Voices of Mississippi: Artists and Musicians Documented by William Ferris

UPC · Release

Voices of Mississippi: Artists and Musicians Documented by William Ferris

Various Artists

769791969506
79 tracksReleased 2018-06-01

Last verified:

769791969506 is the Universal Product Code (UPC barcode) for the release Voices of Mississippi: Artists and Musicians Documented by William Ferris by Various Artists, released 2018-06-01. UPCs are unique numeric identifiers assigned by distributors to identify a music release — album, EP, or single — across every digital and physical retail platform. This release contains 79 tracks, each with its own ISRC. Tracks include QZANV1800622, QZANV1800623, QZANV1800624.

Format

7Number system
69791Manufacturer
96950Product
6Check digit
Number system:
Identifies the product category (0/1/6/7/8 = general retail, 2 = variable measure, etc.).
Manufacturer:
5-digit code identifying the label or distributor that owns the release.
Product:
5-digit code identifying this specific release within the manufacturer's catalog.
Check digit:
Modulo-10 check digit that validates the rest of the barcode.

Credit Chain

UPCVoices of Mississippi: Artists and Musicians Documented by William Ferris
ISRC79 recordings
ISWC7 works
IPI7 songwriters

Track List (79)

44 Blues
44 Blues
James “Son Ford” Thomas
I Feel So Good
I Feel So Good
Lovey Williams
Stackalee and Billy Lyons
Stackalee and Billy Lyons
Wallace “Pine-Top” Johnson, Maudie Shirley, & Jasper Love, Maudie Shirley, Jasper Love
Lil’ Liza Jane
Lil’ Liza Jane
Scott Dunbar
Big Fat Mama
Big Fat Mama
Mississippi Fred McDowell
Bottle Blowing
Bottle Blowing
Louis Dotson
Bring Me My Shotgun
Bring Me My Shotgun
Sonny Boy Watson
Eyesight to the Blind
Eyesight to the Blind
Sam Myers
Cairo
Cairo
James “Son Ford” Thomas
Jaybird
Jaybird
Scott Dunbar
Cotton Eyed Joe
Cotton Eyed Joe
Tom Dumas
Coal Black Mare
Coal Black Mare
Lovey Williams
I Dreamed I Went to the U.N.
I Dreamed I Went to the U.N.
Unidentified Musician, Mississippi Fred McDowell
Darling If You Must Leave
Darling If You Must Leave
Walter Lee Hood
I Got a Letter From Hot Springs
I Got a Letter From Hot Springs
Mississippi Fred McDowell
Baby Loves to Boogie
Baby Loves to Boogie
Wallace “Pine-Top” Johnson, Maudie Shirley, Jasper Love
Nothing
Wash Heron, Big Jack Johnson
Dust My Broom
James “Son Ford” Thomas
The Memphis Mail
The Memphis Mail
Scott Dunbar
Have You Seen My Baby
Have You Seen My Baby
Sonny Boy Watson
Instrumental Guitar Piece in A
Instrumental Guitar Piece in A
James Hughes
Train I Ride
Train I Ride
Lovey Williams
Little Red Rooster
Little Red Rooster
Unidentified Musician, Mississippi Fred McDowell
Darlin’ Why You Treat Me So?
Darlin’ Why You Treat Me So?
Leland Musician
Water Boy Drowned in the Mobile Bay
Water Boy Drowned in the Mobile Bay
Inmates at Parchman Farm
I Ain’t Gonna Live It No More
I Ain’t Gonna Live It No More
George Lee “Sun Bud” Spears
I Cannot Stay Here Baby
I Cannot Stay Here Baby
James “Son Ford” Thomas, Sonny Boy Watson
Lord, I’m in Your Hand
Lord, I’m in Your Hand
Mary & Amanda Gordon
You Don’t Know Like I Know
You Don’t Know Like I Know
The Southland Hummingbirds
Children, Go Where I Send Thee
Children, Go Where I Send Thee
Reverend Smith and Family
What Could I Do?
What Could I Do?
Liddle Hines
So Glad I Got Good Religion
So Glad I Got Good Religion
Providence Missionary Baptist Church
I Know the Lord Will Make a Way (Yes He Will)
I Know the Lord Will Make a Way (Yes He Will)
Church of God in Christ
Home on High
Home on High
Walter Lee Hood, Parchman Inmates
We’re So Glad to Be Here
We’re So Glad to Be Here
Fannie Bell Chapman
My Mother’s on That Train
My Mother’s on That Train
Mary Alice, Alan McGowan
You Don’t Knock, You Just Walk On In
You Don’t Knock, You Just Walk On In
Reverend Ott & Family
They Tell Me of an Uncloudy Day
They Tell Me of an Uncloudy Day
Walter Lee Hood
Thanks for Bill Ferris
Thanks for Bill Ferris
Rose Hill Church
Over Yonder Where the Sun Will Never Shine
Over Yonder Where the Sun Will Never Shine
Rose Hill Church
I’ve Been Born Again
I’ve Been Born Again
The Southland Hummingbirds
The Lord Will Make a Way Somehow
The Lord Will Make a Way Somehow
Lovey Williams & Family
How Did You Feel When You Come Out of the Wilderness
How Did You Feel When You Come Out of the Wilderness
Providence Missionary Baptist Church
I Don’t Have to Worry About Where I Spend Eternity
I Don’t Have to Worry About Where I Spend Eternity
Church of God in Christ
He’s My Rock, My Sword, and Shield
He’s My Rock, My Sword, and Shield
Fannie Bell Chapman & Family
Thank You Jesus
Thank You Jesus
Walter Lee Hood, Parchman Inmates
Cross of Calvary
Cross of Calvary
Mary & Amanda Gordon
My Grave’s Gonna Be Decorated on That Day
My Grave’s Gonna Be Decorated on That Day
Church of God in Christ
There Are Days
There Are Days
The Southland Hummingbirds
You Can’t Hide Sinner
You Can’t Hide Sinner
Church of God in Christ
Lord, Remember Me
Lord, Remember Me
Reverend Issac Thomas, Rose Hill Church
Glory, Glory (Lay My Burden Down)
Glory, Glory (Lay My Burden Down)
Church of God in Christ
On Bill
On Bill
Barry Hannah
Regions of the Mind and Heart
Regions of the Mind and Heart
Alice Walker
The South
The South
Alex Haley
A Trader Is
A Trader Is
Ray Lum
The Blues to Me
The Blues to Me
Bobby Rush
On Son Thomas and Tradition
On Son Thomas and Tradition
Barry Hannah
I Know It’s Wrong to Be Playin’ the Blues
I Know It’s Wrong to Be Playin’ the Blues
James “Son Ford” Thomas
You Whistlin’
You Whistlin’
James “Son Ford” Thomas
Mule Toast and Pool Hall Toast
Mule Toast and Pool Hall Toast
Joe "Skeet" Skillet
The Preacher
The Preacher
Joe Cooper
Lyin’
Lyin’
Wallace “Pine-Top” Johnson, Jasper Love, Maudie Shirley
Two Brothers, Heaven and Hell
Two Brothers, Heaven and Hell
Shelby “Poppa Jazz” Brown
Creekman Killed Charlie Kirkland
Creekman Killed Charlie Kirkland
Shelby “Poppa Jazz” Brown
On Blues Composition
On Blues Composition
Allen Ginsberg, James “Son Ford” Thomas, Bill Ferris
The Decline in Human Values
The Decline in Human Values
Robert Penn Warren
The Bible Salesman
The Bible Salesman
Pecolia Warner
Fast Traders Disguising Mules
Fast Traders Disguising Mules
Ray Lum
Horses Too Tall to Drown
Horses Too Tall to Drown
Ray Lum
The Ark and the Cats
The Ark and the Cats
Ray Lum
The Panther
The Panther
Ray Lum
Fixing Charles Lindbergh’s Engine
Fixing Charles Lindbergh’s Engine
Victor Bobb
Lying About Being From Mississippi
Lying About Being From Mississippi
Barry Hannah
Cemetery Conversations
Cemetery Conversations
James “Son Ford” Thomas

