésienne Suite Nr. 1: Ouvertüre | — | ||
| 14-14 | L'Arlésienne Suite Nr. 1: Minuetto | — | ||
| 14-15 | L'Arlésienne Suite Nr. 1: Adagietto | — | ||
| 14-16 | L'Arlésienne Suite Nr. 1: Carillon | — | ||
| 15-1 | L'Arlesienne Suite Nr. 2: I. Pastorale | — | ||
| 15-2 | L'Arlesienne Suite Nr. 2: II. Intermezzo | — | ||
| 15-3 | L'Arlesienne Suite Nr. 2: III. Menuetto | — | ||
| 15-4 | L'Arlesienne Suite Nr. 2: IV. Farandole | — | ||
| 15-5 | Symphony Nr. 1 C-Dur: I. Allegro | — | ||
| 15-6 | Symphony Nr. 1 C-Dur: II. Adagio | — | ||
| 15-7 | Symphony Nr. 1 C-Dur: III. Allegro vivace | — | ||
| 15-8 | Symphony Nr. 1 C-Dur: IV. Allegro vivace | — | ||
| 16-1 | Das Meer und Sindbads Schiff (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 16-2 | Die Geschichte vom Prinzen Kalender (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 16-3 | Der junge Prinz und die junge Prinzessin (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 16-4 | Fest in Bagdad / Das Meer / Das Schiff zerschellt am Magnetberg (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 16-5 | Säbeltanz (Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 17-1 | Ungarischer Tanz No. 1 in G minor: Allegro molto | — | ||
| 17-2 | Ungarischer Tanz No. 2 in D minor: Allegro non assai. Vivace | — | ||
| 17-3 | Ungarischer Tanz No. 3 in F major: Allegretto | — | ||
| 17-4 | Ungarischer Tanz No. 4 in F-sharp minor: Poco sostenuto. Vivace | — | ||
| 17-5 | Ungarischer Tanz No. 5 in G minor: Allegro. Vivace | — | ||
| 17-6 | Ungarischer Tanz No. 6 in D major: Vivace | — | ||
| 17-7 | Ungarischer Tanz No. 7 in A major: Allegretto. Vivo | — | ||
| 17-8 | Ungarischer Tanz No. 8 in A minor: Presto | — | ||
| 17-9 | Ungarischer Tanz No. 9 in E minor: Allegro ma non troppo | — | ||
| 17-10 | Ungarischer Tanz No. 10 in F major: Presto | — | ||
| 17-11 | Ungarischer Tanz No. 11 in C major: Poco andante | — | ||
| 17-12 | Ungarischer Tanz No. 12 in D minor: Presto | — | ||
| 17-13 | Ungarischer Tanz No. 13 in D major: Andantino grazioso. Vivace | — | ||
| 17-14 | Ungarischer Tanz No. 14 in D minor: Un poco andante | — | ||
| 17-15 | Ungarischer Tanz No. 15 in B major: Allegretto grazioso | — | ||
| 17-16 | Ungarischer Tanz No. 16 in F minor: Con moto | — | ||
| 17-17 | Ungarischer Tanz No. 17 in F-sharp minor: Andantino. Vivace | — | ||
| 17-18 | Ungarischer Tanz No. 18 in D major: Molto vivace | — | ||
| 17-19 | Ungarischer Tanz No. 19 in B-flat minor: Allegretto | — | ||
| 17-20 | Ungarischer Tanz No. 20 in E minor: Poco allegretto. Vivace | — | ||
| 17-21 | Ungarischer Tanz No. 21 in E minor: Vivace | — | ||
| 18-1 | Ouverture, Op. 21 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-2 | Scherzo, Op. 61/1 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-3 | Notturno, Op. 61/7 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-4 | Hochzeitsmarsch, Op. 61/9 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-5 | Rüpeltanz, Op. 61/11 (Süddeutsche Philharmonie feat. conductor: Alexander von Pitamic) | — | ||
| 18-6 | Ouverture: Die Heimkehr aus der Fremde, Op 89 (Nürnberger Symphonie Orchester) | — | ||
| 18-7 | Rosamunde, Fürstin von Zypern, D 797, Op. 26: Ouvertüre - Die Zauberhafte D 644 (Philharmonia Slavonica feat. conductor: Alberto Lizzio) | — | ||
| 18-8 | Rosamunde, Fürstin von Zypern, D 797, Op. 26: Zwischenaktmusik Nr. 1 (Philharmonia Slavonica feat. conductor: Alberto Lizzio) | — | ||
| 18-9 | Rosamunde, Fürstin von Zypern, D 797, Op. 26: Balletmusik Nr. 2 (Philharmonia Slavonica feat. conductor: Alberto Lizzio) | — | ||
| 18-10 | Rosamunde, Fürstin von Zypern, D 797, Op. 26: Zwischenaktmusik Nr. 2 (Philharmonia Slavonica feat. conductor: Alberto Lizzio) | — | ||
| 19-1 | Lohengrin: Vorspiel 3. Aufzug (Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 19-2 | Ouvertüre: Das Liebesverbot (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 19-3 | Ouvertüre: Der fliegende Holländer (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 19-4 | Parsifal: Vorspiel 1. Aufzug (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 19-5 | Siegfried Idyll (Münchner Symphonie Orchester feat. conductor: Hanspeter Gmür) | — | ||
| 20-1 | Prince of Denmark's March (Royal Philharmonic Orchestra London feat. conductor: Frank Shipway, Trumpet: Rolf Quinque) | — | ||
