UPC · Release
Orff, Beethoven, George Gershwin, Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, Columbia Jazz Band, Michael Tilson Thomas
Last verified:
The UPC for “Orff: Carmina Burana / Beethoven: Late Choral Works / Gershwin: An American in Paris / Rhapsody in Blue” by Orff, Beethoven, George Gershwin, Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, Columbia Jazz Band, Michael Tilson Thomas is 765387736927. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Dutton Epoch. This release contains 82 tracks, each with its own ISRC. Tracks include USSM19919928, USSM19919929, USSM19919928.
Credit Chain
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna | — | ||
| 2 | Carmina Burana: Fortuna, Imperatrix mundi: Fortuna plango vulnera | — | ||
| 3 | Carmina Burana: I. Primo vere: Veris leta facies | — | ||
| 4 | Carmina Burana: I. Primo vere: Omnia sol temperat | — | ||
| 5 | Carmina Burana: I. Primo vere: Ecce gratum | — | ||
| 6 | Carmina Burana: Uf dem Anger: Tanz | — | ||
| 7 | Carmina Burana: Uf dem Anger: Floret silva | — | ||
| 8 | Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir | — | ||
| 9 | Carmina Burana: Uf dem Anger: Reie | — | ||
| 10 | Carmina Burana: Uf dem Anger: Swaz hie gat umbe - Chume, chum, geselle min! - Swaz hie gat umbe | — | ||
| 11 | Carmina Burana: Uf dem Anger: Were diu werlt alle min | — | ||
| 12 | Carmina Burana: II. In taberna: Estuans interius | — | ||
| 13 | Carmina Burana: II. In taberna: Olim lacus colueram | — | ||
| 14 | Carmina Burana: II. In taberna: Ego sum abbas | — | ||
| 15 | Carmina Burana: II. In taberna: In taberna quando sumus | — | ||
| 16 | Carmina Burana: III. Cour d'amours: Amor volat undique | — | ||
| 17 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | — | ||
| 18 | Carmina Burana: III. Cour d'amours: Stetit puella | — | ||
| 19 | Carmina Burana: III. Cour d'amours: Circa mea pectora | — | ||
| 20 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | — | ||
| 21 | Carmina Burana: III. Cour d'amours: Veni, veni, venias | — | ||
| 22 | Carmina Burana: III. Cour d'amours: In trutina | — | ||
| 23 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | — | ||
| 24 | Carmina Burana: III. Cour d'amours: Dulcissime | — | ||
| 25 | Carmina Burana: Blanziflor et Helena: Ave formosissima | — | ||
| 26 | Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna | — | ||
| 27 | Elegischer Gesang, op. 118 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 28 | Opferlied, op. 121b | Lorna Haywood, Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 2-1 | Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna | — | ||
| 2-2 | Carmina Burana: Fortuna, Imperatrix mundi: Fortuna plango vulnera | — | ||
| 2-3 | Carmina Burana: I. Primo vere: Veris leta facies | — | ||
| 2-4 | Carmina Burana: I. Primo vere: Omnia sol temperat | — | ||
| 2-5 | Carmina Burana: I. Primo vere: Ecce gratum | — | ||
| 2-6 | Carmina Burana: Uf dem Anger: Tanz | — | ||
| 2-7 | Carmina Burana: Uf dem Anger: Floret silva | — | ||
| 2-8 | Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir | — | ||
| 2-9 | Carmina Burana: Uf dem Anger: Reie | — | ||
| 2-10 | Carmina Burana: Uf dem Anger: Swaz hie gat umbe - Chume, chum, geselle min! - Swaz hie gat umbe | — | ||
| 2-11 | Carmina Burana: Uf dem Anger: Were diu werlt alle min | — | ||
| 2-12 | Carmina Burana: II. In taberna: Estuans interius | — | ||
| 2-13 | Carmina Burana: II. In taberna: Olim lacus colueram | — | ||
| 2-14 | Carmina Burana: II. In taberna: Ego sum abbas | — | ||
| 2-15 | Carmina Burana: II. In taberna: In taberna quando sumus | — | ||
| 2-16 | Carmina Burana: III. Cour d'amours: Amor volat undique | — | ||
| 2-17 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | — | ||
| 2-18 | Carmina Burana: III. Cour d'amours: Stetit puella | — | ||
| 2-19 | Carmina Burana: III. Cour d'amours: Circa mea pectora | — | ||
| 2-20 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | — | ||
| 2-21 | Carmina Burana: III. Cour d'amours: Veni, veni, venias | — | ||
| 2-22 | Carmina Burana: III. Cour d'amours: In trutina | — | ||
| 2-23 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | — | ||
| 2-24 | Carmina Burana: III. Cour d'amours: Dulcissime | — | ||
| 2-25 | Carmina Burana: Blanziflor et Helena: Ave formosissima | — | ||
| 2-26 | Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna | — | ||