Identifier Graph

UPCVoices of Missi…ISRC44 BluesISRCI Feel So GoodISRCStackalee and B…ISRCLil’ Liza JaneISRCBig Fat Mama

People also ask

What is UPC 769791969506?
UPC 769791969506 is the Universal Product Code (barcode) for "Voices of Mississippi: Artists and Musicians Documented by William Ferris" by Various Artists.
What is a UPC code in music?
A UPC (Universal Product Code) — also called an EAN barcode — is a unique numeric identifier assigned to a music release by its distributor. It identifies the release as a whole (album, EP, or single) and is required by every digital storefront and physical retailer.
How is a UPC different from an ISRC?
A UPC identifies a release (the bundle of tracks sold as one product). An ISRC identifies a specific sound recording (a single track). Every track on a UPC release has its own ISRC, but they all share the same UPC.
How many tracks are on UPC 769791969506?
UPC 769791969506 contains 79 tracks, each with its own ISRC.
SourcesMLCMusicBrainz2 sources

Verified on

What is UPC 769791969506?

769791969506 is a Universal Product Code (UPC) assigned to Voices of Mississippi: Artists and Musicians Documented by William Ferris by Various Artists. UPCs (also called EAN barcodes) are unique numeric identifiers assigned by distributors to identify music releases — albums, EPs, and singles — across all digital and physical retail platforms.

This release contains 79 tracks. Each track has its own ISRC (International Standard Recording Code) that identifies the specific sound recording, while the UPC identifies the release as a whole. Knowing your release's UPC is essential for neighboring rights collection societies like SoundExchange and for transferring music between distributors.

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