| 20-2 | Concerto für Trompete, Streicher & basso Continuo, G 18 D-Dur: I. Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-3 | Concerto für Trompete, Streicher & basso Continuo, G 18 D-Dur: II. Adagio (Presto-adagio) - Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-4 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: I. Adagio (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-5 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: II. Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-6 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: III. Grave (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-7 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: IV. Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-8 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: I. Allegro moderato (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-9 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: II. Andante (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-10 | Concerto für Trompete, Streicher & basso Continuo, D-Dur: III. Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür, Trumpet: Rolf Quinque) | — | ||
| 20-11 | Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: I. Allegro (Camerata Romana feat. conductor: Alberto Lizzio) | — | ||
| 20-12 | Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: II. Andante Cantabile (Camerata Romana feat. conductor: Alberto Lizzio) | — | ||
| 20-13 | Concerto für Trompete & Streicher, Hob. 7e: 1, Es-Dur: III. Finale: Allegro (Camerata Romana feat. conductor: Alberto Lizzio) | — | ||
| 20-14 | Concerto für Trompete & Orchester, Es-Dur: I. Allegro con spirito (Camerata Rhenania feat. conductor: Hanspeter Gmür) | — | ||
| 20-15 | Concerto für Trompete & Orchester, Es-Dur: II. Andante (Camerata Rhenania feat. conductor: Hanspeter Gmür) | — | ||
| 20-16 | Concerto für Trompete & Orchester, Es-Dur: III. Rondo Allegro (Camerata Rhenania feat. conductor: Hanspeter Gmür) | — | ||
| 21-1 | Enchanted Lake from "Swan Lake" Suite | London Festival Orchestra, New Philharmonic Orchestra, Symphonic Festival Orchestra, Henry Adolph, Alberto Lizzio, Laurence Siegel | — | |
| 21-2 | Schwanensee: Valse (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-3 | Schwanensee: Valse (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-4 | Schwanensee: Pas d'action (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-5 | Schwanensee: Danse Hongroise (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-6 | Schwanensee: Danse Espagnole (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-7 | Schwanensee: Danse Napolitaine (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-8 | Schwanensee: Mazurka (Symphony Orchestra feat. conductor Alberto Lizzio) | — | ||
| 21-9 | Dornröschen, Ballet-Suite: Introduktion, Die Fliederfee (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 21-10 | Dornröschen, Ballet-Suite: Pas d'action (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 21-11 | Dornröschen, Ballet-Suite: Panorama (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 21-12 | Dornröschen, Ballet-Suite: Valse (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 21-13 | Dornröschen, Ballet-Suite: Finale (New Philharmonic Orchestra feat. conductor: Alfred Scholz) | — | ||
| 22-1 | Symphony no. 9 in E minor, op. 95 “From the New World”: I. Adagio – Allegro molto | London Philharmonic Festival Orchestra, Philharmonia Slavonica, Radio Symphony Orchestra Ljubljana, Henry Adolph, Anton Nanut, Victor de Stradelli | — | |
| 22-2 | Symphony no. 9 in E minor, op. 95 “From the New World”: II. Largo | London Philharmonic Festival Orchestra, Philharmonia Slavonica, Radio Symphony Orchestra Ljubljana, Henry Adolph, Anton Nanut, Victor de Stradelli | — | |
| 22-3 | Symphony no. 9 in E minor, op. 95 “From the New World”: III. Scherzo. Molto vivace – Poco sostenuto | London Philharmonic Festival Orchestra, Philharmonia Slavonica, Radio Symphony Orchestra Ljubljana, Henry Adolph, Anton Nanut, Victor de Stradelli | — | |
| 22-4 | Symphony no. 9 in E minor, op. 95 “From the New World”: IV. Allegro con fuoco | London Philharmonic Festival Orchestra, Philharmonia Slavonica, Radio Symphony Orchestra Ljubljana, Henry Adolph, Anton Nanut, Victor de Stradelli | — | |
| 23-1 | Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": I. Allegro vivace | — | ||
| 23-2 | Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": II. Andante con moto | — | ||
| 23-3 | Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": III. Con moto moderato | — | ||