| 2-27 | Elegischer Gesang, op. 118 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 2-28 | Opferlied, op. 121b | Lorna Haywood, Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-1 | Bundeslied, op. 122 “In allen guten Stunden” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-2 | Meeresstille und glückliche Fahrt, op. 112 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-3 | König Stephan, op. 117: Overture | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-4 | König Stephan, op. 117: Men’s Chorus: “Ruhen von seinen Thaten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-5 | König Stephan, op. 117: Men’s Chorus: “Auf dunkelm Irrweg in finstern Hainen wandelten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-6 | König Stephan, op. 117: Siegesmarsch | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-7 | König Stephan, op. 117: Women’s Chorus: “Wo die Unschuld Blumen streute” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-8 | König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-9 | König Stephan, op. 117: Melodrama | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-10 | König Stephan, op. 117: Priestly March and Chorus: “Heil unserm Könige!” | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-11 | König Stephan, op. 117: Final Chorus: “Heil! Heil unsern Enkeln!” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-12 | An American in Paris | — | ||
| 3-13 | Rhapsody in Blue, Original Version - The 1925 Piano Roll | Michael Tilson Thomas | T-070.126.537-3 | |
| 4-1 | Bundeslied, op. 122 “In allen guten Stunden” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-2 | Meeresstille und glückliche Fahrt, op. 112 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-3 | König Stephan, op. 117: Overture | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-4 | König Stephan, op. 117: Men’s Chorus: “Ruhen von seinen Thaten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-5 | König Stephan, op. 117: Men’s Chorus: “Auf dunkelm Irrweg in finstern Hainen wandelten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-6 | König Stephan, op. 117: Siegesmarsch | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-7 | König Stephan, op. 117: Women’s Chorus: “Wo die Unschuld Blumen streute” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-8 | König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-9 | König Stephan, op. 117: Melodrama | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-10 | König Stephan, op. 117: Priestly March and Chorus: “Heil unserm Könige!” | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-11 | König Stephan, op. 117: Final Chorus: “Heil! Heil unsern Enkeln!” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-12 | An American in Paris | — | ||
| 4-13 | Rhapsody in Blue, Original Version - The 1925 Piano Roll | Michael Tilson Thomas | T-070.126.537-3 |
Musical Works (ISWC)
Songwriters/Publishers (IPI)
Identifier Graph
765387736927 is a Universal Product Code (UPC) assigned to Orff: Carmina Burana / Beethoven: Late Choral Works / Gershwin: An American in Paris / Rhapsody in Blue by Orff, Beethoven, George Gershwin, Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, Columbia Jazz Band, Michael Tilson Thomas. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.
This release contains 82 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.
Learn more about UPCs · Data powered by Notes.fm
The UPC for “Orff: Carmina Burana / Beethoven: Late Choral Works / Gershwin: An American in Paris / Rhapsody in Blue” by Orff, Beethoven, George Gershwin, Cleveland Orchestra, London Symphony Orchestra, New York Philharmonic, Columbia Jazz Band, Michael Tilson Thomas is 765387736927. UPCs are unique numeric barcodes assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. Released 2019-01-01. Label: Dutton Epoch. This release contains 82 tracks, each with its own ISRC. Tracks include USSM19919928, USSM19919929, USSM19919928.
| # | Track Title | Artist(s) | ISWC | |
|---|---|---|---|---|
| 1 | Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna | — | ||
| 2 | Carmina Burana: Fortuna, Imperatrix mundi: Fortuna plango vulnera | — | ||
| 3 | Carmina Burana: I. Primo vere: Veris leta facies | — | ||
| 4 | Carmina Burana: I. Primo vere: Omnia sol temperat | — | ||
| 5 | Carmina Burana: I. Primo vere: Ecce gratum | — | ||
| 6 | Carmina Burana: Uf dem Anger: Tanz | — | ||
| 7 | Carmina Burana: Uf dem Anger: Floret silva | — | ||
| 8 | Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir | — | ||
| 9 | Carmina Burana: Uf dem Anger: Reie | — | ||
| 10 | Carmina Burana: Uf dem Anger: Swaz hie gat umbe - Chume, chum, geselle min! - Swaz hie gat umbe | — | ||
| 11 | Carmina Burana: Uf dem Anger: Were diu werlt alle min | — | ||
| 12 | Carmina Burana: II. In taberna: Estuans interius | — | ||
| 13 | Carmina Burana: II. In taberna: Olim lacus colueram | — | ||
| 14 | Carmina Burana: II. In taberna: Ego sum abbas | — | ||
| 15 | Carmina Burana: II. In taberna: In taberna quando sumus | — | ||
| 16 | Carmina Burana: III. Cour d'amours: Amor volat undique | — | ||
| 17 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | — | ||
| 18 | Carmina Burana: III. Cour d'amours: Stetit puella | — | ||
| 19 | Carmina Burana: III. Cour d'amours: Circa mea pectora | — | ||
| 20 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | — | ||
| 21 | Carmina Burana: III. Cour d'amours: Veni, veni, venias | — | ||
| 22 | Carmina Burana: III. Cour d'amours: In trutina | — | ||
| 23 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | — | ||
| 24 | Carmina Burana: III. Cour d'amours: Dulcissime | — | ||
| 25 | Carmina Burana: Blanziflor et Helena: Ave formosissima | — | ||
