UPC · Release
50 Hits of the Sixties and of Woodstock Generation
Various Artists
Last verified:
7619929233821 is the Universal Product Code (UPC barcode) for the release “50 Hits of the Sixties and of Woodstock Generation” by Various Artists, released 1997-01-01 on Block Buster. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 50 tracks, each with its own ISRC. Tracks include GBAJE0601731, GBAJE0401704, DEN120208023.
Format
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Credit Chain
Track List (50)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Lazy Sunday | Small Faces | T-010.162.688-3 | |
| 2 | Natural Born Boogie | Humble Pie | T-010.162.902-0 | |
| 3 | Hello Susie | — | ||
| 4 | America | — | ||
| 5 | Out of Time | Chris Farlowe | T-010.065.905-9 | |
| 6 | Can't Nobody Love You | — | ||
| 7 | Here Comes the Nice | — | ||
| 8 | (If Paradise Is) Half as Nice | — | ||
| 9 | The Thoughts of Emerlist Davjack | — | ||
| 10 | Handbags and Gladrags | Chris Farlowe | T-010.052.374-7 | |
| 11 | The First Cut Is the Deepest | P.P. Arnold | T-900.023.755-8 | |
| 12 | Soulbrother Clifford | — | ||
| 13 | Every Mother's Son | — | ||
| 14 | Time Is on My Side | The Moody Blues | T-072.313.106-3 | |
| 15 | Angel of the Morning | — | ||
| 16 | Sitting on a Fence | — | ||
| 17 | Police on My Back | — | ||
| 18 | Wild Thing | The Troggs | T-070.248.029-2 | |
| 19 | Spicks and Specks | Bee Gees | T-010.435.150-9 | |
| 20 | Sweets for My Sweet | The Searchers | T-900.761.888-4 | |
| 21 | You Really Got Me | The Kinks | T-010.160.498-1 | |
| 22 | Let's Go to the Moon | — | ||
| 23 | Pretty Flamingo | Manfred Mann | T-070.939.917-6 | |
| 24 | End of the World | — | ||
| 25 | Sweet Tuesday Morning | — | ||
| 2-1 | Woodstock | — | ||
| 2-2 | Let's Go to San Francisco | — | ||
| 2-3 | San Francisco Nights | — | ||
| 2-4 | Big Yellow Taxi | Joni Mitchell | T-070.884.826-3 | |
| 2-5 | Hey Lawdy Mama | Steppenwolf | T-911.061.129-5 | |
| 2-6 | Too Much Monkey Business | — | ||
| 2-7 | White Rabbit (live) | — | ||
| 2-8 | Here Comes Sunshine | — | ||
| 2-9 | Carry Me | — | ||
| 2-10 | Goin' Out of My Head (live) | — | ||
| 2-11 | Wish You Would (live) | — | ||
| 2-12 | Ladies of the Canyon | — | ||
| 2-13 | My Best Friend (live) | — | ||
| 2-14 | Monday Monday (live) | — | ||
| 2-15 | Parchman Farm | — | ||
| 2-16 | Hot Trigger | — | ||
| 2-17 | Spoonful | — | ||
| 2-18 | Surfin' Safari | — | ||
| 2-19 | Take the Money and Run | — | ||
| 2-20 | We've Gotta Get Out of This Place | — | ||
| 2-21 | Bring It on Home to Me | — | ||
| 2-22 | I Saw Her Again Last Night | The Mamas & the Papas | T-070.248.477-2 | |
| 2-23 | Rainy Day Man | James Taylor | T-070.274.516-1 | |
| 2-24 | When I Was Young | — | ||
| 2-25 | Safe in My Garden | — |
Additional database matches (3)
| Track Title | Artist(s) | ISWC |
|---|---|---|
| Lazy Sunday | Small Faces | — |
| You Really Got Me (live at the Playhouse Theatre, September 1964) | The Kinks | T-010.160.498-1 |
| Everybody’s Next One | Steppenwolf | T-071.083.794-7 |
What other identifiers does this connect to?
Musical Works (ISWC)
+49 more
Songwriters/Publishers (IPI)
Creative Contributors (ISNI)
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People also ask
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What is UPC 7619929233821?
7619929233821 is a Universal Product Code (UPC) assigned to 50 Hits of the Sixties and of Woodstock Generation by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 50 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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