| 23-4 | Symphonie Nr. 4 A-Dur, Op. 90 "Italienische": IV. Saltarello. Presto | — | ||
| 23-5 | Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": I. Andante. Allegro con fuoco | — | ||
| 23-6 | Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": II. Allegro vivace | — | ||
| 23-7 | Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": III. Andante | — | ||
| 23-8 | Symphonie Nr. 5 d-Moll, Op. 107 "Reformation": IV. Choral: Ein' feste Burg ist unser Gott! Andante con moto | — | ||
| 24-1 | Sinfonische Dichtung: Die Moldau (London Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 24-2 | Kol Nidrei, Variationen für Violoncello und Orchester Op. 47, Adagio (Philharmonia Slavonic feat. conductor: Alberto Lizzio, Violoncello: Anton Fiebig) | — | ||
| 24-3 | Slawischer Tanz Nr. 2 e-Moll (London Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 24-4 | La Mer. Trois esquisses symphoniques: I. De l'aube jusqu'à midi sur la mer | Orchestre philharmonique de l’ORTF, Philharmonia Slavonica, ORF-Symphonic Orchestra, Loic Bertrand, Milan Horvat, Alexander von Pitamic, Alfred Scholz | — | |
| 24-5 | La Mer: Jeux de vague (Austrian Broadcasting feat. conductor: Milan Horvat) | — | ||
| 24-6 | La Mer: Dialogue du vent et de la mer (Austrian Broadcasting feat. conductor: Milan Horvat) | — | ||
| 25-1 | Polowetzer Tänze 8 und 17 (Radio Symphony Orchestra Ljubljana feat. conductor Lawrence Siegel) | — | ||
| 25-2 | Symphonie No. 5 e-Moll, Op. 64: I. Andante (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih) | — | ||
| 25-3 | Symphonie No. 5 e-Moll, Op. 64: II. Andante cantabile (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih) | — | ||
| 25-4 | Symphonie No. 5 e-Moll, Op. 64: III. Valse. Allegro moderato (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih) | — | ||
| 25-5 | Symphonie No. 5 e-Moll, Op. 64: IV. Finale. Andante maestoso (Radio Symphony Orchestra Ljubljana feat. conductor Marko Munih) | — | ||
| 26-1 | Symphonie fantastique, op. 14: I. Rêveries. Passions | Boston Symphony Orchestra, Charles Munch | T-922.067.243-5 | |
| 26-2 | Symphonie fantastique, op. 14: II. Un bal | Boston Symphony Orchestra, Charles Munch | T-922.067.243-5 | |
| 26-3 | Symphonie fantastique op. 14a (Episode aus dem Leben eines Künstlers): 3. Szene auf dem Lande (Adagio) | London Festival Orchestra, Ljubljana Radio Symphony Orchestra, Süddeutsche Philharmonie, Alberto Lizzio, Anton Nanut, Alfred Scholz | — | |
| 26-4 | Symphonie fantastique, op. 14: IV. Marche au supplice | Boston Symphony Orchestra, Charles Munch | — | |
| 26-5 | Symphonie fantastique op. 14a (Episode aus dem Leben eines Künstlers): 5. Traum einer Sabbatnacht (Larghetto. Allegro) | London Festival Orchestra, Ljubljana Radio Symphony Orchestra, Süddeutsche Philharmonie, Alberto Lizzio, Anton Nanut, Alfred Scholz | — | |
| 26-6 | Rakoczy‐Marsch (Ungarischer Marsch) | Philharmonia Slavonica, Royal Philharmonic Orchestra, Simfonični orkester RTV Slovenija, Süddeutsche Philharmonie, Henry Adolph, Alberto Lizzio, Anton Nanut | — | |
| 27-1 | Symphonie Nr. 4, Es-Dur (Romantische): I. Bewegt, nicht zu schnell | — | ||
| 27-2 | Symphonie Nr. 4, Es-Dur (Romantische): II. Andante | — | ||
| 27-3 | Symphonie Nr. 4, Es-Dur (Romantische): III. Scherzo: Bewegt | — | ||
| 27-4 | Symphonie Nr. 4, Es-Dur (Romantische): IV. Finale: Bewegt, doch nicht zu schnell | — | ||
| 28-1 | Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": I. Andante un poco maestoso. Allegro molto vivace | — | ||
| 28-2 | Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": II. Larghetto. Attacca | — | ||
| 28-3 | Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": III. Scherzo. Molto vivace | — | ||
| 28-4 | Symphonie Nr. 1 B-Dur, Op. 38 "Frühlingssinfonie": IV. Allegro animato e grazioso | — | ||
| 28-5 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": I. Lebhaft | — | ||
| 28-6 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": II. Scherzo. Sehr mäßig | — | ||
| 28-7 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": III. Nicht so schnell | — | ||
| 28-8 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": IV. Feierlich | — | ||
| 28-9 | Symphonie Nr. 3 Es-Dur, Op. 97 "Rheinische": V. Lebhaft | — | ||
