UPC · Release
Buxtehude & …
Dieterich Buxtehude, Kei Koito
7619931270425
62 tracksReleased 2007-01-01Claves
Last verified:
7619931270425 is the Universal Product Code (UPC barcode) for the release “Buxtehude & …” by Dieterich Buxtehude, Kei Koito, released 2007-01-01 on Claves. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 62 tracks, each with its own ISRC.
Format
761GS1 prefix
9931Company prefix
27042Product
5Check digit
- GS1 prefix:
- Country/region prefix assigned by GS1 (e.g. 060/061 = USA/Canada, 50 = UK).
- Company prefix:
- Label/distributor identifier assigned by the local GS1 office.
- Product:
- Unique product number assigned by the company.
- Check digit:
- Modulo-10 check digit that validates the rest of the barcode.
Track List (62)
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Praeludium in C major, BuxWV 137 | — | ||
| 2 | Nimm von uns, Herr, du treuer Gott, BuxWV 207: Versus III | — | ||
| 3 | Wir danken, Herr Jesu Christ, Bux WV 224 | — | ||
| 4 | Danket dem Herren, BuxWV 181: Versus I, II & III | — | ||
| 5 | In dulci jubilo, BuxWV 197 | — | ||
| 6 | Passacaglia in D minor, BuxWV 161 | — | ||
| 7 | Nun komm, der Heiden Heiland, BuxWV 211 | — | ||
| 8 | Nun Lob, mein Seel, den Herren, BuxWV 212 | — | ||
| 9 | Canzona in G minor, BuxWV 173 | — | ||
| 10 | Praeludium in G minor, BuxWV 148 | — | ||
| 11 | Ich ruf zu dir, Herr Jesu Christ, Bux WV 196 | — | ||
| 12 | Komm heiliger Geist, Herre Gott, BuxWV 199 | — | ||
| 13 | Praeludium in G minor, BuxWV 150 | — | ||
| 14 | Sarabande, BuxWV 235 (Extract from a Suite in E minor) | — | ||
| 15 | Ciacona in E minor, BuxWV 160 | — | ||
| 16 | Canzona in D minor, BuxWV 168 | — | ||
| 17 | Puer Natus in Bethlehem, BuxWV 217 | — | ||
| 18 | Praeludium in G minor, BuxWV 149 | — | ||
| 2-1 | Vivace & Allegro (Initial ostinato), BuxWV 255 (extract from the Sonata for violin, viola da gamba and basso continuo) | — | ||
| 2-2 | Erhalt uns, Herr, bei deinem Wort, BuxWV 185 | — | ||
| 2-3 | Praeludium in E minor, BuxWV 152: Quarti toni | — | ||
| 2-4 | Klag-Lied, BuxWV 76/2: Muss der Tod denn auch entbinden | — | ||
| 2-5 | Praeludium in F major, BuxWV 145 | — | ||
| 2-6 | Ciacona in C minor, BuxWV 159 | — | ||
| 2-7 | Praeludium in A major, BuxWV 151 | — | ||
| 2-8 | Von Gott will ich nicht lassen, BuxWV 220 | — | ||
| 2-9 | Von Gott will ich nicht lassen, BuxWV 221 | — | ||
| 2-10 | Praeludium in D major, BuxWV 139 | — | ||
| 2-11 | Jesus Christus unser Heiland: I. Contrapunctus duplex | — | ||
| 2-12 | Jesus Christus unser Heiland: II. Prima evolutio | — | ||
| 2-13 | Jesus Christus unser Heiland: III. Secunda evolutio | — | ||
| 2-14 | Jesus Christus unser Heiland: IV. Tertia evolutio | — | ||
| 2-15 | Jesus Christus unser Heiland: V. Quarta evolutio | — | ||
| 2-16 | Mit Fried und Freud, ich fahr dahin, BuxWV 76/1: I. Contrapunctus I | — | ||
| 2-17 | Mit Fried und Freud, ich fahr dahin, BuxWV 76/1: II. Evolutio I | — | ||
| 2-18 | Mit Fried und Freud, ich fahr dahin, BuxWV 76/1: III. Contrapunctus II | — | ||
| 2-19 | Mit Fried und Freud, ich fahr dahin, BuxWV 76/1: IV. Evolution II | — | ||
| 2-20 | Te Deum laudamus, BuxWV 218: I. Praeludium, Te Deum laudamus | — | ||
| 2-21 | Te Deum laudamus, BuxWV 218: II. Pleni sunt coeli et terra | — | ||
| 2-22 | Te Deum laudamus, BuxWV 218: III. Te Martyrum | — | ||
| 2-23 | Te Deum laudamus, BuxWV 218: IV. Tu devicto, Postludium | — | ||
| 3-1 | Meine Seele erhebt den Herren: Versus I | — | ||
| 3-2 | Magnificat primi toni, BuxWV 203 (Chorale fantasia) | — | ||
| 3-3 | Magnificat noni toni, BuxWV 205/2 | — | ||
| 3-4 | Magnificat primi toni, WV 14: I. Versus I | — | ||
| 3-5 | Magnificat primi toni, WV 14: II. Versus II | — | ||
| 3-6 | Magnificat primi toni, WV 14: III. Versus III | — | ||
| 3-7 | Magnificat primi toni, WV 14: IV. Versus IV | — | ||
| 3-8 | Magnificat noni toni, BuxWV 205/1 | — | ||
| 3-9 | Magnificat primi toni, BuxWV 204/1 | — | ||