| 26 | Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna | — | ||
| 27 | Elegischer Gesang, op. 118 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 28 | Opferlied, op. 121b | Lorna Haywood, Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 2-1 | Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna | — | ||
| 2-2 | Carmina Burana: Fortuna, Imperatrix mundi: Fortuna plango vulnera | — | ||
| 2-3 | Carmina Burana: I. Primo vere: Veris leta facies | — | ||
| 2-4 | Carmina Burana: I. Primo vere: Omnia sol temperat | — | ||
| 2-5 | Carmina Burana: I. Primo vere: Ecce gratum | — | ||
| 2-6 | Carmina Burana: Uf dem Anger: Tanz | — | ||
| 2-7 | Carmina Burana: Uf dem Anger: Floret silva | — | ||
| 2-8 | Carmina Burana: Uf dem Anger: Chramer, gip die varwe mir | — | ||
| 2-9 | Carmina Burana: Uf dem Anger: Reie | — | ||
| 2-10 | Carmina Burana: Uf dem Anger: Swaz hie gat umbe - Chume, chum, geselle min! - Swaz hie gat umbe | — | ||
| 2-11 | Carmina Burana: Uf dem Anger: Were diu werlt alle min | — | ||
| 2-12 | Carmina Burana: II. In taberna: Estuans interius | — | ||
| 2-13 | Carmina Burana: II. In taberna: Olim lacus colueram | — | ||
| 2-14 | Carmina Burana: II. In taberna: Ego sum abbas | — | ||
| 2-15 | Carmina Burana: II. In taberna: In taberna quando sumus | — | ||
| 2-16 | Carmina Burana: III. Cour d'amours: Amor volat undique | — | ||
| 2-17 | Carmina Burana: III. Cour d'amours: Dies, nox et omnia | — | ||
| 2-18 | Carmina Burana: III. Cour d'amours: Stetit puella | — | ||
| 2-19 | Carmina Burana: III. Cour d'amours: Circa mea pectora | — | ||
| 2-20 | Carmina Burana: III. Cour d'amours: Si puer cum puellula | — | ||
| 2-21 | Carmina Burana: III. Cour d'amours: Veni, veni, venias | — | ||
| 2-22 | Carmina Burana: III. Cour d'amours: In trutina | — | ||
| 2-23 | Carmina Burana: III. Cour d'amours: Tempus est iocundum | — | ||
| 2-24 | Carmina Burana: III. Cour d'amours: Dulcissime | — | ||
| 2-25 | Carmina Burana: Blanziflor et Helena: Ave formosissima | — | ||
| 2-26 | Carmina Burana: Fortuna, Imperatrix mundi: O Fortuna | — | ||
| 2-27 | Elegischer Gesang, op. 118 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 2-28 | Opferlied, op. 121b | Lorna Haywood, Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-1 | Bundeslied, op. 122 “In allen guten Stunden” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-2 | Meeresstille und glückliche Fahrt, op. 112 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-3 | König Stephan, op. 117: Overture | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-4 | König Stephan, op. 117: Men’s Chorus: “Ruhen von seinen Thaten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-5 | König Stephan, op. 117: Men’s Chorus: “Auf dunkelm Irrweg in finstern Hainen wandelten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-6 | König Stephan, op. 117: Siegesmarsch | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-7 | König Stephan, op. 117: Women’s Chorus: “Wo die Unschuld Blumen streute” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-8 | König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-9 | König Stephan, op. 117: Melodrama | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-10 | König Stephan, op. 117: Priestly March and Chorus: “Heil unserm Könige!” | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-11 | König Stephan, op. 117: Final Chorus: “Heil! Heil unsern Enkeln!” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 3-12 | An American in Paris | — | ||
| 3-13 | Rhapsody in Blue, Original Version - The 1925 Piano Roll | Michael Tilson Thomas | T-070.126.537-3 | |
| 4-1 | Bundeslied, op. 122 “In allen guten Stunden” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-2 | Meeresstille und glückliche Fahrt, op. 112 | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-3 | König Stephan, op. 117: Overture | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-4 | König Stephan, op. 117: Men’s Chorus: “Ruhen von seinen Thaten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-5 | König Stephan, op. 117: Men’s Chorus: “Auf dunkelm Irrweg in finstern Hainen wandelten” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-6 | König Stephan, op. 117: Siegesmarsch | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-7 | König Stephan, op. 117: Women’s Chorus: “Wo die Unschuld Blumen streute” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-8 | König Stephan, op. 117: Chorus: “Eine neue strahlende Sonne” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-9 | König Stephan, op. 117: Melodrama | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-10 | König Stephan, op. 117: Priestly March and Chorus: “Heil unserm Könige!” | London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-11 | König Stephan, op. 117: Final Chorus: “Heil! Heil unsern Enkeln!” | Ambrosian Singers, London Symphony Orchestra, Michael Tilson Thomas | — | |
| 4-12 | An American in Paris | — | ||
| 4-13 | Rhapsody in Blue, Original Version - The 1925 Piano Roll | Michael Tilson Thomas | T-070.126.537-3 |