| 29-1 | Der Nussknacker: Ouverture miniature (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-2 | The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: a) Marche. Tempo di marcia viva | Berlin Festival Orchestra, London Festival Orchestra, The New Philharmonic Orchestra, Philharmonia Slavonica, Symphonic Festival Orchestra, Tokyo Festival Orchestra, Henry Adolph, Alberto Lizzio, Takao Matsumo | T-304.210.691-8 | |
| 29-3 | Der Nussknacker: Tanz der Zuckerfee (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-4 | Der Nussknacker: Russischer Tanz (Trepank) (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-5 | Der Nussknacker: Arabischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-6 | Der Nussknacker: Chinesischer Tanz (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-7 | Der Nussknacker: Tanz der Rohrflöten (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-8 | Der Nussknacker: Blumenwalzer (London Festival Orchestra feat. conductor Alberto Lizzio) | — | ||
| 29-9 | Romeo & Julia: Fantasie-Ouverture (The New Philharmonic Orchestra feat. conductor: Lawrence Siegel) | — | ||
| 29-10 | Capriccio Italien, Op. 45 (Radio Symphony Orchestra Ljubljana feat. conductor Anton Nanut) | — | ||
| 30-1 | Vyšehrad | — | ||
| 30-2 | Vltava - Die Moldau | — | ||
| 30-3 | Šárka | — | ||
| 30-4 | Z českých luhů a hájů - Aus Böhmens Hain und Flur | — | ||
| 30-5 | Tábor | — | ||
| 30-6 | Blaník | — | ||
| 31-1 | Concerto Grosso d-Moll: I. Allegro | — | ||
| 31-2 | Concerto Grosso d-Moll: II. Larghetto | — | ||
| 31-3 | Concerto Grosso d-Moll: III. Allegro | — | ||
| 31-4 | Concerto Grosso Op.6, 4 D-Dur: I. Adagio - Allegro | — | ||
| 31-5 | Concerto Grosso Op.6, 4 D-Dur: II. Adagio - Vivace | — | ||
| 31-6 | Concerto Grosso Op.6, 4 D-Dur: III. Allegro | — | ||
| 31-7 | Concerto Grosso Op.6, 4 D-Dur: IV. Allegro | — | ||
| 31-8 | Concerto Grosso Op. 1,2 c-Moll: I. Adagio - Allegro | — | ||
| 31-9 | Concerto Grosso Op. 1,2 c-Moll: II. Largo | — | ||
| 31-10 | Concerto Grosso Op. 1,2 c-Moll: III. Allegro | — | ||
| 31-11 | Concerto Grosso Op. 1,2 c-Moll: IV. Allegro | — | ||
| 31-12 | Concerto a cinque B-Dur: I. Allegro Moderato | — | ||
| 31-13 | Concerto a cinque B-Dur: II. Adagio | — | ||
| 31-14 | Concerto a cinque B-Dur: III. Allegro Vivace | — | ||
| 31-15 | Sarabande | — | ||
| 31-16 | Giga | — | ||
| 31-17 | Badinerie | — | ||
| 32-1 | Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro | Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal | — | |
| 32-2 | Der Frühling RV 269 E-Dur: II. Largo e pianissimo sempre (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-3 | Der Frühling RV 269 E-Dur: III. Danza pastorale - Allegro (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-4 | Der Sommer RV 315 g-Moll: I. Allegro non molto (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-5 | Der Sommer RV 315 g-Moll: II. Adagio - Presto (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-6 | Der Sommer RV 315 g-Moll: III. Presto (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-7 | Der Herbst RV 293 f-Moll: I. Allegro (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-8 | Der Herbst RV 293 f-Moll: II. Adagio (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-9 | Der Herbst RV 293 f-Moll: III. Allegro (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-10 | Der Winter: I. Allegro non molto (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-11 | Der Winter: II. Largo (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-12 | Der Winter: III. Allegro (I Musici di San Marco feat. conductor: Alberto Lizzio) | — | ||
| 32-13 | Concerto Grosso d-Moll: I. Allegro (I Solisti di Zagreb) | — | ||
| 32-14 | Concerto Grosso d-Moll: II. Larghetto (I Solisti di Zagreb) | — | ||
| 32-15 | Concerto Grosso d-Moll: III. Allegro (I Solisti di Zagreb) | — | ||
| 33-1 | Zwei Märsche: Marsch in C-Dur KV 214 (Mozart Festival Orchestra feat. conductor: Alberto Lizzio) | — | ||
| 33-2 | Zwei Märsche: Marsch in D-Dur KV 215 (Mozart Festival Orchestra feat. conductor: Alberto Lizzio) | — | ||
| 33-3 | Ein Sommernachtstraum op. 61 "Hochzeitsmarsch" | London Festival Orchestra, London Philharmonic Orchestra, Süddeutsche Philharmonie, Alfred Scholz | T-902.808.179-0 | |
| 33-4 | Intermezzo aus: Cavalleria Rusticana (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-5 | Valse Triste (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-6 | Säbeltanz (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-7 | Marinarella (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-8 | Florentiner Marsch (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 33-9 | Dichter und Bauer (The London Festival Orchestra feat. conductor: Alfred Scholz) | — | ||