| 3-10 | Magnificat primi toni, BuxWV 204/2 | — | ||
| 3-11 | Magnificat primi toni: I. Versus I | — | ||
| 3-12 | Magnificat primi toni: II. Versus II | — | ||
| 3-13 | Magnificat primi toni: III. Versus III | — | ||
| 3-14 | Magnificat germanice: Versus II | — | ||
| 3-15 | Magnificat secundi toni: I. Versus I | — | ||
| 3-16 | Magnificat secundi toni: II. Versus II | — | ||
| 3-17 | Magnificat secundi toni: III. Versus III | — | ||
| 3-18 | Magnificat secundi toni: IV. Versus IV | — | ||
| 3-19 | Magnificat octavi toni (Chorale fantaisia) | — | ||
| 3-20 | Meine Seele erhebt den Herren, BWV 648 (Schübler) | — | ||
| 3-21 | Fuga sopra il Magnificat: Meine Seele erhebt den Herren, BWV 733 | — |
Praeludium in C major, BuxWV 137
—
Nimm von uns, Herr, du treuer Gott, BuxWV 207: Versus III
—
Wir danken, Herr Jesu Christ, Bux WV 224
—
Danket dem Herren, BuxWV 181: Versus I, II & III
—
In dulci jubilo, BuxWV 197
—
Passacaglia in D minor, BuxWV 161
—
Nun komm, der Heiden Heiland, BuxWV 211
—
Nun Lob, mein Seel, den Herren, BuxWV 212
—
Canzona in G minor, BuxWV 173
—
Praeludium in G minor, BuxWV 148
—
Ich ruf zu dir, Herr Jesu Christ, Bux WV 196
—
Komm heiliger Geist, Herre Gott, BuxWV 199
—
Praeludium in G minor, BuxWV 150
—
Sarabande, BuxWV 235 (Extract from a Suite in E minor)
—
Ciacona in E minor, BuxWV 160
—
Canzona in D minor, BuxWV 168
—
Puer Natus in Bethlehem, BuxWV 217
—
Praeludium in G minor, BuxWV 149
—
Vivace & Allegro (Initial ostinato), BuxWV 255 (extract from the Sonata for violin, viola da gamba and basso continuo)
—
Erhalt uns, Herr, bei deinem Wort, BuxWV 185
—
Praeludium in E minor, BuxWV 152: Quarti toni
—
Klag-Lied, BuxWV 76/2: Muss der Tod denn auch entbinden
—
Praeludium in F major, BuxWV 145
—
Ciacona in C minor, BuxWV 159
—
Praeludium in A major, BuxWV 151
—
Von Gott will ich nicht lassen, BuxWV 220
—
Von Gott will ich nicht lassen, BuxWV 221
—
Praeludium in D major, BuxWV 139
—
Jesus Christus unser Heiland: I. Contrapunctus duplex
—
Jesus Christus unser Heiland: II. Prima evolutio
—
Jesus Christus unser Heiland: III. Secunda evolutio
—
Jesus Christus unser Heiland: IV. Tertia evolutio
—
Jesus Christus unser Heiland: V. Quarta evolutio
—
Mit Fried und Freud, ich fahr dahin, BuxWV 76/1: I. Contrapunctus I
—
Mit Fried und Freud, ich fahr dahin, BuxWV 76/1: II. Evolutio I
—
Mit Fried und Freud, ich fahr dahin, BuxWV 76/1: III. Contrapunctus II
—
Mit Fried und Freud, ich fahr dahin, BuxWV 76/1: IV. Evolution II
—
Te Deum laudamus, BuxWV 218: I. Praeludium, Te Deum laudamus
—
Te Deum laudamus, BuxWV 218: II. Pleni sunt coeli et terra
—
Te Deum laudamus, BuxWV 218: III. Te Martyrum
—
Te Deum laudamus, BuxWV 218: IV. Tu devicto, Postludium
—
Meine Seele erhebt den Herren: Versus I
—
Magnificat primi toni, BuxWV 203 (Chorale fantasia)
—
Magnificat noni toni, BuxWV 205/2
—
Magnificat primi toni, WV 14: I. Versus I
—
Magnificat primi toni, WV 14: II. Versus II
—
Magnificat primi toni, WV 14: III. Versus III
—
Magnificat primi toni, WV 14: IV. Versus IV
—
Magnificat noni toni, BuxWV 205/1
—
Magnificat primi toni, BuxWV 204/1
—
Magnificat primi toni, BuxWV 204/2
—
Magnificat primi toni: I. Versus I
—
Magnificat primi toni: II. Versus II
—
Magnificat primi toni: III. Versus III
—
Magnificat germanice: Versus II
—
Magnificat secundi toni: I. Versus I
—
Magnificat secundi toni: II. Versus II
—
Magnificat secundi toni: III. Versus III
—
Magnificat secundi toni: IV. Versus IV
—
Magnificat octavi toni (Chorale fantaisia)
—
Meine Seele erhebt den Herren, BWV 648 (Schübler)
—
Fuga sopra il Magnificat: Meine Seele erhebt den Herren, BWV 733
—
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What is UPC 7619931270425?
7619931270425 is a Universal Product Code (UPC) assigned to Buxtehude & … by Dieterich Buxtehude, Kei Koito. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 62 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
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