| 34-1 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: I. Ouverture (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-2 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: II. Bourée (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-3 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: III. La Paix (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-4 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: IV. Menuett I (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-5 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: V. Menuett II (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-6 | Concerto Grosso Nr. 26 D-Dur Feuerwerksmusik HV 351: VI. La Réjouissance (Philharmonia Slavonica feat. conductor Henry Adolph) | — | ||
| 34-7 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: I. A tempo giusto (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-8 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: II. Allegro (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-9 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: III. Adagio (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-10 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: IV. Allegro (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-11 | Concerto Grosso Nr. 1 G-Dur Op. 6 HV 319: V. Allegro (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-12 | Concerto Grosso Nr. 2 F-Dur Op. 6 HV 320: I. Andante larghetto (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-13 | Concerto Grosso Nr. 2 F-Dur Op. 6 HV 320: II. Allegro (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-14 | Concerto Grosso Nr. 2 F-Dur Op. 6 HV 320: III. Largo (Adagio - larghetto andante e piano) (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 34-15 | Concerto Grosso Nr. 2 F-Dur Op. 6 HV 320: IV. Allegro ma non troppo (Norddeutsche Philharmonie feat. conductor: Hans Zanotelli) | — | ||
| 35-1 | Suite Nr. 1 F-Dur HV 348: Ouverture | — | ||
| 35-2 | Suite Nr. 1 F-Dur HV 348: Adagio e staccato | — | ||
| 35-3 | Suite Nr. 1 F-Dur HV 348: Allegro - andante - allegro | — | ||
| 35-4 | Suite Nr. 1 F-Dur HV 348: A tempo di minuetto | — | ||
| 35-5 | Suite Nr. 1 F-Dur HV 348: Air | — | ||
| 35-6 | Suite Nr. 1 F-Dur HV 348: Menuett | — | ||
| 35-7 | Suite Nr. 1 F-Dur HV 348: Bourée | — | ||
| 35-8 | Suite Nr. 1 F-Dur HV 348: Hornpipe | — | ||
| 35-9 | Suite Nr. 1 F-Dur HV 348: Allegro moderato | — | ||
| 35-10 | Suite Nr. 2 D-Dur HV 349: Andante | — | ||
| 35-11 | Suite Nr. 2 D-Dur HV 349: Allegro: Alla Hornpipe | — | ||
| 35-12 | Suite Nr. 2 D-Dur HV 349: Coro | — | ||
| 35-13 | Suite Nr. 2 D-Dur HV 349: Loure | — | ||
| 35-14 | Suite Nr. 2 D-Dur HV 349: Bourée | — | ||
| 35-15 | Suite Nr. 3 G-Dur HV 350: Menuett | — | ||
| 35-16 | Suite Nr. 3 G-Dur HV 350: Rigaudon | — | ||
| 35-17 | Suite Nr. 3 G-Dur HV 350: Menuett | — | ||
| 35-18 | Suite Nr. 3 G-Dur HV 350: Menuett | — | ||
| 35-19 | Suite Nr. 3 G-Dur HV 350: Affettuoso | — | ||
| 35-20 | Suite Nr. 3 G-Dur HV 350: Cantabile | — | ||
| 36-1 | Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: I. Allegro | — | ||
| 36-2 | Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: II. Adagio | — | ||
| 36-3 | Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: III. Allegro | — | ||
| 36-4 | Brandenburgisches Konzert Nr. 1 in F-Dur, BWV 1046: IV. Menuetto | — | ||
| 36-5 | Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: I. Allegro | — | ||
| 36-6 | Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: II. Andante | — | ||
| 36-7 | Brandenburgisches Konzert Nr. 2 in F-Dur, BWV 1047: III. Allegro assai | — | ||
| 36-8 | Brandenburgisches Konzert Nr. 3 in G-Dur, BWV 1048: I. Allegro moderato | — | ||
| 36-9 | Brandenburgisches Konzert Nr. 3 in G-Dur, BWV 1048: II. Adagio (Kadenz) | — | ||
| 36-10 | Brandenburgisches Konzert No. 3 G-Dur, BWV 1048: III. Allegro | Oregon Bach Festival Chamber Orchestra, Helmuth Rilling | — | |
| 37-1 | Poème Op. 25 Es-Dur (feat. violin: Oliver Colbentson, piano: Erich Appel) | — | ||
| 37-2 | Berceuse aus Jocelyn (Orchester der Stuttgarter Oper feat. conductor: Alexander von Pitamic, tenor: Ricardo Casinelli) | — | ||
| 37-3 | Solvejgs Lied (Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 37-4 | Alter Refrain (feat. violin: Oliver Colbentson, piano: Erich Appel) | — | ||
| 37-5 | Liebesfreund (Wiener Konzerthausorchester feat. conductor: Alfred Scholz) | — | ||
| 37-6 | Méditation de Thais (Royal Philharmonic Orchestra London feat. conductor: Frank Shipway) | — | ||
| 37-7 | Menuetto (Camerata Romana) | — | ||
| 37-8 | Hoffmanns Erzählungen (Royal Philharmonic Orchestra London feat. conductor: Frank Shipway) | — | ||
| 37-9 | Hummelflug Op. 57, aus Zar Saltan (Symphony Orchestra feat. conductor: Alfred Scholz) | — | ||
| 37-10 | Romanze Op 26 G-Dur (feat. violin: Oliver Colbentson, piano: Erich Appel) | — | ||
| 37-11 | Concerto für Violine & Streicher RV 256 (Il Ritiro) Es-Dur: Allegro assai (Musici di San Marco feat. conductor Alberto Lizzio)) | — | ||
| 37-12 | Concerto für Violine & Streicher RV 256 (Il Ritiro) Es-Dur: Andante (Musici di San Marco feat. conductor Alberto Lizzio)) | — | ||
| 37-13 | Concerto für Violine & Streicher RV 256 (Il Ritiro) Es-Dur: Presto (Musici di San Marco feat. conductor Alberto Lizzio)) | — | ||
| 38-1 | Concerto für Oboe, Op. 1 d-Moll: Andante e spiccato | — | ||
| 38-2 | Concerto für Oboe, Op. 1 d-Moll: Adagio | — | ||
| 38-3 | Concerto für Oboe, Op. 1 d-Moll: Presto | — | ||
| 38-4 | Concerto für Oboe d'Amore BWV 1055, A-Dur: Allegro | — | ||
| 38-5 | Concerto für Oboe d'Amore BWV 1055, A-Dur: Larghetto | — | ||
| 38-6 | Concerto für Oboe d'Amore BWV 1055, A-Dur: Allegro ma non tanto | — | ||
| 38-7 | Concerto für Oboe Nr. 12 RV 457 (PV 318) F-Dur: Allegro | — | ||
| 38-8 | Concerto für Oboe Nr. 12 RV 457 (PV 318) F-Dur: Andante | — | ||
| 38-9 | Concerto für Oboe Nr. 12 RV 457 (PV 318) F-Dur: Allegro Molto | — | ||
| 38-10 | Concerto a cinque für Oboe Op. 9/2 d-Moll: Allegro e non presto | — | ||
| 38-11 | Concerto a cinque für Oboe Op. 9/2 d-Moll: Adagio | — | ||
| 38-12 | Concerto a cinque für Oboe Op. 9/2 d-Moll: Allegro | — | ||
| 38-13 | Concerto für Oboe RV 463 a-Moll: Allegro | — | ||
| 38-14 | Concerto für Oboe RV 463 a-Moll: Largo | — | ||
| 38-15 | Concerto für Oboe RV 463 a-Moll: Allegro | — | ||
| 39-1 | Konzert für Orgel und Orchester d-Moll Op. 74: I. Adagio | — | ||
| 39-2 | Konzert für Orgel und Orchester d-Moll Op. 74: II. Allegro | — | ||
| 39-3 | Konzert für Orgel und Orchester d-Moll Op. 74: III. Organ ad libitum | — | ||
| 39-4 | Konzert für Orgel und Orchester d-Moll Op. 74: IV. Allegro | — | ||
| 39-5 | Konzert für Orgel, Streicher und Basso Continuo G-Dur (Wotqu. Nr. 34): I. Allegro di molto | — | ||
| 39-6 | Konzert für Orgel, Streicher und Basso Continuo G-Dur (Wotqu. Nr. 34): II. Largo | — | ||
| 39-7 | Konzert für Orgel, Streicher und Basso Continuo G-Dur (Wotqu. Nr. 34): III. Presto | — | ||
| 39-8 | Concerto für Orgel und Orchester C-Dur Hob. XVIII/I: I. Moderato | — | ||
| 39-9 | Concerto für Orgel und Orchester C-Dur Hob. XVIII/I: II. Largo | — | ||
| 39-10 | Concerto für Orgel und Orchester C-Dur Hob. XVIII/I: III. Allegro molto | — | ||
| 40-1 | 6 German Dances for Orchestra in C major, K. 600: I. German Dance & Trio. (No tempo indication) | — | ||
| 40-2 | 6 German Dances for Orchestra in F major, K. 600: II. German Dance & Trio. (No tempo indication) | — | ||
| 40-3 | 6 German Dances for Orchestra in B-flat major, K. 600: III. German Dance & Trio. (No tempo indication) | — | ||
| 40-4 | 6 German Dances for Orchestra in E-flat major, K. 600: IV. German Dance & Trio. (No tempo indication) | — | ||
| 40-5 | 6 German Dances for Orchestra in G major, K. 600: V. German Dance & Trio. (No tempo indication) | — | ||
| 40-6 | 6 German Dances for Orchestra in D major, K. 600: VI. German Dance & Trio. (No tempo indication) | — | ||
| 40-7 | 4 German Dances for Orchestra in B-flat major, K. 602: I. German Dance & Trio. (No tempo indication) | — | ||
| 40-8 | 4 German Dances for Orchestra in F major, K. 602: II. German Dance & Trio. (No tempo indication) | — | ||
| 40-9 | Deutscher Tanz KV 602 | — | ||
| 40-10 | 4 German Dances for Orchestra in A major, K. 602: IV. German Dance & Trio. (No tempo indication) | — | ||
| 40-11 | Deutscher Tanz KV 605 | — | ||
| 40-12 | Deutscher Tanz KV 605 | — | ||
| 40-13 | 6 Minuets for Orchestra in C major, K. 599: I. | — | ||
| 40-14 | 6 Minuets for Orchestra in G major, K. 599: II. | — | ||
| 40-15 | 6 Minuets for Orchestra in E-flat major, K. 599: III. | — | ||
| 40-16 | 6 Minuets for Orchestra in B-flat major, K. 599: IV. | — | ||
| 40-17 | 6 Minuets for Orchestra in F major, K. 599: V. | — | ||
| 40-18 | 6 Minuets for Orchestra in D major, K. 599: VI. | — | ||
| 40-19 | Minuet for Orchestra in C major, K. 383f/409 | — | ||
| 40-20 | German Dances for Orchestra in B-flat major, K. 606: I. | — | ||
| 40-21 | German Dances for Orchestra in B-flat major, K. 606: II. | — | ||
| 40-22 | German Dances for Orchestra in B-flat major, K. 606: III. | — | ||
| 40-23 | German Dances for Orchestra in B-flat major, K. 606: IV. | — | ||
| 40-24 | German Dances for Orchestra in B-flat major, K. 606: V. | — | ||
| 40-25 | German Dances for Orchestra in B-flat major, K. 606: VI. | — | ||
| 40-26 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": I. Allegro | — | ||
| 40-27 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": II. Minuetto. Maestoso & Trio | — | ||
| 40-28 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": III. Adagio cantabile | — | ||
| 40-29 | Divertimento for 2 Horns & Strings in F major, K. 522 "Ein musikalischer Spaß": IV. Presto | — | ||
| 41-1 | Carmina burana: Fortuna imperatrix mundi: O fortuna - Fortune plango vulnera | Ernst Hinreiner, Richard Brünner, Gerda Hartmann, Rudolf Knoll, Salzburg Mozarteum Chorus, The European Philharmonic Orchestra, Salzburg Mozarteum Orchestra, Hymisher Greenburg, Kurt Prestel | — | |
| 41-2 | Primo Vere: Veris leta facies / Omnia sol temperat / Ecce gratum | — | ||
| 41-3 | Uf dem Anger: Tanz / Floret siva / Chramer gib die Vavre mir / Reie / Swaz hie gat umbe / Chume, chum geselle min / Swaz hie gat umbe / Were diu werlt alle min | — | ||
| 41-4 | In Taberna: Estuans interius / Ol im lacus colueram / Ego sum aggas / In taberna quando sumus | — | ||
| 41-5 | Cour d'Amours: Amor volat undique / Dies, nox et omnia / Stetit puella / Circa mea pectora / Si puer com puellula / Circa mea pectora / Si puer cum puellula / Veni, veni venias / In trutina / Tempus est iocundum / Dulciessime | — | ||
| 41-6 | Blanziflor et Helena: Ave formoissima / Fortuna Imperatrix Mundi O fortuna | — | ||
| 42-1 | Walzer Nr. 10 Op. 69 Nr. 2 h-Moll | — | ||
| 42-2 | Walzer Nr. 11 Op. 70 Nr. 1 Ges-Dur | — | ||
| 42-3 | Walzer Nr. 9 Op. 69 Nr. 1 As-Dur | — | ||
| 42-4 | Walzer Nr. 14 Op. posthum e-Moll | — | ||
| 42-5 | Walzer Nr. 5 Op. 42 As-Dur | — | ||
| 42-6 | Walzer Nr. 12 Op. 70 Nr. 2 f-Moll | — | ||
| 42-7 | Walzer Nr. 1 Op. 18 Es-Dur | — | ||
| 42-8 | Walzer Nr. 7 Op. 64 Nr. 2 cis-Moll | — | ||
| 42-9 | Walzer Nr. 6 Op. 64 Nr. 1 Des-Dur | — | ||
| 42-10 | Walzer Nr. 3 Op. 34 Nr. 2 a-Moll | — | ||
| 42-11 | Walzer Nr. 4 Op. 34 Nr. 3 F-Dur | — | ||
| 42-12 | Walzer Nr. 8 Op. 64 Nr. 3 As-Dur | — | ||
| 42-13 | Walzer Nr. 13 Op. 70 Nr. 3 Des-Dur | — | ||
| 42-14 | Walzer Nr. 2 Op. 34 Nr. 1 As-Dur | — | ||
| 43-1 | Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-061.409.365-0 | |
| 43-2 | Mondschein Sonate Op. 27 Nr. 2 cis-Moll: II. Allegretto | — | ||
| 43-3 | Mondschein Sonate Op. 27 Nr. 2 cis-Moll: III. Presto agitato | — | ||
| 43-4 | Waldstein Sonate Op. 53 Nr. 21 C-Dur: I. Allegro con brio | — | ||
| 43-5 | Waldstein Sonate Op. 53 Nr. 21 C-Dur: II. Introduzione. Adagio molto | — | ||
| 43-6 | Waldstein Sonate Op. 53 Nr. 21 C-Dur: III. Rondo. Allegretto moderato | — | ||
| 43-7 | Pathétique Sonate Op. 13 Nr. 8 c-Moll: I. Grave - Allegro di molto e con brio | — | ||
| 43-8 | Pathétique Sonate Op. 13 Nr. 8 c-Moll: II. Adagio cantabile | — | ||
| 43-9 | Pathétique Sonate Op. 13 Nr. 8 c-Moll: III. Rondo allegro | — | ||
| 44-1 | Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: I. Allegro ma non troppo e molto maestoso - allegro con spirito | — | ||
| 44-2 | Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: II. Andantino semplice - presto - tempo | — | ||
| 44-3 | Concerto fur Klavier & Orchester no. 1 B-Moll, op. 23: III. Allegro con fuoco | — | ||
| 44-4 | Mozartiana Suite fur Orchester no. 4, op. 61: I. Gigue | — | ||
| 44-5 | Mozartiana Suite fur Orchester no. 4, op. 61: II. Allegro | — | ||
| 44-6 | Mozartiana Suite fur Orchester no. 4, op. 61: III. Moderato | — | ||
| 44-7 | Mozartiana Suite fur Orchester no. 4, op. 61: IV. Menuet | — | ||
| 44-8 | Mozartiana Suite fur Orchester no. 4, op. 61: V. Preghiera | — | ||
| 44-9 | Mozartiana Suite fur Orchester no. 4, op. 61: VI. Andante non tanto | — | ||
| 44-10 | Mozartiana Suite fur Orchester no. 4, op. 61: VII. Thème et variations - allegro giusto | — | ||
| 45-1 | Les Préludes: Symphonische Dichtung Nr. 3 | — | ||
| 45-2 | Orpheus: Symphonische Dichtung Nr. 4 | — | ||
| 45-3 | Ungarische Rhapsodie Nr. 5 | — | ||
| 45-4 | Tasso-Lamento E Trionfo: Symphonische Dichtung Nr. 2 | — | ||
| 46-1 | West Side Story: Maria | — | ||
| 46-2 | West Side Story: America | — | ||
| 46-3 | West Side Story: Tonight | — | ||
| 46-4 | West Side Story: Somewhere | — | ||
| 46-5 | West Side Story: One Hand, One Heart | — | ||
| 46-6 | Porgy and Bess: I Got Plenty of Nothing | — | ||
| 46-7 | Porgy and Bess: Summertime | — | ||
| 46-8 | Porgy and Bess: I Love You, Porgy | — | ||
| 46-9 | Porgy and Bess: It Ain't Necessarily So | — | ||
| 46-10 | Porgy and Bess: Bess, You Are My Woman Now | — | ||
| 46-11 | Porgy and Bess: There Is a Boat, That's Leavin' Soon for New York | — | ||
| 47-1 | Rhapsody in Blue | — | ||
| 47-2 | An American in Paris | — | ||
| 47-3 | Concerto in F für Piano & Orchester: I. Allegro | — | ||
| 47-4 | Concerto in F für Piano & Orchester: II. Adagio | — | ||
| 47-5 | Concerto in F für Piano & Orchester: III. Allegro agitato | — | ||
| 48-1 | Nr. 1 S 124 Es-Dur: I. Allegro maestoso (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 48-2 | Nr. 1 S 124 Es-Dur: II. Quasi adagio - Allegretto vivace - Allegro animato (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 48-3 | Nr. 1 S 124 Es-Dur: III. Allegro marziale animato (Philharmonia Slavonica feat. conductor: Alfred Scholz) | — | ||
| 48-4 | Nr. 2 S 125 in A-Dur: I. Adagio sostenuto assai (Süddeutsche Philharmonie) | — | ||
| 48-5 | Nr. 2 S 125 in A-Dur: II. Allegro moderato (Süddeutsche Philharmonie) | — | ||
| 48-6 | Nr. 2 S 125 in A-Dur: III. L'istesso tempo (Süddeutsche Philharmonie) | — | ||
| 48-7 | Nr. 2 S 125 in A-Dur: IV. Allegro animato (Süddeutsche Philharmonie) | — | ||
| 48-8 | Nr. 2 S 125 in A-Dur: V. Stretto / molto accelerando (Süddeutsche Philharmonie) | — | ||
| 48-9 | Konzert-Etüden S 145 Nr. 1 "Waldesrauschen" | — | ||
| 48-10 | Konzert-Etüden S 145 Nr. 1 "Gnomenreigen" | — | ||
| 48-11 | Valse oubliée S 125 | — | ||
| 48-12 | Funérailles | — | ||
| 49-1 | España - Rhapsodie für Orchester (Radio Symphony Orchestra Ljubljana feat. conductor: Anton Nanut) | — | ||
| 49-2 | Ibéria Nr. 2 aus "Images" für Orchester: I. Durch die Strassen und Gassen (Philharmonia Slavonica feat. conductor: Carlo Pantelli) | — | ||
| 49-3 | Ibéria Nr. 2 aus "Images" für Orchester: II. Die Düfte der Nacht (Philharmonia Slavonica feat. conductor: Carlo Pantelli) | — | ||
| 49-4 | Ibéria Nr. 2 aus "Images" für Orchester: III. Der Festtagsmorgen (Philharmonia Slavonica feat. conductor: Carlo Pantelli) | — | ||
| 49-5 | Rapsodie Espagnole Nr. 4 "Feria" (Austrian Radio Symphony feat. conductor: Milan Horvat) | — | ||
| 49-6 | Tzigane - Rhapsodie für Violin und Klavier (feat. violine: Denes Zsigmondi, piano: Annelise Ninen-Zsigmondi) | — | ||
| 49-7 | Capriccio espagnol Op. 34 (Philharmonia Slavonica feat. conductor: Carlo Pantelli) | — | ||
| 50-1 | Warschauer Konzert (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann) | — | ||
| 50-2 | Klavierkonzert Nr. 2 Op.18 c-Moll: I. Moderato - Allegro (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann) | — | ||
| 50-3 | Klavierkonzert Nr. 2 Op.18 c-Moll: II. Adagio sostenuto (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann) | — | ||
| 50-4 | Klavierkonzert Nr. 2 Op.18 c-Moll: III. Allegro scherzando (Münchner Symphonie Orchester feat. conductor: Henry Adolph, piano: Dieter Goldmann) | — | ||
| 50-5 | Rumänische Volkstänze Sz 84 (feat. piano: Clara Matec) | — | ||
| 50-6 | Menuett Nr. 2 WoO G-Dur (feat. piano: Edelgard Walch) | — | ||
| 50-7 | Dumka c-Moll / Furiant g-Moll Op. 12 (feat. piano: Dieter Goldmann) | — | ||
| 50-8 | Lyrische Stücke (Book 1) - Klavier: Nr. 1 Arietta / Nr. 2 Walzer / Nr. 8 Vaterlandslied (feat. piano: Marian Pivka) | — | ||
| 50-9 | Venezianisches Gondellied in F aus "Lieder Ohne Worte" Nr. 6 Op. 30 (feat. piano: Sylvia Capova) | — | ||
| 50-10 | Türkischer Marsch Kv 331 A-Dur aus Sonate für Klavier Nr. 11 (feat. piano: Rosel Molzer) | — |
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Carmen Suite no. 1: VI. Les Toréadors | Alfred Scholz | — |
| Boléro, op. 81 | Mee Chou Lee, Radio Symphony Orchestra Ljubljana, Anton Nanut, Samo Hubad, London Festival Orchestra, Laurence Siegel | T-003.006.377-4 |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | — |
| Mondschein Sonate op. 27, No. 2 in cis‐Moll: Adagio sostenuto | Dubravka Tomšič | T-925.881.218-9 |
